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The Panasonic Lumix DMC-FZ4 is a 4.0 megapixel digital camera with a 12x optical zoom lens with optical image stabilizer built in. It is a significant upgrade to their previously released DMC-FZ3. Learn more about the Panasonic Lumix DMC-FZ4 from the following Panasonic Press release announcing the Lumix DMC-FZ4 and its sibling the FZ5.
Buy the “Panasonic Lumix DMC-FZ4 4MP Digital Camera with 12x Image Stabilized Optical Zoom”
CNET Reviews has posted a good review of the Panasonic Lumix DMC-FZ4 in which they rate the digital camera as 'good'. They write -'A 12X image-stabilized optical zoom (35mm to 420mm), speedy performance, and above-average image quality are the high points of Panasonic's Lumix DMC-FZ4, the 4-megapixel version of the slightly more advanced DMC-FZ5. A flexible feature set--including full manual exposure, a pared-down Simple mode, and 10 scene selections--addresses the basic needs of enthusiasts and beginners alike. While its sibling, the FZ5, offers a few extras for only $50 more, its performance isn't quite as robust.'
Imaging Resource reviews the Panasonic Lumix DMC-FZ4 and writes - 'After reviewing its five-megapixel "big brother" the Panasonic FZ5, the Panasonic FZ4 was a bit of a disappointment. It was a competent enough camera, but missed the mark slightly in a number of areas, particularly when compared with the solid performance of the FZ5. Image noise was higher than I'd like, resolution was a bit on the low side relative to other four-megapixel digital cameras we've tested, and I didn't feel that its color rendition was quite as good as that of the FZ5. Those issues aside though, I was very surprised and pleased with how fast the FZ4 was: It has some of the fastest full-autofocus shutter lag numbers I've yet seen in a consumer digicam (quite a bit better than the already impressive figures from the FZ5), and the shot to shot cycle times were flat-out amazing. (Only just over a half second from shot to shot in large/fine single-shot mode.) Bottom line, for the $50 or so difference in "street" prices, I think the Panasonic FZ5 is a much better deal than the FZ4. That said though, if you want a really fast digital camera for shooting sports or other distant action, you just can't do better than the FZ4: It combines a very long zoom lens with optical image stabilization, and some of the fastest shutter response and shot to shot times of any (non-SLR) camera I've tested.'
Panasonic is introducing the incoming LUMIX model 5.0-megapixel DMC-FZ5 and 4.0-megapixel DMC-FZ4 with MEGA O.I.S., Optical Image Stabilizer that compensates the handshake, incorporating a newly developed 12x optical zoom (equivalent to 36mm to 432mm(FZ5) / 35mm to 420mm(FZ4) on a 35mm film camera) lens. The DMC-FZ5/FZ4 is the heir to the 3.1-megapixel DMC-FZ3, but enhanced its excellence not only with the total number of pixels but also with other innovative technical improvements such as faster AF and various design development on the grip or the position of shutter button, to encourage higher-level shooting with comfortable operation. Panasonic has already introduced the DMC-FZ20, 5-megapixel 12x optical zoom model in 2004 for high-end prosumers. DMC-FZ5, however, makes clear distinction in the point of body size and usability, by which nonexclusive users can enjoy the deeper world of photography.
The remarkable 12x optical zoom combined with 4x digital zoom magnifies images by as much as 48x and can capture large frames of photo subjects even a long distance away. Furthermore, Panasonic’s MEGA O.I.S. assures stability of the magnified image and resolves the problem of blurring when the zoom photography is operated by hand without the assistance of a tripod. Same as the FZ20, the camera is equipped with a LEICA DC VARIO-ELMARIT lens for high resolution imaging with very little distortion. Moreover, the combination of 3 aspherical lenses preserves an astonishingly compact body size even for a 12x optical zoom digital still camera.
The engine, or the brain, driving high picture quality and quick response of the camera is once again the leading-edge image processing LSI Venus Engine II, which boasts excellent resolution in the horizontal and the vertical, in addition to the diagonal. An industry-leading release time lag of 0.008(FZ5)/0.006(FZ4) sec minimum and shutter interval of approx. 0.4(FZ5)/0.3(FZ4)* sec minimum, allowing you to precisely capture your target subject. What’s more, consecutive shooting performance boasts the capability of sequential shots at a rate of 3(FZ5) / 4(FZ4) frames per sec at full resolution. An unlimited** consecutive shooting function allows you to take photos in succession until the memory card or built-in memory is full.
The LUMIX DMC-FZ5/FZ4 are the higher-resolution model out of FZ3, retaining the advantages of compactness and ease, but still satisfying 12x powerful zoom and MEGA O.I.S., to use for every level of users in need of a digital still camera a cut above ordinary ones for shootings of the subject at a distance like child’s sports activities.
* Not including the time for AF.
** The speed of the consecutive shooting varies depending on the memory card or built-in memory.
The number of recordable picture depends on the memory card size, battery life, picture size, and compression.
1. A Remarkable 12x Optical Zoom in a Compact Body
The LUMIX DMC-FZ5/FZ4 digital camera is equipped with 5.0(FZ5)/4.0(FZ4) megapixel CCD and newly developed LEICA DC VARIO-ELMARIT lens offering 12x optical zoom (equivalent to 36mm to 432mm(FZ5) / 35mm to 420mm(FZ4) on a 35mm film camera) with aperture of F2.8 to F3.3. The combination of 3 aspherical lenses, the crystallization of Panasonic’s optics technology, generates high optical performance while preserving the compactness of the unit. The zoom range can be totally extended to 48x when combined with 4x digital zoom.
2. MEGA O.I.S. – The Essential Feature for Digital Cameras
MEGA O.I.S., which we strongly believe indispensable for a high-magnification model, is subsumed with 2 selectable modes. In “Mode 1”, the O.I.S. lens continuously compensates the vibration, and in all Panasonic’s own “Mode 2”, the O.I.S. lens suppresses hand-shake only at the moment the shutter button is pressed. In this mode, the lens can move in all directions at the moment to maximize its effect, and higher-resolution image can be taken by capturing the image as close as to the center of the lens. Venus Engine II also encourages this advantageous performance in the point of enhancing the accuracy of hand-shake detection, consequently, even without using a tripod, it allows you to reduce the shutter speed more than 3 steps compared to the conventional cameras without O.I.S., while assuring clear images. It is difficult to capture crisp and clear images in shootings with high-powered zoom or with macro mode without using a tripod. The shutter speed tends to slow when shootings in low-lit indoor or of nighttime scenery. However, MEGA O.I.S. enables you to easily take clear, beautiful pictures in such situations.
3. The Venus Engine ll Leads the Industry for its Quick Response
The engine, the brain of digital camera, driving high picture quality and quick response of the camera is once again the leading-edge image processing LSI Venus Engine II. Panasonic has achieved great improvements in both resolution and response compared with the performance of previous Venus Engine. In the previous Venus Engine, the luminance signal was extracted from all RGB pixels to improve the diagonal resolution by 50%. In addition to that, the Venus Engine II gains new imaging process which adds the luminance signal extracted only from the G pixels upon detecting the horizontal / vertical lines in the image. This results in the improvement of the horizontal and vertical resolution by more than 10% compared with the former Venus Engine, while maintaining the 50% improvement in the diagonal resolution.
The multi-task image processing LSI realizes outstanding response of industry-leading release time lag of 0.008(FZ5)/0.006(FZ4) sec minimum and a shutter interval of approx. 0.4(FZ5)/0.3(FZ4)* sec for achieving more stress-free operation. It also boasts high consecutive shooting performance, providing shooting at 3(FZ5)/4(FZ4) frames per sec at full resolution. The Unlimited** Consecutive Shooting function allows limit-free consecutive shooting up to the capacity of the memory card or built-in memory.
* Not including the time for AF.
**The speed of the consecutive shooting varies depending on the memory card or built-in memory.
The number of recordable picture depends on the memory card size, battery life, picture size, and compression.
4. The Industry-leading Short AF Time for a High Zoom Model
An AF method can be selected according to the shooting situation: 9-point, 3-point high-speed, 1 point high-speed, 1-point normal-speed and Spot. In the newly incorporated 1 point high-speed AF, the shutter time lag (including AF speed i.e. the time from “shutter full pressing” to “capturing picture”) has dramatically been reduced to one-third the level* of the previous DMC-FZ3 model, and has resulted in achievement of industry-leading short shutter time lag for a high zoom model.
Although screen-freeze in high-speed AF is now minimized, if you take the picture of subject with fast movement, you can select 1 point normal-speed AF which does not have any screen-freeze while focusing. In addition, AF assist lamp is equipped for expanding the AF ability even at night or under the low-light conditions.
* Panasonic in-house comparison with DMC-FZ3 at the tele-end.
5. Variety of Settings with Mode Dial and Scene Modes
9 scene modes that meet most any shooting situation can be appropriately selected thanks to the newly installed Scene Mode Help screen. This shows the description of each mode on the LCD monitor, makes it easier to select the mode that best fits the shooting conditions.
Manual functions such as aperture-priority AE, shutter-priority AE or manual exposure, are selectable directly by the mode dial and offers smooth control. On the other hand, it also offers easy shooting even to the entry-level users by providing the Simple Mode, in which most settings are made automatically. You just aim at the subject, zoom in or out, and press the shutter button.
6. High-End Usability Satisfies a Wide Range of Photographers
LCD monitor has become 1.8-inch* in size for an improvement in visual image confirmation. And a battery life of 300 images (CIPA) gives the FZ5/FZ4 more staying power than the FZ3.
Auto angle detection, another new feature, records whether an image was taken horizontally or vertically. This ensures that when playing back on the LCD monitor and displaying images on your TV by connecting your LUMIX with an AV cable**, vertical images are automatically displayed vertically and horizontal images are automatically displayed horizontally.
* 1.5-inch for FZ4
** Video Cable for FZ4
Posted by Darren in our Panasonic category on February 08, 2005