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Camera Phones and Disposable Memories


Douglas Rushkoff over at The Feature has written a fascinating column on the rising trend of camera phones and their ability to make part in the way we are making memories disposable. He says it a lot better than I can - here are a few excerpts:

'he cameraphone represents the latest step in a long evolution away from elevating and preserving moments, to capturing and disposing of them....

The cameraphone is terrific in that it gives us the ability to snag a photo whenever we want, even if we never carried a camera around, before. They certainly don't cost us anything in weight, and given how we already keep our phones in the most accessible pockets we've got, it costs us almost nothing in time to click off a few shots. And here we are passing digital photos around to one another like they were email signatures - moblogging them onto our websites or just passing our phones physically around our classrooms and workplaces to share the accident or sexy person we happened to capture.

But that's just the point: it's the photo we happened to capture. Instead of elevating the events in our lives to "memories," as we did in the Kodak era, we are simply grabbing some visual data points or a momentary sensation. The intentionality is gone. And unless the image is spectacular (not in execution, but in its content) we'll trash it without printing. Who can be bothered filing all those little jpegs?...

As photography becomes less time-consuming, less crafted, less intentional, and less expressed through physically realized artifacts, it will lose its ability to elevate the moments and subjects its captures. Just as monarchs established their nobility through time-consuming portraiture (for which they, themselves, were required to sit), people with film cameras could sanctify their loved ones, and - perhaps more importantly - measure and even control the passage of time by subjecting the moment to a carefully organized and meticulously processed exposure.

The immense popularity of the cameraphone may ultimately signal - like the ascendance of reality TV - a victory of content over art, or message over medium. Sure, we'll get a whole lot more well-documented car crashes. But our experience of photography may be reduced from moments of inspired awe to ephemeral voyeuristic gaping.'







Posted by Darren in our News category on April 08, 2004