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September 2006 Archives

Sep 27: Canon EOS 400D Review at DP Expert

Canon-Eos-400D-1 DP Expert reviews the Canon EOS 400D and writes - “The body costs $1300 (AU) and with the standard 18–55 kit lens it is $1500. There is a two lens kit with a 75–300 zoom for $1650. The ”enthusiast’s kit“ with the image stabilised 17–85 is $2300. It’s a choice between two lenses covering 18 to 300mm for $350 or one lens of lesser focal length range for $1000. Hmm. We tried the camera with the kit lenses and didn’t like it. We switched to the better lens and loved it. $2300 buys a great camera but it’s certainly not ”entry level“.”

Read more about the Canon EOS 400D

Compare prices on the Canon EOS 400D / Digital Rebel XTi

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Sep 26: Canon EOS Rebel XTi Review at CNET

Canon-Eos-400D-1 CNET reviews the Canon EOS Rebel XTi and writes - 'What's true for doctors applies equally to consumer electronics manufacturers: first, do no harm. Canon is usually pretty good at adhering to that philosophy, making only minor changes to successful products and saving the daring moves for the models that need it. Now, changing sensors isn't normally considered terribly daring when it comes to digital cameras. But when its predecessor--in this case, the EOS Rebel XT--was renowned for producing excellent, low-noise photos at a more-than-adequate 8-megapixel resolution, it's risky to replace it with a higher-resolution but potentially lower-sensitivity chip as Canon did with the EOS Rebel XTi. Perhaps the Nikon D80 upped the stakes; perhaps Canon felt it was an inevitable necessity. Whatever the reason, it yields mixed results.'

Read more about the Canon EOS Rebel XTi (400D)

Compare prices on the Canon EOS 400D / Digital Rebel XTi

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Sep 26: Sony Cyber Shot DSC-T10 Review at CNET

Sony-Cybershot-Dsc-T10 CNET reviews the Sony Cyber Shot DSC-T10 and writes - 'Years after the first Sony T-series hit the market, it's still impossible to deny the cool factor of these little, silver snapshot cameras. This time, Sony serves up the 7.2-megapixel Cyber Shot DSC-T10, which lands between the 6-megapixel DSC-T9 and the 7.2-megapixel DSC-T30 in the company's line. The DSC-T10 doesn't sport the fancy plexiglass back panel or the 3-inch LCD of the T30, but it's got most of that camera's other features and a nice looking 2.5-inch LCD of its own. To keep things interesting, Sony has offered a choice of four colors for the T10: black, pink, silver, and white.'

Read more about the Sony Cyber Shot DSC-T10

Compare prices on the Sony Cyber-Shot DSC-T10

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Sep 26: How to Start a Photography Business

Yesterday I spent a little time chatting with fellow Aussie Shane Goldberg from the Pro Photo Secrets (a Photoshop Video Tutorial service that I've recommended on this site previously). He's also previously put out a course for Photoshop Elements users which I know many readers of this site have signed up for.

Yesterday Shane told me about a new project that he and another friend are putting together called Six Figure Photography - a service for photographers who want to go to the next level with their photography and actually turn it into a business.

As this site is read by a lot of budding photographers I thought it might be of interest to people. To this point it's not launched yet but you can express interest in hearing about the launch when it does by signing up at the Six Figure Photography site.

I'm yet to see the resource so can't tell you much more than what Shane has told me (he's keep it close to his chest but has let on that he's pulled in some very successful photographers to be a part of it) but I do know that if it's anything like his Photoshop Tutorials that it'll be of a high quality.

Sign up to get the inside work when it launches at Six Figure Photography.

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Sep 26: Sigma APO 300-800mm F5.6 EX DG HSM lens

Sigma-300-800Mm 5.6 Apo-Ex-Dg-HsmLarge aperture ultra-telephoto zoom lens gives an equivalent field of view to 1600mm for the Four Thirds system.

Sigma's APO 300-800mm F5.6 EX DG HSM lens. Courtesy of Sigma, with modifications by Michael R. Tomkins. Click for a bigger picture!

APO 300-800mm F5.6 EX DG HSM

This large aperture ultra-telephoto zoom lens covers the equivalent field of view to 600mm to 1600mm when used on Four-Thirds cameras.

By continuously varying the angle of view, the lens takes a lot of the footwork out of picture composition. The very latest lens coating technology and lens design reduce flare and ghosting, a common problem with digital cameras. Two ELD glass elements in the front lens group reduce chromatic aberration to a minimum and also ensure high optimum image quality. The overall length of the lens does not change during focusing and zooming, ensuring convenient handling.

The HSM provides ultra quiet, high-speed autofocusing as well as full-time manual focus override. This lens is designed to accept a 46mm circular polarizing filter in a rear filter holder.
*With Four Thirds cameras the focal length will be equivalent to 600-1600mm.

Compare prices on the Sigma APO 300-800mm F5.6 Lens

Sigma APO 300-800mm F5.6 EX DG HSM lens Specifications
Mount Type Four Thirds
Minimum Aperture F22
Lens Construction 18 Elements in 16 Groups
Angle of View 4.1° - 1.5°
Number of Diaphragm Blades 9pcs
Minimum Focusing Distance 600cm (236.2”)
Maximum Magnification 1:6.9
Filter Size 46mm (Rear)
Lens Hood Bayonet type Hood
Dimensions Diameter 156.5mm (6.2”) x Length 549.4mm (21.6”)
Weight 5915gr / 208.6oz
UPC No. 0085126 595586

Get a Price on the Sigma 300-800mm f/5.6 EX DG HSM APO IF Ultra Telephoto Zoom Lens for Canon SLR Cameras

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Sep 26: Sigma APO 135-400mm F4.5-5.6 DG Lens

Sigma-135-400Mm 4.5-5.6 ApodgA Compact telephoto zoom lens for Four Thirds system.

Sigma's APO 135 - 400mm F4.5 - 5.6 DG lens. Courtesy of Sigma, with modifications by Michael R. Tomkins. Click for a bigger picture!

APO 135-400mm F4.5-5.6 DG

This telephoto zoom lens gives the equivalent field of view to our popular 800mm when used on Four-Thirds cameras.

The very latest lens coating technology and lens design reduce flare and ghosting, a common problem with digital cameras. This lens uses one aspherical lens and three Special Low Dispersion (SLD) glass elements for excellent correction of various aberrations. The rear focusing system ensures fast focusing speed as well as preventing the front of the lens rotating, making it particularly suitable for use with circular polarizing filters. A removable tripod collar is included as a standard component.
*With Four Thirds cameras, the focal length will be equivalent to 270-800mm.

Compare Prices on the Sigma 135-400mm F4.5-5.6 Lens

Get a Price on the Sigma 135-400mm f/4.5-5.6 APO DG Aspherical AF Zoom Telephoto Lens for Nikon AF

Sigma APO 135-400mm F4.5-5.6 DG Lens Specifications
Mount Type Four Thirds
Minimum Aperture F22
Lens Construction 13 Elements in 11 Groups
Angle of View 9.2° - 3.1°
Number of Diaphragm Blades 9pcs
Minimum Focusing Distance 200cm (78.7”) - 220cm (86.6”)
Maximum Magnification 1:5.3
Filter Size 77mm
Lens Hood Bayonet type Hood
Dimensions Diameter 83.5mm (3.3”) x Length 189mm (7.4”)
Weight 1280gr / 45.1oz
UPC No. 0085126 727581

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Sep 26: Sigma 24mm F1.8 EX DG Aspherical Macro Lens

Sigma-24Mm 1.8 Exdgasph-MacroThis large aperture F1.8 wide-angle lens has a minimum focusing distance of 18cm (7.1”) and a maximum magnification of 1:2.7. Two aspherical lenses ensure the utmost correction of distortion and aberrations. The floating focus system provides high optical performance from 18cm to infinity. The Dual Focus (DF) system makes the lens easy to hold and eliminates focus ring rotation during auto-focusing, making the lens particularly suitable for accepting the petal-type lens hood.

*With Four Thirds cameras, the focal length will be equivalent to 48mm.

Compare Prices on the Sigma 24mm F1.8 Macro Lens

Sigma 24mm F1.8 EX DG Aspherical Macro Lens Specifications

Mount Type Four Thirds
Minimum Aperture F22
Lens Construction 10 Elements in 9 Groups
Angle of View 48.5°
Number of Diaphragm Blades 9pcs
Minimum Focusing Distance 18cm (7.1”)
Maximum Magnification 1:2.7
Filter Size 77mm
Lens Hood Petal Hood
Dimensions Diameter 83.6mm (3.3”) x Length 87.9mm (3.5”)
Weight 520gr /18.3oz
UPC No. 0085126 432584

Get a Price on the SIGMA LENS 24mm f1.8 EX DG Aspherical Macro SLR Camera Lens

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Sep 26: Sigma 18-50mm F2.8 EX DC Macro Lens

Sigma-18-50Mm 2.8 Exdc-MacroSigma 18 - 50mm F2.8 EX DC MACRO News Release Extract

EX series large aperture zoom lens designed specially for use with digital SLR cameras with a minimum focusing distance of 20cm.

  • Minimum focusing distance of 20cm with a maximum magnification of 1:3.
  • Aspherical lenses offer compact and lightweight construction.
  • SLD and ELD glasses offer excellent correction of color aberrations.
  • New optical design minimizes vignetting.

The Sigma Corporation is pleased to announce the launch of the new 18-50mm F2.8 EX DC MACRO lens.

This lens has a large aperture of F2.8 throughout the entire zoom range, a minimum focusing distance of 20cm (7.9”) and a maximum magnification of 1:3, making it ideal for close-up photography.

Compare Prices on the Sigma 18-50mm F2.8 Macro Lens

Get a Price on the SIGMA LENS 18-50mm F2.8 EX DC Digital Camera SLR Lens for Canon

Specially designed to suit the characteristics of digital SLR cameras this lens provides a high level of optical performance. Its design incorporates both glass-mold and hybrid aspherical lens technology which offers extremely high image quality as well as a compact and lightweight construction. Minimal vignetting and superior peripheral brightness is ensured.

Special Low Dispersion (SLD) and Extraordinary Low Dispersion (ELD) glass elements provide excellent correction of color aberrations. The super multi-layer lens coating reduces flare and ghosting, a common problem with digital cameras. High image quality is assured throughout the entire zoom range. An inner focusing system eliminates front lens rotation, making the lens particularly suitable for using the petal-type lens hood (supplied) plus circular polarizing filters.

Sigma 18-50mm F2.8 EX DC Macro Lens Specifications
Focal Length 18-50mm
Minimum Aperture F22
Lens Construction 15 Elements in 13 Groups
Angle of View 69.3°-27.9°
Number of Diaphragm Blades 7pcs
Minimum Focusing Distance 20cm (7.9”)
Maximum Magnification 1:3
Filter Size 72mm
Lens Hood Petal–type Hood
Dimensions Diameter 79mm (3.1in”) x Length 85.8mm (3.4”)
Weight 450gr /16.0oz

Optional Accessories

• DG UV72 mm 0085126 923747
• DG WIDE CIRCULAR PL72 mm 0085126 923853
• Lens Hood LH780-04 0085126 923624

UPC Codes
SIGMA AF 0085126 581565
SONY AF 0085126 581343
NIKON AF 0085126 581596
PENTAX AF 0085126 581602
CANON AF 0085126 581541
FOUR THIRDS AF 0085126 581589

*Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.

Get a Price on the SIGMA LENS 18-50mm F2.8 EX DC Digital Camera SLR Lens for Canon

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Sep 26: Sigma 18-200mm F3.5-6.3 Lens

Sigma-18-200Mm 3.5-6.3-DcosSigma 18-200mm F3.5-6.3 Lens News Release Extract

NEW PRODUCT INFORMATION - 18 - 200mm F3.5-6.3 DC OS

  • Equipped with Sigma’s own unique technology OS (Optical Stabilizer) function.
  • Two SLD (Special Low Dispersion) glass elements and two aspherical lenses provide excellent correction for all types of optical aberrations.

The Sigma Corporation is please to announce the new 18-200mm F3.5-6.3 DC OS lens.

This high zoom ratio lens is exclusively designed for digital SLR cameras and is capable of covering a wide range of focal lengths from wide angle to telephoto. It is equipped with Sigma’s own unique technology OS (Optical Stabilizer) function. This function uses two sensors inside the lens to detect vertical and horizontal movement of the camera and works by moving an optical image stabilizing lens group, to effectively compensate for camera shake. It automatically detects movement of the camera and compensates for camera shake when shooting moving subject such as motor sports.

Compare Prices on the Sigma 18-200mm F3.5-6.3 Lens

Two SLD(Special Low Dispersion)glass elements and two aspherical lenses provide excellent correction for all types of aberrations. The super multi-layer lens coating reduces flare and ghosting. This lens provides superior image quality throughout the entire zoom range.

An inner focusing system eliminates front lens rotation, making the lens particularly suitable for using circular polarizing filters and the petal-type lens hood supplied.

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Sep 26: Sigma DP1

Sigma-Dp1The Sigma DP1 is a fairly high end point and shoot camera announced by Sigma today. It features a 14.1 megapixel Foveon X3 sensor (the same one that's in the SD14 DSLR) as well as a a 16.6mm fixed focal length lens (equivalent of a 28mm lens) (f4), built in flash and 2.5 inch LCD screen.

So far there are no details on availability or price on the Sigma DP1.

Sigma DP1 News Release
NEW PRODUCT INFORMATION - SIGMA DP1

Sigma DP1 high end point and shoot digital camera equipped with 14 megapixel direct image sensor.

* 14 megapixel direct image sensor as used in the Sigma SD14 digital SLR.
* Featuring Sigma’s new, unique “True” image processing engine.
* 16.6mm F4 lens (28mm equivalent).

The Sigma Corporation is pleased to announce the launch of the new, groundbreaking Sigma DP1 compact digital camera featuring a 14 megapixel FOVEON X3 direct image sensor (2652×1768×3 layers) as used in the Sigma SD14 digital SLR. Using three silicon embedded layers of photo sensors stacked to take advantage of silicon’s ability to absorb red, green and blue light at different respective depths. A 16.6mm F4 lens, with a wide angle field of view equivalent to 28mm on a 35mm film camera, has been developed to maximize the image quality in conjunction with the full color capture image sensor.

The DP1 takes advantage of the image sensor’s superior technology to capture accurate, full color image information.

Sigma’s unique and powerful “True” image processor is incorporated into the DP1, enabling it to handle the large image files produced by the 14 megapixel sensor and reproduce exceptional definition with image quality on a par with film. The Sigma DP1 is equipped with a large 2.5” TFT LCD monitor with 100% image preview, making confirmation of composition, focusing and exposure quick and easy. This point and shoot compact camera includes JPEG recording format for speed and convenience plus a RAW data (X3F) recording mode for retaining full image capture detail of the utmost quality.

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Sep 26: Sigma SD14

Sigma-Sd14The Sigma SD14 was announced by Sigma with a teaser ad a few weeks ago but today it becomes official.

The Sigma SD14 is a 14.1 megapixel DSLR with a Foveon X3 sensor. It has a 1.7x field of view crop, in camera JPEG mode, 2.5 inch LCD screen, built in flash, image sensor dust protector, 5 point auto focusing and 3 frames per second high speed continuous shooting mode.

Sigma SD14 News Release
The SD14, 14 megapixels (2,652 × 1,768 × 3 layers) Digital SLR camera

The Sigma Corporation is pleased to announce the launch of the new Sigma SD14 Digital SLR camera.

The new SD14, powered by the 14 megapixel Foveon X3 direct-image-sensor, can reproduce high definition images rich in gradation and impressive three-dimensional detail.

The SD14 Digital SLR camera features four JPEG recording modes, a large and bright pentaprism viewfinder with 98% coverage, a built-in flash with a Guide Number of 11, 5-point AF system, a large 2.5�? 150,000 pixel resolution LCD monitor as well as a new user friendly design. The durable shutter mechanism has over 100,000-cycle life and is ideal for the demands of digital photography.

Development
Sigma introduced its first digital SLR camera, the SD9, to the market in October 2002, and has established strong support from a wide range of photographers both amateur and professional alike. The second model, the SD10, released on to the market in November 2003 continued to build on the support of loyal photographers. However, demand for JPEG’s greater convenience in image handling has increased and in order to meet this demand the new SD14, powered by Foveon X3 direct image sensor, now includes JPEG mode with high image quality, high performance and versatility.

Sigma SD14 Product Summary

14 megapixels Foveon X3 direct image sensor

The Foveon X3 direct image sensor featured in the Sigma SD14 digital SLR can capture all primary RGB colours at each and every pixel arranged in three layers, insuring the capture of full and complete colour. Using three silicon-embedded layers of photo detectors, stacked to take advantage of silicon’s ability to absorb red, green, and blue light at different respective depths, it efficiently reproduces colour more accurately and offers sharper resolution, pixel for pixel, than any conventional image sensor.

Until now, all other image sensors have featured a just single layer of pixels and each pixel captures only one colour of light, which has been filtered through a single colour filter. Since mosaic-based conventional image sensors capture only one-third of the colour, complicated computations are required to interpolate the colours they miss. Interpolation leads to colour errors, colour artifacts and a loss of image detail. Low pass filters must then be used to reduce colour artifacts. The use of low pass filters adversely affect sharpness and resolution of the final image captured.

* Foveon X3 is the registered trademark of Foveon.

In-camera JPEG mode offers added convenience

The SIGMA SD14 incorporates both RAW and JPEG image recording formats enabling photographers to capture the highest possible picture definition and small file sizes. JPEG recording, also built into the SD14, can be used for the following printing sizes;

• Super High (14.15 million pixels: 4608×3072 pixels) can be used for A3 (297x420mm/11.6"x16.5") or larger prints.
• High (4.64 million pixels: 2640×1760 pixels) for A4 size (210x297mm/8.2"x11.6") printing.
• Medium (2.1 million pixels: 1776×1184 pixels) can be used for regular size printing.
• Low (1.03 million pixels: 1296×864 pixels) can be used for web-page and e-mail transmission.

There is a choice of three JPEG quality settings: Fine, Normal and Basic.

Versatile and easy to use SIGMA Photo Pro 3.0 exclusive software, supplied with the SD14

The SD14 comes complete with SIGMA Photo Pro 3.0 software, a RAW image developer that converts all RAW data quickly and easily. Adjustments can be made in three separate modes. The X3F Mode stores the original settings of the image at the point of capture. In the Auto Adjustment Mode, the software analyses and automatically makes adjustments to the RAW data. The Custom Mode allows the photographer to make individual adjustments (exposure, contrast, shadow, highlight, saturation, sharpness and fill-light for example). The photographer can make subtle or dramatic changes easily and quickly by simply adjusting the slider controls within the software.

The X3F Mode stores the original settings of the image at point of capture. Photographers` personal modifications can be saved to the RAW, X3F file for future use.

SIGMA Photo Pro 3.0 supports 8-bit TIFF, 16-bit TIFF, and JPEG file formats and also outputs images in sRGB, Apple RGB, Adobe RGB and ColourMatch RGB colour spaces. The default setting for output resolution is the same as the resolution selected when capturing the image on the camera (High, Medium, or Low). It is also possible to half, (for sending via e-mails) or double (for high quality enlargements, max. 18.58 million pixels: 5,280 × 3,520 pixels)the resolution when processing the image.

Image Sensor Dust Protector
Most digital SLR cameras are typically vulnerable to dust entering the body especially when the lens is removed for changing. Dust and dirt entering through the lens mount of a digital camera can be seriously detrimental to image quality. The dust protector of the SIGMA SD14 prevents dust from entering and adhering to the image sensor. Even if dust adheres to the dust protector it will not have an adverse influence on image quality as the dust protector is located away from the image sensor and is therefore out of focus.

Large and bright pentaprism viewfinder
The SD14 is equipped with a newly developed pentaprism viewfinder, which has 98% (vertical and horizontal) coverage with 0.9x magnification, an 18mm eye point and –3 to +1.5 dpt dioptric adjustment.

Large 2.5�? LCD monitor
The SD14 camera features a new, large 2.5 inch, 150,000 pixel resolution LCD monitor. The LCD monitor displays 100% of the image, allowing the photographer to easily and accurately confirm the image composition. It features playback options including single frame, thumbnail display (9 images), and three types of magnification (which is achieved by use of the 4-way controller). Shutter speed, aperture and other settings can be seen by pressing the INFO button. The large menu interface makes reviewing images and navigating menu options easy.

Reliable and Durable Shutter
The durable focal plane shutter mechanism has life cycle of over 100,000 exposures. The shutter is ideally suited to the requirements of digital cameras. This new shutter dramatically reduces the amount of dust and dirt from the shutter mechanism. The photographer can enjoy taking pictures without worrying about dirt and dust adhering to the image sensor either from inside or outside the camera.

Fast and precise focusing with 5-point AF
The new auto focus sensor features 5 focusing points (center, left, right, up and down) ensuring consistently fast and precise focusing. The AF metering features a cross type sensor in the center of the screen. Selecting the AF point can be done automatically or manually by photographer.

High speed continuous shooting
The SD14 features a continuous shooting speed of 3 frames per second. Continuous shooting can be accomplished in conjunction with the camera’s predictive auto focus function when photographing fast moving subjects. The camera’s high-speed image processing circuits are capable of handling large data files generated by the high-resolution 14 megapixel sensor. The number of images that can be captured in continuous shooting mode is dependent upon the resolution setting; High - 6 frames, Medium - 12 frames and Low - 24 frames. These figures apply in either RAW or JPEG mode.

Built-in Flash
The Sigma SD14 camera’s built-in flash offers an angle of coverage of 17mm (equivalent to 28mm with 35mm full size) lens with a guide number of 11 (ISO 100). Built-in flash can be synchronized to a shutter speed up to 1/180 sec. This built-in flash enables automatic S-TTL shooting, which allows simple, easy control of advanced photography techniques.

Easy to use multifunction interface
The new layout of control buttons insures quick identification of the desired functions and easy use of the multifunction interface in operating camera settings. Clearly marked buttons make it easy for the photographer to display and adjust the most important settings, namely ISO, resolution, JPEG quality and file type, and white balance on one screen, using one button. The top LCD panel incorporates a backlight, which enables the camera to be easily controlled in low light or dark conditions.

Mirror lock-up mechanism prevents camera shake
The mirror lock-up mechanism raises the mirror thus preventing vibration when the shutter is released. This prevents camera shake, and is especially effective for macro photography, using extremely long telephoto lenses or scientific work. Use of a remote controller (sold separately) or cable release (sold separately) also reduces the possibility of camera shake.

Three types of metering mode
The Sigma SD14 is equipped with three types of metering mode: 8-segment Evaluative Metering, Center Area Metering and Center Weighted Average Metering. This enables the photographer to select the metering mode depending on subject and situation. Exposure compensation function allows the photographer to override the exposure value set by the camera’s exposure meter.
Auto Bracketing function allows the exposure to be adjusted by 1/3 EV increments up to ±3 EV from the exposure automatically set by the camera. In situations where it is difficult to determine proper exposure, the auto bracketing function allows a sequence of pictures to be taken of the same subject at three different exposure levels; Appropriate Exposure, Under Exposure and Over Exposure.

Power Source
The Lithium-ion Battery BP-21 (included with the camera) can shoot approximately 500 images on one full charge. It takes about 120 minutes to fully charge with Battery Charger BC-21 (also included). The optional power grip PG-21 has a vertical shutter release button and can hold two BP-21 batteries, supplying more than enough power for most shoots. The AC Adapter SAC-21 (sold separately) enables the Sigma SD14 to obtain power from the mains supply.

The top LCD panel
The top LCD panel allows the photographer to quickly and accurately confirm information such as resolution setting, metering mode, battery status, and the number of images that can be recorded on the CF card. It also incorporates an orange backlight which enables the camera to be easily controlled in low light or dark conditions.

Optional accessories
The SD14 can be used with over 40 Sigma lenses such as ultra-wide, ultra-telephoto, macro, and fisheye. The EF-500 DG SUPER, EF-500 DG ST, and EM-140 DG flashguns offer fully automatic S-TTL flash dedication. Other accessories include the power grip (PG-21), cable release (CR-21), remote controller (RS-31) and the AC adaptor (SAC-21). These accessories ensure that the SD14 system is both user-friendly and versatile.

Sigma SD14 Reviews

PopPhoto has a first impressions review of the Sigma SD14 and writes, "While the speed of capture on the SD14 is vastly improved over the SD10, it's not going to set any records. You can continue snapping at will until the buffer fills up, which happens around frame 6, the burst limit. ... But speed isn’t everything. We found our initial field shots to have very pleasing color—highly accurate, but still with a good dollop of saturation. You might even describe the colors sometimes as translucent. The resolution, as gauged by the Eyeball Method, appears to be about that of a 9MP sensor, which is what we were expecting. Noise control appears to be quite good; available light shots at ISO 800 showed virtually no grain or mottling."

ePhotozine has a review of the Sigma SD14 and writes, "It is not the fastest camera out there but for many forms of photography speed is not essential. What the SD14 does have, apart from the advances in handling over its predecessors, is superb image quality and colour fidelity when used in its intended RAW format. Having taken away all of the over-sophisticated beginner modes has freed the camera up to take images in a simple and uncluttered way but you need to spend some time in post processing to get the best images."

PopPhoto has a review of the Sigma SD14 and writes, "Apparently, the SD14’s internal image processor has a hard time converting high-ISO RAW data into JPEG form, while the supplied computer software handles the job more efficiently. The image processor also takes a glacial 8 to 10 sec to clear the buffer for another shot after a burst sequence of up to a mere six frames at 3 fps. That’s not even in the same ballpark as the burst rate and capacity of competitive DSLRs. In all, the camera handles well, opens creative doors with IR, and is technologically unique. But the promise of 14.1MP doesn’t pay off. And given what you can find in today’s DSLR market for $1,600, we see the virtue in shopping around."

CNET has a review of the Sigma SD14 and writes, "While noise is often more noticeable in the darker parts of the grayscale in most cameras, the Sigma spreads its noise out more evenly amongst the colors. Also, the noise tends to manifest itself as off-color blotches with less defined edges than the speckles that appear in most other SLRs. ... Given this camera's bizarre performance, I suggest you don't use it above ISO 400. This severely limits its usefulness. If you're only intending to use this camera below ISO 400, for studio portraits, or perhaps for landscapes or infrared photography, then you may want to consider the Sigma SD14. However, even then that probably wouldn't make sense, since there are many other cameras that are available for the same price or less that can provide just as good, or better performance and image quality."

HomeTheaterHiFi has a review of the Sigma SD14 and writes, "The Safeway vegetable rack - one of my standard test shots - shows that the SD14 tended to underexpose it a bit. Usually, I get some over-exposed highlights on the yellow peppers, but not with this camera. This is reasonably easy to fix in Photoshop or other photo editors (I like PhotoImpact), but it is better to give a subject like this about one f/stop more than the metered exposure, and/or shoot in RAW mode, which gives you more latitude in the photo editor stages. ... The Sigma SD14 DSLR is a fine camera. It has the easiest-to-use interface I have yet experienced, has a wide variety of lenses to fit it, and takes great photographs. Its infrared capability makes it unique among DSLRs, and its 14.1 megapixels will allow enlargements of just about any size."

DPExpert has a review of the Sigma SD14 and writes, "The price of the Sigma is the problem. It is more expensive than the Nikon D200 and the Canon 30D. Happy Sigma owners argue that the image quality from the Foveon sensor is so superior to the conventional CCD/CMOS that the price is justified. We did a crude subjective comparison with a Nikon D80 (10 megapixels) and concluded that the Sigma has better edge definition without any nasty sharpening artefacts and therefore has more apparent resolved detail. The Nikon colour was more accurate, although inclining to cold. The Sigma was warm, which is an attractive distortion, but a distortion nonetheless. We shot in RAW mode so it was easy to adjust the colour balance before opening in Photoshop. The Sigma has better apparent dynamic range. While the differences between the cameras are small they can be seen."

Trusted Reviews has a review of the Sigma SD14 Digital SLR and writes, "The Sigma SD14 is a unique camera with some unique capabilities. It is solidly made, well designed and handles considerably better than its forerunners. Performance is generally good, although the slow write times are a handicap. In terms of image quality, overall detail and sharpness are superior to any 10MP DSLR, but it is colour reproduction and dynamic range that are the camera’s real strengths, with an almost film-like quality. While it may not suit everyone, I suspect the SD14 will find its fans among professional photographers who are prepared to put in a bit of work to get the best out of it."

Pocket-lint has a review of the Sigma SD14 and writes, "The SD14 lacks any form of scene modes and other fancy photo trickery. This lack means the SD14 is as manual a D-SLR as you’re likely to encounter, and that’s rather refreshing. Unfortunately, that freshness is quickly let down by sluggish performance and a series of issues (AF, noise, white balance, handling) that overall, combine to make the camera less a pleasure to use than it should be. ... given the price and weight of other issues and the fact there are cheaper and better overall D-SLRs on the market, you should think hard before parting with your money."

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Sep 26: Ulead PhotoImpact 12

Ulead-Photoimpact-12Ulead have announced the latest version of it's PhotoImpact software - version 12.

This latest version includes smart 'How-to' panel, 'ExpressFix' mode (for adjusting color, exposure, focus etc with a single click), new white balance correction and extended RAW compatibility.

PhotoImpact 12 will be priced at £49.99 in the UK and will hit stores and be available online for downlaod in October. Upgrades for registered users will be priced at £29.99.

Read more about Ulead's PhotoImpact 12 via their news release below.

Ulead News Release
Ulead Introduces PhotoImpact 12 - the Latest Version of Acclaimed Image Editing Software

New release simplifies photo editing for users new to digital imaging

Ulead Systems, Inc., a subsidiary of InterVideo Inc. today announced the release of Ulead PhotoImpact 12, Ulead's flagship image-editing software. The latest version adds innovative features that allow beginners to immediately enjoy success in editing their digital photos and sharing images in creative projects.

“PhotoImpact does so many things in such an uncomplicated way, once users get started they never want to go back,” said Mark Wurdemann, Ulead European Marketing Manager. “What we’ve done with this new version is open the door wider to enter the exciting world of digital imaging. We think users will find ExpressFix mode and the new photo projects invaluable additions to this award-winning product.”

Making Everyday Photo Tasks Easier
ExpressFix mode and the SmartGuide task-oriented help system are two high-visibility enhancements designed to help introduce users to digital photography.

ExpressFix mode is a simplified interface providing commonly-used photo features as guided and fully automatic tools. Featuring a large preview screen with before and after views, users can adjust colour, exposure and focus using intelligent one-click presets. Noise reduction and PhotoImpact’s unique SmartCurves tone adjustment are available as fully-automated one-step processes. For photo portraits, users can remove red-eye effects and enhance the complexion of subjects with a Beautify Skin option. ExpressFix mode also provides direct links to PhotoImpact 12’s enhanced White Balance correction feature as well as options to rotate, print, and e-mail photos.

“New ExpressFix mode isn’t just for first-time users. It’s also great for anyone for making everyday photo edits quickly and easily,” said Mike Addicott, founder of Digital Diversity in Australia. “The SmartGuide is useful for users of all levels, providing step-by-step directions on-screen for various digital imaging, Web page, and video and DVD menu creation tasks.”
Task-oriented Help System.

PhotoImpact 12 now adds a SmartGuide “How-to” help panel to assist users in completing a range of Photo, Web and Video & DVD oriented tasks. In addition to step-by-step instructions, links in the SmartGuide help text automatically select the correct tools to perform the action described.

Powerful, High-end Image Editing
PhotoImpact 12 features significant enhancements to meet the needs of high-end users. RAW file format has been extended to cover more camera models. Editing at high colour depth now includes support for selection tools and objects. 16-bit colour depth objects can now be saved in PhotoImpact’s native UFO file format.

A new White Balance correction tool employing advanced perceptual technology makes photos look more natural, even in mixed lighting situations. To speed workflow, the White Balance tool automatically analyses photo colours and suggests appropriate correction settings which users can accept or refine as desired.

An enhanced Reduce Noise feature, based on new anisotropic diffusion algorithms, is more powerful and much faster. Noise reduction is provided as an automatic feature in ExpressFix mode and as a stand-alone function with adjustable settings for advanced users.

Creative Photo Projects
PhotoImpact’s comprehensive set of montage, painting, graphics, text and tools, along with an extensive collection of filters and effects, have long made it a favorite among creative enthusiasts.

New in version 12 is a three-step Photo Project wizard provides customizable templates for adding photos to greeting cards and CD & DVD labels. The new Share menu also includes options for sharing photos in Calendars, Web Albums, Web Slideshows and on Mobile Devices.

Web, DVD & Video Graphics
The PhotoImpact Component Designer now includes video title graphics and DVD navigation buttons in addition to Web page graphics. Also new in PhotoImpact 12 are templates for Web blogs and DVD menus compatible with Ulead’s latest video editing and DVD authoring packages.

Unmatched Value and Versatility
Packing 5 complete applications and ready-to-use content, PhotoImpact 12 offers users the most value and versatility of any image editor in its class. In addition to the main editor, the package includes Ulead Photo Explorer 8.6 for managing and browsing photos, video and other digital media; Ulead PhotoImpact Album 12, a database-driven photo management tool; Ulead COOL 360 for composing panoramic images; and Ulead GIF Animator 5.05, a widely acclaimed GIF animation tool. In addition creative tools, PhotoImpact 12 provides a rich library of over 1,300 royalty-free images, 2,200 Web elements, 1,000 objects and 3,250 customizable effects to serve as a starting point for creative projects.

Pricing and Availability
Box and electronic download versions of PhotoImpact 12 will be available in October at £49.99 for the box version and £44.99 for download through Ulead Web sites. Upgrades for registered PhotoImpact users will be available for £29.99 for the box version and £24.99 for download. PhotoImpact 12 will be available from Amazon, Dabs, SaverSoftware and other leading retailers.

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Sep 26: Adobe Photoshop Lightroom Beta 4.0

Adobe have announce a new round of updates to their Adobe Photoshop Lightroom Beta. It's a free download and unites feature sets for both Mac and Windows users.

This beta will expire at the end of February 2007. Read on to get full details of the update from Adobe's press release on Lightroom Beta 4.0.

Adobe News Release: Adobe Brings Lightroom into Photoshop Family with Introduction of Beta 4

New Round of Enhancements in Latest Adobe Photoshop Lightroom Beta Unites Feature Set for Macintosh and Windows Versions

Adobe Systems Incorporated today announced an update to the public beta of Adobe Photoshop Lightroom software at the Photokina tradeshow in Cologne, Germany. Available immediately for download from Adobe Labs (http://labs.adobe.com/technologies/lightroom), this update unites the product feature set for Windows and Macintosh platforms, giving professional photographers a new way to import, manage and showcase large volumes of digital photographs. More than 325,000 people have opted to try Lightroom during the beta period and feedback has been fueled by over 3,400 of them sharing input in Adobe online forums. The final version of Adobe Photoshop Lightroom is expected to ship in early 2007.

"From the moment we introduced Lightroom beta we opened up the process to photographers, making them a part of our 'virtual development team' and allowing them to tell us exactly what this application needs," said Deborah Whitman, vice president of product management for Digital Imaging. "Engaging with this community has helped us build a better workflow solution and has made watching its evolution more exciting and dynamic."

The final branding of the software, Adobe Photoshop Lightroom, confirms its place within the Photoshop family, a line of products that meet the needs of novice snapshooters, photo hobbyists and a diverse set of professional customers.

Lightroom Feature Advancements and Raw Processing Support
Adobe Photoshop Lightroom beta 4.0 offers improved digital photography workflow tools, including a precision white balance selection option and a more streamlined and elegant user interface experience with customizable controls. An intuitive new tone curve adjustment feature provides powerful image correction capabilities, allowing users to visually obtain excellent midtone, shadow and highlight adjustments.

New enhancements in the Develop and Library modules include time-saving tools such as the ability to re-name and convert files to Adobe Digital Negative Format (DNG) after importing into the Lightroom library. New filters, search presets and organizing options allow for quick retrieval of images and greater flexibility.

Lightroom supports over 125 native raw file formats, in addition to JPEG and TIFF, and brings raw conversion into a single workflow experience. The latest camera models supported by this beta are the Nikon D2Xs, Sony A100, as well as preliminary support for the Canon Digital Rebel XTi (400D) and Nikon D80. This support means that photographers can use Lightroom with even the newest cameras on the market, knowing that the image files will be recognized today and into the future.

Thriving Community Support
Adobe hosts an online community site for Adobe Photoshop Lightroom beta which features artists in the Lightroom Showcase Gallery (http://labs.adobe.com/technologies/lightroom/gallery) and provides an arena for photographers to share their portfolios using Lightroom slideshow functionality. Photographers will find inspiration in the documentaries of well-known photographers posted in the community and gallery.

Pricing and Availability
Adobe Photoshop Lightroom beta is available for free download from the Adobe Labs Web site at http://labs.adobe.com/technologies/lightroom. Recommended system requirements are Macintosh OSX 10.4.3, 1 GHz PowerPC G4 processor or Windows XP SP2, Intel Pentium 4 Processor, and 768 MB RAM and a 1024x768 resolution screen. Adobe Photoshop Lightroom beta is a universal binary application that will run natively on PowerPC and new Intel-based Macintosh systems. The final version of Adobe Photoshop Lightroom is expected to ship in early 2007. Further details around pricing, system requirements and availability have yet to be determined.

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Sep 26: Apple Aperture 1.5

Logoaperture20060925Apple today have announced an update to their Aperture photo editing software. It is a free upgrade for existing users of the product and will be available later in the week.

Improvements include flexible library management that lets you store images anywhere you’d like. The free update also introduces third-party extensions that let you use Aperture as the front end to expanded workflows. Aperture 1.5 offers RAW support for more than 50 camera models from a wide variety of manufacturers (including Canon, Nikon, Fujifilm, Sony, and others) and extends support to all Intel-based Macs — from the Mac mini and MacBook to the Mac Pro. Improvements include:

  • Flexible Library Management
  • Seamless Integration with iLife '06 and iWork '06
  • Export Metadata Automatically
  • Advanced Color Controls
  • Hone Images with Edge Sharpen
  • Speed Metadata Entry with Presets
  • A Loupe... with Onscreen Controls
  • Create Adjustment Presets
Compare prices on Aperture

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Sep 25: Kodak EasyShare Z710 Zoom

Kodak-Easyshare-Z710The Kodak EasyShare Z710 Zoom is a 7.1 megapixel camera with a 10x Optical Zoom and a 2.0 inch LCD screen. It doesn't have image stabilization.

The Kodak EasyShare Z710 Zoom will be available in stores in September and will have a retail price of £279.

Compare prices on the Kodak EasyShare Z710 and get the latest price on the Kodak EasyShare Z710 at Amazon

Kodak Easyshare Z710 News Release

New KODAK EASYSHARE Z710 Zoom Digital Camera Combines Advanced Features with Point-and-Shoot Simplicity

High-Zoom, Feature-Packed Camera Provides Outstanding Image Quality at a Value Price

Eastman Kodak Company today announced the latest addition to its award-winning line of consumer digital cameras, the EASYSHARE Z710 zoom digital camera. With impressive 10X optical zoom, phenomenal picture quality, and a host of performance features, this new model bridges the gap between value and performance. Intuitive enough for beginners and sophisticated enough for digital photography enthusiasts, the Z710 camera provides point-and-shoot simplicity with advanced features to easily get professional-looking results.
Available in September, the Z710 camera will retail for £279 (RRP).

“The line of KODAK EASYSHARE digital cameras has won numerous accolades over the past five years for innovation, advanced technology, and ease-of-use,” said Carolyn Walsh, Product Sales Director Digital, Eastman Kodak Company. “With the release of the Z710 model we are setting a new price-to-performance benchmark making it incredibly simple for people to take, make, share, and organise pictures at a great value.”

The secret behind the Z710 camera’s outstanding image quality is the combination of the powerful 7.1 megapixel image sensor and a professional quality SCHNEIDER KREUZNACH VARIOGON 10X optical zoom lens, making it simple to zoom and capture crisp shots, as well as make high-quality prints up to 30 x 40 inches (76 x 102 cm). To that, add the exclusive KODAK Color Science imaging processing chip which helps to capture natural details, accurate skin tones, and breathtaking colour, and say goodbye to the guesswork when it comes to snapping the perfect shot.

The intelligent features of the Z710 camera make it easy for anyone to get more out of their digital photography experience. On-camera picture enhancing features such as cropping, a live histogram, and a capture grid line display allow for more creativity in each and every shot. Advanced settings and custom controls, including programme, aperture and shutter priority, and full manual mode provide ultimate photographic control in any situation. For the most effortless experience, users can get the right shot automatically by selecting from 19 pre-programmed scene and colour modes (e.g. candlelight, fireworks, party and beach).

Taking great pictures is only the beginning of the photographic experience; sharing those precious memories with others is the important next step. For that reason, the Z710 model and the entire EASYSHARE System are specifically designed to make sharing images just as fun and rewarding as capturing them. With a big, bright 2 inch indoor/outdoor colour display, images can be shared anytime right from the back of the camera, and, by using the camera’s Favorites feature, a collection of special images can be kept permanently on the camera for on-the-go viewing without taking up space on the memory card. The exclusive on-camera Share button gives users the power to easily print, e-mail, and organise pictures with just one touch.

When printing images, Kodak provides exceptional quality prints that will last for generations. Using the highly-acclaimed line of KODAK EASYSHARE thermal snapshot printers, including the portable G600 Printer Dock, Z710 camera owners can easily print real KODAK 4 x 6-inch pictures at home, with just one touch, in as little as 60 seconds.

Kodak continues to bring groundbreaking features to its award-winning KODAK EASYSHARE digital photography system, enhancing the digital photography experience for consumers worldwide. The EASYSHARE system consists of cameras, snapshot printers, services, docks, software, inkjet and thermal photo papers, and accessories, making taking, sharing and archiving high quality digital pictures effortless. The Z710 camera comes with the latest Version 6.0 of KODAK EASYSHARE Software featuring an array of enhancements to help consumers find, create and share pictures like never before. Version 6.0 includes a photo card printing feature that turns pictures into invitations, KODAK PERFECT TOUCH technology in home printing, file watch feature that reorganises file systems without losing any pictures, personalised photo backgrounds, and much more. The new KODAK EASYSHARE Software V6.0 can be downloaded for free at www.kodak.com/go/easyshare. Further information on KODAK EASYSHARE products is available at www.kodak.co.uk

Compare prices on the Kodak EasyShare Z710 and get the latest price on the Kodak EasyShare Z710 at Amazon

Kodak Easyshare Z710 Reivews

CNET reviews the Kodak EasyShare Z710 and writes - 'The EasyShare Z710's image quality was neither bad nor impressive in our tests. As usual, colors were accurate and adequately saturated. At lower ISOs, the camera was able to capture oodles of detail; we were even able to discern the individual hairs on the plush ape in our test scene. The camera's high-quality lens no doubt helped in this and showed almost no noticeable distortion, even at the wide and telephoto extremes of its zoom range. Most superzooms show at least some noticeable distortion at one of the extremes if not both. As is typical of Kodak, we saw some minor JPEG artifacts in images, which caused some curved lines to become jaggy, though most causal snapshooters might not notice this.'

PhotographyBLOG reviews the Kodak Easyshare Z710 and writes - 'The Kodak Easyshare Z710 is a camera that tries to appeal to both beginners and more experienced photographers, but ultimately it doesn't really satisfy either user-group. Its stylish shiny silver looks will appeal to the general consumer and put off the prosumer, whilst the full range of creative exposure modes will do the opposite. More significantly for a camera with such a big zoom range, the lack of an image stabilization system is a serious omission, especially when all of its main competitors offer an anti-shake mode. The Kodak Z710 may be slightly cheaper, but you would be better off investing the extra money in an ultra-zoom model with anti-shake.'

Trusted Reviews has posted their review of the Kodak EasyShare Z710 and writes - 'The EasyShare Z710 is easy to use and has fairly good handling, but very slow performance, limited features, annoying habits, inferior image quality, lack of image stabilisation, low maximum ISO, indifferent build quality, horrible viewfinder and useless video mode make this one to avoid, especially at nearly £200.'

Think Camera reviews the Kodak Z710 and writes - 'Reading this review you may think I hated the Z710 - that isn't true. I was just terribly disappointed. I like Kodak cameras and usually they can be relied on to give you great performance for your money. I was quite excited to try it because I'd seen the new control system and it's easy to use and a nice compact size with all of the features you might need. Sadly a number of minor annoyances and below average image quality stop this being a camera I'd recommend.'

Pocket Lint reviews the Kodak EasyShare Z710 and gives it a rating of 5 out of 10. They write"The Z710 is pricey for what it is, it has some odd flaws in design such as that maddening flash/on/off button and it has a build, best politely described as “plasticy?. The camera’s resolution should allow prints up to A3 but there simply is not enough detail to support such a size, add to that some barrel distortion at the wide end of the zoom and purple fringing around high-contrast areas and I have to say that I cannot recommend this camera. "

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Sep 25: Fujfilm FinePix S5 Pro DSLR

Fujifilm-Finepix-S5-ProThe Fujfilm FinePix S5 Pro is a new DSLR that Fuji has in development that they are announcing today in the lead up to Photokina. It is set for release 'early 2007' so is still a fair way off production.

It seems to be based upon the Nikon D200 and features an 11 point AF system, 2.5 inch LCD, shutter speeds between 30 seconds and 1/8000 second, 12.34 effective megapixels (Super CCD SR double pixel technology - 6.17MP S-pixels and 6.17 MP R-pixels), ISO of up to 3200, face detection technology, Nikon F-mount and CompactFlash/Microdrive compatibility.

There has been no announcement on price for the Fujfilm FinePix S5 Pro DSLR yet but as we say it is expected to be launched in the first quarter of 2007.

Get a Price on the Fujifilm Finepix S5 Pro Digital SLR

Fujifilm FinePix S5 Pro News Release

FUJIFILM ANNOUNCES DEVELOPMENT PLANS FOR NEW FINEPIX S5 PRO

DSLR slated for early 2007 introduction

Valhalla, New York, September 25, 2006 -- Confirming the company’s commitment to professional photographers, Fujifilm today announced the development of the much anticipated FinePix S5 Pro digital SLR camera. The new FinePix S5 Pro is further affirmation of Fujifilm’s goal to achieve professional D-SLR image quality consistent with Fujifilm’s professional film heritage.

The FinePix S5 Pro carries a number of features that made its predecessor, the FinePix S3 Pro, so popular with wedding, portrait and studio photographers. One is increased dynamic range from the Super CCD SR double pixel technology (6.17 million S-pixels and 6.17 million R-pixels). The new FinePix S5 Pro continues this tradition of expanded dynamic range and goes a step further by coupling the new Super CCD SR Pro sensor with Fujifilm’s new RP (Real Photo) Processor Pro for even more outstanding, film-like results. Moreover, the FinePix S5 Pro will house the two technologies in a fully digital and durable metal alloy body frame. This opens the door for Fujifilm’s digital imaging technologies to expand into other applications such as outdoor and high endurance commercial photography.

Highlight features of the FinePix S5 Pro include:

Image Processing and Quality
Real Photo Technology Pro, which combines the Super CCD SR Pro sensor and the RP Processor Pro, allows for the wide dynamic range with smoother tonality from brightest light to darkest shadow. The re-designed new Super CCD SR Pro features an optimized low-pass filter that will reduce the noise and minimize moiré. The newly developed RP Processor Pro features two cycles of noise reduction so photographers can snap pictures at light sensitivities as high as ISO 3200 with less noise than comparable cameras at similar ISOs.

Increased Color and Dynamic Range Control

• Photographers can choose from six preset ranges for greater creative control over the FinePix S5 Pro’s expanded dynamic range between 100% and 400%,
• Three new variations of the original film simulation mode have been added (five modes in total) for improved reproduction of natural skin tones.

Face Detection Technology for post image verification
At the push of a button, the FinePix S5 Pro’s Face Detection Technology detects up to ten faces in a scene immediately after each image is captured. Photographers can zoom in and confirm facial detail, whether eyes are open or closed, focus and exposure on the FinePix S5 Pro’s LCD monitor.

Other camera functions and features

• Nikon F-mount compatibility with all Nikkor AF-D/G and the latest AF-S optics
• RAW+JPEG (4,256 x 2,848 pixels, 3,024 x 2,016 pixels, 2,304 x 1,536 pixels) dual-save mode
• MAC and PC supported tethered shooting mode via USB 2.0 port and optional HyperUtility software
• Robust, lightweight magnesium-alloy body
• Durable shutter unit stands up to approximately 100,000 releases
• Adoption of high-precision i-TTL flash control
• 11-point AF sensor for consistent, fast and precise focusing. This is an improvement from the FinePix S3 Pro’s 5-point AF sensor
• Supports 1/3, ½, and 1 stop lens aperture control
• Shutter speed 30 sec. to 1/8000 sec., maximum flash sync speed of 1/250 sec.
• Remark function enables addition of comments to an image file by connecting a special bar code reader to the camera body.
• 3 levels of custom Function Locking with password protection
• 2.5 inch LCD with 235,000 pixels with 100% frame coverage featuring color or monochromatic 30 seconds, live view function to check the focusing
• Li-ion rechargeable battery
• Compact Flash (CF) Card (Type I/II) and Microdrive compatible


Optional Accessories

• LAN Adapter for wireless, high-speed image transfer.
• New Hyper Utility Software for precise editing control of images taken in CCD-RAW
• 14-bit format. Software also enables PC control of the FinePix S5 Pro.
• Rechargeable Battery
• Battery Charger
• AC Power Adapter

Fujfilm FinePix S5 Pro DSLR Reviews

Think Camera has a first look review of the Fujifilm S5 Pro and writes, "The S5 has built in noise reduction like all recent DSLRs. Shooting jpegs you can never be entirely sure that you've turned this off completely. Again this is an area I didn't want to test scientifically only to find that all the results changed at production time. Some add hoc testing puts the S5 way ahead of the D2X for apparent noise. I didn't shoot it directly against a D200 but as a very rough figure I would estimate that the noise is about 1 stop better than the D200 - an S5 picture at 3200 looks as good as or better than a D200 at 1600. Whether the S5 is in the same league as the Canon 5D (our current favourite for low light) remains to be seen."

Digital Camera Info has a first impressions review of the Fujifilm FinePix S5 Pro and concludes, "The Fujifilm FinePix S5 Pro depends on its image quality – if it's not great, the camera doesn't compete. That makes it difficult to reach a solid conclusion in a first impression because we can only guess about image quality. Our educated guess is that the quality will be strong enough to make the camera competitive, but that's based on Fujifilm's history, not on anything we experienced while handling the camera. That said, it is great that the S5 is based on Nikon's D200. ... Using the D200 platform, and keeping it so much intact, Fujifilm's newest S Pro camera has become much more compelling."

Let's Go Digital has a preview of the Fujifilm FinePix S5 Pro and concludes, "The results speak for themselves. Fujifilm S5 Pro knows how to get the best out of pictures, even high ISO pictures, which are always problematic. With these, we see lots of detail and even attractive noise. This last comment probably sounds very strange, but you can almost appreciate the noise with high ISO in the FinePix S5 Pro. It is very similar to the grain in a film, has hardly any annoying colour noise and after it has been treated with noise reduction software, the high ISO end results are fantastic. The additional price that you pay for the Fujifilm FinePix S5 Pro in comparison to the competition can be clarified at once and will definitely not form a barrier to photographers with high requirements."

CNET Australia has a first take review of the Fujifilm FinePix S5 Pro and writes, "We find the S5 Pro chock full with features during our brief hands-on. Pressing the face detection button beside the LCD was supposed to zoom in on up to 10 faces (enabled by an embedded IC chip), but somehow we couldn't get it to work on our unit. In shots without human faces, the image automatically zoomed in on the centre area. ... With an undeniably sturdy body and imaging technology from Fujifilm, the FinePix S5 Pro looks every bit a promising upgrade for advanced amateurs and professionals who want rich tonal graduations and skin tones. Even though the camera is modeled after the Nikon D200, users should be aware of any compatibility issues, especially if they already have a stable of accessories, before shelling out the cash."

PopPhoto has a hands-on review of the Fujifilm FinePix S5 Pro and writes, "On our early sample of the camera, noise suppression appeared not to be quite optimal, so we ran a few preliminary noise tests, and found no higher than Low noise through ISO 800. We expect full-production models will better that performance. ... A camera like this one, made up of hardware and software from different manufacturers, runs the risk of turning out a Frankenstein monster, but the FinePix S5 Pro is no such freak. On the contrary, we found its operation smooth and seamless, with easy-to-grasp controls and menus, and help screens aplenty if and when you need them. This is the camera the old S3 Pro should have been -- squared."

Ken Rockwell has a review of the Fuji Fujifilm S5 and writes, "The Fujifilm S5 is a specialized camera for people concerned with color, lighting tone, which are absolutely the most important technical elements of photography. Color is subjective. I prefer my Canons and Nikons for photos of brightly colored junk, while I prefer the Fuji S5 for people photos. Color is the most important aspect of any color photograph. The reason to pay more for the Fujifilm S5 is if you prefer its color. If you don't prefer the color, other cameras are better for less."

ThinkCamera has a full review of the Fuji S5 Pro and writes, "Here's the deal: The pictures rock. People are going to beat themselves up wondering if this is a 12 MP camera or a 6MP camera. That's because the sensor has 12 million or so photo receptors but some of them are more sensitive than others. The closest analogy I can give is that it's like loading both ISO 100 and ISO 400 film at once and then sampling the best bits from each. ... There are things about this camera that drive me mad. OK, it's the menus and especially the zoom on review system. However, I absolutely love the results I get with it and the learning curve isn't too steep."

ePhotoZine has a review of the Fujifilm FinePix S5 Pro and writes, "Using the same body as the Nikon D200, the Fuji S5 obviously has to differentiate itself in other ways, and the fact that the CCD and processing engine are completely different means that the cameras do head down very different paths. The headline resolution of the S5 may seem to outstrip the D200, at 12Mp to 10Mp, but this is generated from the SuperCCD SR chip, with its fancy honeycomb design and twin-photo receptors at each photo-site of which there are only 6M. The result is that landscape photos are not as impressive with detail tending to disappear in the distance because it wasn't there in the original image. Also, artefacts from the SuperCCD process are evident right from the start at ISO100, though noise is then well controlled. This then is the key point between the two cameras – if you are shooting predominantly landscape photos then the D200 is a better camera, but for portraits and use in more challenging light, the S5 is more capable."

Trusted Reviews has a review of the Fujifilm S5 Pro and writes, "There’s no getting away from the fact that the S5 interpolates its 12MP images from a 6MP sensor, and when examined closely the results simply don’t have the same fine detail as a similar shot taken with a 10MP camera, and there are interpolation artefacts visible on some shots. ... while the S5 is very good at colour and tone, it’s not so good at fine detail. It’s up to you to decide whether its abilities suit your needs. ... The Fujifilm S5 Pro continues in its predecessors’ tradition of providing superior dynamic range and tonal quality for specialist portrait and wedding photographers, who will be delighted with its outstanding capabilities in these areas, as well as its superb handling, build quality and performance. It’s not really an ideal camera for the general consumer though, so if you’re looking for a similarly-priced general-purpose DSLR you’d be better off buying the Nikon D200 instead."

DigitalCameraInfo has a review of the Fujifilm FinePix S5 Pro and writes, "The Fujifilm FinePix S5 Pro’s image quality makes it a viable choice for pros and other quality-conscious photographers. Dynamic range, noise and color are all excellent. The S5's mechanicals – a Nikon D200 body, with Nikon autofocus, metering and flash – are also big assets. The drawbacks of the S2 and S3 bodies are gone. The remaining drawback is speed. The shooting rate is glacial, and the camera churns away recording data for minutes at a time when it's shooting RAW files."

CNET has a review of the Fujifilm FinePix S5 Pro and writes, " Image quality was impressive, but the S5 Pro's resolving power just can't match the Nikon D200. Colors are generally accurate, and the automatic white balance does a respectable job of neutralizing colors in most normal lighting situations. Studio shooters should note that, as one would expect, our unusually warm tungsten hot lights confounded the S5 Pro's auto white balance. We don't hold that against it, however, since this is the case with many cameras. However, if you have tungsten lights that are near the 3,200K color-temperature range as ours are, you'll need to use the tungsten or manual settings, both of which did an effective job of neutralizing colors with those unusual lights. The S5 Pro does an outstanding job of keeping noise under control. Our test images were nearly noise-free all the way out to ISO 400."

Let's Go Digital has a review of the FujiFilm FinePix S5 Pro and writes, "It is a fine digital SLR camera to work with, with especially excellent image quality. Finally, the unique Fujifilm technology is combined with the appropriate body. It's a DSLR camera which can accommodate, and won't disappoint, most photographers. Moreover, a great advantage is the price, which is less than the D200's price, which is what makes it very interesting. The Fujifilm FinePix S5 Pro is not a product for the masses, but will undoubtedly be loved by photographers that want to get the most out of their daily digital workplace. Image quality is still Fujifilm's featured attraction, in one of the most popular bodies found in a DSLR, Nikon's D200."

DPReview has a review of the Fujifilm FinePix S5 Pro DSLR and writes, "Of course no one is going to buy the S5 Pro for its resolution, nor are they likely to be swayed by a few hundred dollars. And you need to be producing serious enlargements to see the D200's sharpness advantage, whereas you can see the S5 Pro's DR advantage and great color even in a postcard print. It's not for everyone, but for studio work, portraits and demanding dynamic range work (such as weddings) it fits a sizeable niche perfectly.The qualities that many users find so attractive in the S5 Pro's output might not all be as immediate, tangible - or quantifiable - as the dynamic range graphs, and you need to be prepared to tailor the settings and put some work into post processing to get the most out of the results, but Fujifilm should be applauded for offering Nikon users a very different approach to image quality."

PhotographyBLOG has a review of the Fujifilm S5 Pro and writes, "Overall the Fujifilm S5 Pro displayed an amazing lack of noise with regard to its images – delivering a performance at ISO 1600 that would be comparable to that from lesser cameras at ISO 400, with ISO 3200 equivalent to the kind of results normally seen at ISO 800. Which means, if you're indeed shooting in low light without flash, as most social photographers worth their salt prefer working these days, the Fujifilm S5 Pro is capable of delivering results that are bang 'on the money'."

ByThom has a review of the Fujifilm S5 Pro and writes, "the S5 Pro is a hands down winner in (un-neutral but) pleasing color and dynamic range. Boy could I have used that shooting white arctic foxes on snow earlier this year. But the lack of speed, some handling issues, and slightly less usable resolution make the S5 Pro more of a specialist than the all-around D200. If you need a specialist that does what the S5 Pro does, you'll love the S5 Pro. That's why, it, too, has found a place in my bag. I don't use it as often, but when I need what it does, nothing else can match it. If I were an event shooter or portrait specialist, I'd probably use it more than I do--there's something quite pleasing about the color rendering of most skin tones (once you get it dialed in with the white balance)."

Steves Digicams reviews the Fujifilm FinePix S5 Pro and writes - 'If you're a portrait photographer I bet you'll love the increased dynamic range and film simulation of the S5 Pro provided by the fourth generation Super CCD. Likewise Fuji's Face Detection Technology is a real time saver in the studio. The S5's body is lightweight, the controls are well-placed, and the grip is very comfortable to hold. The ability to record JPEG and RAW files simultaneously allows you to review smaller-sized images, yet retain the ability to work with the RAW files later. The RP Processor Pro reduces dark noise to deliver a cleaner image, and permit light sensitivity up to ISO 3200. And if you already own Nikon lenses and speedlights, compatibility with the S5 Pro is assured. Or, buy a new compact and lightweight digitally designed lens and you'll have one of the lightest kits on the market.'

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Sep 25: Fujifim FinePix F31fd

Fujifilm-Finepix-F31FdThe Fujifim FinePix F31fd is a minor upgrade to the very successful Fujifilm Finepix F30 (the point and shoot I've been using for the past few weeks).

The Fujifim FinePix F31fd has a slight update to it's look as well as face recognition and Infra Red connectivity. Other than that it is largely the same camera as the F30 with ISO of up to 3200, 6.3 megapixels, 3x Optical Zoom and a 2.5 inch LCD screen.

It will retail for a price of $399 when it ships this December.

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FUJIFILM BRINGS FACE DETECTION TO THE COMPACT DIGITAL CAMERA CATEGORY WITH THE FINEPIX F31fd

Camera also Boasts 3200 ISO, i-Flash and Picture Stabilization

Valhalla, New York, September 25, 2006 -- Fuji Photo Film U.S.A., Inc., is proud to unveil the FinePix F31fd, the first pocketable digital camera from Fujifilm to feature the company’s new Face Detection Technology.

Fujifilm’s Face Detection Technology debuted on the SLR-styled FinePix S6000fd. It has a tremendous impact on the quality of “people pictures” by ensuring that cameras like the FinePix F31fd will automatically focus on and expose for faces, rather than details that lead to less-than-desirable photographs. Identifying up to 10 faces in a frame, Face Detection Technology ensures photos of friends and family are crisp, clear and properly exposed for a natural feel. It has an advantage over the few other face detection systems currently on the market as the technology is built-in to the camera’s processor, enabling the FinePix F31fd to identify faces and optimize settings within a scant 0.05 seconds.

With the FinePix F31fd, which is similar in style to the FinePix F30, Fujifilm adds Face Detection to the many significant breakthrough features in the award winning and critically-acclaimed FinePix F30 - unprecedented light sensitivities up to ISO 3200 at full resolution, Fujifilm’s Picture Stabilization, the ‘i-Flash’ system, and best-in-class 580-shot battery life. Add a 3x optical zoom lens from Fujinon, a 6-MegaPixel Super CCD HR sensor, and a 2.5 inch LCD screen with glare-reducing coatings and the FinePix F31fd is an ideal companion for consumers looking for a first-class upgrade to their current digital cameras.

Face Detection Technology
Fujifilm’s Face Detection Technology was originally developed for the company’s photofinishing division where it has been improving the quality of photos produced at retail photo centers nationwide by Fujifilm’s Frontier Digital Lab Systems. Fujifilm’s Research & Development team adapted the technology for use within digital cameras, where it is now a genuinely useful tool for making subjects look their best.

A selectable option, Fujifilm’s Face Detection Technology identifies faces by triangulating a subject’s eyes and mouth using an algorithm to optimize focus and exposure. It simultaneously displays a green rectangle around the primary subject, while white squares identify up to nine other subjects. Movement tracking keeps the camera ‘locked on’ to its subjects until they move out of the picture. The technology works regardless of the subject’s position in the frame, and is not confused by eyeglasses. In Playback mode, Face Detection automatically zooms to subjects’ faces and trims the shot for optimum portraits.

Low Light Photography and Picture Stabilization
Fujifilm has identified low light photography as one of the true benchmarks of a digital camera's performance, as many images are taken when light is limited. Limited light requires the use of a flash, however, a flash can leave subjects looking ‘washed out’ and background detail almost non-existent. Higher light sensitivities make flash-free photography possible with available light, balancing foreground and background exposure and contributing to a natural look and feel.

Higher light sensitivities also enable the camera to shoot with faster shutter speeds, which lessen the likelihood of blurry pictures caused by a moving subject or the shake of an unsteady hand. To make it easy for consumers to achieve blur-free results, the FinePix F31fd features a helpful “Picture Stabilization” mode dial setting. This easy-to-identify, automatic setting lets the FinePix F31fd choose the correct light sensitivity and best-matching shutter speed, producing the highest quality digital pictures without blur and the noise often associated with high sensitivity photographs.

i-Flash
For those occasions when flash is required, Fujifilm’s intelligent ‘i-Flash’ system sets flash power output to achieve natural foreground illumination with balanced background exposure. Fujifilm’s i-Flash system is more advanced than similar flash systems because it can detect more accurately the subtle lighting differences within a scene, and then light the subject accordingly with a wider range of flash intensities. Together, the Face Detection and i-Flash technologies produce photographs with prominent subjects exhibiting pleasing, natural tones.

“Fujifilm set the benchmark for digital camera performance earlier this year with the introduction of the FinePix F30, a model that helped consumers take better pictures through innovative technology breakthroughs and best-in-class performance,” remarked David Troy, Senior Product Manager, Consumer Digital Cameras, Electronic Imaging Division, Fuji Photo Film U.S.A., Inc. “With the addition of Face Detection Technology to an already outstanding camera package, the FinePix F31fd will turn just about any picture-taker into a top-notch photographer.”

The FinePix F31fd has a number of useful features that make it easy to snap outstanding photos:“Natural Light & with Flash” Dual Shot Mode: In this mode the FinePix F31fd quickly shoots two images in succession -- one with and one without the flash -- saving both. This convenient function lets the user perform an on-the-spot picture comparison and decide whether the FinePix F31fd produced the most pleasing photo with flash, or without.

“Natural Light” shooting mode: This mode preserves scene mood and enhances background detail by shooting with faster shutter speeds at higher light sensitivities (if necessary) with a suppressed flash.

Fast Operation: The camera’s fast response times, 0.01 second shutter lag and 1.5 second start-up time, ensure it will catch all the action and spell the end for missed photo opportunities.

LCD: The FinePix F31fd features a large 2.5 inch, 230,000 pixel LCD screen coated with Fujifilm’s proprietary CV film. This minimizes glare and reflection so that images can be viewed from any angle and even in sunny conditions, when glare would usually be a problem. In addition, the screen’s brightness adjusts automatically, depending on the amount of light available, to further enhance ease of viewing.

Better Movie Quality: Movie capture for the FinePix F31fd is enhanced by noise reduction, making it possible to capture clear, sharp moving images even at high ISO sensitivity speeds. It is also capable of VGA movie capture at 30 frames per second with sound.Special scene modes: The FinePix F31fd has 15 scene positions including beach, snow and fireworks for optimum photography, no matter what the event. Manual settings: Includes shutter and aperture priority, for more user control.The FinePix F31fd will be available in December at a retail cost of $399.

Fujifilm FinePix F31fd Reviews

PhotographyBLOG reivews the Fujifilm Finepix F31fd where they write - 'With the addition of Face Detection and Infra-red, the Fujifilm Finepix F31fd is currently the new best compact, carry-everywhere digital camera for the discerning photographer. There are still a few unnecessary faults though that are retained from the F11 model (come on Fujifilm!), and all that new technology has made the F31fd quite a lot more expensive than its older sibling, the F30, which is overall a more economical and sensible purchase.'

blip.tv has a video review of the Fujifilm Finepix F31d and talks about the camera's face recognition feature: "In our tests we were not just impressed by the feature, which you can see in action in the video review, but also the camera itself. There were a few niggles, such as it selecting noisier high ISO speeds in Auto mode even when the lighting was good, but even so we liked this £199 camera."

Trusted Reviews has a review of the Fujifilm FinePix F31fd and writes, "Image quality is also very good. The lens produces excellent corner-to-corner sharpness, and has virtually no wide-angle barrel distortion. Exposure metering is outstanding, and colour reproduction is also faultless. The only criticism, and one that I’ve made before about Fujifilm cameras including the F30, is a higher than usual level of purple fringing on high-contrast edges, especially next to very bright highlights. ... All in all the F31fd is an extremely good camera, capable of producing outstanding results in circumstance that would defeat most other models. ... Like its predecessor the F30, the Fujifilm FinePix F31fd has the best high-ISO performance on the market, as well as a number of other useful features, not least of which is class-leading battery duration. Build quality, style, performance and photographic results are also as good as anything else on the market. However the Face Detection technology is probably not enough to justify the relatively high price compared to the outstanding F30."

Vnunet has a review of the Fujifilm Finepix F31fd and writes, "Overall image quality is good, but if you crop in 100 per cent you'll see image noise causing some quality issues, even when shooting at ISO 100. That said, if you're not planning to print out extra large photos and won't be cropping in on detail too much, it's not really a problem as you're unlikely to notice it. Occasional purple fringing was apparent in areas of high contrast, but colour reproduction and the camera's auto-exposure decisions were both good. ... The Finepix F31fd has plenty going for it, and the Face Detection technology is a real bonus - especially for novice snappers fed up with blurred portrait shots."

ThinkCamera has a review of the Fujifilm F31fd and writes, "Colour rendition of skin tones is good in the F31fd and the clever face detection software helps you get the best focus and optimized exposure for the shot you are taking. ... When you zoom in on it you can see some noise but not as bad as you might expect at ISO 800. I printed it at 6in x 4in and was pleasantly surprised. There was a very slight softening effect but nothing that would worry you. You'll also notice that the background is nicely balanced too. ... It's a smashing little camera. If you take lots of photos of people it will help you get the best focus for each person. The Fujifilm F31fd is perfect for getting that shot at the party with all your mates. It has a high ISO (can capture detail when it's dark, keeping it sharp), it will balance the background and it won't blow out their faces."

LaptopMag has a review of the Fujifilm FinePix F31fd and writes, "We were impressed with the F31fd's ability to rapidly seek out human faces and not focus on other things in the shot. ... Many digicams also drop the ball when taking low-light shots. At a birthday party, the FinePix F31fd did a good job of capturing the guests crowded around a cake with the lights off while the candles were being blown out. When we bumped the ISO up to 1600, there was very little noise, and when we maxed it out at ISO 3200, the camera still retained some level of quality. The results didn't look overly grainy like photos from some other point-and-shoots that we've tested."

PCWorld has a review of the Fujifilm FinePix F31fd and writes, "In our lab tests, the F31fd performed admirably. Its battery life earned a rating of Superior because the camera reached our test limit of 500 shots on one charge of its rechargeable lithium ion battery. The average number of shots per charge for recently tested point-and-shoot cameras is far lower, at about 270 photos. In our image quality tests, our jury gave the camera high marks for its photos' color accuracy and low distortion. The camera scored high across all categories, earning an overall image quality score of Very Good."

Cameras.co.uk has a review of the Fuji Finepix F31fd and writes, "Looking through all the test shots I have to say I am pretty impressed with the Finepix F31fd. All the key factors I look for in a camera are covered. These include natural colours, sharpness, contrast and lowlight photographs. ... 'm a big fan of the Fuji Finepix F31fd. If you are looking for a digital camera with a bit of style that takes a good photo then this one is worth a close look. It has one or two extra features that come in handy, especially in lowlight. Therefore an area that can be a weakness with other digital cameras is a strength with this one."

Digital Trends has a review of the Fujifilm FinePix F31fd and writes, "This is a good not great 6.3-megapixel digicam. Although it has a lot going for it, it really didn’t ring the bell for me. There were issues with sharpness, some focusing problems and the camera labored saving big files. And Face Detection, one of its highly touted features, didn’t measure up to competitors. If the F31fd dipped well below $300, I’d consider it but this Made In China digicam didn’t make my most favored list. Consumer alert: Fujifilm will soon release the FinePix F40fd for $299 so you can expect prices of this one to drop nicely"

DPReview has a review of the Fujifilm FinePix F31fd and writes, "Broadly speaking the F31fd - like the F30 before it - produces sharp, bright, clean output that puts most of its higher megapixel competitors to shame. It also goes without saying that in the ISO 400-800 range it is still absolutely unrivalled. Focus - though it may slow down a little when challenged - is very reliable indeed, and in decent light the auto white balance is faultless. Some of the issues we encountered with the F30 have been addressed - the exposure seems more reliable and the tone curve no longer produces that strange 'flat midtones' effect. This makes the F31fd a much more beginner-friendly 'point and shoot' camera than its predecessor, though like most compacts the contrast is set too high and highlights can and up clipped fairly easily. The bad news is that purple fringing is still a problem in contre-jour situations (and around specular highlights), there are still some situations where the metering gets things wrong (over exposing), though it does seem better."

ComputerActive has a review of the Fujifilm Finepix F31fd and writes, "Under ideal conditions, photos are colourful if ever so slightly soft straight out of the camera. And, though opting for the top ISO3200 setting in low light when you want to avoid the bleaching effect of flash introduces the bugbear of image noise – tiny, grain-like speckles – the F31fd produces results that are both usable and better the performance of some rivals at ISO800. ... Though the face-detection feature is more gimmick than essential, the Fujifilm F31fd is one of the most impressively constructed compacts outside of Canon’s Digital IXUS range."

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Sep 25: Fuji FinePix F30 Review at Pocket Lint

Fujifilm-Finepix-F30Pocket Lint reviews the Fuji FinePix F30 and gives it a rating of 9 out of 10. They write - 'The F30 won TIPA’s Best Compact Digital Camera in Europe award and on this performance I can see why. Neat handling, design and specification further enhance a World first in terms of that high ISO capability. Yes, there are a couple of omissions; no RAW capture and the lack of a histogram display for example. But… The Fuji FinePix F30 is then a camera with great flexibility. But that alone does not do it justice. At its £279.99 price, it provides an almost perfect balance of control and automation, sensitivity without noise problems and image quality yet retaining pocketability that make it a real “stunna”, and you’ll be hard pressed to find better on the market today.'

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Sep 25: Sony Cyber-shot DSC-T10 Review at Imaging Resource

Sony-Cybershot-Dsc-T10Imaging Resource reviews the Sony Cyber-shot DSC-T10 and writes - 'The 7.2-megapixel CCD delivers plenty of resolution for large prints, and the smattering of Scene modes makes it easy to bring back good-looking photos from what would otherwise be difficult shooting conditions. The biggest news of course, is the T10's Super SteadyShot image stabilization, which we found to be very effective. This will let you get crisp shots even when faced with hand-holding the camera under surprisingly dim lighting (assuming of course, that your subject is stationary as well). Of course, a tripod is always recommended when things get really dark, but we were very pleasantly surprised to see just how dark it could get, while we were still snapping sharp photos.'

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Sep 24: Canon EOS 400D Digital Rebel SLR Camera Review at the Digital Picture

Canon-Eos-400D-1The Digital Picture (my favorite Canon review site) reviews the Canon EOS 400D Digital Rebel SLR where they write - 'If you want a big step up in capabilities from a prosumer point & shoot camera, the 400D/Rebel XTi will be an excellent choice. This may be the right time for original Canon 300D Digital Rebel users to make a jump as well - The Canon EOS 400D Digital Rebel XTi's features and image quality improvements are definitely significant enough to justify this upgrade. For 350D/Rebel XT owners, well, if you want the latest and greatest - and the cool factor - go for it. The improvements will be nice - but a new lens might make a bigger difference in your results. I suggest EOS 30D owners wait for the next 30D upgrade to be released unless they see a must-have feature in the 400D/XTi - or better yet, go for a Canon EOS 5D (the price has come down). Email me if you need other upgrade recommendations - be sure to tell me what you use the camera for. For an entry-level-priced Digital SLR, the Canon EOS 400D Digital Rebel XTi has more features than most entry-level-priced Digital SLR buyers will ever use - and has performance and image quality to satisfy many professional needs. Overall, I'm pleased with this DSLR.'

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Sep 24: Canon Ixus 65 Review at ThinkCamera

Canon-Powershot-Sd630-Ixus-65Think Camera posts their review of the Canon Ixus 65 where they give it a rating of 7 out of 10 and write - 'The Canon Ixus 65 delivers beautiful pictures that are packed with detail far beyond what you might expect from a 6MP compact. The camera feels good in your hand and looks attractive and all the controls are well laid out and easy to use. While I had it on test I couldn't help thinking there was something missing. We've seen low light specialist, wide angle cameras and ultra ultra compacts. The Ixus 65 isn't any of these - it's a solid all rounder that will deliver great pictures. The styling still looks good 10 years on but without an all metal body this camera isn't going to turn heads. On the plus side it does have a HUGE screen and the easy controls give you great pictures. It really just lacks something to make you love it. '

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Sep 24: Ricoh R5 Review at PhotographyBLOG

Ricoh-Caplio-R5PhotographyBLOG reviews the Ricoh R5 and writes - 'Ricoh have introduced some significant improvements to the Caplio R5, principally a great continuous shooting mode which allows unlimited shooting at 2.5fps, and the ability to take consecutive flash shots without having to wait for the flash to recharge. In addition there's even longer batter life (around 350 shots), a much improved movie mode and higher resolution LCD screen, bringing the Ricoh R5 in line with other cameras in this class. However, Ricoh have also made some curious design decisions that make the R5 worse in some respects, namely the much smaller power and zoom buttons which make the camera more awkward to use, the flash unit which protrudes from the front of the camera, and the flimsy battery compartment cover. The new image processing system promises low noise and an expanded ISO range, but whilst the R5 does offer ISO 1600, you really won't want to use, or for that matter ISO 800. In fact, the R5's images are still as noisy as the R4's - the move to 7 megapixels seems to have offset any processing gains that Ricoh's engineers have made. There is one image quality improvement, which comes in the form of much less obvious chromatic aberrations and purple fringing. The main attractions of the R5 remain the same as its predecessors, namely a point and shoot camera that can easily fit in your pocket, with a massive 7x wide-angle optical zoom lens and genuinely useful anti-shake system. So the Ricoh R5 is a significant improvement in some respects on the slightly older R4 model, but frustratingly a backwards step in others.'

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Sep 24: Canon EOS 5D Review at ThinkCamera

Canon-Eos-5DThink Camera reviews the Canon EOS 5D DSLR and writes - 'The EOS 5D isn't the ideal camera for everyone and there are some minor compromises as well as some excellent features. It isn't a point and shoot camera by any means and both the body and the price tag are substantial - but it's smaller and better priced than many full-frame sensor cameras. If this is your first foray up the chain of D-SLR's and you don't want to spend too much first time round, the EOS-5D is a good starting point. Performance is neither exceptional nor lacking: for example whilst it doesn't compete with extra-fast models designed for sports photography, you won't find it slowing you down even when you're shooting in RAW. It should be viewed as a very good prosumer camera rather than a professional one - many pros use it but they are generally happier to work within its limitations than spend 3 times as much on a 1DS MkII.'

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Sep 24: Canon PowerShot A710 IS Review at DCRP

Canon-Powershot-A710DCRP reviews the Canon PowerShot A710 IS and writes - 'Camera performance is very good for the most part. The A710 is ready to shoot in a little over a second after you press the power button. Focus times are above average, and I didn't find shutter lag to be a problem. Low light focusing was excellent. The A710's burst rate isn't quite as good as on the A700 (probably due to the higher resolution), although you can still fire off an unlimited number of photos at 1.7 frames/second. Battery life was above average.'

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Sep 24: Seitz 6x17 160 Megapixel Digital Camera

Seitz-6X17-Front-Left-450Check out this 160 megapixel panoramic digital camera which creastes a 6 x 17cm image. It's got one of the most impressive specifications lists that we've seen for a while.

ISO of 500 to 10,000, maximum shutter speed of 1/20,000th of a second, a read out speed of 300MB per second and image sizes of around 1 gigabyte per shot!.

It'll knock you back around $36,000 USD though to get it so don't expect to see too many while you're out and about!

Key features Seitz D3 digital scan back

• Very high speed and resolution: 300 MB raw data per second!
• Special imaging sensor developed by DALSA Corporation exclusively for Seitz for photography applications
• Very high sensitivity and broad ISO/ASA range (equivalent): 500 - 10'000
• Very high image quality thanks to 48-bit colour depth, low noise, high dynamic range, DALSA anti-blooming feature, Seitz image optimisation algorythms, freedom to use own raw-conversion workflow
• Possibility to freely interchange Seitz D3 digital scan back between Seitz 6x17 camera, new Roundshot D3 panorama camera and - in the future - medium or large format cameras

Key features Seitz 6x17 panorama camera

• Create a high resolution 6x17 digital image (160 million pixels) in
• one second!
• Ideal for use with world-class Schneider or Rodenstock large format lenses (on Seitz lens board) or Linhof Technorama, Fuji and other large format lenses (on adaptor plate)
• User-friendly camera system and software with 640x480 pixel colour touch screen for perfect preview, editing, zooming and image control
• State-of-the art computer technology with gigabit Ethernet file transfer, powerful portable mini-computer (storage device) and handheld control device (PDA) with IP network WLAN connection
• Fully mobile and open system:
• - full mobility for outdoors assignments (with camera, portable
• mini-computer, handheld control device)
• - possibility to use in studio and run software on
• computer with free choice of operating system (Mac OS,
• Windows, Linux)
• Uncompromising precision of camera body and accessories

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Sep 24: Nikon D80 Review at DP Review

Nikon-D80-4 DP Review has posted their review of the Nikon D80 where they give it a rating of 'highly recommended and write - 'So we've established that the D80 is a great 'photographers camera', but how good are the images? The answer is, really very good, Nikon appear to have shaken off the soft-image demons of the past and are also using a slightly stronger (more consumer friendly) default sharpening level than the D200. Resolution is as good as other ten megapixel digital SLRs, color response is vibrant, yet accurate, images are more contrasty than some other manufacturers but of course if you prefer a slightly flatter response you can always create your own custom parameter set.'

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Sep 21: Samsung GX-10

Samsung-Gx-10The Samsung GX-10 is a new DSLR. It's another of their DSLRs developed out of a partnership with Pentax - this one sharing a lot of the same features as the Pentax K10D announced last week (similar - but not exactly the same, especially the design of it's casing and some of it's buttons).

The Samsung GX-10 features a ten megapixel sensor, weather sealing, optical picture stabiliation, dust reduction technology, field of view 95%, continuous shooting of 3 frames per second, ISO of up to 1600, 11 point AF and 16 segment metering system.

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Samsung GX-10 News Release
Samsung Camera Adds Step-Up Model to Growing DSLR Range with Launch of GX-10

Samsung Camera today introduced the GX-10, a new 10.2 mega-pixel DSLR designed for advanced amateur and professional photographers. The third model in Samsung's rapidly growing DSLR range, the GX-10 offers a number of new and unique features that will allow users to capture images of uncompromising quality in any environment or setting. With features including Optical Picture Stabilization (OPS), a Penta Prism viewfinder that provides a wide field of view of 95-percent and a revolutionary new dust resistant CCD sensor, the GX-10 is sure to build on the success of Samsung's first two DSLR products, introduced earlier this year.

"Much like the NV Series represents a step-up in our point and shoot product range, the GX-10 is a step-up in our range of DSLR products," says Stewart Henderson, National Marketing Manager at Samsung Camera. "While this camera does include a number of advanced features that will appeal to sophisticated photographers, it was also designed and priced to be both easy to use and accessible for photographers who are either first or second time DSLR buyers. The ultimate goal was to help users take full advantage of the technology in the camera to capture images of superb quality."

Among the technologies employed to help GX-10 users get their best shots is a mechanical OPS stabilization feature that minimizes blur in situations where the camera is unstable or in low-light conditions. Because it resides in the camera body, as opposed to the lens, the OPS feature works with a wide range of lenses, including the Schneider D-XENON lenses to be sold with the body in kits and the full range of Pentax, KAF2, KAF and KA mount lenses.

Coinciding with the introduction of the GX-10, Samsung is also pleased to announce that by year's end, five new Schneider D-XENON lenses will be available for use with its entire GX series of DSLRs. The new lenses will consist of a 10~17mm, F3.5-4.5 fish-eye zoom, a 12~24mm, F4 ultra-wide zoom, a 16~45mm, F4 wide zoom, a 35mm, F2 fixed focus and a 100mm, F2.8 macro lens. When combined with its existing 18~55mm and 50~200mm Schneider D-XENON zooms, the five new lenses will give Samsung the ability to offer photographers a full, comprehensive range of optics, allowing them to expand their creativity as well as be prepared for any shooting scenario. For added convenience the GX-10 can be used with the all Pentax KAF2, KAF and KA mount lenses.

Another of the GX-10's unique features is its intuitive dust-free CCD imaging sensor. To ensure that dust will never pose a problem, Samsung has incorporated an advanced dust-removal system that automatically vibrates the CCD sensor when the GX-10 is powered on. In addition, the GX-10's CCD sensor also features a special dust resistant coating, further eliminating the possibility of unwanted specs or blemishes ruining an otherwise perfect picture. As if that weren't enough, the GX-10 boasts a specially designed body that was made to stand up to the elements. Every button, gap and other potentially vulnerable area on the camera's body has been fortified with special seals and silicone to protect against damage from water, sand and a host of other elements.

Another attractive feature for advanced photographers is the GX-10's superb RAW image format support. The exclusive one-touch RAW shooting button enables users to quickly capture images in RAW format, which can then be quickly be viewed on the 2.5", 210,000 pixel LCD screen and easily converted to jpeg format right on the camera, if the shooter so desires. The GX-10's intuitive and easy to use interface makes even the most advanced tasks such as this easy to accomplish for just about anyone. Its continuous shooting mode is capable of capturing three images per second. Depending on available memory, shooters can capture an unlimited number of jpeg images in continuous shooting mode, and up to nine images in RAW format.

The GX-10 also features an 11-point, wide-area Auto Focus system, with a choice of AF-single or AF-continuous, providing accurate auto focusing in a variety of shooting conditions. It incorporates a high-precision, three-mode metering system including, 16-segment multi-pattern metering, center-weighted metering and spot metering. With multiple scene modes, an ergonomic design and a "My Set Dial" function that allows users to store their favorite settings in the camera, the GX-10 is highly sophisticated without being intimidating.

The GX-10 will be available in October 2006.

Samsung Opto-Electronics America, Inc., Secaucus, N.J., is the U.S. subsidiary of Samsung Techwin Co., Ltd., Sungnam Kyungki-Do, Korea. Samsung Opto-Electronics markets a full line of auto focus cameras, zoom and digital cameras for the amateur as well as the professional under the Samsung brand name. CCTV monitors and lenses, motorized zoom lenses, binoculars, observation and security systems, and video presenters are other products in the family of photographic and optical equipment.

Samsung GX-10 Reviews

Crunchgear has a review of the Samsung GX10 and writes, "For the price, the GX10 offers quite a bit of camera for the money. The U.S. package comes with one lens — apparently overseas versions come with two — and Samsung is ensuring more lenses this year including fish eye and zoom lenses. As with any DSLR, I advise shoppers and/or buyers to try a few at the store and pick out one that “speaks” to them in terms of price and image quality. Once you get past all the bells and whistles, what you want is a camera that takes consistently good pictures in varying light levels without much futzing. I can safely recommend the GX10 as one of the better cameras in that respect."

ComputerActive has a review of the Samsung GX10 and writes, "When viewed on a PC, photos reveal a certain amount of purple fringing – a slim line of differently coloured pixels between areas of high contrast – but only under close inspection. We also found a problem when shooting bright skies with dark foregrounds – if left on automatic the camera will overexpose the shot, leaving it quite washed out, but it's possible to prevent this with experience. In all other respects the GX-10 is a solid buy for those wanting to get the right shots using the camera and avoid photo editing later."

CNET has a review of the Samsung GX-10 and writes, "Although I found the exposures generally a bit too dark, the excellent noise profile--quite good up through ISO 800 and competitive at ISO 1600--provides enough latitude to allow for enhancement in software. The photos are very sharp as well. However, whether the Samsung GX-10 is a good camera or not is almost beside the point. It's neither better nor cheaper than its Pentax equivalent, and Pentax has both the photographic history, service experience, and breadth of dSLR lenses and accessories (which will nevertheless work with the GX-10). So why even consider it?"

Trusted Reviews has a review of the Samsung GX-10 and writes, "The Samsung GX-10, and presumably by extension the Pentax K10D as well, proves yet again that the digital SLR market isn’t a two-horse race. This camera provides more versatility in its innovative shooting modes, more image quality in its processing engine and faster performance from its high-speed electronics than anything the competition have to offer in this class. Add the rugged durability of the weatherproof body and you have a photographic tool that any keen photographer will quickly learn to love. Just make sure you keep the body cap on when you’re not using it."

DCResource has a review of the Samsung GX-10 and writes, "The GX-10 ($999) is Samsung's third digital SLR. Like the other two (the GX-1S and GX-1L), the GX-10 is based on a Pentax camera -- in this case, the Pentax K10D. The differences between the GX-10 and the K10 are subtle changes in the user interface (menus and buttons), RAW support (the GX-10 only supports one RAW format: DNG), and the software bundle. ... With the same sensor, image processor, and firmware, the GX-10's photo quality and performance is identical to that of the K10D. In terms of photo quality, this means that the GX-10 has mediocre straight-out-of-the-box JPEG quality (which can be fixed if you tweak some settings), and great RAW image quality. ... Since the Samsung GX-10 and Pentax K10D are 99% identical, is there any reason to buy one over the other? Not particularly. Yeah, the K10D is the only one with a battery grip, but that should change shortly according to Samsung. My advice is to buy the one you can get the best deal on."

ThinkCamera has a review of the Samsung GX10 DSLR and writes, "In all, Samsung's GX10 is a good camera. It's well designed, feature-rich and operates well. If you tweak the default settings it produces very good pictures and is backed up by useful shooting functions - the image stabiliser in particular is worth having. The camera feels good to use and will let you get on with making great pictures. There isn't much to dislike. Having praised it in use though, there are some control buttons and dials that are awkward and not as positive as might be desired."

DCViews has a review of the Samsung GX10 and writes, "As the Samsung is in fact a rebadged Pentax model with some cosmetic changes, all older Pentax lenses with KA, KAF or KAF2 mount will fit the GX 10, which could be an important consideration in deciding which camera to go for. If however you are new to DSLR photography you will find an excellent mid-range DSLR in the Samsung. Looking at its extensive list of features it can certainly hold its own among other DSLRs today. The GX10 is built like a tank with solid well-placed buttons and dials and handy weatherproofing. It provides fast performance with excellent results and comfortable handling. It comes with handy extras like dust removal and built-in optical image stabilisation plus a couple of other advanced features not found on certain other reflex cameras. So if you like what we told you about the Samsung GX10, try one out in the shops and see if it suits you."

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Sep 21: 3 New Pentax DA* Lenses

Pentax-Da-16-50Mm-F2.8-EdalifPentax today released some information on three new DSLR lenses.

They are the

  • DA* 16-50 mm F2.8 ED AL [IF]
  • DA* 50-135 mm F2.8 ED [IF]
  • DA* 60-250 mm F4 ED [IF]

They have supersonic motors and to be released in March of 2007.

Pentax News Release Extracts

PENTAX Corporation is pleased tannounce the exhibition of three interchangeable digital SLR camera lenses and a medium-format digital SLR camera, all currently under development, at Photokina 2006. This is one of the world's largest photand imaging merchandise fairs, and will be held this year from September 26 tOctober 1 in Cologne, Germany.

Three interchangeable lenses designed for exclusive use with PENTAX digital SLR cameras

Wide-angle zoom lens (pictured above)
Model name ( tentative ) : smc PENTAX-DA* 16-50mm F2.8ED AL[IF]

Marketing schedule : Tbe marketed in March 2007

Pentax's smc PENTAX-DA* 16-50mm F2.8ED AL[IF] lens. Courtesy of Pentax, with modifications by Michael R. Tomkins. Click for a bigger picture!

Telephotzoom lens
Model name ( tentative ) : smc PENTAX-DA* 50-135mm F2.8ED [IF]

Pentax-Da-50-135Mm-F2.8-Edif

Marketing schedule : Tbe marketed in March 2007

Pentax's smc PENTAX-DA* 50-135mm F2.8ED [IF] lens. Courtesy of Pentax, with modifications by Michael R. Tomkins. Click for a bigger picture!

Super-telephotzoom lens
Model name ( tentative ) : smc PENTAX-DA* 60-250mm F4ED [IF]

Pentax-Da-60-250Mm-F4-Ed

Marketing schedule : Tbe marketed in 2007

Pentax's smc PENTAX-DA* 60-250mm F4ED [IF] lens. Courtesy of Pentax, with modifications by Michael R. Tomkins. Click for a bigger picture!

Other product information :
These products are designed for exclusive use with PENTAX K- and *istD-series digital SLR cameras. They are being developed as the top-of-the-line star ( * ) lens tdeliver exceptional performance and optimal image quality.

These products will feature the PENTAX KAF2 mount, which incorporates additional electrical contacts tdrive a built-in supersonic motor used in autofocusing operation.

[ Product type ] Lens-interchangeable medium-format SLR camera

Model name ( tentative ) : PENTAX 645 Digital

Product information & marketing schedule :
• 18 effective megapixels
• PENTAX 645AF mount
• Compatibility with existing smc PENTAX 645-series lenses
• Marketing schedule tbe announced later
• Pentax's 645 Digital. Courtesy of Pentax, with modifications by Michael R. Tomkins. Click for a bigger picture!

Other information :
This product will be continuously upgraded by incorporating newly developed image sensors, with its final effective megapixels expected treach a 30-megapixel level.
Pentax's 645 Digital. Courtesy of Pentax, with modifications by Michael R. Tomkins. Click for a bigger picture!

Notes : Model names, designs, specifications and market launch schedules of these products are all tentative and subject tchange without notice.
Marketing prices of these products will be announced later.

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Sep 20: Kodak EasyShare P712 Review at Imaging Resource

Kodak-Easyshare-P712-1 Imaging Resource reviews the Kodak EasyShare P712 and writes - 'As digital SLRs decreased in price and, consequently, increased in popularity, seemed the days of the "chunky" superzoom digital camera might be over. That hasn't fully happened yet though and it's because of solid all-in-one superzoom models like the Kodak EasyShare P712. Though this 7.1MP camera won't give you the performance or image quality of a decent digital SLR, its lightweight and portable construction makes it far easier to travel with. Plus with a 12x zoom (equivalent to a 36-432mm lens on a 35mm camera) and an in-camera optical image stabilizer, the Kodak P712 will give you a long, rock-steady focal range that would cost an arm and a leg if you were to try to buy equivalent interchangeable lenses for a digital SLR. The camera is also surprisingly responsive for a long-zoom model, with good shutter lag, and blazing response times when pre-focused prior to the shot. Thanks to Kodak's Color Science image processor, the P712 handles a wide variety of lighting with aplomb, and delivers images that are bright and colorful without seeming overdone.'

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Sep 19: Sony A100 Review at PhotographyBLOG

Sony-Alpha-A100PhotographyBLOG reviews the Sony A100 and writes - 'Konica Minolta users, means ease of use and a stress-free transference of skill sets are required, and on those two counts the Sony A100 delivers. That start up time of just over a second, mere 3fps capture, and loud shutter may not be good enough to please the pros, but it's a performance that's more than adequate given it's a DSLR intended for mass market consumption. The steady introduction of Carl Zeiss branded lenses will further cement its claim on the pockets of enthusiasts anyway, and Sony has reportedly invested such a hefty sum in making its DSLR brand successful that failure is not an option. Arranged marriages can be fraught with problems, but this one appears to be working out. Sony has been careful not to claim all the glory for itself when talking to the press about the A100, hoping that what it has delivered is the best of Sony and Konica Minolta – and that seems true, at this stage. While in certain respects the product feels compromised by its enforced blend of technologies and, I imagine, rather quick development schedule – what the Sony A100 is, is a very good camera when I believe future generations will hopefully make it great.'

Read more about the Sony A100 DSLR

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Sep 19: Win a $25,000 trip or Canon EOS 400D - Photo Competition

Welcome to Canon Australia as a major sponsor of Digital Photography Blog over the coming weeks. You'll see their banner across the top of this blog for the next few weeks with a promotion for their new Canon EOS 400D - a new DSLR.

The banner links to a competition for Australians where they're offering pretty cool prizes (including a $25,000 trip, 8 Canon EOS 400D DSLRs, photography kits, cash and more) in a photo competition (which starts in 6 days time).

Thanks to Canon for running this great promotion and supporting Digital Photography Blog.

PS: this is a competition for Australians. Sorry to our overseas readers - maybe next time!

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Sep 18: Nikon D200 Review at Photo.net

Nikon-D200-1-2-1Photo.net reviews the Nikon D200 and writes - 'The Nikon D200 is a very good camera and anybody making the switch from a (high-end) film camera to digital should consider it. Take a look at the image quality, decide if it makes sense financially (don't forget extra lenses, memory etc.) and take into account that the low operating cost of digital encourages to capture more, experiment more.'

Read more about the Nikon D200

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Sep 18: Kodak EasyShare V610 Review at Lets Go Digital

Kodak-Easyshare-V610 Lets Go Digital reviews the Kodak EasyShare V610 and writes - 'All in all we can conclude that the Kodak EasyShare V610 is an interesting camera with a nice zoom range. The road Kodak took with the V570 has led to the Kodak V610, but it is a pity that Kodak forgot to improve a few aspects along the way. Especially typical camera characteristics such as ISO and image stabilisation should be worked out again on the drawing board. At face value the Kodak EasyShare V610 stands for what it does, but looking at the competition we see that there are more possibilities.'

Read more about the Kodak EasyShare V610

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Sep 18: Sony A100 Review at DC Views

Sony-Alpha-A100 DC Views has posted a review of the Sony A100 where they write'General camera performance is excellent with quick focusing and good color rendition. The few niggles we had with the Alpha 100 during our tests are really small beer and should not be serious enough to put you off buying one. However the competition is quite strong at the moment with entry level models available from most major manufacturers at very reasonable prices. Therefore we would advise you to try your hands at other models as well and see which one suits your needs best before you decide.'

Read more about the Sony A100

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Sep 18: Casio EX-Z1000 Review at DPReview

Casio-Exilim-Ex-Z1000 DP Review has posted their review of the Casio EX-Z1000 where they give it a rating of 'recommended' and write - 'The EX-Z1000 is a very easy camera to like; it's fast and responsive in use, user friendly and stylish, and capable of stunning results at low ISO settings. It also has one of the best screens on the market and a well-designed interface and control system. But it's far from perfect; the poor high ISO performance is disappointing (though with files this big you might not be that bothered for small prints) and using the long end of the zoom in anything but very good light results in more focus errors than we'd like to see and an ever-present risk of camera shake.'

Read more about the Casio EX-Z1000

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Sep 15: Leica Digilux 3

Leica-Digilux-3The Leica Digilux 3 is yet another Panasonic inspired digital camera to come from Leica today. It's based largely upon the Panasonic DMC-L1 (although as with the others released today Leica have done some 'refining'.

The Leica Digilux 3 is a FourThirds camera and comes with a Leica D 14-50mm lens (with image stabilization). It has a 7.5 megapixel LiveMOS sensor and a2.5 inch LCD screen with a resolution of 207,000 pixels.

It comes supplied with a 1GB SD card.

Compare prices on the Leica Digilux 3

Leica Digilux 3 News Release
Leica Camera AG, Solms is exhibiting the new LEICA DIGILUX 3 at photokina in Cologne (26th September to 1st October 2006). The LEICA DIGILUX 3 is the first purely digital Leica mirror reflex system camera with exchangeable lenses, thereby opening up a third variety of free-standing camera system under the Leica name. As the first model of the new Leica D system, the LEICA DIGILUX 3 is fitted with a bayonet lens to the FourThirds Standard, the open systems standard for digital mirror reflex cameras. Together with the high-performance LEICA D VARIO–ELMARIT 2.8-3.5/14-50 mm ASPH exchangeable lens with a focal length range of 28 to 100 millimetres for the small picture system, this offers the photographer many possibilities for composition of individual pictures.

An integral picture stabiliser gives the user additional protection against camera shake, even under difficult lighting conditions. In the design and operating concept the LEICA DIGILUX 3 continues the concept of the Leica Digilux series: modern digital technology and an analog operating concept are combined in a classic camera body. The Berlin designer Professor Achim Heine is responsible for the clear modular design of the digital camera. Traditional operating elements such as an exposure ring on the camera and manual setting rings for aperture, zoom and focussing at the lens allow the LEICA DIGILUX 3 to be operated like an analog camera model, thus granting the creative freedom to work in the style of traditional photography.

“The LEICA DIGILUX 3 sets a new standard in the digital mirror reflex camera segment: traditional operating controls and highly modern technical equipment are united with classical values such as precision, outstanding picture quality and a clear formal language; offering in addition the creative freedom of a digital system camera. This makes it the ideal tool for demanding reportage photography“ says Marius Eschweiler, Product Manager for digital compact cameras at Leica Camera AG.

The LEICA D VARIO–ELMARIT 2.8-3.5/14-50mm ASPH exchangeable lens comprises 16 lenses including three aspherical lenses in twelve groups. The maximum aperture of 2.8 and the large focal length range from 28 to 100 millimetres in small picture format impose hardly any restrictions on the possibilities for photographic composition. The high-performance optics give impressive reproduction of even the finest details and nuances, with minimal distortion and vignetting even at the shortest focal lengths. Further security for a successful picture is derived from the integral protection against camera shake (O.I.S.), which can be switched on and off at any time. This reliably protects against camera shake in all photographic situations, since small movements of the hand are systematically compensated. Whether at twilight, during indoor shots, for snapshots or in zoom operation – the result is always a sharp picture without the need for a tripod.
“With the LEICA D VARIO–ELMARIT 2.8-3.5/14-50mm ASPH, a wider target group of digital photographers can profit from the unique performance level of Leica lens technology. The combination of the most modern digital technology such as optical picture stabilisation and a quick and precise auto-focus with the well-known outstanding Leica reproduction performance is almost revolutionary” says Marius Eschweiler.

The LEICA DIGILUX 3 is equipped with a 7.5 megapixel LiveMOS sensor for a real-time live photo function, outstanding picture quality and energy-saving operating system. To protect the camera with its exchangeable lenses against the dreaded dirt on the image sensor due to penetration of dirt and dust particles, it is fitted with an ultrasonic protective filter in front of the sensor. The picture signal processor of the LEICA DIGILUX 3 is also improved compared to the preceding model. The interaction of new sensor technology and the new picture signal processor ensure even faster image processing and storage within the camera, which is less of a drain on the rechargeable battery. Thus the LEICA DIGILUX 3 is quick and reliable in use, even in spontaneous moments.

In relation to colour matching, contrast and picture definition, Leica Camera AG has developed its own profile. This is oriented to the picture characteristics that are well known to Leica System Camera customers from their use in combination with professional film materials and specialist development laboratories.

The large 2.5“ camera display of the LEICA DIGILUX 3 has a resolution of 207,000 pixels, enabling it to generate an exceptionally brilliant picture, allowing the photographer to make a reliable and exact assessment of the picture composition both when taking the photo and when reviewing it.

The LEICA DIGILUX 3 is characterised by its clear and concentrated design. The straight-line layout and paring down to the essentials show the camera’s typical Leica lineage from the classic Leica viewfinder camera. The LEICA DIGILUX 3 offers clear functions and is intuitive and secure in use, thanks to its simple operating concept.

The LEICA DIGILUX 3 is supplied with a 1 GB SD card, a mains battery charger, a powerful rechargeable battery and a comprehensive software package (Adobe Photoshop Elements 4.0 (PC)/3.0 (Mac), Quicktime Movie Player ). Further accessories available include a spare rechargeable battery, a sporty and particularly hard-wearing neoprene case and a Billingham combination case.

Leica Digilux 3 Reviews

Digital Camera Review reviews the Leica Digilux 3 and writes - 'Overall I am very impressed with this camera. The image quality is excellent and the camera works well. As far as lenses go this is by far the best in class (kit lenses) I also liked the ergonomics/styling of the camera for the most part. I like the retro controls, so much more fun than pushing buttons and navigating menus. So much more Leica, gives it a somewhat mechanical feel which I love. However I will also admit that it was a bit heavy/bulky requiring two hands to operate and even then could be tiring to use for prolonged periods but probably partly because of this, it’s built like a tank! This is the SLR for Leica fans or for anyone wanting top of the line equipment the only place this camera falls short is battery life (somewhat) lens choices (just the kit thus far) and price. And to be picky the noise could be improved. However if I had to choose between this and a Canon or Nikon I would strive to get the Leica. (or its Panasonic sibling for less $$)'

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Sep 15: Leica M8

Leica-M-8The Leica M8 Digital Rangefinder is a 10 megapixel (CCD) camera that is sure to get mouths watering as it's made in the M-series Rangefinder style of yesteryear.

It features an ISO range of 160-2500, a 2.5 inch LCD monitor and has a 1.33 FOV crop. It can be used with all Leica M range lenses produced since 1954.

The Leica M8 will be available for purchase in November 2006 (just in time for Christmas). I can't wait to get my hands on one of these!

Leica M8 News Release

Leica Camera AG, Solms is exhibiting the new LEICA M8 at photokina in Cologne (26th September to 1st October 2006). It is the first digital camera to use the Leica viewfinder system. All the key characteristics of the analog Leica reporter’s camera such as the compact design, the exceptional picture quality in conjunction with the Leica M lenses and the unique picture composition using the Leica viewfinder have been seamlessly carried over into the digital world.

This professional-standard digital camera “Made in Germany” uses an image sensor specially developed for the requirements of the Leica M system. Almost all Leica M system lenses made since 1954 are also suitable for digital photography, thanks to their high performance level. The combination of lenses, sensor and high-performance picture editing generates outstanding picture quality with a resolution of 10.3 million pixels.

The new LEICA M8 has a notably low-noise CCD image sensor with a basic speed of ISO 160. The maximum speed of ISO 2500 means the new camera is ideally suited to available light photography, a typical Leica M feature. The LEICA M8 offers the photographer many useful details such as a tone value histogram which permits qualitative exposure control for even the smallest details of the subject in each enlargement section. Thanks to really simple operation with very few controls and clearly laid-out menus, the new camera also demonstrates typically Leica concentration on the essentials.

“The LEICA M8 enriches digital photography with tradition, values and inspiration” says Dr. Ralph Nebe, “Above all the new LEICA M8 shows that the Leica Camera AG has found its own path straight into the digital world. With enhanced innovative power for digital solutions in both the camera and sport optics product sectors, together with rigorous updating of analog solutions, the company is fit for the future again.“

The LEICA M8 will be available in the shops end of November 2006.

Sensor

The notably low-noise CCD image sensor has been rigorously optimised for the special features of the Leica M lens system and offers a resolution of 10.3 million pixels.

CCD technology generates less noise than any other type of sensor and was therefore chosen as the image sensor for the LEICA M8. The speed settings of ISO 160 through to 2500 permit pictures with a greater wealth of detail than can be achieved with analog film.

The special design of the viewfinder camera with no mirror box allows the typically compact and flat shape of the LEICA M to be retained, but leads to a higher angle for entry of light beams into the sensor.

Comprehensive measures have been taken so that the picture quality demanded by Leica is nevertheless achieved. The special modification of the image sensor with a micro-lens offset avoids any annoying vignetting in the corners of the picture. A particularly thin cover glass, reduced to only 0.5mm, prevents the usual undesirable refraction of light when light rays strike at an angle. High-contrast, sharp and exactly true colour reproduction right into the corners of the picture is the result of these efforts.

Leica deliberately rejected a Moiré filter, which filters out fine details of the picture, so as to fully exploit the high resolution of the Leica M lens. Any Moiré fringes that occur are instead eliminated during digital signal processing within the camera.

“Whilst a focal length extension factor of 1.5 is normal for many manufacturers, the LEICA M8 uses a CCD image sensor with 18 x 27 mm recording area“ says Rainer Bültert, Product Manager for the M System at Leica Camera AG: “The small focal length extension factor of 1.33 enables creative freedom even in digital Leica M photography by using selective image sharpness with an open aperture“.

The factor of 1.33 means that the equivalent focal length of the lens is shifted slightly by about one focal length step towards a telescopic focal length. So a 21 mm lens has an equivalent focal length of 28 mm. The lens range of the Leica M system is extended with the introduction of the LEICA M8 by two wide-angle lenses in the range from 16 to 28 mm focal length; these lenses are available for use on both analog and digital cameras. The new lenses are characterised by the typical Leica exceptionally high optical performance, even at fully open aperture.

Lenses

The LEICA M8 can be used with virtually all lenses in the Leica M range produced since 1954. This high system compatibility has been maintained through the changeover in recording technology from film to digital. Even new customers who start with a digital LEICA M8 receive many application options and profit from the high retained value of Leica products. The high mechanical and optical precision of the Leica and the exceptionally good picture capabilities, above all in the current product range, mean that Leica M lenses are ideally suited to digital applications. Performance criteria such as the individual coating of each lens are provided as standard and need not be ordered as special measures for “digital lenses”.

With a new 6-bit coding on the bayonet ring, the LEICA M8 can recognise the lens type that is used. This information is used by the camera for additional picture quality improvement by compensating for artificial vignetting. For this purpose the lens type is saved in the Exif picture file. All lenses delivered from the factory since 1st July 2006 have this new coding, but they can also be used without restriction on the current LEICA MP and LEICA M7 analog models, and indeed on all the classic models produced since 1954. Current lens models, and many earlier lens models, can be retrofitted on a chargeable basis so that they can support this picture optimisation feature of the camera. Even without modification, the lenses are fully compatible with the LEICA M8, albeit without supporting the additional features.

Viewfinder

The Leica viewfinder system distinguishes the LEICA M8 from the general run of mirror reflex and compact cameras on the market. It makes the camera into a specialist tool for living reportage and available-light photography, and for discreet portraiture. The photographer is part of the action and the viewfinder is his frame to capture what he is seeking – a scene, a mood, a moment. He also sees what is happening outside the viewfinder frame. The deciding instant can be foreseen and recorded at the right moment. The result is a particularly authentic shot, which contains nothing that betrays the presence of the photographer.

The photographer sees his subject in the lighting conditions as they are, and even in difficult available-light situations the viewfinder’s wide range of brightness and contrast allows quick and precise focussing. Together with the short release delay – in digital as well as analog photography – this means that the Leica M cameras have one of the quickest viewfinder operations in the world.

A mirror reflex system must focus through the lens, which determines the accuracy to which it can determine the focal length and light intensity. In contrast, the metering basis for the Leica M is the range finder, whose performance is always the same, irrespective of the lens. Therefore its accuracy at short focal lengths is many times better than mirror reflex systems. The high-contrast metering field in the centre of the image guarantees quick, precise and spot-on focussing even under extremely poor lighting conditions.

The image field selector allows the photographer to simulate the effects of different focal lengths and to determine the correct focal length in advance, without having to change the lens. The six different bright-line frames always show the exact boundaries of the picture, since their position is adjusted by the automatic parallax compensation, depending on the range setting. All other relevant information and the surroundings of the subject can be seen in the bright-line frame viewfinder, for a perfect result – the ideal conditions for spontaneous and unobtrusive photography.

Shutter

The electronically controlled metal blade slot shutter permits exposure times down to 1/8000 of a second. Even under bright lighting conditions the photographer has full freedom of composition by use of selective image sharpness with an open aperture. The short flash synchronisation time of 1/250 of a second now permits even daylight flash pictures with selective sharpness.

Intuitive operation

The LEICA M8 guides the photographer’s concentration on to the picture, not the operation of the camera. Therefore the creative aspects of aperture, time and focal plane which determine the result of the picture are in foreground. Great care, many years of experience and comprehensive knowledge of how professional photographers work have contributed to the operating concept of the LEICA M8 digital functions. By concentrating on the essentials even here a simple, clear and intuitive user guide has been created: in the LEICA M8, multiple loadings of function keys and nested menus have been deliberately eliminated.

The core controls for operating the digital functions are the direction buttons and rotary setting dial, which in combination allow rapid navigation. By pressing the “Set” button, the picture parameters menu is called up on the 2.5“ monitor. Here the principal settings for the picture can quickly be selected: sensor speed, lighting correction, white balance, data compression and picture resolution. Three saved profile slots are available for quickly calling up frequently used and application-specific combinations.

The menu button allows a clear system menu to be called up for selecting the long-term basic settings, such as the ECI RGB, Adobe ® RGB and sRGB colour variants. The photographer can here make his own choice about whether the photographs should be shown for checking on the large display directly after they have been taken, how long they should be displayed and whether he wishes to see a tonal values histogram with that display.

The LEICA M8 has an auto-release function with two selectable delay times of two and twelve seconds.

An information display at the top of the left side of the body shows the remaining capacity of the SD card and the remaining charge of the lithium ion rechargeable battery. These photographically elementary displays can be read at a glance at any time.

Innovative flash technology

The modern metal blade slot shutter in the LEICA M8 enables very short flash synchronisation times down to 1/250 of a second. In addition, the LEICA M8 for the first time uses the new M-TTL flash technology. The special feature of this is that immediately before the actual flash illumination, a calibration pre-flash is fired. The TTL metering detects the light reflected from the surface of the subject, and determines the exact power requirement for the main flash. The smooth addition of the flash lighting power to the ambient light allows flash pictures that have the appearance of being under natural lighting.

The “Auto Slow Sync” function permits the use of aperture priority mode in combination with flash technology. This provides a balanced background to the picture, even if the intensity of the continuous lighting changes. To achieve the correct lighting, an appropriately metered brightening flash is used. Depending on the desired effect or experience, varying lengths of lighting time can be set for the aperture priority mode. This can be input manually, or if coded lenses are being used, is can be determined automatically, using the proven rule of thumb “1/focal length = lighting time in seconds”.

Checking results using the tonal value histogram

As a professional digital camera, the LEICA M8 offers a RGB tonal value histogram. This can be called up at any time for quality assessment of the saved pictures. This function can also be combined with the automatic picture review. Another useful feature is the additional identification of overexposed parts of the picture, by means of a “Clipping Warning”. By using sectional enlargement, these two checking tools can be continuously updated and permit quality assessment of even the finest details of a picture. All photographically relevant settings in the picture parameter menu and also other “meta-information” stored with the picture can be displayed as required by pressing the function key. They enable comprehensive checking of the resulting digital picture at time and place it was taken.

Use of raw data in DNG format using Capture One LE software

The Capture One LE professional raw data converter ensures that raw data supplied by the CCD sensor and saved in the in the future-proof Adobe® Digital Negative (DNG) format is “developed” in the best possible quality. Together with the Danish software company Phase One, Leica has undertaken thorough camera profiling and adapted the software to suit the requirements. The results are quality-optimised algorithms for digital colour processing, which generate particularly low-noise pictures which at the same time display astonishing picture resolution. The development of the finest tonal value steps from the 16-bit picture delivered by the CCD sensor is comparable to the picture quality achieved by a professional combination of film and specialist laboratory development. The logical, quality-determining functions and the clear user interface allows the user to quickly master the use of Software Capture One LE to create outstanding results.

LEICA DIGITAL CAPTURE

The LEICA M8 is loaded with special software for remote control of the camera for scientific purposes or for use in a photographic studio. This software allows the camera shutter to be released from a computer using the USB connection. The picture data are saved directly on the hard disk. All settings of the picture parameter menu such as the ISO value of the resolution can be sent to the camera by the software.

Materials, machining and dimensions

The robust top panel and the solid bottom cover are machined from solid brass blocks using the most modern milling techniques. The enclosed all-metal body is made of a highly stable magnesium alloy for professional use over many years. The rechargeable battery and the SD card slot are well protected from dust and moisture under the bottom cover. The cover effectively prevents inadvertent opening and thus the loss of the rechargeable battery and SD card, even when the camera is used for reportage under tough conditions. This design, proven over decades in the Leica M system, increases the robustness of the camera.

The compact dimensions of the LEICA M8 are138.6mm × 80.2mm × 36.9mm, just a few millimetres larger than the ideal size of the LEICA M7. Apart from a few differences in the controls, such as the absence of the wind-on lever and the rewind button, the front view of the LEICA M8 in is virtually identical to this analog version. The discreet appearance of the camera and the timeless elegance, particularly prized by many customers, are retained.

The assembly and adjustment of the camera, together with the minute checking of all mechanical and electronic details are precision hand-crafted in the Leica factory in Solms. Leica Customer Service maintains and repairs cameras over decades and thus creates the basis for long retention of value. Currently all M cameras produced since 1954 are supported by service in this way.

Cleaning the sensor: The LEICA M8 has a special function for manual cleaning of the image sensor: if the appropriate item in the menu is selected and the release pressed, the shutter remains open for the duration of the cleaning. The flat profile of the Leica M camera means that the sensor is more easily accessible than in a digital mirror reflex camera, where the sensor is accessible only by reaching behind the mirror mounting.

Leica M8 Reviews

Luminous Landscape reviews the Leica M8 and writes - 'The bottom line is this. If you know and appreciate what an M Leica is about, you'll find that the M8 fulfills its promise. If you can afford one, then run don't walk to your local dealer. If the M8 and rangefinder cameras in general aren't your cup of tea, that's fine. It just means that M8's will be easier to find by those that do want them, the less people that are waiting in line.'

Shutterbug has a review of the Leica M8 and writes, "there are nits to pick to be sure, like why can’t a $4795 camera shoot more than 10 full-res frames faster than 2 fps, or why is the battery charger so large and clunky, or why do you have to buy a Leica Tri-Elmar f/4 16-18-21mm ASPH lens with big auxiliary finder for $3900 (list) to get ultra-wide angle (21-28mm) coverage? However, all this pales into relative insignificance when you consider what the Leica M8 actually is. It is a superlative picture taker that combines the feel, finesse, and functionality of the classic Leica M with a sensor capable of capturing and delivering the image quality of the Leica M lens line, which includes some of the finest optics in the world. That’s why it will never be obsolete, even though, like all digital cameras, it will eventually be superseded. Is it worth the money? Yes, if you savor its unique virtues, which are considerable."

The Online Photographer has a review of the Leica M8 and writes, "the M8 doesn't quite make it for me as an M camera. It's physically similar to the film versions but misses the gestalt, perhaps unavoidably. To me it ends up feeling more like a weird replica of an M than a real one. And it's a decent but not great digital camera, bettered by average DSLRs in both operability and, to a lesser extent, image quality. But if for some reason your digital camera must be a Leica or your Leica must be digital, then it's the only game in town."

DPReview has a review of the Leica M8 and writes, "I'm mostly disappointed because of the wide difference between the quality of the output image (at a pixel level) between JPEG's created in-camera and RAW converted using either Capture One or Adobe Camera RAW (or pretty much any other third party converter). The image processor (specifically the demosaicing, sharpening and low pass algorithms) exhibit some 'roughness' which we wouldn't expect to see in 2007, there must be plenty of off-the-shelf engines which can do a better job. ... I have to admit that I've been turned, from a skeptic to a believer, certainly the M8 isn't a camera everyone is going to afford, but a rangefinder is certainly something any 'serious' photographer should try at some point in their life. It's changed the way I shoot, I've found myself going back to manual focus more even when I use DSLR's and being more selective about lenses and depth of field, and more creative in my framing. My advice on the M8 would be, if you can afford to then get one, be aware of its limitations, shoot RAW and rediscover 'capturing moments'."

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Sep 15: Leica V-LUX 1

Leica-V-Lux-1The Leica V-LUX 1 is another camera based upon a Panasonic model (the DMC-FZ50).

It features 12x Optical Zoom which is equivalent to 35-420mm (image stabilized), 10 megapixel CCD sensor, 2.0 inch LCD screen (TFT and tilting) as well as a hot shoe for flash and a wide array of manual controls.

There's no price or availability mentioned about the Leica V-LUX 1 yet although it does come with a 512MB SC card (it's nice to see manufacturers bundling more useable sized cards with cameras these days).

Compare prices on the Leica V-Lux 1 and get a prices for the Leica V-LUX 1 at Amazon.

Leica V-LUX 1 News Release

Leica Camera AG, Solms is exhibiting the new LEICA V-LUX 1 at photokina in Cologne (26th September to 1st October 2006). The LEICA V-LUX 1 is a digital compact camera which combines high-performance optics and outstanding picture quality in a compact camera body. The camera offers 10 million pixels and a LEICA DC VARIO-ELMARIT 1:2.8-3.7/7.4-88.8 ASPH lens with an extremely wide range of focal lengths from 35 to 420 millimetres, thus commanding universal capability for the small picture system. From spacious landscape shots, filigree macro close-up shots through to photos of far distant objects in super telephoto mode, the lens with its 12 times zoom creates outstanding picture results in all photographic situations. The integral picture stabiliser gives the user additional protection against camera shake, even under difficult lighting conditions. The LEICA V-LUX 1 has a tilting 2.0“ TFT display for optimum picture checking. Thus the photographer is assured of secure control even in difficult situations for photography and gains additional possibilities for picture composition by means of unusual camera perspectives. A variety of manual settings, including a diverse subject program for many photographic situations, round out the creative composition possibilities of the LEICA V-LUX 1.

“The LEICA V-LUX 1 is a real all-rounder for every photographic situation. The camera combines the best features of two different digital camera systems: the capabilities of a mirror reflex camera with the handy size of a compact camera. This makes the LEICA V-LUX 1 a compact all-in-one solution, which loses nothing in picture quality comparison with a digital mirror reflex camera and is superior to it in handiness. The large range of focal lengths offered by the LEICA V-LUX 1 means that fiddly lens changing is eliminated. The camera is thus both flexible and quickly ready for use, the risk of dirt of the sensor is avoided and the scope of photographic equipment is concentrated into a compact and light-weight digital camera“ says Marius Eschweiler, Product Manager for digital compact cameras at Leica Camera AG.

The high-performance LEICA DC VARIO-ELMARIT 1:2.8-3.7/7.4-88.8 ASPH zoom lens comprises 14 lenses in 10 groups. With a maximum aperture of 2.8 and the particularly large range of focal lengths, the LEICA V-LUX 1 offers versatile picture composition possibilities for brilliant photos with true-to-life colours. The focussing and zoom ring on the lens is easy to use and permits concentration to be devoted to the subject. The optics are individually matched to the camera sensor. Together with the electronics and the software they enable pictures with natural colour reproduction, excellent sharpness and high brilliance. In relation to colour matching, contrast and picture definition, Leica Camera AG has developed its own profile. This is oriented to the picture characteristics that are well known to Leica System Camera customers from their use in combination with professional film materials and specialist development laboratories.

The 2.0“ large camera display of the LEICA V-LUX 1 has a resolution of 207,000 pixels, enabling it to generate an exceptionally brilliant picture, allowing the photographer to make a reliable and exact assessment of the picture composition both when taking the photo and when reviewing it. An additional feature for checking the picture in particularly difficult situations – such as when photographing above your head – is the tiltable TFT display, which can be set to almost any angle. In addition, it creates further possibilities for picture composition by unusual camera perspectives, such as a worm’s-eye view. To reduce the load on the rechargeable battery, the display can also be switched to a darker low-energy mode, without having to sacrifice the outstanding picture quality.

Further security for a successful picture is derived from the integral protection against camera shake (O.I.S.), which can be switched on and off at any time. This reliably protects against camera shake in all photographic situations, since small movements of the hand are systematically compensated. Whether at twilight, during indoor shots, for snapshots or in zoom operation – the result is always a sharp picture without the need for a tripod.

The picture signal processor used in the LEICA V-LUX 1 ensures quick picture signal processing and saving within the camera. This allows the LEICA V-LUX 1 to be used quickly, reliably and spontaneously at any moment. The LEICA V-LUX 1 with its wide range of technical features is ideally suited to photographing the world of nature. In super-tele mode its magnification is equivalent to 10 power binoculars. The optical picture stabilisation gives shake-free pictures of the natural world even in poor lighting and extreme conditions. This combined with the quick response time of the shutter are just what are required for a spontaneous picture. The camera is thus an ideal addition to the equipment of naturalists and birdwatchers.

The LEICA V-LUX 1 is supplied with a 512 MB SD card, a battery charger, a powerful rechargeable battery and a comprehensive software package (Adobe Photoshop Elements 4.0 (PC)/3.0 (Mac), Quicktime Movie Player). Further accessories available include a mains adapter (for direct power supply to the camera from the mains), a spare rechargeable battery and two types of high-quality camera case. The sporty Cordura case is particularly hard-wearing, whilst the newly developed neoprene case is both practical and purpose-designed. Both camera cases securely protect the products against damage.

Leica V-Lux 1 Reviews

CNET has posted a review of the Leica V-Lux 1 where they give it a rating of 7.4 out of 10 and write - "Leica's V-Lux 1 performed well in our tests, though came in slightly slower than the Panasonic Lumix DMC-FZ50. Since the cameras have different firmware, including seemingly different JPEG compression, it's no wonder we saw different results. The V-Lux took 1.4 seconds from power-up to capturing its first shot. The time between subsequent shots was 2.1 seconds without flash and 2.8 seconds with the flash turned on. The time between capturing raw images was a respectable 5.4 seconds. This may seem like a long time, but if you want significantly faster raw performance, you'll have to step up to an SLR. Shutter lag measured 0.7 second under bright light and 1.1 seconds in dim lighting conditions. In continuous-shooting mode, we clocked slightly more than 1fps when capturing VGA-size JPEGs and approximately 1.2fps when capturing 10.1-megapixel JPEGs."

Compare prices on the Leica V-Lux 1 and get a prices for the Leica V-LUX 1 at Amazon.

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Sep 15: Leica D-Lux 3

Leica-D-Lux-3The Leica D-Lux 3 is an ultra compact camera with a 10 megapixel CCD sensor, 4x optical Zoom (wide angle of 28-112mm) and image stabilization.

It features a 2.8 inch 16:9 ration LCD screen and is based upon the Panasonic LX-2 (with some refinements by Leica).

The Leica D-Lux 3 comes in both black and silver.

Get a price on the "Leica D-LUX 3 10MP Digital Camera with 4x Wide Angle Optical Image Stabilized Zoom (Black)" (Leica)

Leica D-Lux 3 News Release

The compact digital camera for creative freedom and unforgettable pictures

Leica Camera AG, Solms is exhibiting the new LEICA D-LUX 3 at photokina in Cologne (26th September to 1st October 2006). The D-LUX 3 is a compact digital camera with outstandingly high-performance optics and a comprehensive range of settings. The camera offers 10 million pixels and many technical improvements compared to its predecessor, the LEICA D-LUX 2.

The high-performance LEICA DC VARIO-ELMARIT 1:2.8-4.9/6.3-25.2 ASPH zoom lens on the LEICA D-LUX 3 permits a wide range of focal lengths from 28 to 112 millimetres in small picture format, allowing creative scope in picture composition from wide-angle through to the telephoto range. The integral picture stabiliser gives the user additional protection against camera shake in all photography situations, even under difficult lighting conditions. A total of three picture formats (16:9, 3:2 and 4:3) in different resolutions are available for pictures. The display on the LEICA D-LUX 3 has been increased to 2.8“, allowing for the first time the full extent of a picture to be displayed in 16:9 format. The image signal processor has also been improved in comparison to its predecessor model, delivering even faster image processing and saving within the camera. This allows the LEICA D-LUX 3 to be used quickly, reliably and spontaneously at any moment.

“The LEICA D-LUX 3 is a compact camera with controls like those of a professional camera and this gives it a particularly wide creative scope. Different picture modes from manual settings through to the subject programs for quick snapshots allow limitless possibilities for creativity in picture composition. Together with the lightning-fast image processing and a compact camera design, the LEICA D-LUX 3 offers users particularly mobility and flexibility, to capture perfect moments in unforgettable pictures“, says Marius Eschweiler, Product Manager for digital compact cameras at Leica Camera AG.

The high-performance LEICA DC VARIO-ELMARIT 1:2.8-4.9/6.3-25.2 ASPH zoom lens comprises nine lenses in eight groups. With a maximum aperture of 2.8 and a large focal length range from 28 to 112 millimetres in small picture format, the LEICA D-LUX 3 offers versatile picture composition possibilities for brilliant photos with true-to-life colours. The optics are individually matched to the camera sensor. Together with the electronics and software, this enables picture quality with true-to-life colours, excellent sharpness and high brilliance.

In relation to colour matching, contrast and picture definition, Leica Camera AG has developed its own profile. This is oriented to the picture characteristics that are well known to Leica System Camera customers from their use in combination with professional film materials and specialist development laboratories.

Further security for a successful picture is derived from the integral protection against camera shake (O.I.S.), which can be switched on and off at any time. This reliably protects against camera shake in all photographic situations, since small movements of the hand are systematically compensated. Whether at twilight, during indoor shots, for snapshots or in zoom operation – the result is always a sharp picture without the need for a tripod.

The user can operate a changeover lever on the lens at any time to change the side ratio of the photo to any one of three picture formats. Depending on the picture format selected, the resolution varies from 10 MP (16:9), 8 MP (4:3 format) and 7 MP in the classic 3:2 Leica format.

The 2.8“ camera display supports the picture format in the 16:9 side ratio and for the first time it shows complete pictures in wide format. With a resolution of 207,000 pixels, it creates an exceptionally brilliant display and enables photographers to make a reliable and exact assessment of the picture composition both when taking the photo and when reviewing it. To reduce the load on the rechargeable battery, the display can also be switched to a darker low-energy mode, without having to sacrifice the outstanding picture quality.

With its technical features, the LEICA D-LUX 3 is also optimally suited for use in digiscoping – photography through a scope. A Leica digital adapter allows the compact camera to be attached to the eyepiece of a LEICA TELEVID scope and thus becomes a camera with an extremely long focal length range for keen birdwatchers and naturalists. The event being watched can be captured in a digital picture that fills the format in impressive quality without vignetting. The large 2.8" monitor of the LEICA D-LUX 3 is outstandingly suitable for assessing the section whilst digiscoping – even for several people - and also for assessing the picture composition. The optical picture stabilisation gives shake-free pictures of the natural world even in poor lighting and extreme conditions. This combined with the quick response time of the shutter are just what are required for a spontaneous picture.

The LEICA D-LUX 3 is characterised by its clear and concentrated design. The straight-line layout and the reduction to the essentials show the camera’s typical Leica lineage. The LEICA D-LUX 3 offers clear functions and is intuitive and secure in use, thanks to the simple operating concept. A joystick on the rear of the camera simplifies manual focussing.

The LEICA D-LUX 3 has a metal body of aluminium. The quality of machining lays great emphasis even on small details. The exclusive use of high-quality materials is the basis for a reliable and robust product in use.

The LEICA D-LUX 3 is supplied with a 64 MB SD card, a battery charger, a powerful rechargeable battery and a comprehensive software package (Adobe Photoshop Elements 4.0 (PC)/3.0 (Mac), Quicktime Movie Player). Further accessories available include a mains adapter (for direct power supply to the camera from the mains), a spare rechargeable battery and two types of high-quality camera case. The sporty Cordura case is particularly hard-wearing, whist the real leather classic moulded case looks very smart. Both camera cases securely protect the products against damage.

The LEICA D-LUX 3 is available in silver or black finish.

Leica D-Lux 3 Reviews

CNET posts their review of the Leica D-Lux 3 where they write - "Unsurprisingly, the D-Lux 3 performs similarly to the DMC-LX2, always taking a fraction of a second longer than I could spare when photographing animals and children. A 0.7-second lag in typical lighting is just a bit too slow, and 1.7 seconds in dim light is not as good as its twin. It takes 2.3 seconds between shots under the best conditions, and the flash recycling adds little overhead--a mere 0.4 second. Raw shooting takes a relatively slow 5.2 seconds between shots. And though the continuous-shooting speed is a decent 1.3 to 1.5fps, it can take only a few shots before stopping to process."

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Sep 14: Pentax Optio E20

Pentax-Optio-E20
The Pentax Optio E20 is a 6.0 megapixel camera with a 3x Optical Zoom lens.

With AA batteries, PictBridge, basic shooting modes and a 2.4 inch LCD this is a camera designed specifically for the beginner digital camera user.

No word yet on price or availability but if it's like the other Pentax cameras announced today expect to see it in store in October of 2006.

Pentax Optio E20 News Release
PENTAX Corporation is pleased to introduce the new PENTAX Optio E20, lightweight compact digital camera that comes with 6.0 effective megapixels and a 3X optical zoom lens. 

Designed for simple operation with conveniences like a Mode dial and powered by widely available AA batteries, the Optio E20 is an entry-level camera that provides the joy of photography to budding photographers in an easy-to-use package.

Major Features

1. 6.0 effective megapixels provide outstanding image quality
Enjoy the high-quality photography of the Optio E20 delivered the high definition of 6.0 effective megapixels. The primary-color filter produces more natural, vivid colors while the 12-bit A/D converter evenly reproduces all tones from dark to light.

2. AA battery compatible
The camera can be powered with widely available AA batteries so you can always get replacements, even on vacation.

3. Mode dial for straightforward mode selection
The Optio E20’s Mode dial, located on the top of the body, allows quick, clear-cut selection of the cameras eight versatile modes — six still-image shooting modes, a movie mode, and a setup mode.

4. Simple mode is easy on beginners
The Simple mode takes the guesswork out of taking pictures for first-time digital photographers. Just turning the Mode dial to Simple mode automatically sets all still-image photo settings except for Size and Quality.

5. Large, 2.4-inch LCD monitor
The Optio E20 manages to fit in a large, 2.4-inch LCD monitor despite its compact body dimensions. Not only does the monitor’s size make it easy to compose and play back images, it also permits easy operation and setup thanks to its large, easy-to-read menu display.

6. 3X optical and up to approx. 12X total zoom magnification
The Optio E20 comes with a 3X optical zoom lens equivalent to a 34-102mm lens in 35mm format. When the optical zoom is paired with the digital zoom function (1X to approx. 4X), the camera can attain up to approx. 12X effective zoom magnification.

7. Other features

• Supports SD memory cards; approximately 13MB of built-in memory
• Equipped with an video output terminal that allows playback on TV (compatible with both NTSC and PAL)
• Built-in auto flash with red-eye reduction*
• Macro mode allows close-up photography as near as 6 cm
• Capable of taking QVGA video
• ACDSee for PENTAX image viewer/image management software
• PictBridge, DPOF functions, Exif Print, and PRINT Image Matching III compatible

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Sep 14: Canon Powershot G7

Canon-Powershot-G7The Canon Powershot G7 is a long awaited update to the G-series of Canon cameras which features a 6x Optical Zoom lens, ten megapixel sensor (CCD) and a 2.5 inch LCD screen.

The Canon Powershot G7 features image stabilization, hot shoe for flash, face detection, ISO of up to 1600 and 25 shooting modes.

The G7 will retail for a price of $600 USD and should be available in October.

Compare Prices of the Canon Powershot G7 and get the latest price on the Canon PowerShot G7 at Amazon.

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Canon Powershot G7 News Release

CANON COMBINES TOP-TIER TECH AND CLASSIC CAMERA DESIGN INTO LINE LEADING 10-MEGAPIXEL POWERSHOT G7 DIGITAL CAMERA

Canon’s PowerShot G7 digital camera, the new flagship of Canon’s ever popular fleet of PowerShot digital cameras will be sailing into stores beginning in October, equipped with a boatload of Canon’s newest technological achievements and user-friendly features and carrying an estimated selling price of $599.99.Designed to delight even the most die-hard photo enthusiast, the 10-megapixel PowerShot G7 digital camera continues the tradition of imaging excellence, innovation and ease of use that began when the PowerShot G1 was introduced a mere six years ago.

Compact and comfortable to hold, handle and use, the PowerShot G7 digital camera is an aesthetic treat as well, harking back to the look and feel of classic Canon cameras. From its retro “wet black matte finish,” leather-toned grip and the detailed knurling and analog-style “click-click” of the camera’s top side ISO Speed Dial and Shooting Mode Dial, to the stylish metallic accents of the body’s aluminum-finish parts and metallic-finish bayonet ring, this PowerShot G7 conveys a sense of “camera-ness” rarely encountered in the world of digital photography. Photo panache and feel appeal not withstanding, the PowerShot G7 remains true to the G-Class tradition by offering an array of the industry’s advanced photographic features.

“In the PowerShot G7 we have created the ultimate prosumer compact digital camera for the discerning hobbyist, the photo enthusiast and for those who require uncompromising photo quality for business and industrial applications,” states Yukiaki Hashimoto, senior vice president and general manager of the consumer imaging group at Canon U.S.A., Inc. “Faster, more responsive, more efficient and easier to use, thanks to Canon’s proprietary new DIGIC III image processor and a newly enhanced and intuitive user interface, the PowerShot G7 digital camera also offers users a greater level of creative control and flexible shooting options than ever before.”

The Eyes Have It
The “brain” of the new camera is DIGIC III, the newest iteration of Canon’s ultra-efficient (and proprietary) image processor. Making its debut on the PowerShot G7 digital camera (along with Canon’s three newest Digital ELPH models) the DIGIC III chip accounts for the camera’s higher performance levels including faster start up, autofocus and shutter response times, and of course, improved image quality and more efficient power consumption; resulting in extended battery life under typical shooting conditions.

What’s more, thanks to the DIGIC III chip’s more aggressive noise reduction, the PowerShot G7 digital camera is able to shoot at ISO equivalent speed ratings from 80 to as high as 1600. This increased sensitivity at the top-end allows users to select faster shutter speeds, significantly reducing camera shake and subject blur during hand held low-light photography.

With Canon’s new Face Detection AF/AE technology (working in concert with Canon’s 9-point Autofocus system), the camera can detect, lock on and track up to nine human faces in a scene simply by pressing the shutter button halfway. The face detection algorithm automatically prioritizes and selects the optimum subject and not simply the closest face (based on Canon’s Intelligent Scene Analysis/iSAPS technology). It will then optimize the focus and exposure to ensure the best possible results for even easier picture taking moments.

Reflections in an Image Stabilized Glass Eye
True to Canon’s tradition of optical excellence, the PowerShot G7 digital camera is equipped with a fast and sharp f/2.8-4.8 6X optical zoom lens (35-210mm, 35mm equivalent). Canon’s specialized SR coating augments the all glass lens, the first time this lens coating technology has been applied in a compact digital camera. In combination with the lens’ aspherical elements, the SR coating helps reduce flare and ghosting, delivering a cleaner image to the camera’s CCD sensor in the process. The precision lens also features an extreme macro setting that focuses down to one centimeter.

The PowerShot G7 digital camera also features a Lens-Shift type optical image stabilization system that can help defeat the effects of camera shake in low light situations, or while shooting handheld. This optical image stabilization system is based on advancements made in the development of Canon’s EF lenses and video lenses. Unlike electronic or “digital image stabilization systems” that typically degrade image quality, the PowerShot G7 digital camera’s lens shift-type preserves maximum optical performance while providing up to three stops of shake correction in shutter speed equivalent.

The PowerShot G7 digital camera’s new 1.4x/2.3x, onboard, digital tele-converter achieves the digital equivalent of having an actual teleconverter lens attached to the camera. The camera also offers a new Safety Zoom that enables non-stop digital zoom operation at reduced resolution settings up to the maximum magnification possible before the image begins to degrade. Optional optical wide-angle (WC-DC58B), telephoto (TC-DC58C) and close-up (58mm 250D) supplementary lenses are also available for the PowerShot G7 digital camera.**

Admiring the View
The PowerShot G7 digital camera is equipped with a newly enhanced, 2.5- inch color LCD screen with approximately 207,000 pixels, a wide viewing angle and 15 brightness settings making it easier to read the display menus and easier to preview and review subjects and scenes. Adding to the ease of composing a picture in the proper print proportion, the PowerShot G7 is appointed with optional grid lines and a 3:2 aspect ratio print display overlay. Simply put, this convenient composition guide overlays horizontal gray bars at the top and bottom of the LCD screen so that photographers can compose and shoot their images in the proportion best suited to the print size they wish to make (typically 4”x 6”).

Making Special Scenes
When it comes to special scenes, the PowerShot G7 camera makes a quantum leap over its predecessor with the addition of 13 new modes for a variety of scenic shooting situations. Notable among the special scene modes (which include portrait, night snapshot, kids & pets, indoor, foliage, snow, beach and fireworks settings etc.) are the new ISO 3200 and Aquarium settings that permit low light, no-flash photography in situations where using a flash would ruin a picture by bouncing back off aquarium glass or other reflective surfaces. For those whose photographic passions take them beyond the water’s edge and beneath its surface, the PowerShot G7 camera also has an underwater special scene mode. In order to actually take the camera underwater, users must safely ensconce it in the optional waterproof case WP-DC11, specifically designed for the PowerShot G7 and rated safe to depths of up to 130 feet.

Improving upon Excellence
A combination of technological advancements, as well as the introduction of the DIGIC III image processor has allowed the PowerShot G7 digital camera to become the fastest G series camera to date, with a startup time approximately twice as fast as its predecessor at 1.4 seconds (LCD monitor on). Other firsts on a G series model include Optical Image Stabilization and the addition of 13 new special scene modes for a variety of shooting situations. The PowerShot G7 model also adds the “My Colors” function. Users have added flexibility with an increased ISO sensitivity, which ranges from 80-1600, or as high as ISO 3200 in the special scene mode. With the enhanced noise reduction, users can confidently shoot in low light scenes.

Other New Features of the PowerShot G7 Digital Camera:

• USB 2.0 high speed interface
• SDHC Memory Card/SD Memory Card/MultiMedia Card compatibility
• Addition of “My Colors” function that allows users to creatively adjust the colors, contrast, sharpness and saturation of images for a completely custom look while shooting or during playback.
• 25 language menu options
• 1024 x 768 XGA movie mode (maximum recording time of 31 minutes)
• 16:9 widescreen photos to fit today’s widescreen TV’s
• 25 shooting modes including 16 special scene modes, and two user customized shooting modes
• Approximately 20% lighter than PowerShot G6 model (including battery and memory card)
• Hot shoe accommodates Canon 220EX, 430EX, 580EX, MR-14EX*and MT-24EX*Speedlite models
• Sound recorder stores up to two hours of voice memo
• “ My Category” makes it easy to sort images while shooting or during playback based on user preferences
• Real time histogram while shooting to check exposure levels
• An Image Inspection tool that, when engaged in the REC. Review mode, permits users to make certain that their images are in focus.

Compare Prices of the Canon Powershot G7 and get the latest price on the Canon PowerShot G7 at Amazon.

Canon Powershot G7 Reviews

Digital Camera Info reviews the Canon PowerShot G7 where they write - 'The high-end G-series got infused with some spunk with the introduction of the G7; the camera line now has a vast selection of scene modes and color effects. The Canon PowerShot G7 is a great camera, but the pre-production model had its flaws. The body got very warm after about ten minutes and would probably be able to melt butter (I didn’t test that claim though; I don’t think Canon would appreciate that). The optical viewfinder wasn’t very impressive, nor was the battery life. But in the end, the flagship Canon PowerShot G7 has a lot to offer with a new DIGIC III processor and substantial resolution. The camera also packs 25 exposure modes, vast amounts of manual controls and significant flexibility through its hot shoe connection and conversion lens options. '

DP Review posted their review of the Canon PowerShot G7 and writes - 'Specification aside, the G7 is a camera I'd find a lot easier to wholeheartedly recommend if the cons list at the top of this page were a bit shorter, but as I discovered, once you tame it, most of them can be overcome. It's not for everyone (and it's not the best 'social camera' as the focus can struggle in low light unless you stick to the short end of the zoom), but after a month or so of testing I find myself liking it more and more.'

DCRP has written a review of the Canon PowerShot G7 and writes - "Camera performance was excellent in most respects. The G7 starts up very quickly, more than twice as fast as its predecessor. Focus times were snappy, and low light focusing wasn't a problem for the camera. Shutter lag was minimal, as was the delay between shots. The G7's continuous shooting mode is also quite good, with unlimited shooting at 2 frames/second, which assumes that you're using a high speed memory card. One area in which this camera wasn't so hot was battery life: the G7's numbers are worse than the G6 before it, and below average in its class as well. Photo quality was impressive. The G7 took well-exposed photos with accurate colors, pleasing sharpness, and minimal purple fringing. Noise is kept in check if you keep the ISO at 400 or below, with the higher settings reserved for small prints. The camera did have a big problem with redeye, though. If you take a lot of flash people pictures, you may want to either consider buying an external flash, or just choosing another camera altogether."

DP Expert reviews the Canon Powershot G7 and writes "This camera is a joy to use, except for the absence of the swivelling LCD screen which is incredibly useful. But the images are disappointing. The pixel madness has Canon in its grip -- this is the second camera from the company that has disappointed by its excess pixel-induced image degradation. And to think that nine months ago Canon announced that the pixel race was over."

Trusted Reviews has reviewed the Canon PowerShot G7 and writes - 'While the G7 is unquestionably a superb camera, head and shoulders above anything else at the same size or price, the slower lens, smaller profile and lack of RAW mode will deter many potential buyers from trading in their G6. Instead of the best semi-pro camera on the market, Canon has produced a well specified general purpose camera that will appeal to the more ambitious casual user, rather than as an SLR-alternative for the serious hobbyist.'

Steves Digicams reviews the Canon Powershot G7 and writes - 'I was very pleased with this latest addition to Canon's legendary "G" series line. While we miss the Vari-Angle LCD, the new 6x IS lens is a definite plus. The only negative issues we found were the problem with the optical viewfinder and the higher image noise at ISO 800 and 1600. That said, the G7 is a good choice for the beginner, novice, or enthusiast that wants a less bulky alternative to carrying around a dSLR and a bag of lenses. With an MSRP of around US$599 the G7 offers an outstanding value that will be hard to beat this holiday season.'

PhotographyBLOG review the Canon Powershot G7 where they write - 'The Canon Powershot G7 is the kind of camera that not only makes you feel like a better photographer, but helps you become one too, mixing both comprehensive and happily reliable hand holding features with a plethora of real photographic controls that, along with build quality, at times exceeds that offered by many – if not most – budget DSLRs. OK, so some may bemoan the loss of RAW capture (and another annoyance is that the full manual is only on CD), but to be honest it wasn't something that concerned me greatly, and I'm guessing most of the target audience for this camera will probably already own a DSLR with that feature anyway. This model handles well, and feels like its built to last more than six months – indeed it's one of the weightiest, most brick-like compacts out there for the amateur market. Yet you can still slot it comfortably into an inside coat pocket, meaning, unlike a DSLR, it's also a carry anywhere device.'

PopPhoto puts the Canon Powershot G7 through its paces, and concludes, "The Canon Powershot G7 is a great-looking camera with cool styling, a great build, and good menu navigation. We were expecting big things from this camera, but its performance in the lab is a disappointment, especially at the higher ISOs. Is this the must-have pocket-cam for the pros? Probably not. There are just too many cut corners and sacrifices that many hardcore shooters may not be willing to take. ... In a lot of ways, the Canon Powershot G7 brings both the best and worst of Canon's other digital camera lines into one small package."

ePhotoZine reviews the Canon PowerShot G7 and writes, "There's a slight element that the G7, having been cut down to size, has rather lost something. It has a number of admirable features and is genuinely nice to use, but the performance is slightly off. The loss of the flip-out LCD is a real shame, but for those wanting a camera that's convenient to carry, the large weight and size loss is surely a good thing. The use of colour modes to optimise the picture for specific types is a good thing, but it's surprising to see only sRGB being supported rather than the wider gamut of AdobeRGB. The colour accuracy itself is good, but not quite perfect, while the lens offers very sharp pictures throughout the 6x optical zoom. What is apparent is that colour fringing can be a problem, even against blue skies, never mind white ones, if it's bright. Also, the camera did seem to struggle with any kind of contrast range, often requiring -2EV exposure compensation to retain detail in the sky. Images themselves are full of detail thanks to that huge resolution, while noise is well controlled up to ISO800, but significantly it appears in shadows areas at ISO100."

Pocket-lint has a review of the Canon Powershot G7 and writes, "the G7 lacks a RAW capture mode. ...Image quality is, overall, good rather than great. ... I still got lots of shots with camera shake as I endeavored to get flash-free images at lower ISOs. ... It’s fair to say the Canon PowerShot G7 is a comprehensively specified and brilliantly built camera, but it is also fair to say it is a disappointment. All the reasons to own a G-series camera (excellent, fast lens, RAW capture, reams of detail and low noise) have been removed by a company trying to keep up with the 10-megapixel “Joneses”. Canon’s premium compact series of digital models has lost its crown."

Camera Labs has a review of the Canon PowerShot G7 and writes, "Knowing what could have been, along with the noise at higher sensitivities, means we can only award the PowerShot G7 our Recommended rating. Sure it’s an excellent compact, with a great lens that’s capable of impressive results, but deep down we know it could have been much more special – and as we mentioned earlier, the PowerShot A640, EOS 400D and Panasonic FZ50 make very compelling alternatives. Canon may now be trying to sell a DSLR to every enthusiast, but there’s still room in the market for a highly capable top-of-the-range compact."

PCWorld has a review of the Canon PowerShot G7 and writes, "The G7 delivered very sharp shots in our tests, earning the best score on this measure among recently tested advanced cameras. Overall, the G7 earned a Very Good rating for image quality. We were disappointed, however, by the indifferent accuracy of its exposures on indoor shots (at automatic settings), especially on shots where we used the built-in flash. On outdoor shots the G7 usually supplied accurate exposures. The slow autofocus proved frustrating: The lens tended to swim in and out for several seconds before locking onto my subject; and in dim lighting, it sometimes produced out-of-focus shots anyway. ... The G7's shortcomings aside, its generous controls and easy navigation may prove an ideal combination for photographers who frequently adjust manual settings in pursuit of the perfect shot."

Cameras.co.uk has a review of the Canon Powershot G7 and writes, "Indoors the camera is very strong. This is another area where it outperforms many other digital cameras. Looking at the indoor portrait shot it is the level of detail the camera has been able to pick out that really catches my eye. There is a touch of red eye, but my test shot suggests the Powershot G7 should be able to control this to a degree. As with any compact digital camera you are likely to see red eye in some lowlight portrait photos. ... Overall there is a lot to like about the Canon Powershot G7. It is a camera aimed at enthusiasts and you will need to commit time to learning how the camera works in order to get the most out of it. You will find that it is time well spent. "

IT Reviews has a review of the Canon PowerShot G7 and writes, "The most important omission for the semi-pro photographer is the absence of RAW mode recording which would give you more control over the final image, and which was present in the G6. Also the battery has been changed to the smaller NB-2LH which on average will allow you 220 standard photos, as opposed to the former BP-511A which easily reached 300. ... Despite these drawbacks, the quality of the images, the speed and efficiency of operation and the flexibility afforded by the range of menus and controls will almost certainly mean that many keen snappers will - perhaps reluctantly - soon be upgrading their old G6 for the new model."

Digital Camera Review has a review of the Canon Powershot G7 and writes, "For the person who wants a digital camera with top performance and extensive features in a stylish, retro-rangefinder package, the Canon PowerShot G7 is an excellent choice. The AF speed of the DIGIC III processor, external flash hot shoe, and intuitive controls position it well as a bridge, or potential backup, to a DSLR. The zoom range could be better on the wide end, going down to 20mm or 24mm (in 35mm terms) would be ideal. The camera can print directly with PictBridge compliant printers (no computer necessary)."

DPInterface has a review of the Canon PowerShot G7 and writes, "Image quality wise, the G7 has good image quality; low noise, low fringing and no vignetting, although redeye is still an issue. Overall, the G7 is a pretty interesting and good package yet there is one final issue - the price. There's Canon's own A710 IS which does almost the same thing (Well, lacking a hotshoe, customization, design, lower resolution and a slightly worse movie mode) for $200+ less. ... The Canon G7 is something if you want a capable camera in a compact, sturdy package or if you're not quite ready for a digital SLR yet. Just remember to take into consideration and try out the G7's less expensive competitors and also similarly priced digital SLRs."

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Sep 14: Canon PowerShot SD40 Digital ELPH / IXUS i7

Canon-Powershot-Sd40The Canon PowerShot SD40 Digital ELPH is a 7 megapixel camera which comes in four interesting new colors (including pink as pictured).

It features a 2.4x Optical Zoom, 17 shooting modes, ISO of up to 1600, Digic III with noise reduction and face detection technology as well as a camera station with wireless controller.

The Canon PowerShot SD40 Digital ELPH will be priced at $349.99 US and should hit stores in early October.

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The PowerShot SD40 Digital ELPH: Elegant, Economical and Easy-to-Use
The fashion plate of the Digital ELPH line of cameras, Canon's new SD40 Digital ELPH packs 7.1 megapixels of righteous resolution into a color-keyed, stainless steel case that bespeaks luxury and is a must have accessory for a memory-making night on the town. Similar in design to its 5.0 megapixel predecessor (SD30 Digital ELPH model), the SD40 Digital ELPH series offers four new elegant shell tones in Twilight Sepia, a dark rich brown with gold accents; Precious Rose, a blushing pink attention-getter; Noble Blue, a shade worthy of the finest designer navy suit and, the soft yet solid sophistication of Olive Grey.

With any of these four fashion finishes, the SD40 Digital ELPH camera is a formidable, fine and fun to use camera. From the virtuosity of its 7.1 megapixel CCD and its retractable 2.4x optical zoom lens (38-90 mm equivalent) to its easy-to-read 1.8-inch backlit LCD monitor with 15 brightness settings the SD40 Digital ELPH camera is Canon to the core.

Canon supplied the PowerShot SD40 Digital ELPH camera with an easy to use camera station that serves as a charger, enables Hi-Speed USB 2.0 for direct printing and image transfer to a PC, and is even supplied with a wireless remote to facilitate slide show displays when sharing images on a television screen. A mere 0.94-inches thick with the lens retracted, 1.78-inches high and 3.78 inches long, the camera body weighs in at a very modest 3.7 ounces. The Canon PowerShot SD40 Digital ELPH camera carries an estimated selling price of $349.99*.

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Canon PowerShot SD40 Digital ELPH / IXUS i7 Reviews

Imaging Resource reviews the Canon PowerShot SD40 Digital ELPH and writes - "These low-light deficiencies are a shame since in bright outdoor shooting conditions, the Canon SD40 performed well. The biggest plus on this model -- in addition to its fashion-conscious style -- is that it uses Canon's latest image processor, DIGIC III, which sped up overall camera operation while reducing battery drain and virtually eliminating shutter lag when you pre-focus. The SD40's Face Detection technology was also a lot of fun to use and was great for taking group portraits, with the camera able to lock in on up to nine people. The SD40 also had good dynamic range and produced relatively clean images in contrasty shooting situations. On the downside, the camera could have used a larger LCD, especially since many competing models have displays of 2 inches or more. So while Canon SD40 has a lot going for it in terms of looks and speed, image quality issues prevent me from making this a Dave's Pick."

Steves Digicams reviews the Canon Powershot SD40 and writes - 'The Canon PowerShot SD40 Digital ELPH is an awesome pocket-sized digicam. That said, I feel it will make just about any user who wants an ultra-compact model, very happy by offering great image quality, robust performance, ease of use, and let's not forget the stylish and durable body that comes in four different colors. With an MSRP of about US$399, I feel it offers a good value for a model in this category.'

Canon PowerShot SD40 Digital ELPH / IXUS i7 Reviews

Digicam Review has a review of the Canon Digital IXUS i7 Zoom and writes, "The Canon Digital IXUS i7 Zoom is an excellent ultra compact digital camera - image quality isn't perfect with slightly high noise and some red-eye - but it is very good with great colour and detail. This camera is one of the smallest digital cameras available and is a camera that you can take anywhere and use in almost every situation. The camera has a few minor issues, such as a weak flash and slow flash recharge time, but if you look past these problems, then you are left with a very capable, stylish, and very pocketable camera that you can take everywhere. The Canon Digital IXUS i7 Zoom, is as small as a mobile phone, but produces photo quality that is significantly better, and like it's predecessors, produces great colour photos, and is therefore recommended!"

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Sep 14: Canon PowerShot SD800 IS Digital ELPH / IXUS 850 IS

Canon-Powershot-Sd800IsThe Canon PowerShot SD800 IS Digital ELPH / IXUS 850 IS is a 7.1 megapixel point and shoot compact digital camera with a 3x Optical Zoom (with image stabilization) and a 2.5 inch LCD screen.

The Canon PowerShot SD800 IS Digital ELPH / IXUS 850 IS features face detection technology, wide angle lens (28mm), ISO of up to 1600, 30 frames per second movie mode and Digic III processor.

It will retail for $450 USD and should hit stores in early October.

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The Canon PowerShot SD800 IS Digital ELPH: Simple, Sophisticated and Image Stabilized
The 7.1 megapixel SD800 IS Digital ELPH camera is the second and newest Optical Image Stabilized Digital ELPH model in the PowerShot line, and is now the top-of-the-line Digital ELPH IS entry. Canon based the optical image stabilization system on advancements made in the development of the company's EF and video lenses, and then scaled it down to fit the diminutive Digital ELPH camera profile. Unlike electronic or "digital image stabilization systems" that typically degrade image quality, Canon’s lens shift-type stabilization system preserves maximum optical quality while providing up to three stops of shake correction in shutter speed equivalent.

This new SD800 IS model features a number of significant advancements, including improved low-light performance due to the combination of optical IS and a top ISO speed of 1600, and for the first time in the Digital ELPH series, an optical 3.8x wide range zoom lens (28-105mm equivalent), which employs Canon's UA lens technology that permits a longer zoom capability in a smaller amount of space.

The camera's large, 2.5-inch high resolution LCD screen has been enhanced to approximately 207,000 pixels with a bright, wide, easy to read viewing area and is set attractively into the Digital ELPH's rugged, stainless steel shell with its iconic perpetual curve design. In keeping with a decade of ELPH philosophy that proclaims, "great things come in small packages" this pocket-sized photo powerhouse measures just under an inch thick with lens retracted, 2.28 inches high and 3.52 inches long. The Canon PowerShot SD800 IS Digital ELPH carries an estimated selling price of $399.99*.

Canon Powershot SD800 Reviews

DCRP has posted their review of the Canon PowerShot SD800 IS Digital ELPH and they write - 'Image quality is very good overall, but not without its problems. On the positive side, I was pleased with both exposure and color accuracy. Noise levels are low through ISO 400, and sharpness was right about where I like it. The SD800 does have trouble with three photo quality issues, though: corner softness, purple fringing, and redeye. The first two are the tradeoffs for having a compact, wide-angle lens (and won't be noticeable when you actually print the photos), while the last one seems to come with the territory in the ultra-compact class.'

Trusted Reviews has posted their review of the Canon Digital IXUS 850 IS and writes - 'The Canon Digital IXUS 850 IS combines every piece of cutting edge technology currently available in the digital camera market into one beautifully made high-performance package, and tops it off with superb image quality. It’s an expensive luxury gadget, but if you really want the best then you should expect to pay a little extra for it.'

Ken Rockwell reviews the Canon SD800 and writes - 'The Canon SD800 is the pocket camera to get. I'd have bought it the instant it was announced, except that I had bought the similar SD700 two months before the SD800 was announced. In other parts of the world, the SD800 is called the DIGITAL IXUS 850. The SD800 has great color, fast handling, image stabilization for use in dim light without a tripod and a wider lens than almost any pocket camera of which I know. The SD800's LCD monitor is the most accurate I have ever measured.'

DigiCam Review has reviewed the the Canon Digital IXUS 850 IS where they recommend - "The Canon Digital IXUS 850 IS is an excellent ultra compact digital camera - image quality isn't perfect - but it is very good with great colour and detail. Throw in a wide angle lens to help you get more of your friends in the photo, and then add optical image stabilisation to help make sure your photos are sharp even in low light, and you end up with a cracking camera that you can take anywhere and use in almost every situation. The only aspect of the camera that might put you off is the price when compared to the competition. If you want a highly capable and pocketable digital camera with a wide-angle lens and optical image stabilisation then the Canon Digital IXUS 850 IS is recommended! However, have a look at the Panasonic Lumix FX01, it offers almost identical specifications, but is nearly £90 cheaper."

Steves Digicams has written a review of the Canon Powershot SD800 IS Digital ELPH where they recommend - 'Our indoor shots were also nice. The flash has an average range of about 13 feet (at wide angle and using ISO Auto). While this unit is sufficient for close-up shots and small groups, do not expect it to illuminate large open rooms. If you need more power, look into a unit like the HF-DC1 external flash, which delivers proper illumination up to approximately 30 feet, at all zoom positions. I was able to capture nice portraits with good flash exposure and pleasing skin tones, from about 6 feet away using the telephoto end of the zoom range. The only issue I had was actually the same thing we found with the SD700. The Red-Eye reduction system doesn't work as well as a true red-eye reduction flash mode. There's no delay when using red eye reduction, as the SD800 uses the bright orange LED of the AF-assist lamp rather than a pre-flash to cause the subject's pupils to close-down. However, this can be fixed very quickly by taking only a minute or so in any image editor.'

DP Review has a review of the Canon Digital IXUS 850 IS and gives it a Recommended rating, concluding, "what Canon gives with one hand - the wider lens, better screen and other tweaks - it takes away with the other (reduced image quality). But the SD800 IS still has all the qualities I loved so much in the SD700; it's fun, reliable, has image stabilization, is built and styled beautifully and it produces attractive, punchy results without the need for manual intervention. It's a perfect example of what a point and shoot camera should be, and I found myself using it socially a lot more than any of the other cameras I've currently got on test. How important the image quality issues are will depend how much time you spend looking at shots zoomed in to pixel level on-screen. If you don't intend to produce big enlargements and are simply after a truly pocketable camera with a versatile lens range and more than a dash of style, you'll love it."

Imaging Resource has a review of the Canon PowerShot SD800 IS and writes, "The Canon SD800 IS produced crisp prints at 11x14 inches, and somewhat softer but still acceptable ones at 13x19. As always though, the real test of print size came at the higher ISO settings. Here, the SD800's ISO 400 images held up reasonably well at 11x14, but were quite good at 8x10 inches. The highest size we recommend using is ISO 800, which also turned in usable 8x10 images; not bad for such a small camera. 5x7 and 4x6 shots at 800 are quite good, with very good color. ISO 1,600 images are only good at 4x6, an then only when held about two feet away.... Bottom line, low-ISO shots from the SD800 IS look excellent and hold together well at large print sizes."

Pocket-lint reviews the Canon IXUS 850 IS and writes, "Like all digital cameras with far to many pixels for the size of sensor in use, image noise and its reduction have contrived to reduce the absolute image making capabilities of this camera. In the final analysis, the 850IS has a much-improved lens and superb build; overall, image quality at lower ISOs is good and while there is no real manual control over apertures and shutter speeds, the camera’s metering and exposure control works well. ... in the end, the Canon IXUS 850IS is reduced from a great looking, well made star performer to a great looking, well made average snapper."

Digital Lifestyles has a review of the Canon Ixus 850IS and writes, "The image quality may fall slightly behind the class leaders and the lack of manual controls will frustrate advanced users, but for point’n’shooters looking for an everyday camera, the Ixus 850 could be a camera to consider. It’s a bit of a pricey number though at around £250, and the lack of durability might be of concern to those who don’t like to mollycoddle their cameras in cases all the time, but the spec sheet does make a compelling read."

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Sep 14: Canon PowerShot SD900 Digital Elph / IXUS 900Ti

Canon-Powershot-Sd900The Canon PowerShot SD900 is a 10 megapixel point and shoot camer with a 3x Optical Zoom lens and a 2.5 inch LCD screen.

It features a titanium casing in the typical Digital Elph/IXUS style, an ISO range up to 1600 for low light shooting, 18 shooting modes, face detection, noise reduction and a range of other useful features.

The Canon Powershot SD900 will be priced at $450 and will hit stores in September.

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The PowerShot SD900 Digital ELPH: Titanium Body and Ten Megapixels Too
The flagship of the Digital ELPH camera line, the 10-megapixel PowerShot SD900 Digital ELPH takes the attractive and comfortable feel of the “perpetual curve design” and for the first time ever, renders that body in strong and durable yet lightweight Titanium. The result is a high-res digital camera with smooth lines, an elegant satin finish, and an impressive (though petite) package of top-tier photo features. About the size of a deck of playing cards, the SD900 Digital ELPH camera measures fractionally more than an inch thick with its 3x (37-111 mm equivalent) optical zoom lens retracted safely into the case; a mere 2.35 inches high and less than 3.6 inches long.

The successor to Canon’s popular SD550 Digital ELPH camera, the SD900 also features a brilliantly enhanced, 2.5- inch, 230,000-pixel, color TFT LCD screen with a wide viewing angle making images easier to preview and review, and camera menus easier to read in a wide range of lighting conditions. For still more flexible digital imaging power, the SD900 Digital ELPH camera also includes a new 1.4x/2.3x digital tele-converter for extended shooting capabilities. Finally, for those who wish to shoot dramatically higher resolution video sequences, the camera’s XGA 15fps movie mode is just the ticket. When combined with the new optionally available high capacity 4GB SDHC memory cards, this digital dynamo can capture action for up to 33 minutes per clip. The Canon PowerShot SD900 Digital ELPH carries an estimated selling price of $499.99*.

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Canon Powershot SD900 Reviews

CNET has posted a review of the Canon PowerShot SD900 where they write - 'The camera generally produces very solid photos. They're extremely sharp in the center, though like many competitors' shots, there's severe softness around the edges of the frame, which can result in glowy edges on objects. Colors are a little cool but nicely saturated. As is typical of Canon cameras, the automatic white balance can't handle our warm tungsten lights. Noise was negligible to as high as ISO 400, and at ISO 800 became a tolerable, fine grain. ISO 1,600 images were predictably bad, with details hidden and colors muted by a pronounced layer of staticky, sparkly artifacts. A solid, handy, compact camera, the Canon PowerShot SD900 nevertheless lacks some useful features offered by the similarly priced SD800 IS. Unless you absolutely need the extra pixels--for, say, cropping tightly on a portion of a photo or printing to larger than 8x10--you're probably better off with the faster, stabilized SD800 IS.'

Lets Go Digital reviews the Canon IXUS 900 Ti where they write - 'All in all, a very interesting Digital IXUS to review. The Canon Digital IXUS series cameras have already been enjoying a fair share of attention for years, and the introduction of the Canon Digital IXUS 900 Ti is likely to see to it that this will continue. We had the Canon IXUS 900 Ti in our office for quite some time, and were able to test it extensively. Just how the Canon Digital IXUS 900Ti performed in practice, and whether or not it will contribute to the IXUS success, can be read in the following Canon Digital IXUS 900 Ti digital camera review.'

DPexpert reviews the CANON IXUS 900ti and writes - 'Canon puts a heavy emphasis on style with this camera. The “ti�? in the designation stands for titanium and the advertising boasts: “This stunning camera is a must for those who demand the ultimate in performance and style.�? Another camera as fashion accessory -- something we can do without and something that has not been in the Canon catalogue before. This is an expensive point and shoot camera with some manual controls and a few gimmicks, such as “face detection�? and “aquarium mode�?. Focus and exposure are best rated as OK. The dynamic range is very narrow with highlights blowing out and shadows darkening in high contrast light.'

Imaging Resource have posted a review of the Canon PowerShot SD900 Digital ELPH where they write - 'Featuring a 10 megapixel CCD, 3x optical zoom lens, and well-designed user interface, the PowerShot SD900 Digital ELPH updates the popular PowerShot line with a compact body style that is well suited for travel. Exposure remains under automatic control, and its 11 pre-programmed scene modes help with more tricky subjects. It's a very responsive camera, with low shutter lag in daylight conditions, and excellent shot-to-shot speeds. It also sports very good battery life, a very capable Movie mode, and excellent download speed. Finally, Canon makes a line of accessories including a slave flash, and even an underwater case for it as well, expanding your options beyond what you'd normal expect from a compact digital camera. The bright 2.5-inch color LCD monitor is excellent for framing and reviewing shots, and the overall design and layout of the SD900 is user-friendly and hassle-free. If you're looking for a good, take-anywhere camera with great versatility and good color and tonality, the Canon SD900 deserves a close look. No question, a Dave's Pick in its category.'

Steves Digicams reviews the Canon Powershot SD900 Digital ELPH and writes - 'Canon's PowerShot SD900 is a welcomed addition to the very popular Digital ELPH line. With robust performance, awesome image quality, loads of user-friendly exposure modes, and a durable Titanium outer shell, the SD900 is sure to stand the test of time and be a very popular model this holiday season. And, with 10-megapixels of resolution, the printing possibilities are almost endless. At an MSRP of US$499, we feel it offers a great value for a 10-megapixel model in the "ultra-compact" digicam class.'

Imaging Resource reviews the Canon PowerShot SD900 and concludes, "Canon's Digital ELPH series is designed for the person who doesn't want to worry about shutter speeds and apertures to get good pictures. If Auto mode doesn't do the trick the Programmed Auto (M) accesses options like White Balance, EV compensation, and Metering. And if that's too much trouble, there's a healthy selection of 11 Scene modes to solve almost any problem. ... The SD900 is an excellent performer no matter what aspect you consider, with superior focusing and low light performance matched with a powerful flash that doesn't make you wait all day to recharge. And with a day-long battery, you couldn't ask for a better traveling companion."

DPReview has a review of the Canon SD900 Digital ELPH (IXUS 900 Ti) and writes, "The SD900's biggest selling-point for us is simple; it offers some of the best (perhaps the best) image quality in this category, but if we're being honest we're not talking quantum leaps here, and the typical user of this type of camera, producing small prints, is unlikely to really see a significant advantage. If you like a touch of luxury (which the build and finish definitely give you) and want a 'point and shoot' camera that offers reliably high quality output suitable for decent enlargements, the SD900 is certainly a worthy competitor. We just feel that in this, the most competitive and fastest-moving sector of the market, the SD900 will, for many users, have priced itself out of the running."

LaptopMag has a review of the Canon PowerShot SD900 and writes, "On our tests, the SD900 produced decent images with accurate color saturation. Noise wasn't an issue until we tried to shoot in low light and cranked the ISO up to 1600. At this high setting, details began to blur and images became grainy. On the other hand, almost every digicam we've tested develops a fair amount of pixelation above ISO 800. ... The Canon PowerShot SD900 packs a lot of megapixels into a good-looking design. And while it produced good results, we prefer the 10-MP HP Photosmart R967 and the Casio Exilim EX-Z1000, both of which offer the same or better performance for less money."

PhotographyBLOG has a review of the Canon Digital IXUS 900 Ti and writes, "There's so little to criticise on Canon compact cameras these days it's almost getting boring, and the Canon Digital IXUS 900 Ti is no different. It looks good, responds well, is for the most part easy and intuitive to use, and, thanks to that standardised (across the IXUS range) 9-point AiAF, delivers sharply detailed images that will more than satisfy its target market. Battery life is fair to good, although sharing a compartment with the SD memory card at its base means that you won't be able to switch cards easily if using a tripod. Still, most of the Canon Digital IXUS 900 Ti's users will be shooting handheld, so it's hardly a decision breaker. The Canon Digital IXUS 900 Ti narrowly misses out on that fifth star through the fact that there's no on board image stabilisation, but other than that (and the high-ish premium you're paying for that oh-so-sexy titanium finish) it's pretty much the perfect general use point and shoot style camera; for now at least."

Digital Camera Review has a review of the Canon Powershot SD900 and writes, "The 3x Canon optical zoom on the SD900 offers an aperture range of f/2.8 to f/4.9. Performance seemed good at the telephoto end of the range, but there was barrel distortion (straight lines bow out from the center) present at the wide angle end. There was also fringing (purple ghost images) present in the high-contrast boundary areas on images. The barrel distortion could be noticed in normal photos, but the fringing was most apparent under great magnification (400%). My feeling is the fringing will not be apparent unless an image is enlarged greatly or cropped severely and enlarged. Unfortunately, those are two somewhat likely scenarios with the SD900. Images seemed pretty uniformly sharp from center to edge at both the wide and telephoto ends. ... The Canon SD900 is a compact, stylish shirt-pocket-sized camera that can produce high quality images in file sizes that lend themselves to big enlargements and/or cropping to achieve the desired result."

PCMag has a review of the Canon PowerShot SD900 Digital Elph and writes, "Putting the SD900 through its paces, I observed very good color accuracy and saturation in my test pictures. There was just a bit of purple fringing. In my real-world shots of trees against a bright blue sky, I found a tad more fringing, but it still wasn't too noticeable. Overall, the photos were very sharp. Even so, the flash's illumination was good but slightly uneven. ... Canon's PowerShot SD900 Digital Elph is a solid and pleasing camera. But I'd still go with the Canon PowerShot SD550, which we've determined to be the best ultracompact shooter for its quality, performance, and lower price."

PCWorld has a review of the Canon PowerShot SD900 and writes, "In tests conducted by the PC World Test Center, the SD900's 10-megapixel sensor produced exceptionally sharp photos with little distortion. The camera also earned high marks for exposure accuracy, though it performed better in natural light than with a flash. Color accuracy could have been better; the SD900 received an average score for this attribute. ... If you're looking for the greatest number of megapixels, the SD900 won't disappoint. Until Canon adds image stabilization and a longer zoom, this should remain one of the best compact point-and-shoots around."

IT Reviews has a review of the Canon IXUS 900Ti and writes, "The DIGIC III has improved Noise Reduction too, so you can shoot at ISO 1600 comfortably in low light and the shooting modes have been expanded to 18 to include ISO 3200 (strangely it's separated from the main ISO menu, though), Aquarium and Underwater (for which a special water-resistant case is an optional extra). ... If you're a semi-pro or enthusiastic amateur with a predilection for style, this ultra-cool IXUS is undoubtedly for you. The 10MP CCD also means improved sharpness in larger prints, but otherwise the features are very similar to the considerably cheaper 850 IS."

Trusted Reviews has a review of the Canon Digital IXUS 900 Ti and writes, "Picture quality is also impressive. The larger 1/1.8" CCD avoids most of the problems associated with small high-resolution sensors, and produces better dynamic range and much better image noise control than some other 10MP compact cameras. The 900 Ti produced usable pictures with fine detail at 800 ISO, and from 400 downwards I’d describe the picture quality as excellent, although I still don’t think there’s a noticeable advantage in choosing a 10MP sensor over an 8MP one. However the 900 Ti uses very low file compression at maximum quality, resulting in JPEG files that can be over 5MB. This means that a 1GB memory card is will hold around 239 images."

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Sep 14: Olympus E-400

Olympus-E-400The Olympus E-400 is a new 10 megapixel DSLR from Olympus that features a 2.5 inch LCD, four thirds compatibility, dus protection, dual memory card slots (xD and Compact Flash), one touch white balance, JPEG and RAW, built in flash, Depth of Field preview and 3 frame per second shooting.

The design of the camera is reminiscent of days gone by and has been released with a new 14-42mm lens and a 40-150mm lens.

The Olympus E-400 is a limited release at this point with it not being available in some countries - including the US. It will be available in the UK in early November 2006.

Olympus E-400 News Release

London, 14 September 2006 – Olympus presents the latest addition to the E-System, the world’s smallest and lightest D-SLRcamera – the E-400. The compact size and low weight of this latest Four Thirds Standard camera, allows photographers to take it virtually anywhere, while not having to do without the considerable benefits of SLR photography. This model features a new CCD with 10.0 million pixels and a state-of-the-art amplifier circuit for incredible imaging performance at super fast speed. As the design of the E-400 is based on the Four Thirds Standard, users have virtually unlimited flexibility. A wide range of high-quality, interchangeable lenses, including the EISA Award winning Olympus ZUIKO DIGITAL Top Pro lenses, plus other accessories are available for all types of needs. These are provided by Olympus and, thanks to cross-manufacturer compatibility of the standard, from other manufacturers as well. As with all
E-System cameras, the E-400 features the Supersonic Wave Filter – ensuring dust-free photography, even after changing lenses under challenging conditions.

The E-400 is expected to arrive in the UK in November, for stockist information call 0800 0720070 or visit www.olympus.co.uk.

Compact size with innovative D-SLR technology

As it is the world’s smallest and lightest D-SLR*, the E-400 is sure to never become a burden. It is the perfect travel companion, compact enough to take along on holidays or for use as a high quality back-up camera when out on the road.

Within its extraordinarily tiny frame is a treasure-trove of innovative technology. To begin with, a 10.0 million pixel CCD provides plenty of imaging power so that even the finest of details do not go to waste. This highly energy-efficient CCD features a state-of-the-art amplifier circuit that all but eradicates noise and is incredibly fast. It enables sequential shooting at up to 3fps with a five image RAW buffer in burst mode.

Like every Olympus E-System camera, the E-400 is armed with a Supersonic Wave Filter. This patented technology allows lenses to be changing – even in challenging environments – without the fear of dust contamination, giving users the brilliance of dust-free pictures every time. Developed by Olympus, the Supersonic Wave Filter generates ultra-high-speed vibrations that literally shake off dust and other particles from the CCD. These are then captured on a special adhesive membrane to prevent recontamination. For the E-400, the Supersonic Wave Filter has been optimised with smaller dimensions and a higher frequency of vibrations for even more effectiveness.

Pro features and comfortable handling

The Olympus E-400 proves that even a feature-packed D-SLR needn’t be difficult to operate. Of course it includes the full range of manual control options for boundless creativity, and complements these with 31 scene modes that cover a wide variety of shooting situations. These include Underwater, Macro, High Key and Low Key. Users also benefit from special colour modes and the possibility to apply various Black&White filters to images.

So that photographers can continue shooting as long as they wish, the E-400 is powered by a new high-power rechargeable battery. The camera also accepts both CompactFlash and xD-Picture Cards, giving a choice of data storage options for even more flexibility. And, to ensure that the versatility and quality of E-System photography is open to as many people as possible, the menus on the E-400, as well as its manuals and software, can be displayed any one of 25 languages, making the camera completely understandable in 39 European countries – something only Olympus currently offers.

Four Thirds compatibility for boundless versatility

As with all E-Series cameras, the E-400 conforms to the Four Thirds Standard. Olympus and various other manufacturers produce high-quality Four Thirds-compliant lenses and accessories that are specifically designed for digital SLR image capture. With only very few exceptions, the E-400 is compatible with virtually the complete range of Olympus E-System accessories. This includes the full line-up of the ZUIKO DIGITAL Top Pro lenses, which recently received an EISA award. Even an Underwater Case (PT-E03) will be available to let adventurous photographers capture the delights of the aquatic world in up to 40m of water.

New E-System lenses

For better results and improved handling, lenses based on the Four Thirds Standard feature near telecentric construction, which takes into account the specific technical characteristics and requirements of digital cameras. Two new Olympus Four Thirds lenses will be introduced with the E-400 at its launch: the EZ-1442 ED 14-42mm 1:3.5-5.6 (equiv. to 28-84mm on a 35mm camera), which is perfect for standard applications, and, for more magnification power there is the EZ-4015-2 ED 40-150mm 1:4.0-5.6 (equiv. to 80-300mm on a 35mm camera). Both lenses are exceptionally compact, for greater mobility and speedy use. They also offer maximum image quality at an excellent price and feature a stylish design with a blue ring in the middle – the new insignia for the Olympus E-System lens line-up.

The E-400 achieves a remarkable balancing act between being the world’s smallest and lightest D-SLRand relinquishing nothing in terms of image quality and professional performance. It combines the size usually attributed to compact cameras with the stunningly crisp picture quality and versatility expected from an SLR. The E-400 will be available from November 2006.

As at June 2006
The Olympus E-400 digital SLR – main features

  • World’s smallest and lightest D-SLR*
  • 10 million pixels
  • 6.4cm/2.5” LCD
  • Supersonic Wave Filter for dust protection
  • Dual memory card slots (for xD-Picture Card and CompactFlash)
  • 31 shooting modes (incl. 5 exposure, 7 creative & 19 scene modes)
  • Built-in pop-up flash (GN 10)
  • 3 fps with up to five images in RAW buffer
  • One touch white balance
  • TruePic TURBO image processor
  • AF-lock functionality
  • Depth of field preview function
  • Improved 49 segment digital ESP and spot metering
  • Exposure Bracketing function
  • Large beginners and advanced info screen
  • Detailed playback info screen with histogram
  • Exceptional ease of use with intuitive GUI and buttons that provide immediate access to frequently used features
  • JPEG & RAW recording
  • Based on Four Thirds Standard
  • Underwater Case available (PT-E03) waterproof to 40m

Olympus Evolt E400 Reviews

Digital Camera Info reviews the Olympus EVOLT E-400 where they write - 'Timing can be very important. If the E-400 had been introduced two years ago, in the place of the E-300, it would have been very impressive to see all its features in such a small package. It would have made the Four Thirds format look like the next big thing. Small, high-resolution, not ugly, with dust control – it appears much more exciting than the E-300.'

Trusted Reviews has posted a review of the Olympus E-400 where they recommend - 'The Olympus E-400 is a very accomplished camera, a serious photographic tool that will appeal to both professionals and advanced amateurs. It offers a combination of easily controlled versatility, exceptional performance and superb image quality that should secure it a place in the top rank of mid-range digital SLRs. The kit price may seem expensive, but it includes two excellent lenses that perfectly complement this outstanding camera.'

Camera Labs reviews the Olympus E-400 and writes - 'The Olympus E-400 has a lot going for it. It’s very small and light without compromising comfort or usability, there’s quick and easy access to all the settings, the resolving power roughly matches rival 10 Megapixel DSLRs, and while noise speckles are more noticeable at higher sensitivities, at least there’s no smearing through noise reduction. And finally the kit lens is decent quality and the SSWF anti-dust system remains unmatched.'

DigiCam Review has reviewed the Olympus EVOLT E-400 Digital SLR where they write - "The Olympus E-400 is an impressive digital SLR camera, offering excellent image quality, and an excellent range of lenses with very precise manual zoom control. The screen is good, and the camera can produce excellent photos. If you can stick with the lower ISO settings and you want high quality large images then this camera should be high on your shopping list. This camera is easy to use (in auto mode) and offers speedy performance, excellent battery life, with good controls and excellent build quality. I would recommend this camera especially to people who want greater creative control that normal compact digital cameras generally do not provide. I'd recommend trying out the camera and comparing with other brands before purchase, as you may find looking through the viewfinder and getting used to reading the information provided takes a little time, when compared to your average (electronic viewfinder) digital camera. If you have been put off getting a Digital SLR due to the physical size of them compared to point and shoot cameras, then the E-400 could be what you've been waiting for, as one of the smallest, it is also one of the easiest Digital SLRs to take with you. The double zoom lens kit with new smaller lenses, designed specifically for the E-400, offers excellent value for money and a very appealing package. Highly Recommended!"

Pocket-Lint review the Olympus E400 DSLR and give it a rating of 9 out of 10. They write - 'In a camera replete with so much clever stuff, you’d be forgiven for expecting a much bigger device. Until you hold the camera however, it is not immediately apparent just how svelte the E400 really is. But one worry I have is the price; it is not svelte by any standard. The E400 twin lens kit it is to be sold in includes the lens tested here plus a very compact 40 to 150mm (80 to 300mm in 35mm terms) lens for around £850. This is far too expensive for an “entry level” model and particularly so when there are cheaper 10-megapixel models on the shop shelves already, which would be a shame because it will prevent many people from buying this camera when they should, because I can heartily recommend this camera to all those who might consider it.'

Let's Go Digital has a review of the Olympus E400 and concludes, "The Olympus E-400 made a good impression on me during the test. If you look at the target group and the idea with which the camera was designed, the E400 meets nearly all the requirements necessary to make it the most comfortable take-along digital SLR camera of the present moment. However, I think that SLR owners are people who clearly demand and require more. I'm not sure if the Olympus E400 can live up to these requirements in the long term or whether the quickly reached limitations become visible depends upon the user. In regard to quality, the Olympus E-400 is an excellent digital SLR camera which is extremely easy to use and very user friendly."

PhotographyBLOG has a review of the Olympus E-400 and writes, "The Olympus E-400's compact size might be enough to set it apart from the competition but once a protruding lens is attached it isn't exactly pocket sized. That said, it could be the final nail in the coffin for bridge cameras like the Sony R1 and the Samsung Pro815, as it is lighter and smaller and offers all the creative benefits that an interchangeable lens camera can offer. It's unlikely that this will this signal the beginning of even smaller DSLRs, as portability isn't usually the top priority of consumers wanting to use these cameras. But the E-400 should satisfy most consumers demands as it has 31 auto shooting modes for totally automatic functionally and there's a number of colour modes cable of producing vivid tones, as well as black & white and sepia computer-free effects. It is also worth noting that the 10MP 4:3 ratio CCD size doubles the focal length of all its lenses (to 35mm equivalent) which is especially useful for shooting subject matter that is hard to get close to, like wildlife or sports. The Olympus E-400 delivers a pleasing user experience with straightforward handling that will appeal to beginners and enthusiasts alike."

ComputerActive has a review of the Olympus E-400 and writes, "the E-400’s images are commendably sharp even if they do reveal increasing levels of noise from ISO200 upwards. Colours are a tad cool when the camera is left on its ‘natural’ setting, meaning that the alternative ‘vivid’ option provides, for us, the closest to reality. The E-400 is a well-constructed digital SLR offers alternative to the market-dominating Nikon D40/D50 and Canon EOS 400D. Viewed in isolation it’s worthy of praise, but considered against its nearest rivals a 10-megapixel resolution is not enough to make the E-400 stand out – though recent price reductions will aid its chances."

ThinkCamera has a review of the Olympus E-400 and writes, "People considering this as a travel camera for landscapes should check carefully - its rendition of greens can also vary from awful to acceptable, depending on the picture. Olympus have tried hard to bring simple, portable DSLR photography to everyone and have come close to achieving that. If you need a really portable DSLR, the E-400 would probably suit you. If budget is tight, you'll find it hard to get a 10MP DSLR for anything like this price from another manufacturer - if you can spend a little more then there are other options around."

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Sep 14: Pentax DA 70mm F2.4 Limited Lens

Pentax-Da-70Mm-F2.4The Pentax DA 70mm F2.4 Limited Lens is yet another new release from Pentax today. It weighs just 130 grams and is just 26mm in length making it a highly portable and very convenient lens to use.

The is a digital only lens.

Pentax DA 70mm F2.4 Limited Lens Press Information
Ultra-thin, super-lightweight design

Thanks to its newly developed, high-performance optics, this new medium-telephoto lens measures only 26 millimeters long and weighs a mere 130 grams. When mounted on a PENTAX digital SLR camera body, it protrudes very little from the camera's front panel and offers a focal length equivalent to 107mm in 35mm format, making it a perfect choice for casual portrait and landscape photography.

Limited Lens-series quality

Distinctive visual description:
The PENTAX Limited Lens series is designed for distinctive visual description by combining a series of mechanical and numerical evaluations with human assessment of test-shooting samples. As a result, this lens produces smooth, natural skin tones and beautiful out-of-focus backgrounds at open aperture in portrait applications, while assuring crisp, high-contrast images at closed-down aperture in landscape photography.

Premium appearance:
The lens barrel, hood and cap are all made of a high-grade aluminum material, shaped for perfect proportions and striking beauty. The focusing ring is designed for superb accessibility and maximum ease of focusing operation.

SP coating to protect the lens against weather and grease:
The PENTAX-original Super Protect (SP) coating is applied to the front surface of this lens. Through a vapor deposition process, the lens surface is coated with a special fluorine compound to repel dust, weather and grease, making it easy to wipe off fingerprints and cosmetics.

Digital SLR-exclusive optical design:
This lens is exclusively designed for use with PENTAX digital SLR cameras, with an image circle perfectly proportioned to the CCD size (23.5mm x 15.7mm), and optics optimized for digital imaging characteristics. Combining high-quality image reproduction with an ultra-thin, super-lightweight design, it is a perfect partner to PENTAX digital SLR cameras.

Pentax DA 70mm F2.4 Limited Lens Additional Features

• PENTAX-developed Quick-Shift Focus System for instant switching to manual-focus operation after the subject is captured in focus by the AF system
• Detachable, extendible lens hood (included) for enhanced portability
• Nine-blade diaphragm for natural out-of-focus description

Pentax DA 70mm F2.4 Limited Lens Specifications

• Lens mount: PENTAX KAF mount
• Lens construction: 6 elements in 5 groups
• Angle of view: 23° (when used with *istD-series & K100D camera body)
• Aperture control: Automatic
• Number of diaphragm blades: 9
• Minimum aperture: F22
• Metering system: TTL open-aperture metering
• Minimum focusing distance: 0.7m (2.3 ft.)
• Filter size: 49mm
• Maximum magnification: 0.12X
• Dimensions (diameter x length): 63mm x 26mm (2.5 inches x 1.0 inch)
• Weight: 130g (4.6 oz.) without hood; 150g (5.3 oz.) with hood

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Sep 14: Pentax K10D

Pentax-K10DThe Pentax K10D is the latest DSLR offering from Pentax which offers a 10 megapixel sensor, weather and dust resistant sealing, in-body shake reduction technology (promising a 2.5 - 4 stop improvement in low light), a 22 bit A/D converter, dust removal to keep the image sensor dust free, 11 point auto focus, 16 segment metering and lots more.

The K10D also features a 2.5 inch LCD monitor with 210,000 pixels and battery life of up to 730 images between charges.

The Pentax K10D will retail for $899.95 (body only) or $999.95 with a DA 18-55mm lens. A battery grip is also available for an additional $199. All are set to ship in October 2006.

Pentax K10D DSLR News Release


PENTAX ANNOUNCES K10D DIGITAL SLR WITH TEN MEGAPIXELS, SHAKE REDUCTION AND WEATHER RESISTANT BODY

GOLDEN, CO. (September 13, 2006)…PENTAX Imaging Company announced today the PENTAX K10D digital SLR camera with 10.2 effective megapixels and a host of advanced technologies including a PENTAX-developed Shake Reduction (SR) system and a weather resistant body.

Designed to deliver high-quality digital images and responsive operation for advanced photo enthusiasts, the K10D features an array of PENTAX innovations in image capture and camera functionality.

The most significant features in the K10D include:

• A PENTAX-developed Shake Reduction (SR) system that effectively offers a 2.5 to 4 stop advantage for sharp, blur-free images even under difficult shooting conditions, such as macro and telephoto photography or low light settings without a flash. The SR mechanism is designed to minimize camera shake by oscillating the CCD image sensor vertically and horizontally at high speed using magnetic force, while adjusting the speed of oscillation in proportion to the amount of camera shake detected by built-in sensors. As a result, the system does not require special anti-shake lenses and can be used with more than 24 million PENTAX lenses produced since 1964.*
• A newly-developed Pentax Real IMage Engine (PRIME) designed exclusively for PENTAX digital SLR cameras to produce well-balanced, true-to-life images. In order to meet the performance requirement in handling 10 megapixel data, PENTAX also incorporated a new high performance 22 bit A/D converter to quickly transfer images with accurate color tones and richer gradation from the CCD to the imaging engine.
• A new Dust Removal (DR) system incorporating PENTAX-original Special Protect (SP) coating to help keep the CCD surface dust-free, and a shift mechanism to shake dust off the CCD.
• A dependable dust-proof, weather-resistant body construction featuring 72 seals throughout the camera to allow photographers to continue shooting even in dusty or rainy environments.

* Lenses compatible with this mechanism are the PENTAX K-, KA-, KAF- and KAF2-mount lenses; screw-mount lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be applicable with certain lenses.

“Advanced photographers will not find another 10 megapixel digital SLR that offers features such as a weather resistant body, shake reduction, and great ergonomics, at any price, ” said Ned Bunnell, director of marketing, PENTAX Imaging Company. “With the K10D introduction, PENTAX is now able to offer digital SLRs for two important users - the first time SLR customer who can buy the K100D and now the K10D for the more advanced users.”

Along with the body, PENTAX announced a D-BG2 battery grip for exclusive use with the PENTAX K10D. This battery grip can be used in combination with the camera’s rechargeable lithium-ion batteries to double the camera’s battery life. With a vertical shutter-release button, preview lever, two control dials, AE-lock button and green button, the new battery grip makes vertical-position shooting simple and effortless. It also features the same dust-proof, weather-resistant construction as the K10D camera body.

PENTAX also announced the smc PENTAX-DA 70mm F2.4 Limited lens, designed for exclusive use with PENTAX digital SLR cameras and featuring an ultra-thin pancake design and uni-focal, medium-telephoto optics. With a medium-telephoto perspective, this new lens is ideal for many applications including portraiture and landscape. The high-performance optics ensure outstanding image quality, and provide distinctive visual expression. Materials used for this lens are selected for optimum holding comfort and operability, and the new lens is designed to be extremely thin and lightweight, for go-anywhere portability for casual, day-to-day snapshot photography.

The K10D body will ship by November 2006 for US $899.95, and as a kit with the DA 18-55mm lens for $999.95. The D-BG2 Battery Grip will ship at the same time for less than US $190.00. The PENTAX DA 70mm lens will ship in October 2006 for less US $600.00.

Pentax K10D Reviews

ephotozine reviews the Pentax K10D where they write - 'Pentax are back! With the possible exception of frame rate, made up for in part with the Shake-reduction and dual RAW capability, this camera is up there with Nikon’s D200 and Canon’s 30D. Packed with features that have been well thought out and are easily accessible in a body that has been built to withstand the pressures of hard use in typically English climates it has a lot going for it. If their lens line-up takes a similar leap in the next twelve months, Pentax will be back toe-to-toe with the big boys. This is a serious advanced amateur or semi-pro camera.'

Popular Photography has posted their review of the Pentax K10D where they write - 'Overall image quality is Excellent throughout the ISO range. Color accuracy is Excellent. Noise is exceptionally well controlled all the way through, and Resolution is excellent at all ISOs. In fact, there is less than a 5 percent drop off in resolution from ISO 100 (1925) to ISO 1600 (1845), and noise only climbs from Very Low (1.15) to Low (1.95) from lowest to highest ISO.'

Megapixel has a review of the Pentax K10D and notes, "the Pentax K10D shines on a number of fronts, and when used with any number of other Pentax lenses, the K10D yields perfectly crisp images. More importantly, the K10D is impressive in the fact that its sensitivity range is entirely useable. At 100 ISO noise is absent from the images, and from 100 up to 400 ISO, which if the increment is set to 1/3 EV covers no less than six sensitivity settings, the images the camera captures are virtually noise-free. Beyond this, a range that covers an additional seven steps, noise increases very slowly, and even at the maximum of 1600 ISO, is no more prevalent than in the 400 ISO images produced by compact cameras that employ smaller CCDs."

DPExpert has a review of the Pentax K10D DSLR and writes, "The Pentax K10D is a brilliant camera. At the price it is a world-beater. It will be interesting to see how it goes in the market place where, paradoxically, its low price may count against it. Can a $1900 camera/lens combination compete with a similarly specified camera selling for $3000? Yes, it can. It is as though Pentax has returned to its origins when the company produced affordable, reliable, pioneering SLRs with outstanding lenses. Most serious amateurs have a Pentax in their past and the K10D will bring a nostalgic smile of recognition."

Pocket-lint has a review of the Pentax K10D and writes, "In terms of image quality, the camera provides plenty of detail with natural colours, though of course, these are all tweakable via internal functions on the camera. I found however, shooting using the camera’s MTF program line helps keep things a tad sharper or simply stay shooting RAW. In JPEG snapping, you get three compression levels and the top (three star) setting provides very clean images indeed. Noise (as mentioned earlier) becomes obvious after ISO 400 and intrusive at ISO 800 and over. Overall, the images look colourful and clean even if the highlight detail does drop off more quickly than I’d have liked, particularly noticeable in overcast (grey) skies for example."

NeoCamera has a review of the Pentax K10D and writes, "The bottom line is that the K10D cannot be beaten feature-wise. It brings some unique features and exposure modes into a very thoughtful and ergonomic design. In terms of image quality, the Canon Digital Rebel XTi and the 8 megapixels Canon EOS 30D still have the advantage, specially at high-ISO. Neither of these cameras have built-in stabilization or weatherproofing though. The XTi has an useful eye-start sensor but its ergonomics and capabilities are limited compared to the K10D. The 30D has the advantage of having a consistent 5 FPS continuous drive which is better suited for action photography."

Digital Trends has a review of the Pentax K10D and writes, "Any first-time D-SLR buyer should put the Pentax K10D high on the list—it’s a very good 10MP camera offering lots of room to grow as you spread your photographic wings. And its combination of good image quality, built-in Shake Reduction and sturdy build makes it a worthy contender for the competition and your credit card limit. As mentioned earlier, it’s a serious camera targeted to people serious about their photos. The price is serious too, currently selling for MSRP due to the demand. If you have a collection of lenses from Canon or Nikon, taking the Pentax path is more difficult choice since you’ll have to make a hefty investment in new glass. But it’s hard to argue with the value this camera brings to the table for first-timers."

CNET has a review of the Pentax K10D and writes, "I was also quite impressed with the K10D's photo quality as well, from its broad dynamic range to first-rate color reproduction. Photos had an excellent noise profile up through ISO 800, and at its maximum of ISO 1600 still fared well for its price class. ... If you're looking for a first dSLR or a no-brainer kit, the Pentax K10D may be too much for you, as in too much power and too expensive. But if you want to buy into an inexpensive system with a really good amateur dSLR at its hub, the K10D hits the mark."

DCResource has a review of the Pentax K10D and writes, "Photo quality varies greatly depending on the settings you're using. If you pull the K10D out of the box, attach the kit lens, and start shooting JPEGs then you might say "wow, my old point-and-shoot took better pictures". However, if you tweak the settings a bit, or shoot in RAW mode then you'll see that the K10D can produce photos of exceptional quality. For whatever reason, the K10D's image processor produces soft images with dull colors, which aren't terribly pleasing to the eye. If you don't want to fuss with RAW, you can change the image tone option to vivid or adjust the in-camera sharpening, contrast, and saturation to your liking. Whatever you end up doing, once you've found that sweet spot, the K10D's photo quality ranks up there with the best of them. ... All things considered, the Pentax K10D is an excellent midrange digital SLR. It offers a solid, well-designed body, rocket-fast performance, and superb photo quality if you get away from the default settings. It may not be a great choice for those used to live-view and scene modes, but if you're ready to dive into more serious photography, the K10D is a great choice. It earns my highest recommendation."

LetsGoDigital has a review of the Pentax K10D and writes, "There is not much to say about the Pentax K10D's body. It is compact, lies well in your hand and of excellent quality. It can cope with dust and light rain, which is nice if you photograph outside a lot. All in all, I was really charmed by the Pentax K10D. The clever discoveries made it a really pleasant camera to work with and thanks to the ultra-compact pancake lenses the Pentax K10D is almost the ultimate camera for street photographers. All this for such a low price! The Pentax K10D will give its owner real value for money while retainig great picture quality. What more do you want?"

Digital Camera Review has a hands on preview of the Pentax K10D and writes, "Default image quality is a bit soft and colors are a little flat, but that's due to Pentax's minimal sharpening and image interpolation. Users can customize images by selecting the Bright Image Tone option and tweaking color saturation, contrast, and sharpening to precisely match personal taste. Tweaked JPEG images are impressive, almost equal to the K10D's RAW images."

Steve's Digicams has a review of the Pentax K10D and writes, "We were happy with the K10D's image quality. Our test images were consistently well exposed and had good color saturation. Sharpness at the K10D's normal setting was what you would expect of a dSLR, a bit on the soft side so that the image had some range for post processing. But at its maximum in-camera setting, the K10D's images were less sharp than the competition. ... The K10D offers a lot of camera for under $1000.00 USD - with 10.2 megapixels of resolution, body-integral Shake Reduction (SR), automatic dust removal, a weather-proof body, 3fps continuous shooting performance, dual battery grip option and great image quality – it’s an easy choice over the K100D for those seeking a more advanced dSLR camera system. Users of Pentax film SLRs will be able to use their existing inventory of K-mount lenses and benefit from its Shake Reduction feature."

Digital Camera Review has a full review of the Pentax K10D up and writes, "Canon and Nikon currently dominate the semi-pro dSLR market, but all any camera maker has to do to unseat the sales leaders is to offer a better product at a lower price. The introduction of the Pentax K10D is a big step in that direction. The K10D offers several unique benefits the majors can't match including image stabilization with every lens, pro quality dust/weather/moisture seals, two RAW formats, and an automatic dust reduction/removal system - all at a very competitive price. Serious shooters may have a few issues (like Pentax's lack of long glass), but for many photographers - including those with a closet full of old FA, KA, or K-mount lenses, the K10D may be just the camera they've been looking for. I really liked the Pentax K10D - it was clearly designed by photographers - for photographers. Amateur photographers looking a camera that can keep pace as their photographic skills develope should seriously consider the Pentax K10D - this dSLR is a contender."

Imaging Resource has a review of the Pentax-K10D">Pentax K10D and writes, "The Pentax K10D is designed to help you reconnect with photography in a way that I admire. Don't take it lightly, though. You will have to learn how to use the K10D, and won't be able to rely on it as much to make important color temperature decisions for you. Though it's mostly only a problem indoors, there you'll have to take time, and at least one test shot as I've demonstrated above. The K10D is for photographers committed to the process, and who want to work as they did with film. But as with film, once you learn how to use the K10D's special features, like the Sv and TAv ISO adjustment modes, you may find a whole new dimension to photography. Given its excellent ISO 1,600 performance, there's some room to explore."

CameraLabs has a review of the Pentax K10D and writes, "the K10D is not the greatest performer using its default settings. If you want a camera that takes great-looking JPEGs straight out the box, then look elsewhere. ... Had the K10D sported superior metering and better-looking JPEGs out-the-box, it would have easily achieved our Highly Recommended rating. But the fact you need to put some effort into learning the camera when rivals are ready to go straightaway means we can only award it our lower Recommended rating. ... Ultimately if you’re a beginner or want the easy life, look elsewhere. But if you’re willing to learn how to get the best from the K10D, it undoubtedly represents great value for money and a compelling option. Just don’t expect miracles from the Shake Reduction and be prepared to tweak the settings."

PhotographyBLOG has a review of the Pentax K10D and writes, "The Pentax K10D is an excellent mid-range digital SLR camera that manages to achieve the difficult task of being intuitive to use whilst offering a lot of complex functionality. Pentax have included a number of genuinely useful innovations that help to make the K10D stand out from the crowd. The various new shooting modes, dust and water-resistance, anti-shake and dust-removal systems are all extremely welcome at this price-point, and there are many more nice touches too numerous to mention. The K10D will more than satisfy all those people who are keen to upgrade from a film-based Pentax system, providing more features and capability than the entry-level models that the company has previously released. You should also seriously consider this camera if you don't currently have any vested interest in the likes of Canon or Nikon, as it offers more bang for your buck than similarly priced models. Indeed, the Pentax K10D offers a wealth of features, ease of use, speedy operation and excellent image quality at a very competitive price. The main negative aspects of the Pentax K10D are the supplied 18-55mm kit lens, which feels cheap and ill-matched to the K10D body, the noisy shutter release mechanism and auto-focusing system, and the lack of dedicated buttons for ISO and white balance. Overall we can highly recommend the Pentax K10D - not only does it have an attractive price-tag, but it is also a solidly-built, intuitive and responsive digital SLR that will meet the needs of the serious photographer."

Digital Camera Info reviews the Pentax K10D and writes - 'The K10D is not a top performing DSLR, though it offers a competitive design and feature set deserving of comparisons to these models. At its reduced price, the K10D brings an advanced DSLR into the realm of general consumer affordability, and provides an economic alternative for seasoned shooters on a budget.'

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Sep 14: Pentax Optio T20

Pentax-Optio-T20The Pentax Optio T20 is an update to the Optio T10. The T20 features a seven megapixel CCD sensor (the T10 was six megapixels), 3x Optical Zoom lens, 3.0 inch touch screen LCD and a slim (19.5mm) design.

It also features USB 2.0, macro mode (down to 15cm) and fairly standard set of shooting modes.

The Pentax Optio T20 will have a retail price of $350 USD and should be available in October.

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Pentax Optio T20 News Release

PENTAX UNVEILS SLIMMEST DIGITAL CAMERA WITH THREE INCH LCD

OPTIO T20 FEATURES SEVEN MEGAPIXELS

GOLDEN, CO. (September 13, 2006) PENTAX Imaging Company announced the new PENTAX Optio T20 compact digital camera featuring an extremely slim body. Incorporating the PENTAX-developed Sliding Lens System and an impressive 3.0 inch, high-definition LCD monitor, the Optio T20 is the thinnest digital camera in this class. Featuring 7.0 megapixels and a 3X zoom, the latest model in the PENTAX T series allows users to select and confirm functions directly on the LCD monitor with just a touch or with a stylus. The 3.0 inch display allows users to easily view and decorate images with drawings, stamps, picture frames and more. With the 3.0 inch touch-display, the Optio T20 allows users to simply touch, shoot and enjoy.

Easy-to-share 3.0 inch oversized LCD monitor
The Optio T20 hosts a large 3.0 inch LCD monitor with 230,000 pixels for exceptional clarity and definition for reviewing images and menu text. With a wide viewing field, the screen remains easy-to-see when viewed from an angle or straight on. This is helpful when monitoring shots at low or high angles or when displaying images in a group setting. The Optio T20 features an extra-large 3.0 inch LCD monitor made possible by the PENTAX Sliding Lens System* and high-density mounting technology.
*PENTAX's proprietary lens system: The central lens group slides upward from the optical axis and the front and back lens groups slip under them. Housing the lens in two steps in the lens cylinder reduces overall lens thickness, thereby minimizing body depth.

Extremely slim body
With a slim body only 0.77 inch thick (19.5mm), the Optio T20 is the thinnest in this digital camera class.

Touch display makes operations simple and enjoyable
The Optio T20's touch display allows users to select and confirm functions by directly touching the LCD monitor. Easy operation of the screen allows users to access icons from the displayed menu with a simple touch.

Excellent image quality
Upgraded to 7.0 effective megapixel resolution, the Optio T20 delivers images with exceptional definition. The camera boasts an smc PENTAX lens for clear, high-contrast images, while the unique lens coating reduces ghosting and other artifacts. The Optio T20's superb image processing technology produces vivid colors and creates smooth tonal expressions at all brightness levels.

My Drawing mode for easy picture design
The Optio T20 comes with the My Drawing mode, which lets users customize their shots. With the enclosed stylus pen, users may create original pictures by writing directly on the image shown on the monitor or adding a stored illustration with the Stamp function. The camera also offers a function for storing favorite photos as original stamps to add to other images.

12 shooting modes cover a wide range of scenes
The Optio T20 features 12 versatile shooting modes such as Portrait, Landscape, Flower, and Night Scene. Just choose the mode matching the subject scene and the camera automatically optimizes the exposure, white balance, and other settings. Selecting the mode is easy with the touch display and the Mode Palette, which displays PENTAX mode icons on the LCD monitor.

High-quality movies with a built-in Movie editing function
The Optio T20 smoothly captures movies at 30 fps (frames per second) at sizes up to 640 x 480 pixels, and a movie editing function may save a frame from a recorded movie as a still image.

Additional Optio T20 features

• Approximately 12 MB of internal memory; supports external SD memory cards
• Frame composite mode adds decorative frames to images when shooting or after shooting
• Function (Fn) setting permits you to store frequently used settings and recall them from the panel with a single touch
• 4X digital zoom function
• Convenient image-rotation display for confirmation of shots (rotates images 90°, 180°, or 270°)
• Includes the ACDSee for PENTAX image viewer/image management software
• USB 2.0 (hi-speed) compatible
• PictBridge, DPOF functions, Exif Print, and PRINT Image Matching III compatible

The Optio T20 digital camera will be available for $349.95 in October 2006.

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Pentax Optio T20 Reviews

Pocket-lint has a review of the Pentax Optio T20 and writes, "We love the design, we love the concept, we love the picture quality, and we especially love the large touch screen on the back, however we don't love the fact that it takes so long to take pictures that you miss the action. Even when we were just trying to snap a group of friends in the bar it was embarrassingly slow. If you can bear the wait then this is worth a look, however if you can't then the Pentax Optio t20 is just too slow for us."

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Sep 13: Casio EX-Z70 Review at Ken Rockwell

Casio-Ex-Z70-FrontKen Rockwell reviews the Casio EX-Z70 and writes - 'The EX-Z70 is a swell camera that's easy to love. It weighs the same as the higher-end cameras, but has a little bigger size. This means it's less dense, and feels like it weighs less in your pocket. It looks great and works wonderfully. I'd be all over it, except that at $249 it's very close in price to much better models. if your budget is $249 then go for it. If you have $299, go for a Casio EX-S600 or Canon SD550.'

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Sep 13: Nikon D80 Review at DCRP

Nikon-D80-4 DCRP reviews the Nikon D80 and writes - 'The D80's feature-set is a mix of point-and-shoot and pro. It's easily the most consumer-friendly camera out there, with many features carried over from Nikon's Coolpix cameras. Those include numerous scene modes, D-Lighting (which brightens photos), redeye reduction, digital color filters, and a fancy movie mode with transitions and music (though you'll need to hook into a TV to enjoy that). There's also a handy in-camera help system, which explains all of those confusing custom functions. If you're a more experienced shooter than you'll have plenty of manual controls to play with. Besides manual shutter speed and aperture control there are also several white balance options (including color temperature adjustment and fine-tuning), ISO sensitivity that can be boosted in 1/3-stop increments as high as 3200, and support for the RAW (NEF) image format. It's too bad that Nikon doesn't include some decent RAW editing software with the camera, though.'

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Sep 12: 10 Top Selling Cameras in August

Canon-Eos-30D-1I'm often asked by readers which cameras they should buy. It's always a difficult question - but one way I answer it is to share what other readers are buying. Here's the top ten digital cameras (and lenses) bought by this blog's readers at Amazon in August:

  1. Canon EOS 30D DSLR - the update to the popular 20D (I'm testing it at the moment and it's great!).
  2. Canon 50mm f1.8 Lens - this is one of those 'must have' lenses. Cheap, fast and great results.
  3. Canon Powershot Pro S3 IS - 6 megapixels with a whopping 12x Optical Zoom lens.
  4. Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom - currently my favorite lens.
  5. Canon Powershot S2 IS - a 5 megapixel camera with a 12x optical Zoom (I'm a little surprised people are still buying it with the S3 (above) out).
  6. Sony Alpha A100 - Sony's 10.2 megapixel DSLR.
  7. Canon 70-200mm f/4L USM Telephoto Zoom Lens - another great L-series lens. Excellent for sports photography.
  8. Panasonic Lumix DMC-LX1K - 8 megapixels, 4x Optical Zoom (with image stabilization.
  9. Panasonic DMC-FZ7 - 6 megapixels with a 12x optical Zoom.
  10. Fujifilm Finepix F30 - one of the best point and shoot cameras currently on the market (especially good for low light shooting).

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Sep 12: Adobe Photoshop Elements 5.0

Adobe-Elements-5.0 Adobe has today announced a new version of it's popular Photoshop Elements - version 5.0 (for Windows).

It features a number of new features including new options for sharing photos and new editing options.

Here's the press release from Adobe announcing Elements 5.0.

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Adobe News Release

New Photoshop Elements Provides Easy Editing and High Impact Options to Showcase and Share Photos

Adobe's No. 1 Selling Consumer Photo Editing Software Offers Fun, Creative Possibilities for Consumers to Showcase and Share Photos in Engaging Ways

Adobe Systems Incorporated today announced Adobe Photoshop Elements 5.0 software, a major upgrade to the No. 1 selling consumer photo editing software*. Available for Windows, Photoshop Elements offers new and more flexible ways for consumers to organize files, edit images with ease and share photos in engaging and innovative ways. Adobe Photoshop Elements allows for quick, one-click fixes to photos with the option of exploring more sophisticated editing techniques.

In addition, Adobe today announced Adobe Premiere Elements 3.0 software, a complete home video editing solution (see separate press release). Also available together in a single retail package, Adobe Photoshop Elements plus Adobe Premiere Elements delivers unique integrated functionality that provides consumers with the ability to do more with their photos and home videos.

“Digital photography has changed the way people capture moments and memories and today’s digital cameras and even camera phones have the potential to deliver some extraordinary results,” said John Loiacono, senior vice president of Creative Solutions Business Unit at Adobe. “Adobe Photoshop Elements gives customers the creative freedom to get more out of their digital camera, with the sophisticated and accessible editing features that the Photoshop name is famed for. The result is superior images that can be shared with family and friends in new, exciting, high impact ways – on the Web or in printed formats.”

Showcase and Share Photos in Entertaining Ways
Photoshop Elements software makes it easy to share photos with themed and customisable layouts, multi-page document options for albums and scrapbooks and over 100 framing choices. With drag-and-drop simplicity, photos can be moved and resized within these flexible layouts. The new Map View allows consumers to drag photos to any location tied to an online satellite map to relive memories based on locations where photos were taken.

Adobe Photoshop Services are easily accessible from within the application and offer new and fun ways to share photos. An interactive Adobe Flash based photo gallery service, called Adobe Photoshop Showcase, allows photos to be shared for free, or upgraded to an extended sharing service via a Web site. These online galleries can take the form of a virtual scrapbook with flipping pages, a winter scene with falling snow or a spinning photo carousel. Photos can easily be sent directly to CEIVA digital photo frames, shared via SmugMug online albums or turned into real postage at PhotoStamps.com (U.S. only). One-click printing also makes it simple to order Kodak prints and using Photoshop Elements new photo layout functionality makes creating and ordering photobooks a more personalized experience.

Experience Superior Editing
Innovative editing functions give consumers new ways to tackle common photo edits. The new black-and-white conversion tool adds a dramatic and elegant look to photos, instantly converting colour originals to a variety of rich black-and-white photo styles with deep contrast. The new Adjust Color Curves controls allow consumers to achieve the perfect exposure for every image. Photoshop Elements also allows consumers to easily correct camera lens distortion.

Adobe Offers Complete Line of Products for Every Level story?
Adobe offers a complete family of Photoshop products that meet the needs of a diverse spectrum of digital photographers: the free Photoshop Album Starter Edition software for the novice digital camera user; Photoshop Elements for the digital photography enthusiast; and Photoshop CS2 software for the professional or the most demanding amateur photographer.

Pricing and Availability
Adobe’s digital imaging and digital video products will be available in October 2006 at www.adobe.co.uk and other major electronics and online retailers including Amazon.com, Best Buy, Comp USA, Circuit City, Fry’s, Staples, and Office Depot. Adobe Photoshop Elements 5.0 for Windows is available for an estimated street price of £69.99 (excluding VAT). Adobe Photoshop Elements 4.0 for Macintosh also is available for an estimated street price of £69.99 (excluding VAT). Adobe Photoshop Elements 5.0 plus Adobe Premiere Elements 3.0 for Windows is available as a bundle in the UK at an estimated street price of £99.99. Information about the other language versions, as well as pricing, upgrade, and support policies for other countries is available on www.adobe.com/products/photoshopelwin/.

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Sep 12: Kodak EasyShare Z650 Review at TrustedReviews

Kodak-Z650-1 Trusted Reviews has posted their review of the Kodak EasyShare Z650 where they write - 'The Kodak EasyShare Z650 is something of a Curate’s egg. While it does have some fairly serious flaws, it does offer a lot of image quality and zoom power for a very low price. The slow performance, lousy video mode and limited range of features are a downside, but you’d have to go a long way to find a better 10x zoom for under £160.'

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Sep 12: Fujifilm FinePix A700

Fujifilm-Finepix-A700-FrontThe Fujifilm FinePix A700 is a new 7.3 megapixel point and shoot camera from Fujifilm that comes with a 3x Optical Zoom and 2.4 inch LCD screen.

It's designed with a Super CCD sensor, has an ISO range of 100-400, records movies at 10 frames per second with sound and has 12 megabytes of internal memory.

Fuji are pitching it as a camera for first time digital camera owners to upgrade to - so it's fairly entry level but with over 7 megapixels it's sure to attract quite a few buyers.

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Fujifilm FinePix A700 News Release

Fujifilm FinePix A700: Fujifilm raises the bar on entry level
Fujifilm today announces the FinePix A700 compact digital camera, which brings increased functionality and impressive feature set to Fujifilm's entry-level‚ series camera range. Designed in a rugged compact body and with 7.3 megapixels on Fujifilm's own proprietary Super CCD, an extra large 2.4" LCD monitor and 3x optical zoom, the FinePix A700 will appeal to first time buyers or those looking for a competitively priced upgrade to their first digital camera.

Thanks to Fujifilm's sophisticated Super CCD sensor, the FinePix A700 enables newcomers to photography to take impressive pictures at the touch of a button. Used in a point-and-shoot capacity, the camera will deliver high-quality, realistic photographs and is particularly adept at reproducing skin tones that are incredibly lifelike. Combined with a new Fujinon 3x optical zoom lens, developed specifically for the FinePix‚ series, the 7.3 MP Super CCD is capable of recording sharper and more detailed images, making this an ideal camera for a wide variety of subjects. Fujifilm's Super CCD technology is also responsible for the FinePix A700's low noise performance across its ISO 100-400 sensitivity range.

Changes in the digital camera market mean that there are now many camera owners looking to upgrade on image quality without having to contend with excess complexity. With simplicity of design and simple control layout, the FinePix A700 will liberate the beginner from the hassle of reading lengthy manuals before getting started. Its robust outer shell makes it a perfect camera for all the family to use, and the large 2.4" LCD monitor allows shots to be framed perfectly without the need to rely on the viewfinder.

Fujifilm-Finepix-A700-Back-1

Four scene position modes (Portrait, Landscape, Sport and Night) optimise the FinePix A700 for taking pictures in situations which are commonly required from a family camera, but which make very different demands on its performance.

The new camera has 12 megabytes (approximate) of internal memory for those occasions when a memory card alone is not enough. It is also able to capture up to 10 movie frames per second, with sound.

The FinePix A700 is PictBridge compatible, for home printing of digital photos without the need for a PC. Its NTSC/ PAL connectivity enables images and movies taken on the camera to be viewed on a television screen.

Fujifilm FinePix A700 features at a glance

• 7.3 megapixel Super CCD sensor
• 3x optical zoom
• Large 2.4 inch LCD monitor for easy framing and playback
• Automatic ISO setting up to ISO 400 with low noise
• Approx. 12MB of internal memory
• Captures 10 movie frames per second, including sound
• Four selectable scene positions (portrait, landscape, sport and night scene)

Fujifilm FinePix A700 Reviews

Trusted Reviews has a review of the Fujifilm FinePix A700 and writes, "Fortunately the lack of features or performance is compensated by decent picture quality. The Fujinon lens provides good edge-to-edge sharpness, although it does suffer from some uneven barrel distortion at wide angle. The 7.3 megapixel HR sensor produces a good level of detail, roughly the same as some other similarly-powered cameras I’ve tested recently. Contrast is a little lacking in my test shots, but as I’ve already indicated they were shot an a very rainy and overcast day, go results in good light will certainly be better. Colour rendition was also a little muted, although probably for the same reason. ... As budget-priced snappers go though, it isn’t too bad. It’s well made, incredibly easy to use, and is capable of producing reasonably good results under normal circumstances. Non-existent low-light focusing, terrible movie mode and low maximum sensitivity are handicaps however."

BlogCritics has a review of the Fuji FinePix A700 and writes, "If you are new to digital cameras, or need a compact and already own xD Cards then you could do worse than the Fuji A700. However, I suspect you'll outgrow it quite quickly, so it may be worth saving up and getting one of the newer 9 or 10 Mega Pixel compacts that are now available. It would be an ideal kids first camera as it is built well, relatively light and requires no setup whatsoever. If you cannot stretch the extra 60 pounds or so for the next level up, then this is certainly better than the 'no-name' cameras out there; although the lens is not perfect, and the software and features lack, it is still a decent 'bang for the buck' camera from a reputable manufacturer."

Cameras.co.uk has a reviewo f the Fuji Finepix A700 and writes, "On the whole I was surprised at the quality I was able to produce with the Finepix A700. As you would expect it is not one of the very best cameras I have every tested, but I was still happy enough with the overall picture quality. ... One of the most important points for me when judging a digital camera is whether or not it offers good value for money. In this instance I would say it does. I was pleasantly surprised at the quality of my test photos and the fact that the Fuji Finepix A700 is so easy to use is a big advantage."

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Sep 12: More Digital Camera Tips

Digital-Photography-TipsIt's time for another update of the latest digital camera tips and tutorials over at DPS. Here's the latest 5:

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Sep 11: Sony Cybershot DSC-H2 Review at PhotographyBLOG

Sony-Cybershot-Dsc-H2 PhotographyBLOG reviews the Sony Cybershot DSC-H2 and gives it a rating of 4.5 out of 5. They write - 'Enthusiasts who either don't want, or can't afford, to stretch to a DSLR will get the most from the Sony Cybershot DSC-H2, along with beginners who eventually will want to do more than point and shoot without having to upgrade. It manages to satisfy both camps with amazingly few compromises. Plastic build and chunky Fisher Price looks aside, it's responsive, takes decent images and is keenly priced. That 12x optical zoom, equivalent to 36-432mm in 35mm terms, is great for lifestyle photography – by which I mean candid portraiture – and the Super SteadyShot image stabiliser works more often that not, with only really the lack of TIFF or RAW capture finding the H2 seriously lacking when compared against a budget DSLR. Those unable to blackmail the bank manager for an Alpha 100 DSLR can instead take comfort in the fact that the H2's handling of image noise is certainly no worse than the Alpha with kit lens (light sensitivity also capped at ISO 1000). Overall the H2 is not quite a '5 out of 5' but it is a camera deserving of strong recommendation nonetheless.'

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Sep 11: Sony Cyber-shot DSC-N2

Sony Cybershot-Dsc-N2The Sony Cyber-shot DSC-N2 is a 10 megapixel point and shoot camera with an image stabilized 3x Optical Zoom lens announced by Sony today in the lead up to Photokina 2006.

The Sony Cyber-shot DSC-N2 has a 10 megapixel sensor with a large 3.0 inch LCD touch screen and 1/1.8 inch CCD sensor. It has an in built photo album function that can store up to 500 images.

The Sony Cyber-shot DSC-N2 will retail for $450 USD and should hit stores in October 2006.

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Sony Cybershot DSC-N2 News Release

SONY'S NEW CYBER-SHOT DIGITAL STILL CAMERAS HELP MASTER THE ART OF STORYTELLING

Cyber-shot DSC-T50 and DSC-N2 digital cameras, featuring three-inch touch-screen displays and built-in slide show capability.

The new models’ extra-large screens with intuitive menu options allow for less physical buttons on the camera bodies, resulting in a sleeker design. They also incorporate Sony’s Clear Photo Plus LCD technology for higher resolution (230K), higher contrast and optimal viewing from various angles.

You can use your photos to craft dynamic, personal narratives with in-camera slide shows – complete with your own music and transition effects such as pans, wipes and fades.

“ With digital photography, the social interaction that happens when people share their pictures has become as important as making great photographs,” said Phil Lubell, director of marketing for digital still cameras and photo printers at Sony Electronics. “Large, durable, scratch-resistant touch screens with enhanced photo-viewing capabilities are a means to ensuring that photo buffs get the maximum enjoyment out of using their cameras.”

High-Tech Features for Creative Sharing
The ultra-slim and stylish DSC-T50 model is the new top-of-the-line camera in the T-series. It is equipped with a seven-megapixel CCD imager, a Carl Zeiss Vario Tessar 3x optical zoom lens, and 56 MB of internal memory. This camera shines with its performance and looks, shipping in bold red, black and silver. With pictures stored on an optional four-gigabyte Memory Stick Duo or Memory Stick PRO Duo media cards, the camera can play back more than 1,100 high-resolution images in slide show mode.

The elegant DSC-N2 camera debuts in champagne gold and is a ten-megapixel powerhouse with an extending Carl Zeiss Vario Tessar 3x optical zoom lens. With its built-in photo album function, this model can be a photo diary in your pocket, loaded with up to 500 of your favorite images.

Every time you snap a picture, the DSC-N2 model will store a full-resolution image on the optional media card or in the camera’s 25 MB of internal memory. Additionally, it automatically resizes that same image in VGA resolution and stores it in a portion of the camera’s internal memory dedicated to pocket album. No matter how many pictures are offloaded from the media card, you can choose to protect the images you want to keep and, over time, you have a collection of your favorite shots in the camera.

Taking great photos with the DSC-T50 and DSC-N2 cameras will be as enjoyable as sharing them. With shutter lag reduced to milliseconds, you can snap away until the whole story is told. Sony’s Real Imaging Processor circuitry delivers fast response times and helps to prolong the life of the cameras’ supplied Stamina InfoLithium batteries -- up to 400 shots per full charge for the DSC-T50 model and 300 shots per full charge for the DSC-N2 camera.

Blur the Storylines, Never the Photos
These new models feature blur reduction technologies to help you get the shots you want, even in some of the most challenging conditions.

The Cyber-shot DSC-T50 camera offers Super SteadyShot optical image stabilization to minimize blur caused by shaky hands. Both of the new models incorporate high light sensitivity, up to IS0 1000 for the DSC-T50 camera and IS0 1600 for the DSC-N2 model, to facilitate shooting without blur at faster shutter speeds– a necessity when capturing fast-moving subjects or taking photos in low-light environments.

Print and Share
You can spark your audience’s imaginations even further with one of Sony’s print and share solutions. Tell your story one snapshot at a time, from the convenience of your own home, with the Sony DPP-FP55 photo printer. Or, order multiple digital prints at www.imagestation.com, have them delivered to your home or pick them up at retail, and weave a yarn that’s sure to impress your family and friends.

The Cyber-shot DSC-T50 camera ships in October for about $500. Optional accessories include the HVL-RLS ring light, used for close-up shots, for about $100, NP-FR1 InfoLithium battery, and LCJ-THA leather carrying case for about $40.

The DSC-N2 model also hits stores in October for about $450. Optional accessories include the MPK-NA marine pack for about $200, NP-FT1 InfoLithium battery for about $50, and LCS-NA leather carrying case for about $50.

Sony Cyber-Shot DSC-N2

DCRP reviews the Sony Cyber-shot DSC-N2 and writes - 'While not much of an improvement over its predecessor, the Sony Cyber-shot DSC-N2 remains a very good ultra-compact camera, and it earns my recommendation. It has a nice selection of point-and-shoot features, good photo quality, snappy performance, and a capable movie mode. The DSC-N2 looks just like the DSC-N1 before it, aside from its new champagne gold color. That means that it has a compact metal body, a 3X zoom Zeiss lens, and a huge 3-inch touchscreen LCD. While the touchscreen feature is a cool thing to show off to friends, I found that its constant need for cleaning and the clunky touch-based menu system was frustrating. The LCD's outdoor visibility was just average, while in low light conditions it was better, as it brightens automatically so you can still see your subject. The N2 lacks an optical viewfinder.'

Imaging Resource reviews the Sony Cyber-shot DSC-N2 where they write - 'Again making waves in the digital camera marketplace, Sony innovates with the Cyber-shot DSC-N2. The camera's touch-screen technology allows for a clean body style (perfect for pockets) while enabling a much simpler user interface. Touch controls not only extend to the Sony N2's main menu functions, but also let you alter images in-camera with the Paint tool, and pinpoint focus exactly where you want it as you shoot, all with a simple touch of the screen. Add to this the Sony N2's 10-megapixel CCD, available manual exposure control, and host of creative tools, and you have an extremely capable camera that takes great pictures in a wide range of situations. Though the higher ISO settings do produce quite a bit of image noise, the Sony N2 is still quite capable of capturing useable images under very bright or dark conditions. At an MSRP of $449.95, the DSC-N2 offers a lot in its small package, and it's a clear Dave's Pick.'

Camera Labs reviews the Sony Cybershot DSC-N2 and writes - 'In terms of the enhancements, the N2 is certainly capable of resolving plenty of detail under the right conditions. We suspect our sample may have suffered from some optical issues as seen on the resolution results page, but even then at 100 ISO it resolved similar degrees of detail to a 10 Megapixel DSLR. This result is similar to the 10 Megapixel Canon A640 though, and while impressive for a compact it’s crucial to realise the quality, unlike a DSLR, will greatly reduce at higher sensitivities. That said, keep the Sony N2 at 100 or 200 ISO and it’ll deliver great images, although you might wish to turn the somewhat enthusiastic default sharpness down a notch.'

CNET Reviews the Sony Cyber Shot DSC-N2 where they write - "The Sony Cyber Shot DSC-N2 is a responsive, 10-megapixel shooter you can easily fit into your pocket. Unfortunately, compression artifacts hurt its images, and its touch screen controls feel awkward. The slightly smaller and more conventionally designed Canon PowerShot SD900 offers cleaner shots at the same resolution."

CNET Asia has a review of the Sony Cyber-shot DSC-N2 and writes, "We got rather nice-looking pictures with good color, saturation and exposure with this Cyber-shot, although some of our shots turned out slightly warm. Noise at ISO 800 and ISO 1,600 marred image quality, but our shots were still fairly usable at ISO 800. The automatic white balance was accurate on most occasions, failing only under incandescent light and producing a yellow tinge to photos."

Steve's Digicams has a review of the Sony Cyber-shot DSC-N2 and writes, "Like its predecessor, the N2 is a very nice compact digital camera. Offering great performance, pleasing image quality, various exposure modes, and let us not forget the massively "Cool" 3.0-inch touchscreen LCD, I do believe that the Sony Cyber-Shot DSC-N2 is sure to be a very popular model this year. With an MSRP of US$399, there won't be too hard of a tug on your pocket book, especially for a feature packed 10-megapixel digicam. And with that much resolution, printing ideas are almost endless!"

Megapixel has a review of the Sony DSC-N2 and writes, "The Sony DSC-N2 is an update of the DSC-N1, which aside from minor tweaks to its interface and image processing, simply moves the model up to a new plateau of resolution. Nevertheless, while offering an increase in image resolution over last year's model, it avoids taking away features its predecessor had, and does not introduce an increase in noise. So, put simply, the N2 can be thought of as more bang for less buck, since its price is considerably lower than the N1 commanded at its introduction and it offers a higher resolution while retaining the same high image quality."

Cameras.co.uk has a review of the Sony DSC-N2 and writes, "My series of test photos show the DSC N2 to be a versatile digital camera, at home in the majority of situations. I found the camera acted as well indoors as it did outside. ... I always like to see a digital camera offering something different to the rest. The Sony DSC N2 does this through its touch screen and also its manual exposure mode. Picture quality is good and the camera is stylish as well. Whether or not the camera offers good value for money will depend on how important these extra features are to you."

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Sep 11: Sony Cyber-shot DSC-T50

Sony Cybershot-Dsc-T50The Sony Cyber-shot DSC-T50 is a $500 (USD) point and shoot camera from Sony that will be available from mid October 2006.

It's a 7.2 megapixel point and shoot camera with a 1/2.5 inch CCD sensor, 3x Optical Zoom lens (with image stabilization) and a touch screen 3.0 inch LCD screen.

Compare prices on the Sony Cybershot DSC-T50 and get the latest price on the SONY 7.0 Megapixel DSCT50 Cyber-shot

Sony Cyber-shot DSC-T50 News Release

SONY'S NEW CYBER-SHOT DIGITAL STILL CAMERAS HELP MASTER THE ART OF STORYTELLING

Cyber-shot DSC-T50 and DSC-N2 digital cameras, featuring three-inch touch-screen displays and built-in slide show capability.

The new models’ extra-large screens with intuitive menu options allow for less physical buttons on the camera bodies, resulting in a sleeker design. They also incorporate Sony’s Clear Photo Plus LCD technology for higher resolution (230K), higher contrast and optimal viewing from various angles.

You can use your photos to craft dynamic, personal narratives with in-camera slide shows – complete with your own music and transition effects such as pans, wipes and fades.

“ With digital photography, the social interaction that happens when people share their pictures has become as important as making great photographs,” said Phil Lubell, director of marketing for digital still cameras and photo printers at Sony Electronics. “Large, durable, scratch-resistant touch screens with enhanced photo-viewing capabilities are a means to ensuring that photo buffs get the maximum enjoyment out of using their cameras.”

High-Tech Features for Creative Sharing
The ultra-slim and stylish DSC-T50 model is the new top-of-the-line camera in the T-series. It is equipped with a seven-megapixel CCD imager, a Carl Zeiss Vario Tessar 3x optical zoom lens, and 56 MB of internal memory. This camera shines with its performance and looks, shipping in bold red, black and silver. With pictures stored on an optional four-gigabyte Memory Stick Duo™ or Memory Stick PRO Duo™ media cards, the camera can play back more than 1,100 high-resolution images in slide show mode.

The elegant DSC-N2 camera debuts in champagne gold and is a ten-megapixel powerhouse with an extending Carl Zeiss Vario Tessar 3x optical zoom lens. With its built-in photo album function, this model can be a photo diary in your pocket, loaded with up to 500 of your favorite images.

Every time you snap a picture, the DSC-N2 model will store a full-resolution image on the optional media card or in the camera’s 25 MB of internal memory. Additionally, it automatically resizes that same image in VGA resolution and stores it in a portion of the camera’s internal memory dedicated to pocket album. No matter how many pictures are offloaded from the media card, you can choose to protect the images you want to keep and, over time, you have a collection of your favorite shots in the camera.

Taking great photos with the DSC-T50 and DSC-N2 cameras will be as enjoyable as sharing them. With shutter lag reduced to milliseconds, you can snap away until the whole story is told. Sony’s Real Imaging Processor circuitry delivers fast response times and helps to prolong the life of the cameras’ supplied Stamina InfoLithium batteries -- up to 400 shots per full charge for the DSC-T50 model and 300 shots per full charge for the DSC-N2 camera.

Blur the Storylines, Never the Photos
These new models feature blur reduction technologies to help you get the shots you want, even in some of the most challenging conditions.

The Cyber-shot DSC-T50 camera offers Super SteadyShot optical image stabilization to minimize blur caused by shaky hands. Both of the new models incorporate high light sensitivity, up to IS0 1000 for the DSC-T50 camera and IS0 1600 for the DSC-N2 model, to facilitate shooting without blur at faster shutter speeds– a necessity when capturing fast-moving subjects or taking photos in low-light environments.

Print and Share
You can spark your audience’s imaginations even further with one of Sony’s print and share solutions. Tell your story one snapshot at a time, from the convenience of your own home, with the Sony DPP-FP55 photo printer. Or, order multiple digital prints at www.imagestation.com, have them delivered to your home or pick them up at retail, and weave a yarn that’s sure to impress your family and friends.

The Cyber-shot DSC-T50 camera ships in October for about $500. Optional accessories include the HVL-RLS ring light, used for close-up shots, for about $100, NP-FR1 InfoLithium battery, and LCJ-THA leather carrying case for about $40.

The DSC-N2 model also hits stores in October for about $450. Optional accessories include the MPK-NA marine pack for about $200, NP-FT1 InfoLithium battery for about $50, and LCS-NA leather carrying case for about $50.

Sony Cyber-shot DSC-T50 Reviews

CNET reviews the Sony Cyber-Shot DSC-T50 and writes - 'If you like its touch-screen interface, then Sony's Cyber Shot DSC-T50 is a great choice in a pocket camera. If you'd rather stick with time-tested, old-fashion controls, then Sony's DSC-T30 offers everything this camera does and is just as great a choice. We suggest you go to a store and try this camera alongside the T30, if possible, before buying, though both can produce beautiful images, especially in decent lighting conditions.'

Cameras.co.uk reviews the Sony DSC T50 and writes - "Whether or not the Sony DSC T50 appeals to you will depend almost entirely on whether or not you would like to get your hands on a digital camera with a touch screen. The good news is there is more to this camera than just that headline feature. Picture quality and build quality are very good. I would be very happy to own this camera. Recommended.... As pocket sized digital cameras go the Sony DSC T50 is one of the best. A lot of people will be attracted by the touch LCD screen, but there are many other plus points that should not be overlooked. These include picture quality, build quality and image stabilisation."

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Sep 9: Sony Cyber-shot DSC-T30 Review at Digital Camera Info

Sony-Cybershot-Dsc-T30 Digital Camera Info reviews the Sony Cyber-shot DSC-T30 where they write - 'The 7.2-megapixel Sony Cyber-shot DSC-T30 offers consumers a lot of style, some imaging capabilities, and little overall value. The camera is nicely packaged in a metal body that is skinny enough to slide into a pocket, but also has a few features that make it easier to handle than most ultra-compact digital cameras. The Sony T30 has some positive points to its components too: the image stabilization is effective in keeping shakes out of the 3x optical zoom, the 3-inch LCD screen is large and has good resolution, and the ISO extends to a sensitive 1000 rating for low light shots. There are drawbacks too: the burst mode is slow, the LCD is fragile, and the movie mode requires a separate Memory Stick Pro Duo card to function at full speed. The pictures from the Sony T30 look good and the movies garnered from the Pro card look good, but the quality still doesn’t justify the enormous price tag.'

Read more about the Sony Cybershot DSC-T30

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Sep 9: Nikon Coolpix L4 Review at Imaging Resource

Nikon-Coolpix-L4 Imaging Resource reviews the Nikon Coolpix L4 Digital Camera where they write - 'For an entry-level camera, the Nikon Coolpix L4 does a passable performance, with a 4.0-megapixel CCD sensor, a reasonable 3x Nikkor optical zoom, and improved overall ergonomics. For the novice shooter, the Nikon L4 has a good feature set which along with Nikon's D-Lighting, Face Priority AF, and Best Shot Selector, has 14 scene modes including four with Scene Assist. As a basic snapshooter, the L4 will serve just fine, capturing images sharp enough for 5x7, with punchy color.'

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Sep 9: Panasonic Lumix DMC TZ1 Review at Lets Go Digital

Panasonic-Dmc-Tz1 Lets Go Digital Reviews the Panasonic Lumix DMC TZ1 where they write - 'Personally, I think that the Panasonic Lumix TZ1 is a very good digital Mega zoom camera to take along as a second camera. The compact format, the optical image stabilizer and the well organized user interface are a nice combination to work with. I have already written about and experienced that once you've worked with a digital camera equipped with an optical image stabilizer like the MEGA O.I.S. you won't ever want to go without. The Panasonic Lumix TZ1 is not totally free of faults, but the scales definitely come down on the positive side. As a camera for starters or a second camera, the combination of a 10x optical Leica zoom and MEGA O.I.S. make the Panasonic Lumix TZ1 an attractive package.' They give it a rating of 78%.

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Sep 9: Olympus Stylus 720 SW Review at Photography Review

Olympus-Stylus-720Sw Photography Review has reviewed the Olympus Stylus 720 SW / µ 720 SW where they write - 'This camera is unbeatable if you need something that can take a lot of abuse and might get dunked or rained on. Mountain bikers, climbers, fisherman, law enforcement workers, paddlers - this is your camera. If I was taking a trip to the Amazon and had to travel light, this would be my camera. I am confident it would last the trip. The Olympus Stylus 720 SW will also be a good vacation camera for a family that needs a simple, durable camera that can go from the beach to the mountains to the pool, and get dropped a couple of times along the way.'

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Sep 9: Kodak EasyShare P712 Zoom Review at Steves Digicams

Kodak-Easyshare-P712-1 Steves Digicams reviews the Kodak EasyShare P712 Zoom where they write - 'Kodak's EasyShare P712 Zoom is a mixed bag. While it offers loads of appealing features, the outdoor mediocre image quality really turned us away from this model. However, it does capture nice portrait images and is a speedy performer. None the less, with an MSRP of US$499 it's a bit too expensive. If you love the features found on this model and don't mind losing the flash hotshoe and 1-megapixel of resolution, check out the EasyShare Z612 Zoom. It includes many of the same features found on this model (12x lens with IS, 2.5-inch LCD, etc.), great image quality, and can be had for about $100 less.'

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Sep 9: Casio Exilim EX-Z850 Review at PopPhoto

Casio-Exilim-Ex-Z850 Popular Photography reviews the Casio Exilim EX-Z850 and writes - 'Despite resolution numbers that are low for its class, and a limited usable ISO range, the Casio Exilim EX-Z850 does a lot of things right. The enthusiasts in the family will love the manual controls, while the kids will love the ease of use and fun best shot modes. With its combination of fun and functional features in a pocket-sized package, this could be one compact camera to make the whole family happy.'

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Sep 9: Kodak EasyShare C663 Review at Digital Camera Info

Kodak-C663-1 Digital Camera Info reviews the Kodak EasyShare C663 where they write - 'This digital camera has few pros and a lot of cons. It has a nicely sized LCD screen, but poor resolution and a narrow viewing angle. The 6-megapixel Kodak EasyShare C663 has manual control over shutter speed and aperture, but doesn’t have a custom white balance setting. It has a 3x optical zoom lens, but it doesn’t work when recording movies. The C663 has cool in-camera features to email and sort pictures into albums, but the setup requires connecting to the included software and tinkering around for much too long. The camera is easy to use if you’re just taking pictures, but it’s hard to change any settings with the tiny buttons and painfully sharp joystick. Its image quality doesn’t help. Most pictures in anything but bright daylight are plagued by uneven shadows and spots from the substandard flash; the ones that are spared by the flash have unrealistic colors. The shutter lag may cause the user to miss the moment. Some of these issues can be cleared up with Kodak’s built-in Perfect Touch technology (which can be applied in the playback mode), but there is much to be desired with the C663’s pictures.'

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Sep 9: Samsung NV3 Reviewed at Digital Camera Review

Samsung-Nv3-Fr-Lg Digital Camera Review has posted their review of the Samsung NV3 and writes - 'The NV3 has the looks to make a fashion statement. Your friends will definitely want to check it out when you pull it out of your pocket. The NV3 takes good pictures, but its main point of difference is the personal media player capabilities. Once you have a high capacity memory card, you can take your mp3s and videos with you. You no longer have to carry your ipod and your camera! While image quality, in my opinion, is average, the multimedia capabilities of the camera are attractive, so make sure you consider them if you're considering this camera. The stereo speakers are quite powerful, for being so small, and the included ear buds ensure that you're all set to listen right out of the box.'

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Sep 9: FujiFilm FinePix F30 Review at Lets Go Digital

Fujifilm-Finepix-F30 Lets Go Digital reviews the FujiFilm FinePix F30 where they give it a rating of 77% and write - 'To cut a long story short, the Fujifilm FinePix F30 digital compact camera is not only an attractive, well-made camera, it is also nice to work with and gives super results. Fujifilm has a well ordered range on offer, and with the Fujifilm FinePix F30 it has come up with a digital camera that will be appreciated by a broad public. I'd recommend it any day. '

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Sep 9: Kodak EasyShare P712 Review at Pocket-Lint

Kodak-Easyshare-P712-1 Pocket-lint reviews the Kodak EasyShare P712 and gives it a rating of 8 out of 10 writing - 'With more than respectable image quality at lower ISOs, and three custom settings (almost essential to take the pain out of the many buttons and controls), the P712 can reward you with some excellent results. It is undeniably a well-specified camera but one that’s a bit of a mixed bag; what makes it good is offset by handling issues or the noisy sensor. However, in the final analysis if you want a compact ultra-zoom camera that grows with you, or that provides plenty of scope for your snapping off the bat and your happy not making bigger prints, it’s worth a look. '

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Sep 9: Nikon D80 Review at ephotozine

Nikon-D80-4ephotozine reviews the Nikon D80 and is impressed. They write - 'Like the D100-200 upgrade before it, this upgrade from the D70 to D80 is a worthwhile step up, both in ability and performance. The jump in pixel count and autofocus ability alone warrants the change, but there are literally dozens of other tweaks as you delve further into the menus. The price also seems to be pitched about right, although market forces will soon see it settle into a slightly lower slot, which is all good news. Highly recommended.'

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Get the latest price on the Nikon D80 10.2MP Digital SLR Camera (Body only)

Get the latest price on the Nikon D80 10.2MP Digital SLR Camera Kit with 18-135mm AF-S DX Zoom-Nikkor Lens

Get the latest price on the Nikon D80 10.2MP Digital SLR Camera Kit with 18-55mm ED AF-S DX Zoom-Nikkor Lens

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Sep 9: Samsung NV10 Review at Pocket-lint

Samsung-Nv10-Fr-Lg Pocket-lint reviews the Samsung NV10 digital camera and gives it a rating of 5 out of 10 writing -'Manufactures are keen to point out 10 megapixels will give you “plenty of creativity when it comes to cropping”. However so far we've yet to see a compact digital camera with 10 megapixels that produces good results without any noise and the Samsung NV10 isn't the one to break the mould. Nice looking, this camera falls down when it comes to taking pictures and for that reason we can't recommend it. If you do like the style, and you probably do because it does look nice, opt for the more practical and equally stylish NV3.'

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Sep 9: Casio Exilim Zoom EX-Z1000 Review at Pocket Lint

Casio-Exilim-Ex-Z1000 Pocket Lint reviews the Casio Exilim Zoom EX-Z1000 where they write -'This camera should have a lower resolution, say (the almost defacto) 6-megapixel resolution of most of its competitors. The race for bigger numbers has actually reduced the quality of the end result. So, at first the Casio Exilim Zoom EX-Z1000 looked a cracker both in terms of its design and build and its easy to use feature set. But once you start to get deeper, problems rear their head and I have to say left me very disappointed. If shooting in good lighting at lower ISOs (or making smaller prints than A4) then the image quality will not disappoint (though detail is still lacking).'

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Sep 9: Canon Powershot A700 Digital Camera Review

Canon-Powershot-A700Digital Camera Review has posted a review of the Canon Powershot A700 where they write - 'I enjoyed using the A700. It's a very easy camera to just carry around to pull out to grab a quick snapshot. The image quality is excellent and having the 6x optical zoom is, in my opinion, worth the extra $50 compared to the Canon Powershot A540. Flash performance (except for cycle time) was good and battery life was average, so make sure you carry a spare set of batteries. I would have liked to see more resolution in the LCD, but it's not a deal breaker. If you're looking for a digital camera that's easy to use, takes great pictures, and has a little more zoom, I highly recommend the Canon Powershot A700.'

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Sep 9: Sony Alpha DSLR-A100 Review at Imaging Resource

Sony-Alpha-A100 Imaging Resource reviews the Sony Alpha DSLR-A100 and writes - 'The strength of Sony's initial foray into the DSLR market is testimony to the wisdom shown by Sony's management in partnering with Konica-Minolta and eventually taking over their DSLR operations. By any measure, the Sony A100 delivers strong functionality and represents an excellent value for the money. The sensor-based anti-shake system Sony inherited from Minolta is very capable, and has the usual sensor-based advantage of making all your lenses into image-stabilized ones. We think that the impact of anti-shake is generally underappreciated by the public: It can make a huge difference in the number of usable photos you come home with, and should be a key contributing factor in the selection of a camera/lens system to buy into. Having this capability built into the Sony A100's body is a fantastic user benefit. We were very impressed with other characteristics of the Sony A100 as well, including its excellent fit and finish, high resolution, good color rendition, very good battery life, and very responsive handling. The only weak points we found were its somewhat high noise levels at ISO 800 and 1600, and a tendency toward exposure variability, particularly when wide-area AF was combined with multi-segment metering. Read the full review for a deeper discussion of this: We suspect that novice photographers won't notice the fairly minor variations we observed, and more experienced users are likely to avoid the problem altogether by manually selecting their AF points. '

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Sep 9: Panasonic DMC-L1 Review at Megapixel

Panasonic-Lumix-Dmc Megapixel reviews the Panasonic DMC-L1 and writes - 'The Panasonic DMC-L1 is a camera designed for the experts, and for those who enjoy the process of photography as much as its results, for they are the ones that most likely will appreciate the analog controls of the L1, and its big stabilized Leica lens. The capabilities of the L1 are impressive, and the controls available to obtain specific results are excellent. All that the camera needs now is a greater range of stabilized Leica lenses.'

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Sep 9: AgfaPhoto DC-735

Agfaphoto-Dc-735
Agfa have announced that they are entering the digital market today.

It's been half a decade since they last put their name on a digital camera but they'll start marketing in them int he coming months - starting with an AgfaPhoto DC-735, a 7 megapixel camera with a 3x Optical Zoom lens and 2.5 inch LCD Screen.

Following is the AgfaPhoto News Release announcing their entry into the digital camera market.

AGFAPHOTO is Going Digital: plawa Granted Exclusive License for Digital Cameras

The digital camera specialist plawa has been granted an exclusive license for AGFAPHOTO digital cameras effective today, when the agreement came into force. The license was granted by Cologne-based AgfaPhoto Holding GmbH.

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Sep 9: BenQ DC C1000

Benq-C1000BenQ DC C1000 News Release Extracts

BenQ today announces the C1000, successor to its C800, featuring a 10.1 megapixel CCD lens, 3x optical zoom, a large 2.4“ TFT LCD display for clear and comfortable photo viewing. The C1000 comes with an extensive range of user- friendly modes which includes PASM mode, 8 second shutter speed night scene mode, quick 4 continuous shot mode and printer mode, delivering an impeccable image quality.

The PASM (Program AE/Aperture Priority/Shutter Priority/Manual) mode enables users to manually customize the aperture and shutter speed to one's own preferences. The Program AE mode automatically adjusts the aperture and shutter speed by detecting the lighting conditions; the Aperture Priority mode automatically sets an appropriate shutter speed according to the user’s choice of the aperture setting; the Shutter Priority mode does vice-versa.

BenQ's 8 second shutter speed night scene mode function enables users to capture pictures with clearer and sharper details that disappear in general shutter speed. Moreover, the quick 4 continuous shot mode provides benefits of capturing continuous motion images and quick moving objects, allowing any moment or movement to be captured, any time, anywhere.

The BenQ DC C1000 supports VGA movie recording at 30fps with MPEG4 format and supports PictBridge function which provides direct printing via any PictBridge-enabled printer. In addition, the camera is bundled with 24MB built-in memory and is SD card compatible.

The BenQ DC C1000 will be available on the market in September.

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Sep 9: Kodak P880 Review at ThinkCamera

Kodak-Easyshare-P880ThinkCamera reviews the Kodak P880 and gives it a rating of 7 out of 10. They write - 'When I contacted Kodak and told them this camera had done well in our £250 test they were surprised because the RRP is £450. However, search hard and you'll find it for less than £250. At that price it represents a very good buy. Image quality is up there with the best and it has more features than you could shake a stick at. However, if you start comparing it to a DSLR then you will probably be disappointed. The speed of operation is decent for a bridge camera but seems glacial next to even an entry level DSLR. But if you just want an easy to use camera that will grow with you and provide trouble free use then the Kodak P880 is well worth a look - especially if you want a wide angle lens. '

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Sep 9: Ricoh Caplio R5 Review at ThinkCamera

Ricoh-Caplio-R5 ThinkCamera reviews the Ricoh Caplio R5 and writes - 'It would be very easy to walk past this camera in a shop and never even look at it. For it looks and feature list it is relatively expensive. Make no mistake though, this is an extremely capable camera. If you buy a Ricoh Caplio R5 I would advise spending a little time with the manual to get the best out of it. Some scenes will require you to make decisions and override the camera to get the best shots - but the best shots are very good indeed. This is a killer camera if you are into macro and should be very high on your shortlist for its 1cm close focusing. It is also an extremely fast camera. Once it has started up and focused it is very quick to take shots and seems capable of shooting at high speed for an extended period of time.'

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Sep 9: Ricoh Caplio 500G wide Review at DPexpert

Ricoh-Caplio-500G DPexpert reviews the Ricoh Caplio 500G wide and writes - 'The Ricoh 500G is a highly specialised camera. It has a mode setting for “fire fighting”, which “allows you to take clear, sharp pictures…unaffected by flames or smoke.” This is truly a go-anywhere camera -- through dust, fire and flood. And it is no flimsy little point and shooter with a waterproof housing. The 500G is totally enclosed in a tough, flexible rubberised waterproof case. Ricoh invite you to drop it on a hard floor from a metre if you must. And, being a serious piece of gear, the 500G sports an external flash shoe.... The Ricoh 500G wide is a tool -- there is no other way to describe it. It’s not pretty but it’s certainly tough. And it has been well thought out for a particular customer who wants a camera that can stand abuse and still produce good pictures.'

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Sep 9: Pentax K100D Review at efotografiia

Pentax-K100D-Dslr efotografiia reviews the Pentax K100D and writes - 'Once again, the Pentax K100D shows that Pentax, as a brand, is severely underestimated. However, with the K100D, they really appeal to the photographer that values high quality at an affordable price, rather than a better known brand. With the K100D, the photographer gets features that are absent in the pricier competition. The camera is still compact, with a plethora of useful function, spot metering, ISO 3200, has a viewfinder that is chock-full of useful information and makes manual focus possible, it can use various legacy lenses with adapters, the rear display is large and sharp, and last but not least, the camera handles really well. These are all features that the competition didn't have until very recently. The Pentax K100D has all of this, but, oddly enough, few want to see it. Marketing tricks point us in another direction.'

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Sep 9: Panasonic DMC-FZ50 Review at DP Review

Panasonic-Lumix-Dmc-Fz50 DP Review has posted their review of the Panasonic DMC-FZ50 where they write - 'And so, to sum up; for the serious user the FZ50 is without doubt the best equipped, best specified and best handling 'bridge camera' on the market today, and under the right conditions it produces superb output. It is a rewarding and enjoyable photographic tool that - once you've learned its quirks - offers a compact 'all-in-one' solution to anyone wanting a huge zoom range without all that lens changing and all that bulk. Inevitably this involves a certain amount of compromise; the smearing of fine, low contrast detail that is the hallmark of the Venus III engine limits the FZ50 to low ISO settings for any serious photography unless you're happy to accept that you'll never be able to produce big enlargements. For me this is an acceptable compromise, and - though I wish Panasonic would drop the megapixel race and concentrate on picture quality - it does produce excellent printed results.'

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Sep 5: Canon EOS 400D / Digital Rebel XTi Hands-On Preview at DP Review

Canon-Eos-400DDP Review has posted their hands on preview of the Canon EOS 400D / Digital Rebel XTi and writes - 'Almost exactly three years since Canon changed the digital SLR market forever (with the $1,000 EOS 300D) they announced the third generation of their affordable entry level series, the EOS 400D (Digital Rebel XTi). This new camera follows the design of the EOS 350D, being very compact and relatively lightweight but not compromising on manual controls or in-use performance. The headline changes are another two megapixel step up (to ten megapixels), the nine-point AF sensor from the EOS 30D, a new dust removal system which includes anti-static surface coatings, low-pass filter vibration and software based dust removal pattern removal. Less important but just as noticeable are the removal of the status LCD, replaced instead by a camera settings screen on the now larger 2.5“ LCD monitor and the eye proximity sensor just below the viewfinder to turn this off when composing your shot.'

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Sep 2: 10 Digital Camera Tips for the Weekend

Digital-Camera-Modes-1The weekend has arrived and its an ideal time to get out and about with your digital camera.

I've just got a Fujifilm FinePix F30 which I'm going to take for a spin. So far it's got some definite improvements over the Fujifilm Finepix F10 (which I raved about) and could be the ideal second camera for those times when I don't want to haul my DSLR around.

Anyway - since it's the weekend and I know many of you are out using your cameras I thought I'd post 10 of the latest digital photography tips from Digital Photography School in the hope that they might be handy as you use your camera. All of them are free, all of them are written for normal digital camera owners and I hope you enjoy them.

10 Digital Camera Tips for the Weekend

  1. The Exposure Triangle - Ever want to get out of 'Auto Mode' on your digital camera but didn't know how? This series is for you and examines three elements of exposure in simply language. After the introductory post I continued with posts on ISO, Aperture and Shutter Speed. Then we took at look at Aperture and Shutter Priority Modes.
  2. Using Wide Angle Lens Distortion Creatively - some people don't like the distortion that short focal lengths bring - I love it!
  3. How to Convert Color Images into Black and White ones - a tip for when you get back to your computer with your photos and want to start photoshopping them.
  4. RAW vs JPEG - an exploration of these two formats.
  5. Mastering Panning - photographing moving subjects using the panning technique.
  6. Getting Foregrounds Right - a lot of people talk about how being careful about backgrounds is important but few examine foregrounds - until now.
  7. Asking People Permission to Photograph Them - how I go about asking strangers if I can take their photo
  8. 10 Tips for Photographing Babies - I had a baby, I took thousands of photos - this is what I learned.
  9. Minimalism in Photography - sometimes it's the simplest photos that are the best.
  10. How to Photograph Birds - guest photographer, Phillip Kirkham, posted this great tutorial on photographing our feathered friends.

If you find these tutorials useful don't forget to sign up for our free weekly Digital Photography School newsletter where you'll get an email most Fridays with links to what we've added to the site.

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Sep 2: Kodak Easyshare P712 Review at PhotographyBLOG

Kodak-Easyshare-P712-1 PhotographyBLOG reviews the Kodak Easyshare P712 and gives it a four star rating. They write - 'So overall, the Kodak Easyshare P712 is a fairly easy-to-use, feature-rich camera with that 12x zoom lens as its main attraction. The slow responsiveness and noise issue are by no means show-stoppers, but they do stop us from recommending this camera more strongly. The Panasonic DMC-FZ7 is a very similar camera with the advantage of being quicker to use, although it does only offer JPEG mode and suffers from the same problem of noisy images. At £350 / $500, the Kodak P712 is also more expensive than the Panasonic, although actual street prices seem to be significantly lower.'

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