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Photography Press has a review of the Olympus E410 and writes, "Metering and focusing are excellent. The former is a 49-segment system with Digital ESP centre-weighted average, spot and highlight or shadow based spot metering. It’s flexible and reliable and flash metering I found to be rather good too. ... A camera packed to the gunnels with so much excellent kit and user control might cost twice as much; the E400 I criticised for being to dear, now pricing is much better and as a result I can heartily recommend the E410 to anyone because the other bonus of this model is it is available world wide."
Read more about the Olympus EVOLT E410.
Digital Camera Info has a review of the Canon PowerShot TX1 and writes, "Canon's concept is good - a solid digital camera with awesome high definition video that can record just as well and as long as a camcorder and still snap album-worthy photos – but that’s not what the TX1 is. It’s an average camera coupled with an underdeveloped movie mode, stuck in a body that’s too small. We're glad Canon made the TX1 for its eventual influence and its place in the evolution of hybrid imaging devices, but unfortunately, the TX1 offers far more potential than performance."
Read more about the Canon PowerShot TX1.
Get a price on the Canon PowerShot TX-1
CameraLabs has a review of the Panasonic Lumix DMC-FZ8 and writes, "if you’re seriously considering the FZ8, you need to ask yourself two questions: are you the kind of person who likes studying images on-screen at 100%, and will you find the 36mm wide angle restrictive? If you answer yes to either, then you’ll probably be disappointed by the FZ8, but if the answer to both is no, then the FZ8 offers a highly compelling proposition and almost unbeatable value. As such we can confidently award it our Highly Recommended rating and rank it as the best affordable super-zoom camera around."
Read more about the Panasonic Lumix DMC-FZ8.
Pentax have today announce an update to their K100D DSLR by announcing the Pentax K100D Super.
The Pentax K100D Super has CCD shift shake reduction technology, an ISO range of up to 3200, dust removal and support for supersonic drive motor (SDM) lenses.
Otherwise the K100D Super is similar to the K100D with a 6 megapixel sensor, 2.5 inch LCD and shutter speeds of 30 - 1/400 second.
Pentax also announced a new flash to go with the K100D super - the Pentax AF-200-FG (pictured below).
No price or availability times have been announced yet.
A press release announcing both the K100D Super an the new flash follow.
Get a price on the Pentax K100D Super
GOLDEN, CO. (June 27, 2007)….PENTAX Imaging Company announced the PENTAX K100D Super digital SLR with innovative features usually found on more advanced, higher-priced cameras. The newest member of the K Series of digital SLRs combines the PENTAX Shake Reduction (SR) system, an innovative Dust Removal (DR) system, and full compatibility with PENTAX SDM lenses.
The K100D Super builds on the popular PENTAX K100D digital SLR camera that first shipped in July 2006. Incorporating the PENTAX-original Dust Removal (DR) system previously available only in more advanced models, PENTAX takes entry-level SLR users to the next level with the new K100D Super Digital SLR. A PENTAX-original design, the Dust Removal system helps keep the CCD surface dust-free to ensure spotless images. The new PENTAX digital SLR also offers full compatibility with PENTAX SDM lenses. Together, these features upgrade the K100D Super to a technologically advanced SLR at a very affordable price.
Compatible with any PENTAX SLR lens ever produced,* PENTAX K100D Super offers a large 2.5 inch LCD monitor with 210,000 pixel resolution and a friendly Mode Dial featuring Auto Picture and Picture modes as well as new Scene modes for even simpler photography. The 6.1 megapixel APS-C size CCD, 11-point autofocus mechanism, and sophisticated 16 segment multi-pattern metering delivers outstanding image reproduction, while the bright, high-precision Penta mirror viewfinder features a 96% field of view and 0.85X magnification. With this array of advanced features and an easy-to-hold, easy-to-use design, the K100D Super delivers high-quality digital SLR photography to users of all levels including SLR beginners.
*With adapter for screw mount and 645/67 lenses
Along with the SLR, PENTAX has announced a new compact, easy-to-use AF200FG Auto Flash. The hot-shoe mount flash features a compact, lightweight body, a guide number of 20 (at ISO 100/m) and simple dial operation to assure effortless flash photography for everyone. The P-TTL auto flash system assures proper exposure level by measuring the flash’s pre-discharge with the camera’s multi-pattern metering system. The AF200FG uniformly covers the wide discharge angle of a 28mm lens (in the 35mm format) and includes a flip-down diffuser that can cover the angle of a 24mm lens (in the 35mm format).
PENTAX Imaging Company is an innovative leader in the production of digital SLR and compact cameras, lenses, flash units, binoculars, scopes, eyepieces and mobile printers and scanners. For more than 80 years, PENTAX technology has developed durable, reliable products that meet the needs of consumers and businesses. With headquarters in Golden, Colorado, PENTAX Imaging Company is a division of PENTAX of America, Inc.
# # #
Consumers:
1-800-877-0155
pentaxinfo@pentax.com
PENTAX K100D Super Fact Sheet
PENTAX-Original Shake Reduction Mechanism For Sharp, Blur-Free Images
The K100D Super is equipped with the PENTAX-original Shake Reduction (SR) system to reduce camera shake for sharp, blur-free images even under demanding shooting conditions such as when using a telephoto lens or when shooting in low light without a flash. The SR mechanism is designed to minimize camera shake by oscillating the CCD image sensor vertically and horizontally at high speed using magnetic force, while adjusting the speed of oscillation in proportion to the amount of camera shake detected by a built-in sensor. As a result, the K100D Super gives the equivalent to approximately 2 to 3.5 shutter steps of compensation. Since this versatile system is compatible with all existing PENTAX interchangeable SLR lenses,* it does not require special anti-shake lenses equipped with add-on optics or devices.
*Compatible with K-, KA-, KAF-, KAF2-mount lenses without an adapter, and screw-mount, 645-system and 67-system lenses with an adapter. Available functions may be limited with certain lenses.
Dust Removal System For Spotless Images
The K100D Super features the PENTAX original Dust Removal (DR) system to prevent dust from sticking to the surface of the low-pass filter in front of CCD image sensor. Through a vapor deposition process, a fluorine compound is applied to the surface of the low-pass filter. This PENTAX-original Super Protect (SP) coating effectively prevents dust and stains from sticking to the surface. Any remaining surface dust falls off when the SR system shifts the CCD at high speed. The dust lands on an adhesive sheet positioned at the bottom of the SR unit, eliminating any possibility of it returning to the CCD surface.
Compatibility With SDM System For Smoother, Quieter Autofocus Operation
The K100D Super’s camera body is compatible with a new SDM system, which assures smoother, quieter autofocusing operation using a built in supersonic motor. When a lens equipped with the SDM system is mounted on the PENTAX K100D Super camera body, the focus mode is automatically switched to SDM-assisted autofocusing.
Auto Sensitivity Control Up To ISO equivalent of 3200
The K100D Super features an Auto Sensitivity Control function that automatically sets the optimum sensitivity up to ISO equivalent of 3200 (the highest automatic setting in its class) based on such data as the subject’s brightness level and the lens focal length. Since this function allows the use of higher shutter speeds in poor lighting situations (such as indoor sports events and night scenes), photographers can effectively prevent blurred images. Users may also manually preprogram a desired level, from ISO 200 to the super-high sensitivity of the ISO 3200.
Auto Picture Mode For Effortless Point-and-Shoot SLR Photography
The PENTAX-original Auto Picture mode automatically and instantly selects one of five Picture modes (including Portrait, Landscape, and Macro) to create the most appropriate visual effect for a given subject. While the camera sets all primary parameters (including shutter speed, aperture, white balance, saturation, contrast and sharpness), the photographer may concentrate on picture composition and shutter opportunity.
11-Point Wide-Frame AF To Capture Off-Center Subjects In Crisp Focus
The K100D Super’s sophisticated SAFOX VIII autofocus system features 11 sensor points (with nine cross-type sensors in the middle) to automatically focus on the subject with utmost precision, even when it is positioned off center. The in-focus sensor point is automatically superimposed in red in the viewfinder for at-a-glance confirmation.
Large LCD Monitor To Facilitate Image Viewing And Menu Setting
The K100D Super features a large 2.5-inch color LCD monitor on its back panel. Its wide-view design allows the photographer to check the monitor image over 140 degrees vertically and horizontally, ensuring effortless image viewing even from a diagonal position. It provides 210,000 pixels for high-resolution image viewing, with a zoom display function that lets users magnify and image up to 12 times for easy confirmation of the focus status and the subject’s expressions. The large monitor size allows for large letters, digits and icons on the menu screens to facilitate menu confirmation and camera operations.
Bright, Clear Viewfinder
The K100D Super features a lightweight penta-mirror viewfinder, which combines PENTAX-original finder optics with a Natural-Bright-Matte II focusing screen to deliver a bright, clear subject image with a 0.85-times magnification and a 96-percent field of view.
True-to-Life, Rich-Gradation Images Assured By 6.1 Effective Megapixels
The K100D features a large, high-performance 23.5mm x 15.7mm CCD. By combining 6.1 effective megapixels with a high-performance imaging engine and advanced image-processing technologies, the K100D Super is designed to produce beautiful, true-to-life images that are rich in color gradation. The K100D Super offers a choice of two finishing touches of “Natural” or “Bright” to create a distinctive atmosphere.
Compatibility With High-Quality, High–Capacity SDHC Memory Card
The K100D Super accepts not only the conventional SD memory card as its storage media, but also the newly standardized SDHC card,* which allows users to store higher numbers of large data files, such as RAW-format images.
* SD High Capacity card, with a storage capacity exceeding 2 GB
Compact, lightweight body with optimum holding comfort
The K100D Super has been designed to be compact and lightweight for easy carrying and enhanced maneuverability with an easy-to-hold grip to assure a stable shooting position.
Other features:
* 19 custom functions to personalize camera operations
* Consecutive shooting of up to five frames at the speed of approximately 2.8 frames per second (at BEST image quality in JPEG format)
* Eight distinctive Scene modes to accommodate specific subjects/applications
* Choice of two preview functions (digital/optical)
* Choice of 16-segment multi-pattern metering, center-weighted metering and spot metering to accommodate various photographic applications
* Noise reduction mechanism to reduce digital noise during extended exposures
* Dual power source (two CR-V3 lithium batteries, or four AA-size batteries)
* USB 2.0 (HI-SPEED) compatibility for speedy data transfer to PC
* Five digital filters (Black-and-white, Sepia, Slim, Soft and Brightness) for easy editing of recorded images
* PENTAX PHOTO Laboratory 3 RAW data and image processing software and PENTAX PHOTO Browser 3 image browser software included on the accompanying CD-ROM
* Compatibility with PictBridge, DPOF, Exif Print and PRINT Image Matching III formats
SDHC Logo is a trademark
PENTAX and SDM are trademarks of PENTAX Corporation
PENTAX PHOTO Browser and PENTAX PHOTO Laboratory are trademarks of PENTAX Corporation
All other brands or product names are trademarks or registered trademarks of their respective companies.
Design and Specifications are subject to change without notice
PENTAX AF200FG Auto Flash FACT SHEET
* Guide Number: 20 max. (at ISO100/m). Manual setting: Full, 28 max. (at ISO200/m). Manual Setting: Full
* Discharge angles: 70 horizontally (78 with wide-angle panel), 53 vertically (60 with wide-angle panel)
* Focal-length coverage: covering angles of view for 28mm lenses (in 35mm format). 24mm angle view covered with wide-angle panel
* Flash interval and battery life: Approx. 4-second interval, approx. 300 full-level discharges (with alkaline batteries)
* Flash modes: (1) P-TTL modes (TTL corrective auto flash, contrast-control auto flash); (2) TTL modes (TTL auto flash); (3) M modes (manual, Full)
* Flash range (in P-TTL, TTL modes): (1) film speed coupling range: ISO100-ISO1600; (2) Illumination range: 0.7m-3.6m (at G.N.20, ISO100, F5.6); (3) Illumination range: 0.7m-5.0m (at G.N.28, ISO200, F5.6)
* Flash exposure compensation: -0.5Ev, -1Ev
* Power source: (1) 4 AA-size alkaline batteries; (2) 4 AA-size lithium batteries; (3) 4 AA-size Ni-MH batteries
* Dimensions (H x W x D): 68mm x 83.5mm x 93mm (2.7” x 3.3” x 3.7”)
* Weight: 190g (6.8 oz) without batteries
PENTAX is trademark of PENTAX Corporation
Design and specifications is subject to change without notice
Get a price on the Pentax K100D Super
DPexpert reviews the PENTAX K100D SUPER DSLR and writes - "This is a case of a good camera getting better. The vibration reduction and dust removal are worthwhile improvements to the K100D and well worth the little extra money. No compact or super-zoom pseudo SLR comes within cooee of the quality in this package. Some may fear that 6 megapixels are not enough but the fact is that 6 million well processed pixels will produce high quality A3+ prints – do you need more? Highly recommended."
Steves Digicams reviews the Pentax K100D Super Digital SLR where they write - 'This lightweight, durable camera was fun to use. While the K100D Super's 6-megapixel resolution lags behind that of some entry-level models by competing manufacturers, the addition of Shake Reduction (SR) and Dust Removal to a set of mature and useful camera features makes for an attractive consumer dSLR. With the street price hovering around $599 (US) with a 18-55mm zoom lens, the K100D Super is a great value. With a price point that overlaps into consumer digicam territory, the K100D Super offers a compelling choice to point-n-shoot upgraders. Further more, users of Pentax film SLR's will be tempted to make the jump to digital, with their inventory of K-mount lenses being compatible with the K100D Super AND its integral Shake Reduction feature.'
Popular Photography reviews the Pentax K100D Super where they write - "While we've criticized the K100D in the past for relegating most controls to the menus, we've accepted that such cameras aren't meant for control freaks like us. With the K100D Super set to Program, it's a simple pleasure to use -- a point-and-shoot with great viewing. The basic controls are accessed easily enough using the function button, and the autofocus finds the subject readily, with little fuss."
PhotogrpahyBLOG reviews the Pentax K100D Super and writes - 'Having the arrogance to call your camera 'Super' places it justifiably in the firing line for a critical kicking. But having used the camera for more than six weeks, that thought has never entered my head until now. That's because the Pentax K100D Super ticks very nearly all of the boxes for those wanting an easy to use DSLR that delivers images you'll want to keep straight out of the camera; and with the minimum of user input and effort to boot. That said, there is enough room to grow built in for those of us who do want to do more than simply point and shoot, and first time DSLR users will have fun experimenting.'
PCMag has a review of the Nikon Coolpix S50c and writes, "I wasn't impressed with the video, which had some purple fringing and was fraught with jerky motion. In my lab tests, I found the still images had excellent color, although they had just a bit of fringing too. Overall, I thought both my daylight and flash shots displayed good exposure. There was a bit of noise in the flash shots, but nothing that would overwhelm the photo. I do think the flash could be stronger. ... for those who don't mind spending lots of time messing around with tech gadgets and plowing through plenty of instructions, the Nikon Coolpix s50c's wireless features make it an alluring option. Though its image quality is decent, it's certainly not the most awesome camera in terms of performance. Still, at least for now, it's the best wireless point-and-shoot out there."
Read more about the Nikon Coolpix S50c.
Get a Price on the Nikon Coolpix S50c
ePhotoZine has a review of the Fujifilm Finepix F40 fd and writes, "The F40 is a very capable camera and lives up to the family name. I would like to see more simplistic names for features, but the camera is very easy to use, the features are well set out and the camera is not uncomfortable to use. I did find that as I was holding the camera, the battery door would slide open. The battery or memory card will not fall out as they are snared in the compartment, but this is annoying all the same. As it could get caught and snapped off. There is also a sensor on the door so when it is opened, the camera automatically switches off."
Read more about the Fujifilm FinePix F40fd.
Get a Price on the Fujifilm Finepix F40fd
ePhotoZine has a review of the Fuji FinePix F20 and writes, "For a budget price camera, the Fuji F20 scored well on all accounts. Images are clear, retaining good detail, and, with the exception of the blues, the rendition of colours in the colour chart test were impressively accurate. The build of the camera is good and the design is stylish, not at all what you would expect from a lower-priced camera. ISO tests showed that while there was a lot of noise and detail loss in the highest setting, lower settings were acceptable, and remained relatively clear. Additionally, the F20 is easy to use, and an ideal starter camera for any newcomers to digital photography."
Read more reviews of the Fujifilm Finepix F20
Compare prices on the Fuji Finepix F20 and get the latest price on the Fujifilm Finepix F20 at Amazon.
DCResource has a review of the Sony Cyber-shot DSC-H9 and writes, "A camera can have all the bells and whistles in the world, but all that means nothing if it can't take a decent photo. It is here where I was most disappointed with the DSC-H9. Photos had good exposure and color, but those are about the only positives I can list. The camera applies too much noise reduction to photos, making them soft, with fine details smudged. Naturally, it gets even worse as the ISO goes up (especially in low light), with anything above ISO 800 being unusable. There's also quite a bit of purple fringing to be found on the H9's 15X Carl Zeiss lens. Redeye is a problem in flash shots, but the in-camera removal tool cleans it up well. Most of these things won't matter if you're making small prints, but any larger and you'll be sure to notice."
Read more about the Sony Cybershot DSC-H9.
Get a Price on the Sony Cybershot DSC-H9
Imaging Resource has a review of the Olympus FE-250 and writes, "If there's a single reason the Olympus FE-250 isn't a Dave's Pick, it's the price. I really liked the size, weight, control layout and most of the images I took with the FE-250. ... Images are very color-saturated and high contrast, as they are on most entry-level cameras. You probably won't be spending much time editing them anyway, though. I didn't. I liked the color and detail, especially of my close-ups. They were ready to print right out of the camera. All in all, a nice little camera, just a shade away from being a Dave's Pick, but capable of making very nice photos under a range of conditions."
Read more about the Olympus FE-250.
Get a Price on the Olympus Stylus FE-250
RegHardware has a review of the Casio Exilim EX-Z75 and writes, "Casio's EX-Z75 is a lovely little snapper that'll help you take a decent shot, no matter how ignorant of photographic procedures you happen to be. Squint into a picture blown up to 100 per cent on a computer screen and, if you're a photography buff, you may spot noise creeping in - at high sensitivity settings you won't have to try too hard. But on a standard-sized print, run out by a good print-making service, you shouldn't be disappointed."
Read more about the Casio Exilim EX-Z75.
Get a price on the Casio Exilim EX-Z75
LaptopMag has a review of the Panasonic Lumix DMC-TZ3 and writes, "Under normal shooting conditions, the camera excelled with the MEGA O.I.S. and sharp Leica lens, producing crisp pictures with accurate color. The camera's large LCD had ample resolution (230,000 pixels), so we could easily tell whether we got the shot, without having to transfer photos to our laptop. ... With a versatile wide-angle lens and helpful automatic controls, the TZ3 is definitely a camera that takes photography seriously. The best part is that you don't need to be a serious pro to capture great pictures with it."
Read more about the Panasonic Lumix DMC-TZ3.
Buy a Panasonic Lumix DMC-TZ3
Trusted Reviews has a review of the Pentax Optio T30 and writes, "Picture quality also seems to be significantly improved over the rather disappointing performance of the T20, although it is still not entirely problem-free. The T30 has a maximum ISO setting of 3200, and produces good results at settings up to 400 ISO, and printable results as high as 1600, which is a pretty creditable performance by any standard. Overall picture quality is about average for this class of camera, with the lens producing good detail and contrast with relatively little wide-angle barrel distortion, although it did produce the opposite pincushion distortion at the telephoto end. Exposure and colour balance were accurate despite the atrocious weather in which I was taking my test shots. In less monsoon-like conditions the results would undoubtedly have been much better."
Read more about the Pentax Optio T30.
Get a Price on the Pentax Optio T30
Stuff has a review of the Canon EOS 400 D and writes, "The variation of the ISO (equivalent to the exposure time or film speed) in this camera goes from 100 to 1600, and the noise in 1600 is as little as can be expected on today's digitals. ... To sum up, the Eos 400D is an entry-level priced digital SLR, with more features than most buyers will ever need, user-friendly commands that any amateur will understand and has performance and image quality to satisfy many professional requirements."
Read more reviews of the Canon EOS DIgital Rebel XTi / EOS 400D
Compare prices on the Canon EOS 400D / Digital Rebel XTi and get the latest price on the Canon Digital Rebel XTi / 400d at Amazon.
PopPhoto has a review of the Canon EOS 1D Mark III and writes, "The Canon EOS 1D Mark III packs an impressive mix of features and functions into a rock-solid pro body. Image quality is first-rate at low ISOs and it pushes the envelope with its high ISO performance -- managing noise while maintaining resolution very well. It ups the ante in terms of autofocusing speed and range, ISO range, LCD screen size and live preview, and of course, that world-beating 10 fps burst rate. We expected something big from Canon this year, as the company celebrated its 70th anniversary and 20 years of the EOS system. It delivered a real winner with the Canon EOS 1D Mark III."
Read more about the Canon EOS-1D Mark III.
Get a price on the Canon EOS 1D Mark III
Canon USA is offering free introductory photography workshops on select dates throughout the summer in Yosemite, Grand Canyon and Yellowstone National Parks. As well, the Canon Photography in the Parks Contest will be running from June 1 to September 29. More information is in the press release below:
Canon USA Photography in the Parks News Release
From the beaches of the eastern seaboard to the Great Plains, and from the wetlands of the south, to the towering sequoias of the west, America and its pristine parks have always been hailed as top destination sites for photography enthusiasts and their families. Canon U.S.A., Inc. and the American Park Network continue to help define the relationship between photography and the great outdoors with the introduction of a free photography workshop program on select dates throughout the summer in Yosemite, Grand Canyon and Yellowstone National Parks. These programs will be artfully hosted and instructed by a select few of the world renowned Canon Explorer of Light photographers including Adam Jones and Lewis Kemper, along with other Canon-selected photographers such as Rob and Ann Simpson. What’s more, the Canon Photography in the Parks Photo Contest* returns this year to offer photographers the chance to display their work and win prizes in the categories of landscape and wildlife photography in the parks.
“Photography affords an entirely new perspective of the natural world that surrounds us every day, both in our national parks, and in our own backyards,” stated Yuichi Ishizuka, senior vice president and general manager of the Consumer Imaging Group, Canon U.S.A. “As a global organization, Canon understands its responsibility for the impact it makes on society and the environment. Canon is guided by the philosophy of Kyosei – ‘all people regardless of race, religion or culture, harmoniously living together and working into the future.’ Through our involvement in the parks, we hope to strengthen Canon’s commitment to conservation.”
The Canon Photography in the Parks Photo Contest
From June 1st to September 29th, photographic enthusiasts are encouraged to submit their favorite photographs from an American park to the Canon Digital Learning Center. Winning photographs in the categories of landscape and wildlife will win a trip to the participating parks of their choice, along with a full suite of Canon photographic equipment. By logging onto the Canon Digital Learning Center at www.usa.canon.com/dlc, potential winners will not only have the opportunity to submit their photos, but can also peruse the Web site to explore the various educational resources that Canon has to offer for novices and advanced photographers alike.
Photography in the Parks Workshops
With the help of the Canon Explorer of Light program, Canon’s elite roster of the most influential photographers in the world, park visitors will have the opportunity to participate in free daily guided visual photographic journeys. Additionally, Canon will loan participants top-tier digital camera equipment to capture those awe-inspiring sights at no additional cost. Aspiring photographers will learn the tips and tricks to taking great outdoor photos and experience hands-on training using some of the same equipment that professional photographers use. Evening programs are also offered, providing visitors the rare opportunity to spend time with the Explorers of Light, view stunning imagery, ask questions, and receive prints and a CD of their own photos.
“It’s rare that we get the chance to share our passion for photography with people that are so eager to learn,” stated Adam Jones, professional photographer and Canon Explorer of Light. “As far as wildlife and landscape photography goes, these three parks are among the best locations the Earth has to offer. I look forward to teaching the tips and tricks I’ve used that will help to create photographs that can compete in the Canon in the Parks Photo Contest.”
Schedule of Seminars
Yosemite National Park: June 15-29, 2007
* Workshops: 9:30 a.m. and 2:30 p.m. except Tuesdays
* Location: Ansel Adams Gallery
* Evening program: 8:30 p.m. except Tuesdays
* Location: Curry Village Amphitheatre
Grand Canyon National Park: July 9 - 29, 2007
* Workshops: 9 a.m. and 2p.m. except Tuesdays
* Location: Flagpole at the rim side of the El Tovar Hotel
* Evening program: 6 p.m., except Tuesdays and on Friday, July 20, 2007
* Location: Shrine of Ages auditorium (Parking lot A, next to Park Headquarters)
Yellowstone National Park: August 6 - 12, 2007
* Workshops: Daily, 9 a.m. and 2 p.m., except Tuesdays
* Location: Old Faithful Inn
* Evening program: 6 p.m., except Tuesdays
* Location: Old Faithful Snow Lodge
Additional Programs and Sponsored Events
The workshops and photo contest are just a small part of the sponsored education and activities that Canon offers. The Canon Digital Learning Center provides a wide variety of classes across the country with renowned photographers. There are also tutorials available on-line for beginners to learn their way around a digital SLR camera to unlock the creative control that SLR photography affords.
Steve's Digicams has a review of the Nikon Coolpix S50 and writes, "While the Nikon Coolpix S50 offers some very appealing features, I was a bit disappointed with its shooting performance results. It does have the ability to capture some very nice photos, however trying to shoot a fast moving child while running through the house can be challenging. That said, with an MSRP of US$299 or less, I feel there are better 7-megapixel "ultra-compact" models out there in this price range. If you love Nikon and the features of this model, but want better performance, be sure to check out our review of the Coolpix S500."
Read more about the Nikon Coolpix S50.
Get a Price on the Nikon Coolpix S50
Megapixel has a review of the General Electric G1 and writes, "While the G1 will satisfy the needs of many point and shoot users, it does face some stiff competition from companies whose name is more readily associated with photography than GE. The G1 is a debut camera, and its descendants may well develop into more impressive and feature-rich cameras over time. But at this time, however, the list prices currently indicated by some retailers may make it a tough sell amongst well-informed camera buyers."
Read more about the General Electric G1.
Steve's Digicams has a review of the Nikon Coolpix S500 and writes, "Like the S200, I was pleased with the Coolpix S500. This is a durable ultra-compact model that will make a great choice for anyone who wants a point-n-shoot model that offers good image quality, performance, and easy to use exposure modes. With 7-megapixels of resolution, you'll be able to create beautiful 13x19-inch or larger prints. At about US$299 or less, I feel the Nikon Coolpix S500 has an Ok value for a camera in this category. Be sure to also check out our review of its sibling, the Coolpix S200, which includes many of the same features and can be had for about $50 less."
Read more about the Nikon Coolpix S500.
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CNET has a review of the Samsung NV7 and writes, "The NV7 OPS' performance matches its image quality, delivering acceptable but not great speed for its class. Based on CNET Labs' test results, it wakes up and shoots in a longish 3.1 seconds, with a respectable shutter lag of 0.5 and 1.0 second in bright and dim light, respectively. The 2 seconds it takes between consecutive single images puts it slightly behind the competition, though the 2.3 seconds it takes with flash enabled puts it ahead. Unfortunately, its continuous shooting is fixed at about 8 frames and .8fps, regardless of image size. The Samsung NV7 OPS shows a promising interface but is held back by sluggish performance and so-so photos."
Read more about the Samsung NV7
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LaptopMag has a review of the Olympus Stylus 770 SW and writes, "Photos taken with the Stylus 770 SW were better than what the Stylus 720 SW produced. Our test shots were only slightly undersaturated, and the colors were accurate. Noise at ISO 200 and 400 wasn't an issue on our tests. When we bumped the ISO up to 800 or 1600, however, quality suffered, and the sharpness dropped considerably. ... If you're looking for a svelte but tough digital camera that can go everywhere--and we mean everywhere, including underwater and in the snow--the Olympus Stylus 770 SW is definitely worth a look."
Read more about the Olympus Stylus 770SW.
Cameras.co.uk has a review of the Nikon Coolpix L12 and writes, "Aside from the macro shot which I will describe in more detail in a while the test photos I took with the Coolpix L12 are well above average for this type of digital camera. One of the most noticeable differences is just how sharp the photos are. ... If you are looking for a camera to handle close up shots then this is not the camera for you. For a start the Coolpix L12 can only focus from 15cm away from the subject. At that distance the camera struggles to really bring out the detail. The image is of low quality and after you have cropped the image to produce a close up you will struggle to make a print. ... It handles most photographic situations well. Unless you are planning to use your digital camera for a lot of close up photography then the Coolpix L12 is well worth considering."
Read more about the Nikon Coolpix L12.
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DigicamReview has a review of the Panasonic Lumix DMC-FZ8 and writes, "The Panasonic Lumix DMC-FZ8 is an excellent ultra zoom digital camera - image quality is very good with great colour and detail although noise and lack of detail at the higher ISO settings causes some concern. The camera offers an excellent Leica 12x optical zoom lens with optical image stabilisation, helping you get sharp, crisp, blur free images even in low light. The camera is very solidly built and feels comfortable to use thanks to a decent hand grip and good button layout. The camera has a clear and easy to see screen, and excels in ease of use, providing quick and easy access to all it's features. The camera responds quickly with a quick focusing time, fast shutter response, and extremely quick 3fps continuous shooting mode. As well as offering all this, the Panasonic is one of the cheapest ultra zoom digital cameras to feature optical image stabilisation, making this an excellent choice!"
Read more about the Panasonic Lumix DMC-FZ8.
DigitalCameraInfo has a review of the Nikon Coolpix P5000 and writes, "DSLR owners don’t care for picture effects and face recognition as much as they do for a good burst mode and a solid auto focus system – the P5000 has neither of these. The burst mode stutters and the auto focus adds lag time to an already slow camera. The P5000’s constant humming noise coupled with slow processing when viewing pictures makes it seem that the camera is working really hard. The Nikon Coolpix P5000 is meant to bridge the gap between compact digital cameras and DSLRs, but it is definitely weighted towards compact models."
Read more about the Nikon CoolPix P5000.
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Digital Camera Review has a review of the Canon Powershot SD850 IS and writes, "The Canon SD850 IS is a stylish, well-built compact digital camera that produces great quality images and color while requiring minimal involvement from its operator. The camera lacks manual controls, but offers a number of specialized scene modes in addition to the standard “auto” shooting mode, as well as image stabilization, up to 1600 ISO sensitivity and good shutter response time. The 4x zoom lens lacks the focal length to bring distant objects truly close, but for normal subjects the camera performs admirably."
Read more about the Canon IXUS 950 IS (PowerShot SD850 IS).
Get a price on the Canon PowerShot SD850 IS
CNET has a review of the Sony Cyber-shot DSC-H9 and writes, "Under the right circumstances, the photos look very good. Those include shooting at sensitivity settings of ISO 200 or lower, in bright sunlight. Thanks to the fast continuous shooting, solid stabilization and reliable center-point focus, the H9 delivered the best results I've had so far shooting dogs in the park. The EVF updates quickly enough to make it possible. The automatic white balance does a solid job, if a bit cool, and colors look bright and saturated. ... If you shoot primarily outdoors in daytime--especially sports, children and animals--and don't find the interface quite as crazy-making as I do, the H9 is a great choice."
Read more about the Sony Cybershot DSC-H9.
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BlogCritics has a review of the Nikon CoolPix L12 and writes, "The camera takes really good pictures inside and even better ones outside. It comes with a flash, but often doesn’t need the it because of the CoolPix's low-light capabilities. It seems to work really well in low-light situations. One drawback, though, is the long time it takes for a flash to process. That has been a little disconcerting, but I don’t generally take action pictures so its less important in what I’m using it for. ... A professional photographer might want more out of a camera than this one provides, but the Nikon CoolPix L12 really fits the bill for someone who’s on the go and just wants to take occasional shots to remember an event or post on a blog."
Read more about the Nikon Coolpix L12.
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Digital Camera Review has a review of the Canon Powershot A570 IS and writes, "With great image and color quality, image stabilization, excellent shutter lag and continuous shooting capability, manual controls and versatile “auto” performance, this camera can ably serve a novice who never leaves the “auto” setting or provide a learning tool for someone looking to get some manual experience before possibly jumping into the DSLR world. The optional teleconverter gives the camera a 245mm focal length to bring those distant subjects a bit closer. Overall, anyone who wants good performance at a very reasonable price should give serious consideration to the A570 IS."
Read more about the Canon PowerShot A570 IS.
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AbsoluteGadget has a review of the Fujifilm FinePix Z5fd and writes, " While most of the time you will have it on auto mode (which will do for most pictures) you'll be able to take good pics. ... it does a good job of taking pictures and as it starts up quickly, it is easy to pull the thing out, open the cover, take a shot and put it away again. Worth considering for a second camera you can take on a night out or where you don't want to lug around a big camera."
Read more about the Fujifilm FinePix Z5fd
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ProPhotoHome has a review of the Canon ID Mark III and writes, "if I could have only one camera to try and cover all areas of pro photography this would be it. So, if you are a generalist, which many of us are these days, this camera is hard to beat. ... The 1.3 cropped sensor is a nice focal length providing a lot of balance. The new controls and ergonomics are top-notch. The image quality is arguably the best available at the moment. The autofocus works well. What is there not to like? A superior upgrade to the 1D MKII indeed."
Read more about the Canon EOS-1D Mark III.
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PhotographyPress has a review of the FujiFilm FinePix Z5fd and writes, "The Fuji Z5fd provides the sort of image quality that other digital compacts with higher resolution sensors can only dream of. The good lens performance also helps and while this is, strictly speaking, a trendy, nice-looking snapping camera, probably to be found in clubs or pubs, it deserves a wider audience but particularly for those looking for a simple to use, ultra-compact digital camera that takes excellent pictures."
Read more about the Fujifilm FinePix Z5fd
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Imaging Resource has a review of the Canon PowerShot SD750 Digital ELPH and writes, "it was indeed a pleasure. The Canon SD750's fast startup and shutdown times never got in the way, and the responsive shutter made me forget all about shutter lag. ... But the Canon SD750's image quality was the biggest disappointment. Most of my images were soft throughout, skies were strangely blued and shade shots showed a pronounced blue color cast. All of this was barely detectable on the Canon SD750's large, bright LCD, which just made for greater disappointment. Overall, the Canon SD750 is a pretty good choice, but we think the less expensive Canon PowerShot SD1000 is a better choice unless you just have to have the big, beautiful screen on the Canon SD750."
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DCResource has a review of the Fuji FinePix S700 and writes, "Photo quality was good, but not without some noticeable issues. On the positive side, the S700 generally took well-exposed photos, with accurate colors and pleasing sharpness. The camera keeps noise down to a minimum until ISO 400, with things going downhill after that (due to increased softness and reduced color saturation). Now the bad news: the camera has issues with corner softness, blown highlights, and purple fringing. None of these matter for small prints, but if you're doing a lot of 8 x 10's or viewing things on your computer screen then you'll certainly notice them. The S700 also has a redeye problem, even with the flash-based reduction feature turned on."
Read more about the Fujifilm FinePix S700.
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Steve's Digicams has a review of the Canon PowerShot TX1 and writes, "the TX1's image quality results were very pleasing. When shooting outdoors, our sample images were sharp from edge to edge and colors look very natural. The exposure system also does and excellent job, producing beautiful sky detail. Noise levels are average for a 7-megapixel consumer model, becoming more noticeable as the sensitivity is increased. Our portrait results were also good, even though Canon only rate the flash rage at 6.6 feet at wide angle (ISO Auto.) ... Canon's Powershot TX1 is an interesting 7-megapixel model. While it's not as comfortable to hold in your hands as Sanyo's Xacti series models, the TX1 offers better image quality, performance, a more durable exterior and movie quality."
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Steve's Digicams has a review of the Panasonic Lumix DMC-TZ3 and writes, "I was pleased with the overall image quality of our 7M Fine image. The majority of our samples photos sharp, well exposure and show rich color saturation. Noise levels are average for a camera in this class, just remember, as you increase the sensitivity, you also increase imager noise. When shooting indoors or outside at night, Panasonic claims the TZ3's built-in flash unit can cover up to 13.8 feet at wide angle, using ISO Auto. This is a typical range for a consumer models, and I found works well when shooting close-up macro photography as well as portraits. I achieved the best close-up portrait shots when shooting from about 5-6 feet away using the mid telephoto end of the zoom range. Doing so produced images that show good flash exposure, sharp facial detail and natural skin tones."
Read more about the Panasonic Lumix DMC-TZ3.
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CNET has a review of the Canon ESO-1D Mark III and writes, "Images shot with the Canon EOS 1D Mark III can be absolutely stunning. Colors look extremely accurate, and the automatic white balance does an excellent job of neutralizing colors under a variety of lighting situations. The only times it became confused was in situations in which there was mixed lighting, and even then it produced pleasing, if not absolutely spot-on results. If paired with a sharp lens, the 1D Mark III can produce images with a vast amount of fine detail. However, where this camera really shines is its ultralow noise. Even at its highest sensitivity setting of ISO 6,400, we were able to make pleasing prints. ... If you can afford the cost of the 1D Mark III, and are a Canon shooter who doesn't absolutely need the higher resolution of the 16.6-megapixel 1Ds Mark II, then this camera is a no-brainer."
Read more about the Canon EOS-1D Mark III.
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PCWorld has a review of the Fujifilm FinePix A610 and writes, "Overall, the A610's scores in our image quality tests were about average, but impressive for a budget-priced camera. In lab tests, our jury gave the camera scores slightly above average for the color and exposure accuracy of its images, but rated it slightly below average for image sharpness. ... Although the A610 is a competent low-cost camera, a few more features would make it a better deal."
Read more about the Fuji Finepix A610.
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PCWorld has a review of the HP Photosmart M537 and writes, "in our lab tests, the M537 earned an overall score of Poor for image quality, the lowest for any recently tested digital camera; it also earned some of the lowest recent scores for both color and exposure accuracy, and its images, which didn't look very sharp, suffered from more distortion than those of other models. In my informal use, I found that the M537 could take attractive outdoor shots in afternoon daylight, but it proved less capable in low light."
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Trusted Reviews has a review of the Pentax Optio A30 and writes, "Image quality is one of the A30’s many strong points. At low ISO settings (64-200) the level of fine detail, the edge sharpness and the richness of the colour rendition were among the best I’ve seen from a compact camera. At higher ISO settings noise did become more of a problem, but the A30 uses an unusual noise reduction algorithm which is very good at retaining edge sharpness and contrast detail even when noise levels are quite high, avoiding many of the problems associated with previous 10MP compacts. Even at 800 ISO noise was only prevalent in darker areas, with colour rendition and sharpness still retained, both of which are important for print quality. The lens too performed well, producing some barrel distortion at wide angle but with good corner and edge sharpness at all focal lengths."
Read more about the Pentax Optio A30.
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DigitalCameraInfo has a review of the Sony Cyber-shot DSC-T100 and writes, "This ultra-slim digital camera has a $399 price tag that seems high, but it comes with a solid set of features. At 8.1 megapixels, it has plenty of resolution. A 5x optical zoom lens that is fully functional while shooting still images and video is also a big plus. It has a Super SteadyShot system that keeps pictures blur-free and video shake-free. There is a 3-inch LCD screen that has great resolution and can be viewed indoors, outdoors, upside down, and sideways. Playback is a good experience whether on the camera, computer, or television. Add the minimal shutter lag and realistic colors and the T100 is already a far better performer than many of its ultra-slim competitors. The Sony Cyber-shot T100 isn’t perfect: its buttons are tiny, it takes some time to learn the menu system, and its flash is horribly spotty and weak. But if users don’t need the flash often and want a trendy little camera to easily tote around and shoot with, the Sony T100 is a sure fit."
Read more about the Sony Cybershot DSC-T100.
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PCMag has a review of the Olympus Stylus 770 SW and writes, "Although my underwater photos were decent, the low underwater lighting of the pool—not as powerful as daylight—didn't provide quite enough illumination for the shots. ... Most of the shots outside of the water were a letdown, too. I shot several photos of my daughter diving into the pool. Sadly though, most of my images of her came out blurry. Since the camera has no manual controls, I had to rely on other, less direct settings to try to increase the shutter speed, such as switching to a sports mode, or boosting the ISO. None of these methods provided satisfactory results."
Read more about the Olympus Stylus 770SW.
ePhotoZine has a review of the Casio EXILIM Z1200 and writes, "With a very large pixel count noise was always going to be an issue, and the good news is that it's kept under control up to ISO200, but at ISO400 it really isn't very good and is worse than compacts with a lower resolution. At the ISO50 and 100 settings though, the extra detail is significant and really makes the image look incredibly detailed. While there are issues with the LCD not being overly accurate, and there's no burst mode shooting, the basic operation of the camera, with low ISOs, is fine and it produces very nice images that are high enough res that they can be cropped. ... The Z1200 has two main features then. They are high quality and high resolution, and if those are the two main items on your camera requirement list, then it's a good purchase, if not quite an all-rounder for general use."
Read more about the Casio EXILIM Z1200.
Let's Go Digital has a review of the Nikon Coolpix P5000 and writes, "The power of the Nikon Coolpix P5000 is found in the camera itself. The camera will feel comfortable for most photographers, and that makes it worth it. You have to settle for a few shortcomings, but if you can live with that, you truly have a great camera. The Nikon Coolpix P5000 is in my opinion one of the nicest compact cameras available right now, it is really well built. Of course there is always something left to hope for, and the camera is not perfect. A wide-angle lens and RAW format are on my wish list. If Nikon were to fulfill half of my wish list I would be completely satisfied. I recommend it! "
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Every few days I'm asked by readers for advice on buying DSLR Lenses. I guess with DSLRs becoming more and more affordable it's only natural that they're being bought more and more and that users are wanting to get the most out of them.
There's such a big difference in quality between one DSLR Lens and another that it's important to understand what you're buying - so over at Digital Photography School I've been writing a lot of articles on the topic. Here's some of the more popular articles on the topic. I hope you find them useful:
While you're over at DPS, feel free to share your own thoughts and experiences on DSLR Lenses.
Cameras.co.uk has a review of the Canon IXUS 70 and writes, "Two areas where the IXUS 70 outperforms most other pocket sized digital camera is when it comes to sharpness and colours. ... Aside from the slight purple tinge colours are generally strong. They are not overpowering, but the IXUS 70 is capable of producing very vivid photos. ... Although you pay a bit more for the Canon IXUS 70 then you do with many other pocket sized digital cameras you do get good value for money. This is a good all round camera that outperforms the majority of its rivals in most areas. It also has the added bonus of a viewfinder. Recommended."
Read more about the Canon SD1000 (Canon IXUS 70).
Get a price on the Canon PowerShot SD1000
Trusted Reviews has a review of the Nikon CoolPix S500 and writes, "All things considered, I’d have to say that if the CoolPix S500 is Nikon’s attempt to beat Canon at the ultra-compact game then it isn’t entirely successful. While the inclusion of optical image stabilisation in such a small camera is an achievement, and the build quality and appearance of the camera are excellent, the image noise problems, slow focusing and poor low-light performance are major handicaps. If I was looking to buy a 7MP ultra-compact, I don’t think it would be this one."
Read more about the Nikon Coolpix S500.
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ePhotoZine has a review of the Canon IXUS 75 and writes, "The IXUS 75 scores well on all accounts. It is stylishly designed, well-built, and performed well in all of the ePHOTOzine tests. It boasts an array of additional features including various scene modes, automatic face detection, DIGIC III technology and the added benefit of iSAPS. ISO modes range from 80 to 1600, macro modes focus from as close as 3cm and the LCD is exceptionally large making for ease of menu access and playback function. Also the burst mode capabilities were highly impressive - the only thing I wasn't impressed with was the lack of Red-Eye reduction functions."
Read more about the Canon SD750 (Canon Digital IXUS 75).
Get a price on the Canon PowerShot SD750
ePhotoZine has a review of the Panasonic DMC-FZ8 and writes, "The image quality is mediocre, you certainly won't be printing anything larger than A4, but at least colour fringing is kept under control. There is plenty of manual control and it's good to see that exposure compensation can still be used in the scene modes, unlike, for example, most of the Samsung range. What's good about the camera is that it's easy to use and the controls are all right where you want them, so making adjustments is fast and enjoyable. That, I think, is a key point to this camera, that besides the lure of the superzoom, it's genuinely fun to use. Yes, the image quality isn't great, but it isn't awful either, so if you're looking for a camera with that extra reach then this one should be considered."
Read more about the Panasonic Lumix DMC-FZ8.
CNET has a review of the Fujifilm FinePix S700 and writes, "Shooting speed is the big disappointment, mostly because of the slow focusing system. ... If you ignore most of the off-key bells and whistles and stick to basics like moderate ISO speed settings and semimanual exposure modes, the Fujifilm FinePix S700 offers quite a bit for your money. If Fuji had only traded some of those high ISO gimmicks for better shooting speed and a more streamlined interface, this might have been a darn good camera."
Read more about the Fujifilm FinePix S700.
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PopPhoto has a review of the Sigma SD14 and writes, "Apparently, the SD14’s internal image processor has a hard time converting high-ISO RAW data into JPEG form, while the supplied computer software handles the job more efficiently. The image processor also takes a glacial 8 to 10 sec to clear the buffer for another shot after a burst sequence of up to a mere six frames at 3 fps. That’s not even in the same ballpark as the burst rate and capacity of competitive DSLRs. In all, the camera handles well, opens creative doors with IR, and is technologically unique. But the promise of 14.1MP doesn’t pay off. And given what you can find in today’s DSLR market for $1,600, we see the virtue in shopping around."
Read more about the Sigma SD14.
RegHardware has a review of the Canon Ixus 950 IS and writes, "Images are generally impressive. Colours look sharp and accurate, even at the Ixus' lowest ISO settings. There isn't any noise until you reach ISO 200, but even this is just a light covering of slightly off-colour splotches that's barely evident on computer displays and won't show on prints. It's much the same at ISO 400, with a just-about-detectable increase that still won't hash up your hard copies. Noise becomes more noticable at ISO 800 resulting in the loss of a little detail, and adding a little grain to prints. ... the Ixus 950 IS has just about everything you could possibly ask for in a compact camera all contained in a very stylish, durable three-tone metal casing."
Read more about the Canon Ixus 950 IS.
Get a price on the Canon PowerShot SD850 IS
Unbeatable has a review of the Fuji Finepix Z5FD and writes, "The image quality is absolutely superb and we really stuggled to find fault with any of our images. Colours were brilliantly reproduced and were bright and sharp. A quick start-up to shoot time completed the perfection of such a small, compact camera which is rare to find today. ... We really enjoyed using the Fuji Z5FD and though it was excellent value for money. Although the battery life could be slightly better, the images we recived were fab and as long as you keep the battery charged for every occassion you should have no problems with this one."
Read more about the Fujifilm FinePix Z5fd
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Digital Camera Info has a review of the Canon PowerShot A570IS and writes, "Sadly, more than a few PowerShot A570ISs will likely end up damaged or broken. However, for just over $200, the PowerShot A570IS is a bargain for casual users, who will benefit from its hefty feature set. The face detection and image stabilization combination will save, conservatively, gazillions of snapshots taken by the careless, clueless or chemically-compromised user. It's less likely that the A570IS's other advances – a 7.1-megapixel sensor and a high-end ISO of 1600 – will help users as much, though their inclusion, coupled with the camera's manual controls and exceptional color performance, make the A570IS an unusual bargain at its price."
Read more about the Canon PowerShot A570 IS.
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Megapixel has a review of the Nikon Coolpix S500 and writes, "Set to 7M*, the Coolpix S500 yields very good images, especially when photos are captured outdoors and with good light, the images showing good sharpness and excellent colour rendition. And, for a modestly higher price than the S200, the S500 offers a true image stabilization system, and an excellent monitor, both of which represent valuable assets when taking photos. This, in combination with a compact body and a solid construction should make the S500 a perfect companion on outings and vacations."
Read more about the Nikon Coolpix S500.
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CameraLabs has a review of the Olympus E-510 and writes, "if you’re being picky, you can certainly find fault with the E-510, and of course when you come to pick it up in person, you might simply prefer the look and feel of its rivals. But its unrivalled feature-set and affordable pricing makes it one of the most compelling – not to mention important – DSLRs to date. It propels both Olympus and the Four Thirds standard to the premier league and should be seriously considered by anyone in the market for a new 10 Megapixel DSLR."
Read more about the Olympus EVOLT E-510.
Get a Price on the Olympus Evolt E510
Imaging Resource has a review of the Canon PowerShot A560 and writes, "The Canon PowerShot A560 is an excellent basic digital camera for all-around usage. While not as small as many subcompacts, it fits in most pants pockets or larger purses, and avoids some of the optical, image quality, and performance trade-offs that are often found in subcompact models. It offers a lot of capability (and great looking images) for the money, and a range of features that should suit beginning through intermediate photographers very well. All in all, it's a great entry-level camera, but one with at least some features to grow into as your photographic skills mature."
Read more about the Canon PowerShot A560.
Get a price on the Canon PowerShot A560
Trusted Reviews has a review of the Canon PowerShot A570 IS and writes, "In terms of image quality, the A570 has many good points and one or two not so good. Exposure and colour rendition are first class as one might expect, and dynamic range is surprisingly good for a 1/2.5-in sensor. The overall level of detail is good, but the lens does produce noticeable spherical distortion at the wide end of the zoom range, and corner sharpness is surprisingly poor. Refreshingly there is no sign of purple fringing even on the brightest highlights. Image noise is very low at up to 200 ISO, reasonable at 400, but becomes a real problem at 800. The 1600 ISO maximum sensitivity, which is touted as a feature of this model, is pretty much useless. However as long as you bear this limitation in mind the PowerShot A570 IS is capable of turning in good results under varied lighting conditions, and will seldom disappoint."
Read more about the Canon PowerShot A570 IS.
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DPReview has a review of the Olympus EVOLT E-410 and writes, "Default image quality is good, if not as crisp as the competition. However, if you play with the settings for a while, or more specifically turn Noise Filter off and set Sharpness to -2 (to compensate for the default high sharpening used to overcome the softening effect of the Noise Filter) you'll see that the camera is capturing just as much detail (if not more) than other ten megapixel digital SLRs, and that the lens is more than up to the job too. So what's the final word? At the end of the day I found myself quite liking the E-410, it's a grower that offers great value for money in a small compact package, has some real stand-out features and hasn't been crippled to 'fit into the range' like similar models from other manufacturers. Just make sure you turn off the Noise Filter!"
Read more about the Olympus EVOLT E410.
Digital Camera Review has a review of the Sony Cyber-shot DSC-T100 and writes, "The Sony Cyber-shot DSC-T100 is another nice camera in Sony’s ultra-slim T line. It definitely caters to the individual looking for a high quality, stylish camera who doesn’t mind paying a higher price, as seems to be typical for Sony products. The camera’s specs – 8 megapixels, 5x optical zoom with image stabilization, 3 inch LCD – are also pretty compelling. Image quality is good overall, but heavy noise reduction really muddies up details at sensitivities over ISO 200. The camera operates quickly and has great battery life – another big selling point for users who like to grab the impromptu shots of your friends out on the town."
Read more about the Sony Cybershot DSC-T100.
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Kodak Easyshare M873 News Release
Two additional zoom digital cameras in the KODAK EasyShare M-Series line are the M873 and M883, both offering 8-megapixel resolution and high ISO settings.
While maintaining its sleek design, the M883, with built-in face detection technology, allows consumers to view their pictures and videos on a huge 3-inch LCD screen. The all-metal bodies of the M873 and M883 come in silver and black with the M883 also produced in red.
Kodak Easyshare M883 News Release Extract
Two additional zoom digital cameras in the KODAK EasyShare M-Series line are the M873 and M883, both offering 8-megapixel resolution and high ISO settings.
While maintaining its sleek design, the M883, with built-in face detection technology, allows consumers to view their pictures and videos on a huge 3-inch LCD screen. The all-metal bodies of the M873 and M883 come in silver and black with the M883 also produced in red.
The Kodak Easyshare ZD710 is a 7 megapixel point and shoot camera with a 10x optical zoom lens.
Kodak Easyshare ZD710 News Release Extract
Additional Cameras Introduced - Z1275 and ZD710
Also announced today, are the new KODAK EASYSHARE Z1275 and ZD710 Zoom Digital Cameras. The Z1275 is a small sized high-zoom digital camera, offering 12-megapixel imaging and 5x optical zoom with photographically-advanced features. The 7-megapixel ZD710 is a versatile, fully-automatic zoom digital camera with 10x optical zoom and high ISO. And like the M series cameras, both the Z1275 and ZD710 are equipped with features that help consumers take consistently better shots, like Digital Image Stabilization and KODAK PERFECT TOUCH Technology. The Z1275 and ZD710 are both available from August 2007 and will retail for US $249 (MSRP).
The Kodak Easyshare Z1275 is a 12 megapixel digital camera with a 5x optical zoom.
It will retail for $249 USD.
Get a price on the Kodak EasyShare Z1275 at Amazon.
Trusted Reviews has reviewed the Kodak EasyShare Z1275 and writes - 'The Kodak EasyShare Z1275 is a camera with a number of problems and few saving graces. It is heavy and bulky for a compact, build quality is below average, it lacks any real image stabilisation for its longer-than-average zoom range, and its performance and image quality are well below par. The HD video mode is potentially useful, the lens is very good and the asking price is relatively low for a 12MP camera, but I'm afraid that isn't enough to save it. The possibility of a crippling technical problem is the final nail in the coffin.'
The Kodak Easyshare M853 is an 8 megapixel point and shoot digital camera with a 3x optical zoom lens and 2.5 inch LCD screen.
The pocketable design of the KODAK EASYSHARE M753 and M853 is further enhanced through a variety of colors. The M753 is available in black, silver, purple, copper, pink and blue, while the M853 is produced in white, red, graphite, silver and espresso. The brilliant colored cameras are complemented by a full range of fun camera accessories designed for the fashion-conscious person.
CNET reviews the Kodak EasyShare M853 and writes - 'The Kodak M853 is simple and affordable, and takes pictures. There isn't much else to say about it. While we recognise the value of budget compacts, it's hard to like a camera this undistinguished. The Nikon Coolpix L11 packs features such as face detection into a similar price point, while an extra £50 outlay will buy the far superior Fujifilm FinePix F40fd. Lacklustre speed, terrible low-light performance and a lack of features far outweigh the simplicity and user-friendliness of the M853, making it a frustration to use.'
Get a price on the "Kodak Easyshare M853 at Amazon
The Kodak Easyshare M753 is a 7 megapixel point and shoot digital camera with a 3x optical zoom lens and 2.5 inch LCD screen.
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The KODAK EASYSHARE M753 and M853 Zoom Digital Cameras are equipped with 3x optical zoom lenses and 7- and 8-megapixel resolution respectively, which allows consumers to print clear, crisp images up to 30” x 40” in size. Memories captured with the KODAK EASYSHARE M-Series Cameras are displayed on a vibrant 2.5-inch LCD screen, perfect for instantly sharing clear, bright pictures and videos whether inside or outdoors.
The pocketable design of the KODAK EASYSHARE M753 and M853 is further enhanced through a variety of colors. The M753 is available in black, silver, purple, copper, pink and blue, while the M853 is produced in white, red, graphite, silver and espresso. The brilliant colored cameras are complemented by a full range of fun camera accessories designed for the fashion-conscious person.
Pokcet Lint reviews the Kodak EasyShare M753 and gives it a rating of 7 out of 10. They write - "So on the face of it, when you put all this together it makes the M753 look rather poor, but when you remember that this camera is a penny short of £90, you’re actually getting what you pay for, that is a budget digital compact with a modest range of good features and some that could do better. Keep the ISO low and be patient while it focuses in low light and anyone on a tight budget that needs a simple snapper will be more than happy."
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Vnunet has a review of the Pentax Optio A30 and writes, "with higher ISO settings image noise is often an issue and certainly here there’s plenty of that in all but the brightest of light. The reason for much of this disappointing performance is the 10-megapixel sensor. While that many dots may sound alluring, the sensor is not physically large enough to have to draw in enough light to prevent the resulting image noise. ... Pentax’s reputation for making solid, feature-heavy, attractive cameras while keeping the cost down remains in place with this device – it's a snip at the price, but it's not as accomplished as some seemingly less well-equipped models."
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PopPhoto has a review of the Casio Exilim EX-Z1050 and writes, "The camera's best shot scene modes are helpful, especially for novice users. It focuses fast in most conditions, and has a good feature set for the value. While an overall improvement over the EX-Z1000, Casio doesn't provide any compelling reasons to rush out and upgrade to the EX-Z1050 for existing EX-Z1000 owners. But if you're in the market for an economical 10MP 3x zoom compact digicam, the Casio Exilim EX-Z1050 offers a good feature set and class-competitive performance at a price that won't break the bank."
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PopPhoto has a review of the Pentax Optio W30 and writes, "Underwater images came out sharp and satisfying in Auto or Program picture mode, with good color balance, but the dedicated underwater mode simply adds a blue appearance to the image and otherwise acts as Program mode. I found the color to be too blue in this mode, and much preferred the normal color balance underwater ... Images out of the water were simple to shoot and gave pleasing results. There's a shooting mode for just about any situation, though the sheer number available can be confusing at times. ... Overall, there's little not to like about this camera. It's similar to many other shirt-pocket compacts on the market, with the added bonus of going with you into the pool or ocean instead of sitting behind on the beach. So go ahead, jump right in - the Optio W30 will happily go along with you."
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Cameras.co.uk has a review of the Olympus FE-230 and writes, "I have managed to take some decent photos with the FE-230. They are not perfect, but they are cleaner and clearer than I am used to seeing from Olympus cameras. ... If you really want a pocket sized digital camera and saving money is important too then the Olympus FE-230 is likely to be worth a look. At the lower end of the price scale you need to be realistic about what a camera can deliver and this one certainly offers fair value for money."
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CNET has a review of the Canon PowerShot S5 IS and writes, "Color looks great; it pops but manages to stay shy of oversaturated. White balance is excellent under a variety of conditions. But even at its sharpest, the S5 IS' photos generally look overprocessed and a bit smeary. Some of that fades to obscurity when you print, but if you're planning to crop your photos, it will become quite noticeable. ... With competitors like the Sony Cyber-shot DSC-H9 upping the megazoom ante to 15x--and more important, opening up the wide angle--it's past time for Canon to introduce a new lens on its Sn series. The PowerShot S5 IS is still a pretty good megazoom but one that's slowly losing ground to the competition."
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DCResource has a review of the Panasonic Lumix DMC-FZ8 and writes, "The most important feature on a camera is its image quality, and its here where the FZ8 stumbles a bit. Set the ISO to 100 and give the camera plenty of light, and the results are very good. You'll get nice, saturated color, perfect sharpness, and no purple fringing. While you'll see a bit of noise reduction artifacting in these situations, it's nowhere near as bad as when the ISO hits 200 or above, or when light levels drop. Then the Venus III's overzealous NR system will either smudge or mottle the details in your photos, which reduces your print sizes, and makes viewing the images on your computer a less-than-pleasant experience. Setting the noise reduction option to low helps, and shooting in RAW mode helps even more, but in my opinion workarounds shouldn't be required to get the best quality images out of the camera. As I said in the first paragraph, this won't affect the small print crowd, but for those making larger prints, you might want to consider a non-Panasonic camera."
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PhotographyPress has a review of the Nikon Coolpix S200 and writes, "Image quality is excellent overall, particularly at the lower ISO 50 and 100 settings. Over ISO 200, it’s good as noise starts to creep into images up to ISO 400 after which noise is obvious at ISO 800 and ISO 1000. Barring a little barrel distortion (at the wide end of the zoom) and some slight purple fringing, the S200 takes detailed, crisp pictures. The reliable (if slow) focus system and the very excellent metering also make significant contributions. White balance is also very good in all but mixed lighting where it starts to take on a slight orange cast."
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PhotographyPress has a review of the Pentax Optio W30 and writes, "In terms of image quality, the Pentax performs well enough up to sensitivities of ISO400, above this setting things get noisier (as you’d expect) but with a top ISO of 3200, by the time you ramp up the sensitivity to cater for, say, low light shooting with moving subjects you want to freeze, noise is a real problem. And it is this high sensitivity setting the camera uses for its anti shake system, so it is not an anti shake system per se, but like other makers who use this type of blur reduction, it as really a software anti shake solution. This actually just bumps up the ISO and along with the noise issues associated with higher sensitivities making images very noisy indeed."
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Imaging Resource has a review of the Olympus Stylus 730 and writes, "Unfortunately, much like its more fully waterproof cousin, the Stylus 770 SW, the Olympus Stylus 730's image quality is disappointing compared to other 7 megapixel cameras on the market, with muted color, and a noisy texture to solid colors. The good side is that few shooters actually use resolution this high, even printing up to 8 x 10 size, and few of these defects are strongly visible at those resolutions. So, as we said of the 770 SW, most users of the Stylus 730 won't notice the muddled color unless they venture into high ISO territory, or enlarge low ISO images above 11x14. Shutter lag was also high on the 730. But as long as potential buyers are aware of these limitations, they can enjoy the truly excellent aspects of the Olympus Stylus 730, and happily enjoy stacks of sharp, colorful 4x6 images."
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Digital Camera Info has a review of the Sony Cyber-shot DSC-H7 and writes, "The 8.1-megapixel Cyber-shot H7 has a lot of great features: a 15x optical zoom lens with image stabilization, an impressive 2.2 fps burst mode that snaps up to 100 shots, high definition output for musical slide shows and videos, and even trendy face recognition technology that works quickly and effectively. The H7 is also a strong performer, displaying excellent color accuracy, low noise levels, and a lot of detail in captured images. As with all digital cameras, there are a few downers on the H7 – the poor resolution on the LCD and the intrusive lens hood being the most notable – but they aren’t enough to cancel out the other great features and impressive image quality at the retail price of $399."
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PhotographyBLOG has a review of the Pentax Optio W30 and writes, "The Pentax Optio W30's image quality is only average. The camera's main drawback is noisy images, with the relatively slow speed of ISO 200 showing some noise and blurring of detail. The noise gets progressively worse as you go from ISO 400 to ISO 800 and finally to the completely unusable 1600 and 3200 settings. On a brighter note, the Pentax Optio W30 handled chromatic aberrations extremely well with very limited purple fringing effects appearing only in high contrast situations."
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CNET has a review of the Nikon Coolpix S500 and writes, " If you can stay at a low ISO setting and keep your subjects well lit, the S500's photos can actually look quite good. Fine details come out crisp and sharp, remaining generally unmolested by processing artifacts. Colors appear neutral and saturated. Of course to get these results, you need to keep your ISO sensitivity low or you'll just find yourself with a noise-filled mess. The stainless steel body and handy click wheel are two great touches I'd love to see on any camera, but they can't make up for the S500's flaws. It shoots too slowly and generates unreasonable levels of noise at ISO 400 and higher. It's a nice, if sluggish, snapshot camera in bright light, but don't expect to get any decent fast or low-light shooting done with it."
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PopPhoto has a review of the Nikon Coolpix P5000 and writes, "At ISO 64 and 100, we rank Image Quality as Excellent, thanks to resolution averaging more than 2000 lines, Excellent color accuracy, and noise levels of Low and Moderately Low. Rising noise levels drop overall IQ to Extremely High at ISO 200. And as the noise at ISO 400 crosses into Unacceptable, we still found its pictures quite acceptable. ... keep the ISOs down, and you can pack nearly the picture-taking power of a D40x in a shirt pocket."
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CNET has a review of the Fujifilm FinePix F40fd and writes, "Image quality is very good, with accurate-looking colors, though we did notice a minor amount of purple fringing in some photos. The camera's automatic white balance produces slightly warm images under incandescent lighting, but does a nice job of neutralizing colors when shooting under fluorescent lighting or natural daylight. There's an impressive amount of sharpness, though of course, some of this becomes obscured at higher ISOs. We saw some ISO noise even at the camera's lowest sensitivity setting of ISO 100, though it's only really noticeable on computer monitors and won't show up in prints. ... The Fujifilm FinePix F40fd is a nice, but not exceptional, point-and-shoot camera. Most casual snapshooters will likely be pleased with the images they get from this model. If you're willing to spend a little more, Canon's PowerShot SD800 IS will get you optical image stabilization and an optical viewfinder."
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NeoCamera has a review of the Panasonic Lumix DMC-FX30 and writes, "In the end the Panasonic Lumix DMC-FX30 turns out to be an average ultra-compact camera with a wide-angle lens. ... Images from this digital camera are overly contrasty, lack dynamic range and show visibly more noise than its competitors. At ISO 100 and 200, noise is only slightly noticeable but starting at ISO 400 it gets worse. Another image quality problem is the smudging of low-contrast details present even at ISO 100. One major problem that cannot easily be overlooked is that the FX30's LCD does not accurately represent exposure."
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DPExpert has a reviewo f the Fujifilm Finepix S5700 and writes, "The Finepix S5700 is a lot of camera for the money. Neither the camera nor the instruction book treats the user like an idiot. There is a built-in assumption that the customers may be point-and-shooters but it costs no more to cater for those who want to expand their photography experience. The only issue that stops the camera being highly recommended is the image noise. If you can live with an ISO200 limit then it deserves consideration."
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DPReview has a review of the Canon PowerShot TX1 and writes, "Where the TX1 beats all camcorders is the quality of its stills, which we were genuinely surprised to see where for the most part sharp, detailed and every bit as good as most other 7MP ultra-compacts, with the added bonus of a big 10x zoom. It's got a good range of features and - unlike the majority of Ixus/Elph models it has excellent on-screen information (including shutter speed and aperture); it even tells you which ISO setting the Auto ISO is going to use. Like most - no, all - compact cameras you're really going to want to stick to ISO 200 or lower for any important shots you're likely to want to print larger than 5x7 inches, and you only really get the best results at ISO 80, but the effective image stabilization means this is less of an issue unless you're shooting in very low light. In fact the TX1 is not a camera that likes low light at all - noise is an issue at higher ISO settings, the lens isn't very fast (F3.5-5.6), the flash is weak and the focus system starts to struggle."
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Gizmodo has a review of the Fujifilm FinePix Z5fd and writes, "The most trumpeted feature is an auto-resizing tool that lets you shoot at full resolution, then do a "save as" at 640x480, the better to fit on your little patch of real estate in the blogosphere. When you are reviewing your shots, you just hit the F button and then select "Trimming for Blog." You can crop or not, but either way, you save the file in the low-res format. It's a great idea, but there's this problem: The largest image we typically run on the Giz is 500 pixels across. I don't know what fancy blog Fujifilm had in mind, but I need to shrink things down a little tighter than VGA res. Also, there's no file optimization. The resulting file is still over 100KB, rather than a nice tight 25KB."
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CrunchGear has a review of the Fujifilm Z5fd and writes, "Face detection on the Z5fd is quite accurate and great for party shots. I took this camera to a wedding and, when the images weren’t washed out by flash, the group shots looked just fine. ... Images taken with the Z5 were fairly bright and detailed with just a bit of noise in visible in out of focus areas. I printed out a few of the images and saw no noticeably egregious problems but the images were slightly washed out in natural light. ... Is it a great camera? No. Is it a acceptable pocketable camera from a company that knows its stuff? Yes."
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Megapixel has a review of the Pentax Optio W30 and writes, "Although we find the image compression at the highest image quality to be a bit too strong for our liking, the images the W30 produces are on par with many of today's compact cameras, and make very good prints. So, since this camera has the advantage over others of being waterproof, it should ensure that it gets to accompany a lot of people on their summer and winter vacations."
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Trusted Reviews has a review of the Sony Cyber-shot DSC-T100 and writes, "Image quality is where the T100 justifies its hefty price tag. The Carl Zeiss lens lives up to its prestigious name, providing superb detail with minimal wide-angle distortion, and some of the best edge and corner sharpness I’ve seen from a compact camera. The overall level of detail is very good, nearly as good in fact as the Fuji F40fd that I reviewed earlier this week. Colour reproduction is also very good, and the DRO system provides shadow detail in areas that most other cameras would miss. Image noise control is also very good, again almost up to the standard of the F40fd at ISO settings up to 800, however at 1600 and 3200 I found that the colour balance of the shot was seriously distorted, with a nasty green tint appearing over a large portion of the image. The 3200 ISO setting was also quite noisy, although I have to say that I’ve seen a lot worse."
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Cameras.co.uk has a review of the Sony DSC-H9 and writes, "Just because a camera has a very long lens and lots of megapixels doesn't mean that it will take good photographs. In fact delivering this length of lens is a tough engineering job. Looking at my test shots Sony have done well with the DSC H9. ... If you are looking for a digital camera with an extreme zoom lens then there is not that much choice around. I haven't found any major flaws in the Sony DSC H9. So if it's extra zoom you need then this is one to go for."
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Steve's Digicams has a review of the Panasonic Lumix DMC-FZ8 and writes, "Like all of the "FZ" series models from Panasonic, the DMC-FZ8 is one awesome digicam. With excellent image quality, blazing fast performance, generous 12x zoom range, MEGA O.I.S, and wealth of user-friendly/advanced exposure modes, the FZ8 is hard to beat in the "ultra-zoom" category. With 7-megapixels of resolution, you'll have no problem creating beautiful 13x19-inch or larger prints. With a street price of only US$349 (May 2007), the Panasonic Lumix DMC-FZ8 offers and outstanding value for such a capable 7-megapixel model!"
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Steve's Digicams has a review of the HP Photosmart M537 and writes, "The overall image quality of our 6MP Best images was good for an entry-level consumer model. The majority of our outdoor samples were sharp and showed good overall exposure. Colors are richly saturated, almost a bit too much. Image noise is present in areas of contrast (open blue skies and shadows), even when the camera selects the lowest ISO setting available (ISO 50.) ... the HP Photosmart M537 is an appealing entry-level digital camera with ability to capture nice photographs with good performance, and not much fuss. With 6-megapixels, you'll have no problem creating beautiful prints up to 13x19-inches. The MSRP of US$129 means this digital camera is easy on the budget and when purchased with an HP printer makes digital imaging a not so daunting task."
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Steve's Digicams has a review of the Panasonic Lumix DMC-LS70 and writes, " Image quality was good. Our sample images are nice and sharp, with no visible edge softness, and the exposure and color balance are very pleasing. Noise is present at even ISO 100, however, you have to be viewing an image at 100% to see this and it is very unlikely you will see it in your photos. ... the Panasonic Lumix DMC-LS70 is a nice digital camera package, offering some appealing features like 7-megapixels, MEGA O.I.S, etc. as well as plenty of shooting modes for everyone in your household or office. At this price point for a 7-megapixel digital camera you have to expect to give up a few bells and whistles. For instance the smaller than most LCD and movies without sound."
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The Online Photographer has a review of the Pentax K100D and writes, "So the upshot of my brief experience with the camera, and my appraisal of its situation in the current market, is that it tags along behind the Canikon category leaders offering—quite fairly—less for less, but, when called upon to compete head-to-head, it slaps its only direct competitor, the D50, smartly upside the head with its bargain anti-shake. ... in terms of optics "native" to the DSLRs, Pentax makes a few lenses nobody else does. With the K100 I used, I was sent a new DA 21mm ƒ/3.4 pancake lens. This is a lens after my own heart: a high-performance prime in a highly portable package. It crossed my mind that it might be worth getting a K100 just to use this lovely little lens all the time. But maybe that's just me."
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ePhotoZine has a review of the Nikon CoolPix P5000 and writes, "The colour rendition is good, and largely what you'd expect, with those bright blues designed for pleasing results straight out of the box. What is an issue is noise with that 10Mp resolution, and here the results are not that impressive. While the levels that are visible at ISO64 and 100 don't really cause concern, it is alarming to see colour shifts at ISO400 and the ISO3200 mode is more like an artists impression than a photo. If the ISO is kept down, you don't mind average performance, then the high resolution, good image quality, the plethora of metering and focussing options and the powerful flash features are all worth having."
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Photography Press has a review of the Samsung L700 and writes, "When it comes to performance, the L700 is fairly middle of the road. The camera is easy to use, but nothing out of this world. ... The L700 is one of those digital cameras, that isn't brilliant, nor is it shockingly bad, its just mediocre. As we've said in the review, the design isn't really that inspiring, the picture quality average and the price reflects this."
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Digital Camera Review has a review of the Nikon D80 and writes, "The pictures this camera produces is phenomenal and especially with the 50mm lens it's extremely versatile. You can easily take quick pictures with automatic modes or spend a bit more time composing an artistic shot with manual (although it might frustrate your friends / subjects). I haven’t really had any gripes yet with the camera, the downsides such as size and complaints that it might not compare to higher end DSLRs is really fine to me. I think that has as much to do with lens usage as camera body. I feel I found a great camera that will last me the next several years as I explore photography further and begin to accumulate enough skill to warrant a higher end DSLR or several new lenses."
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Cameras.co.uk has a review of the Casio Exilim EX-V7 and writes, "Although this camera is not perfect my test results produced a series of above average photos. Looking at the first outdoor photo there are a number of checkpoints that the camera handled well. In this photo I like the colours and I felt the camera handled the glare from the sun better than a number of other models I have tested recently. One area where it is less than perfect is in the levels of sharpness in the photo. They are not bad, but looking at areas such as the brick work on the building the overall sharpness does not quite match up to many other digital cameras. ... Although not perfect the test photos I took with the Casio Exilim EX-V7 were above average and if you are looking for a simple enough camera with some extra zoom I can see no harm in taking a look at this one."
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CNET has a review of the Canon PowerShot SD850 IS and writes, "Images from the SD850 IS are very impressive. Colors look accurate, there's plenty of sharpness, especially for a compact camera, and at its lowest ISO settings, we saw no appreciable noise. In fact, noise doesn't even begin to encroach until you reach ISO 200. Even then, it's just a very light covering of off-color splotches that's barely visible on computer monitors and won't show up at all in prints. Noise remains similar at ISO 400, with a just-perceptible increase that still won't mar your prints much, if at all. At ISO 800, noise becomes more pronounced, robbing some finer image detail, and adding filmlike grain to prints. Surprisingly, while darker colors become washed out at this point, there's still a fair amount of shadow detail. ... There's very little to complain about on the SD850 IS. Fans of ultracompacts, such as Sony's T-series, might complain that this Canon isn't small enough, but given its excellent image quality and speedy performance, I'm not complaining."
Read more about the Canon IXUS 950 IS (PowerShot SD850 IS).
LaptopMag has a review of the Canon PowerShot A460 and writes, "This digicam produced a passable snap of our colleague; however, a vase of yellow flowers looked fuzzy, with purple fringing surrounding the window in the background. Other images also appeared noisy, and when the ISO was maxed out (at 400), the A460's photos looked especially grainy."
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Reg Hardware has a review of the Pentax Optio M30 and writes, "The glare that results from the lack of non-reflective coating on the the LCD monitor means shooting in sunlight can become extremely annoying. Plus this 2.5in display is susceptible to scratches if not properly protected when in transit - but this is the case with many compact cameras. However, the Optio M30 is well-designed, well-made and comfortable to use with good overall performance and battery life. The 3x optical zoom, 7.1-megapixel sensor and maximum ISO of 3200 (in Digital SR mode) means that the M30 will carry its weight in this class of compact digital for some time to come."
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Reg Hardware has a review of the Pentax Optio M30 and writes, "The glare that results from the lack of non-reflective coating on the the LCD monitor means shooting in sunlight can become extremely annoying. Plus this 2.5in display is susceptible to scratches if not properly protected when in transit - but this is the case with many compact cameras. However, the Optio M30 is well-designed, well-made and comfortable to use with good overall performance and battery life. The 3x optical zoom, 7.1-megapixel sensor and maximum ISO of 3200 (in Digital SR mode) means that the M30 will carry its weight in this class of compact digital for some time to come."
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CNET has a review of the Nikon Coolpix L12 and writes, " In good lighting, the L12 takes very nice, colorful photos. In low lighting, the camera's ISO-boosted grain, and the noise reduction algorithms that try to keep it in check, destroys much of the detail in the captured images. Since the flash takes so long to recycle, and its high ISO noise is so obtrusive, the L12 is rendered almost useless in low light. Even though it includes features I was surprised to see on a budget camera, the Nikon Coolpix L12 simply has too many problems for me to recommend it. While face detection and optical image stabilization are both very nice, they can't make up for the camera's slow shooting, painfully long flash recycle time, and inconsistent low-light shots."
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Imaging Resource has a review of the Kodak EasyShare V803 and writes, "It isn't a quick camera by any measure. Focus takes a long time, so while the shutter seemed more responsive than our test show it to be, you really can't catch the moment. ... While it's an attractive design at an irresistible price with fun accessories designed to appeal to women, the V803's shutter lag and oversaturated image capture really disappoint. As a fashion accessory it has the goods; it's only missing the diamonds. But as a camera, it just doesn't measure up."
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DCResource has a review of the Sony Cyber-shot DSC-T100 and writes, "Photo quality was generally good, though there were some annoyances. The camera took well-exposed photos, with accurate color and average sharpness. Purple fringing was not a problem. The T100 has problems with corner blurriness, redeye, and noise reduction artifacting, though. The first item won't be an issue for most people, the second issue can be at least partially resolved using the redeye removal tool, but there's not much you can do for number three. You'll see a few noise reduction artifacts at the lowest ISOs, but they don't really become obvious until ISO 200 and 400. Using the highest ISO settings (800 and above) is not a good idea, as your photos will have flat color and tons of detail loss from noise reduction."
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LaptopMag has a review of the Kodak EasyShare C653 and writes, "On our tests, photos were slightly undersaturated, but colors and focus were decent. The manual setting lets you bump the ISO up to 1250 for low-light shots, but it's buried in the menus. We recommend maxing out at 800 for the best results. While the EasyShare C653 starts up in around two seconds, there's a three- to four-second delay between shots, which is on the slow side, and VGA video clips are captured at a low 10 fps."
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Trusted Reviews has a review of the Fujifilm FinePix F40fd and writes, "it is the F40fd’s high-ISO performance that really stands out. Fujifilm is the only manufacturer that has really cracked image noise, by a combination of larger than average sensors with larger than average photocells, and vastly superior image processing. The F40fd has a maximum ISO setting of 2000, and produces usable images at this setting, with accurate colour balance, minimal loss of detail and an acceptable level of noise. I’m not exaggerating when I say that its image quality at 1600 ISO is better than many cameras can manage at 400. ... Fujifilm continues to demonstrate that it is the only manufacturer that has successfully addressed the issue of image noise. The Finepix F40fd is an attractively designed, extremely well made camera with a good range of features and outstanding image quality. It is a bit lacking in overall speed, but its exceptional low-light and high-ISO performance are better than any other compact on the market - except another Fuji."
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Cameras.co.uk has a review of the Panasonic DMC TZ3 and writes, "I am happy with the levels of sharpness the DMC TZ3 manages to achieve. The picture is a good one, although there is a small loss of detail from sun glare. I have also noticed that some of the blue lines on the boats have a purple tinge to them. ... If you would like a super zoom digital camera, but have always been put off by their bulk and complexity then the Panasonic DMC TZ3 could be just what you are looking for. Picture quality is good, usability is excellent and the camera also offers a wide angle lens."
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Layers Magazine has a review of the Olympus SP-510 UZ and writes, "Its ISO settings are from 50–4000; however, it’s marred by appreciable noise at ISO settings higher than 200. And image stabilization isn’t optical but achieved by boosting the ISO ... In operation, shooting in RAW is slow with a 7-second shutter lag between shots, and it can only shoot two RAW files in continuous mode. In bright light, images are washed out on the 2.5" LCD; however, you can switch from the LCD to an EVF for composing—both screens display the same data. A wonderful onboard how-to guide gives exposure solutions to common situations, such as backlighting, and then automatically sets the camera."
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DigitalCameraInfo has a review of the Kodak EasyShare Z650 and writes, "Despite the Z650's strong points, it’s hard not to advise consumers to spend a little more on the Kodak EasyShare Z612. If money is a little tight, the Z650 will suffice as it does have a number of impressive features and controls that will enable competent shooting and image results. These include the streamlined shooting, editing, uploading, and printing systems that connect the camera easily to printers, personal computers, and the EasyShare software program. Pair this with the threaded lens barrel for accessory lenses and filters and throw in all of the other competent features and options of the Z650, many consumers may choose to opt out of spending more money and settle for this compact advanced point-and-shoot digital camera."
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Digital Camera Review has a review of the Nikon Coopix S50c and writes, "The slow speed of the Coolpix S50c is probably the biggest downfall of this camera. If you're ok with the camera's speed, you'll be pleased with this camera. While there are no advanced manual exposure modes, the target user of this camera won't use them anyway. Instead, they can use the handy wireless features to send pictures to an online service or send them to a friend's email Inbox. The camera produces sharp images with nice strong colors under a variety of conditions. After all that, it's still slim enough for a shirt pocket. If you think you'll get a lot of use out of a wireless-enabled digital camera (and don't mind a slightly slower than average camera), then the Coolpix S50c is worth a look."
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DCResource has a review of the Nikon D40x and writes, "Photo quality was very good, though I'd tweak a few settings if I owned the camera. The D40x took well-exposed photos, with extremely vivid colors (which I'd want to tone down). Images are a bit soft -- typical of a D-SLR -- and if you agree you may want to adjust the in-camera sharpening. Purple fringing will vary depending on what lens you're using, and I noticed it on both the 18-55 and 55-200 lenses that I tested. Redeye wasn't a problem, but if it was, you could use the tool in the camera's playback mode to remove it. ... If you're ready to enter the world of digital SLRs, the Nikon D40x is a great way to do it. It offers a compact, portable body, great performance and photo quality, and a really user friendly interface. I wouldn't write off the original D40 either -- it offers the same features, just with fewer pixels and slightly weaker performance, for around $200 less."
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PhotographyBLOG has a review of the Casio EX-V7 and writes, "The likelihood is that if you hand the camera to someone new on holiday for a shot of yourself and the missus, you'll get an image back with a finger sized blob in one corner. Watch out for such possibilities yourself however and you'll be rewarded with sharp, colourful images for the most part – with green foliage coming out particularly vivid, and skin tones embodied with a healthy hue. To be picky I did notice some softness towards the edges of the frame at maximum wide-angle setting, and again, at maximum telephoto images would benefit from some additional sharpening."
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IT Reviews has a review of the Pentax Optio A30 and writes, "The speed of operation has also been quickened and the overall detail and colour tones, brightness and contrast of the final images are well above average. Having an extra Super Macro setting means you can now get as close as 2.3 inches from your target and the rechargeable D-LI8 lithium ion battery allows for approximately 150 photos and 110 minutes of playback time. ... Pentax has wasted no time in bringing the Optio range bang up to date with a vastly improved and highly effective Shake Reduction system, plus Face Recognition and an extra Macro setting."
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ePhotozine has a review of the Sigma SD14 and writes, "It is not the fastest camera out there but for many forms of photography speed is not essential. What the SD14 does have, apart from the advances in handling over its predecessors, is superb image quality and colour fidelity when used in its intended RAW format. Having taken away all of the over-sophisticated beginner modes has freed the camera up to take images in a simple and uncluttered way but you need to spend some time in post processing to get the best images."
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DPInterface has a review of the Canon PowerShot SD1000 and writes, "Image quality was above average with fairly controlled noise, good color reproduction and corner softness not being much of an issue. The camera also has a built-in redeye removal tool which can be used in playback (I wish it was applied automatically though). Color fringing levels are low too. In the end, despite some minor quirks on the Canon PowerShot SD1000 Digital ELPH, it still deserves my recommendation for being a very capable, very fast and really stylish ultra-compact camera. The SD1000 being loaded with features put other similarly priced competitors to shame."
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Megapixel has a review of the Olympus E410 and writes, "With its excellent image quality, be it at the lowest JPEG compression or with the RAW format, its complete set of shooting modes, its advanced Live View mode, or even its effective dust reduction system, the Olympus Evolt E-410 has one of the best price to value ratios of cameras currently on the market. Moreover, the advantage and value that the 2-lens kit offers should place this camera high on the list of any person wanting to move to a digital SLR camera."
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DCViews has a review of the Samsung GX10 and writes, "As the Samsung is in fact a rebadged Pentax model with some cosmetic changes, all older Pentax lenses with KA, KAF or KAF2 mount will fit the GX 10, which could be an important consideration in deciding which camera to go for. If however you are new to DSLR photography you will find an excellent mid-range DSLR in the Samsung. Looking at its extensive list of features it can certainly hold its own among other DSLRs today. The GX10 is built like a tank with solid well-placed buttons and dials and handy weatherproofing. It provides fast performance with excellent results and comfortable handling. It comes with handy extras like dust removal and built-in optical image stabilisation plus a couple of other advanced features not found on certain other reflex cameras. So if you like what we told you about the Samsung GX10, try one out in the shops and see if it suits you."
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Imaging Resource has a review of the Canon PowerShot A570 IS and writes, "The Canon A570 IS is a capable all-around camera with some high-end features that are more useful than exotic. High ISO is usable and image stabilization so useful you almost always want it enabled. Digital zoom was a bit of a disappointment on this 7.1-megapixel camera, but otherwise the DIGIC III image processor provided above average performance yielding some wonderfully natural shots in a variety of settings."
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Imaging Resource has a review of the Canon PowerShot A460 and writes, "You get a lot of camera for just over $100 with the Canon PowerShot A460. It's a great camera for the kids, and not a bad choice as a snapshooter for just about anyone on your list. It operates on two AA batteries, so a set of four NiMH cells and a charger will provide you with enough juice for a full weekend of shooting without recharging. The A460 is also compatible with SDHC cards, so you can shoot a ridiculous amount of photos on a single 4GB card and still have room after a long trip. It's easy to tote, fun to shoot, and takes good pictures. The Canon PowerShot A460 is an easy camera to like."
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Trusted Reviews has a review of the Casio Exilim EX-V7 and writes, "Overall image quality is about average for a 7MP camera with a 1/2.5-in sensor, with the lens providing plenty of fine detail in the centre of the frame, although the edge sharpness at wide angle could be better. There is also significant barrel distortion at the wider end of the zoom range. Exposure and colour reproduction are both good, but as with many Casio cameras I’ve reviewed previously, noise is a problem at all but the lowest ISO setting. ... The Casio Exilim EX-V7 is a very unusual camera with a unique combination of features. Its combination of compact size, fast performance, wide zoom range, excellent video mode and manual exposure options will appeal to some, but its average picture quality and poor flash range are significant disadvantages. The relatively high price may also put some people off."
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Cameras.co.uk has a review of the Panasonic DMC-LZ7 and writes, "My first test shot produces a pleasingly sharp photo. The sharpness is also retained as you move towards the edge of the shot. Colours are well balanced without being as deep and vivid as you can manage with some digital cameras. ... The Panasonic DMC LZ7 is a solid camera for the price. Compared to cheaper models with shorter zoom lenses I think this camera offers better value for money. Although picture quality is not perfect it is a cut above that offered by many entry level models."
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Steve's Digicams has a review of the Casio EXILIM Hi-ZOOM EX-V7 and writes, "The Casio Exilim EX-V7 offers a tremendous amount of features in a small compact package while continuing the tradition of a durable, lightweight model that can be tucked away just about anywhere, while still capturing great photos and offering outstanding performance. It has loads of user-friendly exposure modes, and with an MSRP of around $399, we feel it offers a good value. The camera itself is a pleasure to use; it's fast, is feature-packed, easy to use, has very reliable exposure, and an excellent movie mode. The decision is yours."
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Imaging Resource has a review of the Olympus SP-550 and writes, "While I had a little trouble focusing on subjects that wouldn't sit still, the Olympus SP-550 UZ let me shoot things I couldn't even see without looking through its lens. And I found that a lot of fun. A whole new world of birds, fish and buffalo, in fact. But the Olympus SP-550 UZ was just as capable taking shots at wide angle and in Macro mode. Some of my flower shots really surprised me with the quality of the color and detail. And its optical image stabilization and high ISO performance took great low-light shots as well."
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Unbeatable has a review of the Sony Cybershot DSC W55 and writes, "The Sony Cybershot DSC-W55 performed well in many of our tests, the best being the colour test. Colours were superbly reproduced and were bold and vibrant with natural shades enhanced. However, the W55's automatic white balance didn't impress us so much. Image noise was minimal even up to ISO 800 where it did start to show slightly. The start-up to shoot time was not bad for an entry level digicam at 1.3 seconds with photos taken at 1.4 seconds a go."
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CNET has a review of the Samsung Digimax L74 and writes, "Photos taken on the L74 Wide range from mediocre to terrible, sporting some of the worst noise we've seen in recent months. Noise filled a majority of our shots, appearing heavily at levels as low as ISO 200. The noise appears as a muddled, fuzzy grain at low levels, though at ISO 800 and 1600 it becomes a maelstrom of blurry static. Besides the massive amount of noise, the L74 Wide's photos also suffered from heavy fringing. A fuzzy pink appeared around almost every high-contrast edge (white flowers against green leaves, gray bricks against blue sky). Despite the fringing and noise, the camera's photos have one redeeming feature: they aren't very distorted."
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