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The Panasonic Lumix DMC-FZ5 is a 5.0 megapixel digital camera with a 12x optical zoom lens with optical image stabilizer built in. It is a significant upgrade to their previously released DMC-FZ3.
Compare prices on the Panasonic Lumix DMC-FZ5 and get the latest price on it from Amazon.
Panasonic is introducing the incoming LUMIX model 5.0-megapixel DMC-FZ5 and 4.0-megapixel DMC-FZ4 with MEGA O.I.S., Optical Image Stabilizer that compensates the handshake, incorporating a newly developed 12x optical zoom (equivalent to 36mm to 432mm(FZ5) / 35mm to 420mm(FZ4) on a 35mm film camera) lens. The DMC-FZ5/FZ4 is the heir to the 3.1-megapixel DMC-FZ3, but enhanced its excellence not only with the total number of pixels but also with other innovative technical improvements such as faster AF and various design development on the grip or the position of shutter button, to encourage higher-level shooting with comfortable operation. Panasonic has already introduced the DMC-FZ20, 5-megapixel 12x optical zoom model in 2004 for high-end prosumers. DMC-FZ5, however, makes clear distinction in the point of body size and usability, by which nonexclusive users can enjoy the deeper world of photography.
The remarkable 12x optical zoom combined with 4x digital zoom magnifies images by as much as 48x and can capture large frames of photo subjects even a long distance away. Furthermore, Panasonic’s MEGA O.I.S. assures stability of the magnified image and resolves the problem of blurring when the zoom photography is operated by hand without the assistance of a tripod. Same as the FZ20, the camera is equipped with a LEICA DC VARIO-ELMARIT lens for high resolution imaging with very little distortion. Moreover, the combination of 3 aspherical lenses preserves an astonishingly compact body size even for a 12x optical zoom digital still camera.
The engine, or the brain, driving high picture quality and quick response of the camera is once again the leading-edge image processing LSI Venus Engine II, which boasts excellent resolution in the horizontal and the vertical, in addition to the diagonal. An industry-leading release time lag of 0.008(FZ5)/0.006(FZ4) sec minimum and shutter interval of approx. 0.4(FZ5)/0.3(FZ4)* sec minimum, allowing you to precisely capture your target subject. What’s more, consecutive shooting performance boasts the capability of sequential shots at a rate of 3(FZ5) / 4(FZ4) frames per sec at full resolution. An unlimited** consecutive shooting function allows you to take photos in succession until the memory card or built-in memory is full.
The LUMIX DMC-FZ5/FZ4 are the higher-resolution model out of FZ3, retaining the advantages of compactness and ease, but still satisfying 12x powerful zoom and MEGA O.I.S., to use for every level of users in need of a digital still camera a cut above ordinary ones for shootings of the subject at a distance like child’s sports activities.
* Not including the time for AF.
** The speed of the consecutive shooting varies depending on the memory card or built-in memory.
The number of recordable picture depends on the memory card size, battery life, picture size, and compression.
1. A Remarkable 12x Optical Zoom in a Compact Body
The LUMIX DMC-FZ5/FZ4 digital camera is equipped with 5.0(FZ5)/4.0(FZ4) megapixel CCD and newly developed LEICA DC VARIO-ELMARIT lens offering 12x optical zoom (equivalent to 36mm to 432mm(FZ5) / 35mm to 420mm(FZ4) on a 35mm film camera) with aperture of F2.8 to F3.3. The combination of 3 aspherical lenses, the crystallization of Panasonic’s optics technology, generates high optical performance while preserving the compactness of the unit. The zoom range can be totally extended to 48x when combined with 4x digital zoom.
2. MEGA O.I.S. – The Essential Feature for Digital Cameras
MEGA O.I.S., which we strongly believe indispensable for a high-magnification model, is subsumed with 2 selectable modes. In “Mode 1”, the O.I.S. lens continuously compensates the vibration, and in all Panasonic’s own “Mode 2”, the O.I.S. lens suppresses hand-shake only at the moment the shutter button is pressed. In this mode, the lens can move in all directions at the moment to maximize its effect, and higher-resolution image can be taken by capturing the image as close as to the center of the lens. Venus Engine II also encourages this advantageous performance in the point of enhancing the accuracy of hand-shake detection, consequently, even without using a tripod, it allows you to reduce the shutter speed more than 3 steps compared to the conventional cameras without O.I.S., while assuring clear images. It is difficult to capture crisp and clear images in shootings with high-powered zoom or with macro mode without using a tripod. The shutter speed tends to slow when shootings in low-lit indoor or of nighttime scenery. However, MEGA O.I.S. enables you to easily take clear, beautiful pictures in such situations.
3. The Venus Engine ll Leads the Industry for its Quick Response
The engine, the brain of digital camera, driving high picture quality and quick response of the camera is once again the leading-edge image processing LSI Venus Engine II. Panasonic has achieved great improvements in both resolution and response compared with the performance of previous Venus Engine. In the previous Venus Engine, the luminance signal was extracted from all RGB pixels to improve the diagonal resolution by 50%. In addition to that, the Venus Engine II gains new imaging process which adds the luminance signal extracted only from the G pixels upon detecting the horizontal / vertical lines in the image. This results in the improvement of the horizontal and vertical resolution by more than 10% compared with the former Venus Engine, while maintaining the 50% improvement in the diagonal resolution.
The multi-task image processing LSI realizes outstanding response of industry-leading release time lag of 0.008(FZ5)/0.006(FZ4) sec minimum and a shutter interval of approx. 0.4(FZ5)/0.3(FZ4)* sec for achieving more stress-free operation. It also boasts high consecutive shooting performance, providing shooting at 3(FZ5)/4(FZ4) frames per sec at full resolution. The Unlimited** Consecutive Shooting function allows limit-free consecutive shooting up to the capacity of the memory card or built-in memory.
* Not including the time for AF.
**The speed of the consecutive shooting varies depending on the memory card or built-in memory.
The number of recordable picture depends on the memory card size, battery life, picture size, and compression.
4. The Industry-leading Short AF Time for a High Zoom Model
An AF method can be selected according to the shooting situation: 9-point, 3-point high-speed, 1 point high-speed, 1-point normal-speed and Spot. In the newly incorporated 1 point high-speed AF, the shutter time lag (including AF speed i.e. the time from “shutter full pressing” to “capturing picture”) has dramatically been reduced to one-third the level* of the previous DMC-FZ3 model, and has resulted in achievement of industry-leading short shutter time lag for a high zoom model.
Although screen-freeze in high-speed AF is now minimized, if you take the picture of subject with fast movement, you can select 1 point normal-speed AF which does not have any screen-freeze while focusing. In addition, AF assist lamp is equipped for expanding the AF ability even at night or under the low-light conditions.
* Panasonic in-house comparison with DMC-FZ3 at the tele-end.
5. Variety of Settings with Mode Dial and Scene Modes
9 scene modes that meet most any shooting situation can be appropriately selected thanks to the newly installed Scene Mode Help screen. This shows the description of each mode on the LCD monitor, makes it easier to select the mode that best fits the shooting conditions.
Manual functions such as aperture-priority AE, shutter-priority AE or manual exposure, are selectable directly by the mode dial and offers smooth control. On the other hand, it also offers easy shooting even to the entry-level users by providing the Simple Mode, in which most settings are made automatically. You just aim at the subject, zoom in or out, and press the shutter button.
6. High-End Usability Satisfies a Wide Range of Photographers
LCD monitor has become 1.8-inch* in size for an improvement in visual image confirmation. And a battery life of 300 images (CIPA) gives the FZ5/FZ4 more staying power than the FZ3.
Auto angle detection, another new feature, records whether an image was taken horizontally or vertically. This ensures that when playing back on the LCD monitor and displaying images on your TV by connecting your LUMIX with an AV cable**, vertical images are automatically displayed vertically and horizontal images are automatically displayed horizontally.
* 1.5-inch for FZ4
** Video Cable for FZ4
Digital Camera Info reviews the Panasonic Lumix DMC-FZ5 and writes - 'The Panasonic DMC-FZ5 makes some marked improvements over the earlier Lumix FZ3. The most notable is the larger 1/2.5-inch CCD with 5 effective megapixels and a Venus Engine imaging processor. The FZ5 still keeps the best features from its little sibling: the Leica 12x optical zoom lens, two modes of image stabilization, a full range of automatic and manual modes, and the same body size and shape. The FZ5 includes a lithium ion battery with a charger, a lens hood, a full suite of software, and other accessories. There are a few drawbacks, such as the small 1.8-inch LCD and loud zooming function, but Panasonic keeps this digital camera in consideration with a $499 retail price tag and flashy features like flip animation and sleep mode.'
DP Review has a review of the Panasonic Lumix DMC-FZ5 and writes - 'The DMC-FZ5 solves the only two reservations most people had about its predecessor (the DMC-FZ3); fairly low pixel count and slightly sluggish focus (especially at the long end of the zoom). It also adds a bigger, better screen, slightly better ergonomics and seems to have almost entirely removed the vignetting problem that plagued FZ3 shots. Put all these improvements together and you've got an incredibly powerful, incredibly compact camera capable of punching well above its weight. In fact, unless you really want a big camera, or really need manual focus or external flash, I wouldn't hesitate to recommend the FZ5 over the hugely popular, but more expensive, FZ20 - such is the small difference in image quality and overall performance (and with near-SLR speed focus the cheaper camera is much better in one important respect).'
GizMag has a review of the Panasonic Lumix FZ5 and writes - 'The remarkable 12x optical zoom combined with 4x digital zoom magnifies images by as much as 48x and can capture large frames of photo subjects even a long distance away. Furthermore, Panasonic�s MEGA O.I.S. assures stability of the magnified image and resolves the problem of blurring when the zoom photography is operated by hand without the assistance of a tripod. Same as the FZ20, the camera is equipped with a LEICA DC VARIO-ELMARIT lens for high resolution imaging with very little distortion. Moreover, the combination of 3 aspherical lenses preserves an astonishingly compact body size even for a 12x optical zoom digital still camera.'PC Mag reviews the Panasonic Lumix DMC-FZ5 and writes - 'The FZ5 is geared toward several different skill levels. Easy mode provides access to just the most basic functions of the camera. For shooters who want to tailor their pictures a bit, Panasonic includes scene modes like sports, night portrait, fireworks, party, and snow, among others. For more advanced users, the FZ5 offers a manual mode, which lets you set the aperture and shutter speed for more creativity and control.'
CNET Reviews has a review of the Panasonic Lumix DMC-FZ5S digital camera and writes - 'We like the Panasonic Lumix DMC-FZ4, but this 1-megapixel upgrade is even better. The Panasonic Lumix DMC-FZ5 has the same optically stabilized 12X Leica Vario-Elmarit zoom lens (the different focal-length range is the result of pairing it with a different sensor), it has similar performance and image quality and, unlike its cheaper sibling, includes a microphone and speaker for audio annotation or video film clips with sound.
Manual exposure controls, an SLR-like design, and advanced options that include lossless TIFF file storage will appeal to the photo enthusiast, while an abundance of scene choices, such as a neophyte-friendly Simple mode, ease snapshooters into the world of the megazoom. Some Rube Goldberg touches--including a lens hood that must be removed each time you use the flash or the autofocus-assist lamp--are annoying, at best. However, once you get used to the FZ5's quirky design, it works quickly and well.'
Photoxels reviews the Panasonic Lumix DMC-FZ5 digital camera and writes - 'Overall, the Panasonic Lumix DMC-FZ5 makes a great all-round family digital camera. Beginner amateur photographers (and the proverbial "soccer moms") will find it easy-to-use, and more serious amateur photographers will appreciate all the useful and immensely practical features -- all in a well-designed and very compact body. The Panasonic FZ5 produces great images, is fast and a pleasure to use -- and is simply incredible value for money. If you are looking for a long zoom digital camera, don't miss checking out the Panasonic FZ5, available in silver or all black body.'Compare prices on the Panasonic Lumix DMC-FZ5 and get the latest price on it from Amazon.
Posted by Darren in our Panasonic category on February 09, 2005