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DP Expert reviews the Canon EOS 400D and writes - “The body costs $1300 (AU) and with the standard 18–55 kit lens it is $1500. There is a two lens kit with a 75–300 zoom for $1650. The ”enthusiast’s kit“ with the image stabilised 17–85 is $2300. It’s a choice between two lenses covering 18 to 300mm for $350 or one lens of lesser focal length range for $1000. Hmm. We tried the camera with the kit lenses and didn’t like it. We switched to the better lens and loved it. $2300 buys a great camera but it’s certainly not ”entry level“.”
Read more about the Canon EOS 400D
Compare prices on the Canon EOS 400D / Digital Rebel XTi
CNET reviews the Canon EOS Rebel XTi and writes - 'What's true for doctors applies equally to consumer electronics manufacturers: first, do no harm. Canon is usually pretty good at adhering to that philosophy, making only minor changes to successful products and saving the daring moves for the models that need it. Now, changing sensors isn't normally considered terribly daring when it comes to digital cameras. But when its predecessor--in this case, the EOS Rebel XT--was renowned for producing excellent, low-noise photos at a more-than-adequate 8-megapixel resolution, it's risky to replace it with a higher-resolution but potentially lower-sensitivity chip as Canon did with the EOS Rebel XTi. Perhaps the Nikon D80 upped the stakes; perhaps Canon felt it was an inevitable necessity. Whatever the reason, it yields mixed results.'
Read more about the Canon EOS Rebel XTi (400D)
Compare prices on the Canon EOS 400D / Digital Rebel XTi
CNET reviews the Sony Cyber Shot DSC-T10 and writes - 'Years after the first Sony T-series hit the market, it's still impossible to deny the cool factor of these little, silver snapshot cameras. This time, Sony serves up the 7.2-megapixel Cyber Shot DSC-T10, which lands between the 6-megapixel DSC-T9 and the 7.2-megapixel DSC-T30 in the company's line. The DSC-T10 doesn't sport the fancy plexiglass back panel or the 3-inch LCD of the T30, but it's got most of that camera's other features and a nice looking 2.5-inch LCD of its own. To keep things interesting, Sony has offered a choice of four colors for the T10: black, pink, silver, and white.'
Read more about the Sony Cyber Shot DSC-T10
Compare prices on the Sony Cyber-Shot DSC-T10
Yesterday I spent a little time chatting with fellow Aussie Shane Goldberg from the Pro Photo Secrets (a Photoshop Video Tutorial service that I've recommended on this site previously). He's also previously put out a course for Photoshop Elements users which I know many readers of this site have signed up for.
Yesterday Shane told me about a new project that he and another friend are putting together called Six Figure Photography - a service for photographers who want to go to the next level with their photography and actually turn it into a business.
As this site is read by a lot of budding photographers I thought it might be of interest to people. To this point it's not launched yet but you can express interest in hearing about the launch when it does by signing up at the Six Figure Photography site.
I'm yet to see the resource so can't tell you much more than what Shane has told me (he's keep it close to his chest but has let on that he's pulled in some very successful photographers to be a part of it) but I do know that if it's anything like his Photoshop Tutorials that it'll be of a high quality.
Sign up to get the inside work when it launches at Six Figure Photography.
Large aperture ultra-telephoto zoom lens gives an equivalent field of view to 1600mm for the Four Thirds system.
Sigma's APO 300-800mm F5.6 EX DG HSM lens. Courtesy of Sigma, with modifications by Michael R. Tomkins. Click for a bigger picture!
APO 300-800mm F5.6 EX DG HSM
This large aperture ultra-telephoto zoom lens covers the equivalent field of view to 600mm to 1600mm when used on Four-Thirds cameras.
By continuously varying the angle of view, the lens takes a lot of the footwork out of picture composition. The very latest lens coating technology and lens design reduce flare and ghosting, a common problem with digital cameras. Two ELD glass elements in the front lens group reduce chromatic aberration to a minimum and also ensure high optimum image quality. The overall length of the lens does not change during focusing and zooming, ensuring convenient handling.
The HSM provides ultra quiet, high-speed autofocusing as well as full-time manual focus override. This lens is designed to accept a 46mm circular polarizing filter in a rear filter holder.
*With Four Thirds cameras the focal length will be equivalent to 600-1600mm.
Compare prices on the Sigma APO 300-800mm F5.6 Lens
Sigma APO 300-800mm F5.6 EX DG HSM lens Specifications
Mount Type Four Thirds
Minimum Aperture F22
Lens Construction 18 Elements in 16 Groups
Angle of View 4.1° - 1.5°
Number of Diaphragm Blades 9pcs
Minimum Focusing Distance 600cm (236.2”)
Maximum Magnification 1:6.9
Filter Size 46mm (Rear)
Lens Hood Bayonet type Hood
Dimensions Diameter 156.5mm (6.2”) x Length 549.4mm (21.6”)
Weight 5915gr / 208.6oz
UPC No. 0085126 595586
Get a Price on the Sigma 300-800mm f/5.6 EX DG HSM APO IF Ultra Telephoto Zoom Lens for Canon SLR Cameras
A Compact telephoto zoom lens for Four Thirds system.
Sigma's APO 135 - 400mm F4.5 - 5.6 DG lens. Courtesy of Sigma, with modifications by Michael R. Tomkins. Click for a bigger picture!
APO 135-400mm F4.5-5.6 DG
This telephoto zoom lens gives the equivalent field of view to our popular 800mm when used on Four-Thirds cameras.
The very latest lens coating technology and lens design reduce flare and ghosting, a common problem with digital cameras. This lens uses one aspherical lens and three Special Low Dispersion (SLD) glass elements for excellent correction of various aberrations. The rear focusing system ensures fast focusing speed as well as preventing the front of the lens rotating, making it particularly suitable for use with circular polarizing filters. A removable tripod collar is included as a standard component.
*With Four Thirds cameras, the focal length will be equivalent to 270-800mm.
Compare Prices on the Sigma 135-400mm F4.5-5.6 Lens
Get a Price on the Sigma 135-400mm f/4.5-5.6 APO DG Aspherical AF Zoom Telephoto Lens for Nikon AF
Sigma APO 135-400mm F4.5-5.6 DG Lens Specifications
Mount Type Four Thirds
Minimum Aperture F22
Lens Construction 13 Elements in 11 Groups
Angle of View 9.2° - 3.1°
Number of Diaphragm Blades 9pcs
Minimum Focusing Distance 200cm (78.7”) - 220cm (86.6”)
Maximum Magnification 1:5.3
Filter Size 77mm
Lens Hood Bayonet type Hood
Dimensions Diameter 83.5mm (3.3”) x Length 189mm (7.4”)
Weight 1280gr / 45.1oz
UPC No. 0085126 727581
This large aperture F1.8 wide-angle lens has a minimum focusing distance of 18cm (7.1”) and a maximum magnification of 1:2.7. Two aspherical lenses ensure the utmost correction of distortion and aberrations. The floating focus system provides high optical performance from 18cm to infinity. The Dual Focus (DF) system makes the lens easy to hold and eliminates focus ring rotation during auto-focusing, making the lens particularly suitable for accepting the petal-type lens hood.
*With Four Thirds cameras, the focal length will be equivalent to 48mm.
Compare Prices on the Sigma 24mm F1.8 Macro Lens
Sigma 24mm F1.8 EX DG Aspherical Macro Lens Specifications
Mount Type Four Thirds
Minimum Aperture F22
Lens Construction 10 Elements in 9 Groups
Angle of View 48.5°
Number of Diaphragm Blades 9pcs
Minimum Focusing Distance 18cm (7.1”)
Maximum Magnification 1:2.7
Filter Size 77mm
Lens Hood Petal Hood
Dimensions Diameter 83.6mm (3.3”) x Length 87.9mm (3.5”)
Weight 520gr /18.3oz
UPC No. 0085126 432584
Get a Price on the SIGMA LENS 24mm f1.8 EX DG Aspherical Macro SLR Camera Lens
Sigma 18 - 50mm F2.8 EX DC MACRO News Release Extract
EX series large aperture zoom lens designed specially for use with digital SLR cameras with a minimum focusing distance of 20cm.
The Sigma Corporation is pleased to announce the launch of the new 18-50mm F2.8 EX DC MACRO lens.
This lens has a large aperture of F2.8 throughout the entire zoom range, a minimum focusing distance of 20cm (7.9”) and a maximum magnification of 1:3, making it ideal for close-up photography.
Compare Prices on the Sigma 18-50mm F2.8 Macro Lens
Get a Price on the SIGMA LENS 18-50mm F2.8 EX DC Digital Camera SLR Lens for Canon
Specially designed to suit the characteristics of digital SLR cameras this lens provides a high level of optical performance. Its design incorporates both glass-mold and hybrid aspherical lens technology which offers extremely high image quality as well as a compact and lightweight construction. Minimal vignetting and superior peripheral brightness is ensured.
Special Low Dispersion (SLD) and Extraordinary Low Dispersion (ELD) glass elements provide excellent correction of color aberrations. The super multi-layer lens coating reduces flare and ghosting, a common problem with digital cameras. High image quality is assured throughout the entire zoom range. An inner focusing system eliminates front lens rotation, making the lens particularly suitable for using the petal-type lens hood (supplied) plus circular polarizing filters.
Sigma 18-50mm F2.8 EX DC Macro Lens Specifications
Focal Length 18-50mm
Minimum Aperture F22
Lens Construction 15 Elements in 13 Groups
Angle of View 69.3°-27.9°
Number of Diaphragm Blades 7pcs
Minimum Focusing Distance 20cm (7.9”)
Maximum Magnification 1:3
Filter Size 72mm
Lens Hood Petal–type Hood
Dimensions Diameter 79mm (3.1in”) x Length 85.8mm (3.4”)
Weight 450gr /16.0oz
Optional Accessories
• DG UV72 mm 0085126 923747
• DG WIDE CIRCULAR PL72 mm 0085126 923853
• Lens Hood LH780-04 0085126 923624
UPC Codes
SIGMA AF 0085126 581565
SONY AF 0085126 581343
NIKON AF 0085126 581596
PENTAX AF 0085126 581602
CANON AF 0085126 581541
FOUR THIRDS AF 0085126 581589
*Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.
Get a Price on the SIGMA LENS 18-50mm F2.8 EX DC Digital Camera SLR Lens for Canon
Sigma 18-200mm F3.5-6.3 Lens News Release Extract
NEW PRODUCT INFORMATION - 18 - 200mm F3.5-6.3 DC OS
The Sigma Corporation is please to announce the new 18-200mm F3.5-6.3 DC OS lens.
This high zoom ratio lens is exclusively designed for digital SLR cameras and is capable of covering a wide range of focal lengths from wide angle to telephoto. It is equipped with Sigma’s own unique technology OS (Optical Stabilizer) function. This function uses two sensors inside the lens to detect vertical and horizontal movement of the camera and works by moving an optical image stabilizing lens group, to effectively compensate for camera shake. It automatically detects movement of the camera and compensates for camera shake when shooting moving subject such as motor sports.
Compare Prices on the Sigma 18-200mm F3.5-6.3 Lens
Two SLD(Special Low Dispersion)glass elements and two aspherical lenses provide excellent correction for all types of aberrations. The super multi-layer lens coating reduces flare and ghosting. This lens provides superior image quality throughout the entire zoom range.
An inner focusing system eliminates front lens rotation, making the lens particularly suitable for using circular polarizing filters and the petal-type lens hood supplied.
The Sigma DP1 is a fairly high end point and shoot camera announced by Sigma today. It features a 14.1 megapixel Foveon X3 sensor (the same one that's in the SD14 DSLR) as well as a a 16.6mm fixed focal length lens (equivalent of a 28mm lens) (f4), built in flash and 2.5 inch LCD screen.
So far there are no details on availability or price on the Sigma DP1.
Sigma DP1 News Release
NEW PRODUCT INFORMATION - SIGMA DP1
Sigma DP1 high end point and shoot digital camera equipped with 14 megapixel direct image sensor.
* 14 megapixel direct image sensor as used in the Sigma SD14 digital SLR.
* Featuring Sigma’s new, unique “True” image processing engine.
* 16.6mm F4 lens (28mm equivalent).
The Sigma Corporation is pleased to announce the launch of the new, groundbreaking Sigma DP1 compact digital camera featuring a 14 megapixel FOVEON X3 direct image sensor (2652×1768×3 layers) as used in the Sigma SD14 digital SLR. Using three silicon embedded layers of photo sensors stacked to take advantage of silicon’s ability to absorb red, green and blue light at different respective depths. A 16.6mm F4 lens, with a wide angle field of view equivalent to 28mm on a 35mm film camera, has been developed to maximize the image quality in conjunction with the full color capture image sensor.
The DP1 takes advantage of the image sensor’s superior technology to capture accurate, full color image information.
Sigma’s unique and powerful “True” image processor is incorporated into the DP1, enabling it to handle the large image files produced by the 14 megapixel sensor and reproduce exceptional definition with image quality on a par with film. The Sigma DP1 is equipped with a large 2.5” TFT LCD monitor with 100% image preview, making confirmation of composition, focusing and exposure quick and easy. This point and shoot compact camera includes JPEG recording format for speed and convenience plus a RAW data (X3F) recording mode for retaining full image capture detail of the utmost quality.
The Sigma SD14 was announced by Sigma with a teaser ad a few weeks ago but today it becomes official.
The Sigma SD14 is a 14.1 megapixel DSLR with a Foveon X3 sensor. It has a 1.7x field of view crop, in camera JPEG mode, 2.5 inch LCD screen, built in flash, image sensor dust protector, 5 point auto focusing and 3 frames per second high speed continuous shooting mode.
Sigma SD14 News Release
The SD14, 14 megapixels (2,652 × 1,768 × 3 layers) Digital SLR camera
The Sigma Corporation is pleased to announce the launch of the new Sigma SD14 Digital SLR camera.
The new SD14, powered by the 14 megapixel Foveon X3 direct-image-sensor, can reproduce high definition images rich in gradation and impressive three-dimensional detail.
The SD14 Digital SLR camera features four JPEG recording modes, a large and bright pentaprism viewfinder with 98% coverage, a built-in flash with a Guide Number of 11, 5-point AF system, a large 2.5�? 150,000 pixel resolution LCD monitor as well as a new user friendly design. The durable shutter mechanism has over 100,000-cycle life and is ideal for the demands of digital photography.
Development
Sigma introduced its first digital SLR camera, the SD9, to the market in October 2002, and has established strong support from a wide range of photographers both amateur and professional alike. The second model, the SD10, released on to the market in November 2003 continued to build on the support of loyal photographers. However, demand for JPEG’s greater convenience in image handling has increased and in order to meet this demand the new SD14, powered by Foveon X3 direct image sensor, now includes JPEG mode with high image quality, high performance and versatility.
Sigma SD14 Product Summary
14 megapixels Foveon X3 direct image sensor
The Foveon X3 direct image sensor featured in the Sigma SD14 digital SLR can capture all primary RGB colours at each and every pixel arranged in three layers, insuring the capture of full and complete colour. Using three silicon-embedded layers of photo detectors, stacked to take advantage of silicon’s ability to absorb red, green, and blue light at different respective depths, it efficiently reproduces colour more accurately and offers sharper resolution, pixel for pixel, than any conventional image sensor.
Until now, all other image sensors have featured a just single layer of pixels and each pixel captures only one colour of light, which has been filtered through a single colour filter. Since mosaic-based conventional image sensors capture only one-third of the colour, complicated computations are required to interpolate the colours they miss. Interpolation leads to colour errors, colour artifacts and a loss of image detail. Low pass filters must then be used to reduce colour artifacts. The use of low pass filters adversely affect sharpness and resolution of the final image captured.
* Foveon X3 is the registered trademark of Foveon.
In-camera JPEG mode offers added convenience
The SIGMA SD14 incorporates both RAW and JPEG image recording formats enabling photographers to capture the highest possible picture definition and small file sizes. JPEG recording, also built into the SD14, can be used for the following printing sizes;
• Super High (14.15 million pixels: 4608×3072 pixels) can be used for A3 (297x420mm/11.6"x16.5") or larger prints.
• High (4.64 million pixels: 2640×1760 pixels) for A4 size (210x297mm/8.2"x11.6") printing.
• Medium (2.1 million pixels: 1776×1184 pixels) can be used for regular size printing.
• Low (1.03 million pixels: 1296×864 pixels) can be used for web-page and e-mail transmission.
There is a choice of three JPEG quality settings: Fine, Normal and Basic.
Versatile and easy to use SIGMA Photo Pro 3.0 exclusive software, supplied with the SD14
The SD14 comes complete with SIGMA Photo Pro 3.0 software, a RAW image developer that converts all RAW data quickly and easily. Adjustments can be made in three separate modes. The X3F Mode stores the original settings of the image at the point of capture. In the Auto Adjustment Mode, the software analyses and automatically makes adjustments to the RAW data. The Custom Mode allows the photographer to make individual adjustments (exposure, contrast, shadow, highlight, saturation, sharpness and fill-light for example). The photographer can make subtle or dramatic changes easily and quickly by simply adjusting the slider controls within the software.
The X3F Mode stores the original settings of the image at point of capture. Photographers` personal modifications can be saved to the RAW, X3F file for future use.
SIGMA Photo Pro 3.0 supports 8-bit TIFF, 16-bit TIFF, and JPEG file formats and also outputs images in sRGB, Apple RGB, Adobe RGB and ColourMatch RGB colour spaces. The default setting for output resolution is the same as the resolution selected when capturing the image on the camera (High, Medium, or Low). It is also possible to half, (for sending via e-mails) or double (for high quality enlargements, max. 18.58 million pixels: 5,280 × 3,520 pixels)the resolution when processing the image.
Image Sensor Dust Protector
Most digital SLR cameras are typically vulnerable to dust entering the body especially when the lens is removed for changing. Dust and dirt entering through the lens mount of a digital camera can be seriously detrimental to image quality. The dust protector of the SIGMA SD14 prevents dust from entering and adhering to the image sensor. Even if dust adheres to the dust protector it will not have an adverse influence on image quality as the dust protector is located away from the image sensor and is therefore out of focus.
Large and bright pentaprism viewfinder
The SD14 is equipped with a newly developed pentaprism viewfinder, which has 98% (vertical and horizontal) coverage with 0.9x magnification, an 18mm eye point and –3 to +1.5 dpt dioptric adjustment.
Large 2.5�? LCD monitor
The SD14 camera features a new, large 2.5 inch, 150,000 pixel resolution LCD monitor. The LCD monitor displays 100% of the image, allowing the photographer to easily and accurately confirm the image composition. It features playback options including single frame, thumbnail display (9 images), and three types of magnification (which is achieved by use of the 4-way controller). Shutter speed, aperture and other settings can be seen by pressing the INFO button. The large menu interface makes reviewing images and navigating menu options easy.
Reliable and Durable Shutter
The durable focal plane shutter mechanism has life cycle of over 100,000 exposures. The shutter is ideally suited to the requirements of digital cameras. This new shutter dramatically reduces the amount of dust and dirt from the shutter mechanism. The photographer can enjoy taking pictures without worrying about dirt and dust adhering to the image sensor either from inside or outside the camera.
Fast and precise focusing with 5-point AF
The new auto focus sensor features 5 focusing points (center, left, right, up and down) ensuring consistently fast and precise focusing. The AF metering features a cross type sensor in the center of the screen. Selecting the AF point can be done automatically or manually by photographer.
High speed continuous shooting
The SD14 features a continuous shooting speed of 3 frames per second. Continuous shooting can be accomplished in conjunction with the camera’s predictive auto focus function when photographing fast moving subjects. The camera’s high-speed image processing circuits are capable of handling large data files generated by the high-resolution 14 megapixel sensor. The number of images that can be captured in continuous shooting mode is dependent upon the resolution setting; High - 6 frames, Medium - 12 frames and Low - 24 frames. These figures apply in either RAW or JPEG mode.
Built-in Flash
The Sigma SD14 camera’s built-in flash offers an angle of coverage of 17mm (equivalent to 28mm with 35mm full size) lens with a guide number of 11 (ISO 100). Built-in flash can be synchronized to a shutter speed up to 1/180 sec. This built-in flash enables automatic S-TTL shooting, which allows simple, easy control of advanced photography techniques.
Easy to use multifunction interface
The new layout of control buttons insures quick identification of the desired functions and easy use of the multifunction interface in operating camera settings. Clearly marked buttons make it easy for the photographer to display and adjust the most important settings, namely ISO, resolution, JPEG quality and file type, and white balance on one screen, using one button. The top LCD panel incorporates a backlight, which enables the camera to be easily controlled in low light or dark conditions.
Mirror lock-up mechanism prevents camera shake
The mirror lock-up mechanism raises the mirror thus preventing vibration when the shutter is released. This prevents camera shake, and is especially effective for macro photography, using extremely long telephoto lenses or scientific work. Use of a remote controller (sold separately) or cable release (sold separately) also reduces the possibility of camera shake.
Three types of metering mode
The Sigma SD14 is equipped with three types of metering mode: 8-segment Evaluative Metering, Center Area Metering and Center Weighted Average Metering. This enables the photographer to select the metering mode depending on subject and situation. Exposure compensation function allows the photographer to override the exposure value set by the camera’s exposure meter.
Auto Bracketing function allows the exposure to be adjusted by 1/3 EV increments up to ±3 EV from the exposure automatically set by the camera. In situations where it is difficult to determine proper exposure, the auto bracketing function allows a sequence of pictures to be taken of the same subject at three different exposure levels; Appropriate Exposure, Under Exposure and Over Exposure.
Power Source
The Lithium-ion Battery BP-21 (included with the camera) can shoot approximately 500 images on one full charge. It takes about 120 minutes to fully charge with Battery Charger BC-21 (also included). The optional power grip PG-21 has a vertical shutter release button and can hold two BP-21 batteries, supplying more than enough power for most shoots. The AC Adapter SAC-21 (sold separately) enables the Sigma SD14 to obtain power from the mains supply.
The top LCD panel
The top LCD panel allows the photographer to quickly and accurately confirm information such as resolution setting, metering mode, battery status, and the number of images that can be recorded on the CF card. It also incorporates an orange backlight which enables the camera to be easily controlled in low light or dark conditions.
Optional accessories
The SD14 can be used with over 40 Sigma lenses such as ultra-wide, ultra-telephoto, macro, and fisheye. The EF-500 DG SUPER, EF-500 DG ST, and EM-140 DG flashguns offer fully automatic S-TTL flash dedication. Other accessories include the power grip (PG-21), cable release (CR-21), remote controller (RS-31) and the AC adaptor (SAC-21). These accessories ensure that the SD14 system is both user-friendly and versatile.
PopPhoto has a first impressions review of the Sigma SD14 and writes, "While the speed of capture on the SD14 is vastly improved over the SD10, it's not going to set any records. You can continue snapping at will until the buffer fills up, which happens around frame 6, the burst limit. ... But speed isn’t everything. We found our initial field shots to have very pleasing color—highly accurate, but still with a good dollop of saturation. You might even describe the colors sometimes as translucent. The resolution, as gauged by the Eyeball Method, appears to be about that of a 9MP sensor, which is what we were expecting. Noise control appears to be quite good; available light shots at ISO 800 showed virtually no grain or mottling."
ePhotozine has a review of the Sigma SD14 and writes, "It is not the fastest camera out there but for many forms of photography speed is not essential. What the SD14 does have, apart from the advances in handling over its predecessors, is superb image quality and colour fidelity when used in its intended RAW format. Having taken away all of the over-sophisticated beginner modes has freed the camera up to take images in a simple and uncluttered way but you need to spend some time in post processing to get the best images."
PopPhoto has a review of the Sigma SD14 and writes, "Apparently, the SD14’s internal image processor has a hard time converting high-ISO RAW data into JPEG form, while the supplied computer software handles the job more efficiently. The image processor also takes a glacial 8 to 10 sec to clear the buffer for another shot after a burst sequence of up to a mere six frames at 3 fps. That’s not even in the same ballpark as the burst rate and capacity of competitive DSLRs. In all, the camera handles well, opens creative doors with IR, and is technologically unique. But the promise of 14.1MP doesn’t pay off. And given what you can find in today’s DSLR market for $1,600, we see the virtue in shopping around."
CNET has a review of the Sigma SD14 and writes, "While noise is often more noticeable in the darker parts of the grayscale in most cameras, the Sigma spreads its noise out more evenly amongst the colors. Also, the noise tends to manifest itself as off-color blotches with less defined edges than the speckles that appear in most other SLRs. ... Given this camera's bizarre performance, I suggest you don't use it above ISO 400. This severely limits its usefulness. If you're only intending to use this camera below ISO 400, for studio portraits, or perhaps for landscapes or infrared photography, then you may want to consider the Sigma SD14. However, even then that probably wouldn't make sense, since there are many other cameras that are available for the same price or less that can provide just as good, or better performance and image quality."
HomeTheaterHiFi has a review of the Sigma SD14 and writes, "The Safeway vegetable rack - one of my standard test shots - shows that the SD14 tended to underexpose it a bit. Usually, I get some over-exposed highlights on the yellow peppers, but not with this camera. This is reasonably easy to fix in Photoshop or other photo editors (I like PhotoImpact), but it is better to give a subject like this about one f/stop more than the metered exposure, and/or shoot in RAW mode, which gives you more latitude in the photo editor stages. ... The Sigma SD14 DSLR is a fine camera. It has the easiest-to-use interface I have yet experienced, has a wide variety of lenses to fit it, and takes great photographs. Its infrared capability makes it unique among DSLRs, and its 14.1 megapixels will allow enlargements of just about any size."
DPExpert has a review of the Sigma SD14 and writes, "The price of the Sigma is the problem. It is more expensive than the Nikon D200 and the Canon 30D. Happy Sigma owners argue that the image quality from the Foveon sensor is so superior to the conventional CCD/CMOS that the price is justified. We did a crude subjective comparison with a Nikon D80 (10 megapixels) and concluded that the Sigma has better edge definition without any nasty sharpening artefacts and therefore has more apparent resolved detail. The Nikon colour was more accurate, although inclining to cold. The Sigma was warm, which is an attractive distortion, but a distortion nonetheless. We shot in RAW mode so it was easy to adjust the colour balance before opening in Photoshop. The Sigma has better apparent dynamic range. While the differences between the cameras are small they can be seen."
Trusted Reviews has a review of the Sigma SD14 Digital SLR and writes, "The Sigma SD14 is a unique camera with some unique capabilities. It is solidly made, well designed and handles considerably better than its forerunners. Performance is generally good, although the slow write times are a handicap. In terms of image quality, overall detail and sharpness are superior to any 10MP DSLR, but it is colour reproduction and dynamic range that are the camera’s real strengths, with an almost film-like quality. While it may not suit everyone, I suspect the SD14 will find its fans among professional photographers who are prepared to put in a bit of work to get the best out of it."
Pocket-lint has a review of the Sigma SD14 and writes, "The SD14 lacks any form of scene modes and other fancy photo trickery. This lack means the SD14 is as manual a D-SLR as you’re likely to encounter, and that’s rather refreshing. Unfortunately, that freshness is quickly let down by sluggish performance and a series of issues (AF, noise, white balance, handling) that overall, combine to make the camera less a pleasure to use than it should be. ... given the price and weight of other issues and the fact there are cheaper and better overall D-SLRs on the market, you should think hard before parting with your money."
Ulead have announced the latest version of it's PhotoImpact software - version 12.
This latest version includes smart 'How-to' panel, 'ExpressFix' mode (for adjusting color, exposure, focus etc with a single click), new white balance correction and extended RAW compatibility.
PhotoImpact 12 will be priced at £49.99 in the UK and will hit stores and be available online for downlaod in October. Upgrades for registered users will be priced at £29.99.
Read more about Ulead's PhotoImpact 12 via their news release below.
Ulead News Release
Ulead Introduces PhotoImpact 12 - the Latest Version of Acclaimed Image Editing Software
New release simplifies photo editing for users new to digital imaging
Ulead Systems, Inc., a subsidiary of InterVideo Inc. today announced the release of Ulead PhotoImpact 12, Ulead's flagship image-editing software. The latest version adds innovative features that allow beginners to immediately enjoy success in editing their digital photos and sharing images in creative projects.
“PhotoImpact does so many things in such an uncomplicated way, once users get started they never want to go back,” said Mark Wurdemann, Ulead European Marketing Manager. “What we’ve done with this new version is open the door wider to enter the exciting world of digital imaging. We think users will find ExpressFix mode and the new photo projects invaluable additions to this award-winning product.”
Making Everyday Photo Tasks Easier
ExpressFix mode and the SmartGuide task-oriented help system are two high-visibility enhancements designed to help introduce users to digital photography.
ExpressFix mode is a simplified interface providing commonly-used photo features as guided and fully automatic tools. Featuring a large preview screen with before and after views, users can adjust colour, exposure and focus using intelligent one-click presets. Noise reduction and PhotoImpact’s unique SmartCurves tone adjustment are available as fully-automated one-step processes. For photo portraits, users can remove red-eye effects and enhance the complexion of subjects with a Beautify Skin option. ExpressFix mode also provides direct links to PhotoImpact 12’s enhanced White Balance correction feature as well as options to rotate, print, and e-mail photos.
“New ExpressFix mode isn’t just for first-time users. It’s also great for anyone for making everyday photo edits quickly and easily,” said Mike Addicott, founder of Digital Diversity in Australia. “The SmartGuide is useful for users of all levels, providing step-by-step directions on-screen for various digital imaging, Web page, and video and DVD menu creation tasks.”
Task-oriented Help System.
PhotoImpact 12 now adds a SmartGuide “How-to” help panel to assist users in completing a range of Photo, Web and Video & DVD oriented tasks. In addition to step-by-step instructions, links in the SmartGuide help text automatically select the correct tools to perform the action described.
Powerful, High-end Image Editing
PhotoImpact 12 features significant enhancements to meet the needs of high-end users. RAW file format has been extended to cover more camera models. Editing at high colour depth now includes support for selection tools and objects. 16-bit colour depth objects can now be saved in PhotoImpact’s native UFO file format.
A new White Balance correction tool employing advanced perceptual technology makes photos look more natural, even in mixed lighting situations. To speed workflow, the White Balance tool automatically analyses photo colours and suggests appropriate correction settings which users can accept or refine as desired.
An enhanced Reduce Noise feature, based on new anisotropic diffusion algorithms, is more powerful and much faster. Noise reduction is provided as an automatic feature in ExpressFix mode and as a stand-alone function with adjustable settings for advanced users.
Creative Photo Projects
PhotoImpact’s comprehensive set of montage, painting, graphics, text and tools, along with an extensive collection of filters and effects, have long made it a favorite among creative enthusiasts.
New in version 12 is a three-step Photo Project wizard provides customizable templates for adding photos to greeting cards and CD & DVD labels. The new Share menu also includes options for sharing photos in Calendars, Web Albums, Web Slideshows and on Mobile Devices.
Web, DVD & Video Graphics
The PhotoImpact Component Designer now includes video title graphics and DVD navigation buttons in addition to Web page graphics. Also new in PhotoImpact 12 are templates for Web blogs and DVD menus compatible with Ulead’s latest video editing and DVD authoring packages.
Unmatched Value and Versatility
Packing 5 complete applications and ready-to-use content, PhotoImpact 12 offers users the most value and versatility of any image editor in its class. In addition to the main editor, the package includes Ulead Photo Explorer 8.6 for managing and browsing photos, video and other digital media; Ulead PhotoImpact Album 12, a database-driven photo management tool; Ulead COOL 360 for composing panoramic images; and Ulead GIF Animator 5.05, a widely acclaimed GIF animation tool. In addition creative tools, PhotoImpact 12 provides a rich library of over 1,300 royalty-free images, 2,200 Web elements, 1,000 objects and 3,250 customizable effects to serve as a starting point for creative projects.
Pricing and Availability
Box and electronic download versions of PhotoImpact 12 will be available in October at £49.99 for the box version and £44.99 for download through Ulead Web sites. Upgrades for registered PhotoImpact users will be available for £29.99 for the box version and £24.99 for download. PhotoImpact 12 will be available from Amazon, Dabs, SaverSoftware and other leading retailers.
Adobe have announce a new round of updates to their Adobe Photoshop Lightroom Beta. It's a free download and unites feature sets for both Mac and Windows users.
This beta will expire at the end of February 2007. Read on to get full details of the update from Adobe's press release on Lightroom Beta 4.0.
Adobe News Release: Adobe Brings Lightroom into Photoshop Family with Introduction of Beta 4
New Round of Enhancements in Latest Adobe Photoshop Lightroom Beta Unites Feature Set for Macintosh and Windows Versions
Adobe Systems Incorporated today announced an update to the public beta of Adobe Photoshop Lightroom software at the Photokina tradeshow in Cologne, Germany. Available immediately for download from Adobe Labs (http://labs.adobe.com/technologies/lightroom), this update unites the product feature set for Windows and Macintosh platforms, giving professional photographers a new way to import, manage and showcase large volumes of digital photographs. More than 325,000 people have opted to try Lightroom during the beta period and feedback has been fueled by over 3,400 of them sharing input in Adobe online forums. The final version of Adobe Photoshop Lightroom is expected to ship in early 2007.
"From the moment we introduced Lightroom beta we opened up the process to photographers, making them a part of our 'virtual development team' and allowing them to tell us exactly what this application needs," said Deborah Whitman, vice president of product management for Digital Imaging. "Engaging with this community has helped us build a better workflow solution and has made watching its evolution more exciting and dynamic."
The final branding of the software, Adobe Photoshop Lightroom, confirms its place within the Photoshop family, a line of products that meet the needs of novice snapshooters, photo hobbyists and a diverse set of professional customers.
Lightroom Feature Advancements and Raw Processing Support
Adobe Photoshop Lightroom beta 4.0 offers improved digital photography workflow tools, including a precision white balance selection option and a more streamlined and elegant user interface experience with customizable controls. An intuitive new tone curve adjustment feature provides powerful image correction capabilities, allowing users to visually obtain excellent midtone, shadow and highlight adjustments.
New enhancements in the Develop and Library modules include time-saving tools such as the ability to re-name and convert files to Adobe Digital Negative Format (DNG) after importing into the Lightroom library. New filters, search presets and organizing options allow for quick retrieval of images and greater flexibility.
Lightroom supports over 125 native raw file formats, in addition to JPEG and TIFF, and brings raw conversion into a single workflow experience. The latest camera models supported by this beta are the Nikon D2Xs, Sony A100, as well as preliminary support for the Canon Digital Rebel XTi (400D) and Nikon D80. This support means that photographers can use Lightroom with even the newest cameras on the market, knowing that the image files will be recognized today and into the future.
Thriving Community Support
Adobe hosts an online community site for Adobe Photoshop Lightroom beta which features artists in the Lightroom Showcase Gallery (http://labs.adobe.com/technologies/lightroom/gallery) and provides an arena for photographers to share their portfolios using Lightroom slideshow functionality. Photographers will find inspiration in the documentaries of well-known photographers posted in the community and gallery.
Pricing and Availability
Adobe Photoshop Lightroom beta is available for free download from the Adobe Labs Web site at http://labs.adobe.com/technologies/lightroom. Recommended system requirements are Macintosh OSX 10.4.3, 1 GHz PowerPC G4 processor or Windows XP SP2, Intel Pentium 4 Processor, and 768 MB RAM and a 1024x768 resolution screen. Adobe Photoshop Lightroom beta is a universal binary application that will run natively on PowerPC and new Intel-based Macintosh systems. The final version of Adobe Photoshop Lightroom is expected to ship in early 2007. Further details around pricing, system requirements and availability have yet to be determined.
Apple today have announced an update to their Aperture photo editing software. It is a free upgrade for existing users of the product and will be available later in the week.
Improvements include flexible library management that lets you store images anywhere you’d like. The free update also introduces third-party extensions that let you use Aperture as the front end to expanded workflows. Aperture 1.5 offers RAW support for more than 50 camera models from a wide variety of manufacturers (including Canon, Nikon, Fujifilm, Sony, and others) and extends support to all Intel-based Macs — from the Mac mini and MacBook to the Mac Pro. Improvements include:
The Kodak EasyShare Z710 Zoom is a 7.1 megapixel camera with a 10x Optical Zoom and a 2.0 inch LCD screen. It doesn't have image stabilization.
The Kodak EasyShare Z710 Zoom will be available in stores in September and will have a retail price of £279.
Compare prices on the Kodak EasyShare Z710 and get the latest price on the Kodak EasyShare Z710 at Amazon
High-Zoom, Feature-Packed Camera Provides Outstanding Image Quality at a Value Price
Eastman Kodak Company today announced the latest addition to its award-winning line of consumer digital cameras, the EASYSHARE Z710 zoom digital camera. With impressive 10X optical zoom, phenomenal picture quality, and a host of performance features, this new model bridges the gap between value and performance. Intuitive enough for beginners and sophisticated enough for digital photography enthusiasts, the Z710 camera provides point-and-shoot simplicity with advanced features to easily get professional-looking results.
Available in September, the Z710 camera will retail for £279 (RRP).
“The line of KODAK EASYSHARE digital cameras has won numerous accolades over the past five years for innovation, advanced technology, and ease-of-use,” said Carolyn Walsh, Product Sales Director Digital, Eastman Kodak Company. “With the release of the Z710 model we are setting a new price-to-performance benchmark making it incredibly simple for people to take, make, share, and organise pictures at a great value.”
The secret behind the Z710 camera’s outstanding image quality is the combination of the powerful 7.1 megapixel image sensor and a professional quality SCHNEIDER KREUZNACH VARIOGON 10X optical zoom lens, making it simple to zoom and capture crisp shots, as well as make high-quality prints up to 30 x 40 inches (76 x 102 cm). To that, add the exclusive KODAK Color Science imaging processing chip which helps to capture natural details, accurate skin tones, and breathtaking colour, and say goodbye to the guesswork when it comes to snapping the perfect shot.
The intelligent features of the Z710 camera make it easy for anyone to get more out of their digital photography experience. On-camera picture enhancing features such as cropping, a live histogram, and a capture grid line display allow for more creativity in each and every shot. Advanced settings and custom controls, including programme, aperture and shutter priority, and full manual mode provide ultimate photographic control in any situation. For the most effortless experience, users can get the right shot automatically by selecting from 19 pre-programmed scene and colour modes (e.g. candlelight, fireworks, party and beach).
Taking great pictures is only the beginning of the photographic experience; sharing those precious memories with others is the important next step. For that reason, the Z710 model and the entire EASYSHARE System are specifically designed to make sharing images just as fun and rewarding as capturing them. With a big, bright 2 inch indoor/outdoor colour display, images can be shared anytime right from the back of the camera, and, by using the camera’s Favorites feature, a collection of special images can be kept permanently on the camera for on-the-go viewing without taking up space on the memory card. The exclusive on-camera Share button gives users the power to easily print, e-mail, and organise pictures with just one touch.
When printing images, Kodak provides exceptional quality prints that will last for generations. Using the highly-acclaimed line of KODAK EASYSHARE thermal snapshot printers, including the portable G600 Printer Dock, Z710 camera owners can easily print real KODAK 4 x 6-inch pictures at home, with just one touch, in as little as 60 seconds.
Kodak continues to bring groundbreaking features to its award-winning KODAK EASYSHARE digital photography system, enhancing the digital photography experience for consumers worldwide. The EASYSHARE system consists of cameras, snapshot printers, services, docks, software, inkjet and thermal photo papers, and accessories, making taking, sharing and archiving high quality digital pictures effortless. The Z710 camera comes with the latest Version 6.0 of KODAK EASYSHARE Software featuring an array of enhancements to help consumers find, create and share pictures like never before. Version 6.0 includes a photo card printing feature that turns pictures into invitations, KODAK PERFECT TOUCH technology in home printing, file watch feature that reorganises file systems without losing any pictures, personalised photo backgrounds, and much more. The new KODAK EASYSHARE Software V6.0 can be downloaded for free at www.kodak.com/go/easyshare. Further information on KODAK EASYSHARE products is available at www.kodak.co.uk
Compare prices on the Kodak EasyShare Z710 and get the latest price on the Kodak EasyShare Z710 at Amazon
CNET reviews the Kodak EasyShare Z710 and writes - 'The EasyShare Z710's image quality was neither bad nor impressive in our tests. As usual, colors were accurate and adequately saturated. At lower ISOs, the camera was able to capture oodles of detail; we were even able to discern the individual hairs on the plush ape in our test scene. The camera's high-quality lens no doubt helped in this and showed almost no noticeable distortion, even at the wide and telephoto extremes of its zoom range. Most superzooms show at least some noticeable distortion at one of the extremes if not both. As is typical of Kodak, we saw some minor JPEG artifacts in images, which caused some curved lines to become jaggy, though most causal snapshooters might not notice this.'
PhotographyBLOG reviews the Kodak Easyshare Z710 and writes - 'The Kodak Easyshare Z710 is a camera that tries to appeal to both beginners and more experienced photographers, but ultimately it doesn't really satisfy either user-group. Its stylish shiny silver looks will appeal to the general consumer and put off the prosumer, whilst the full range of creative exposure modes will do the opposite. More significantly for a camera with such a big zoom range, the lack of an image stabilization system is a serious omission, especially when all of its main competitors offer an anti-shake mode. The Kodak Z710 may be slightly cheaper, but you would be better off investing the extra money in an ultra-zoom model with anti-shake.'
Trusted Reviews has posted their review of the Kodak EasyShare Z710 and writes - 'The EasyShare Z710 is easy to use and has fairly good handling, but very slow performance, limited features, annoying habits, inferior image quality, lack of image stabilisation, low maximum ISO, indifferent build quality, horrible viewfinder and useless video mode make this one to avoid, especially at nearly £200.'
Think Camera reviews the Kodak Z710 and writes - 'Reading this review you may think I hated the Z710 - that isn't true. I was just terribly disappointed. I like Kodak cameras and usually they can be relied on to give you great performance for your money. I was quite excited to try it because I'd seen the new control system and it's easy to use and a nice compact size with all of the features you might need. Sadly a number of minor annoyances and below average image quality stop this being a camera I'd recommend.'
Pocket Lint reviews the Kodak EasyShare Z710 and gives it a rating of 5 out of 10. They write"The Z710 is pricey for what it is, it has some odd flaws in design such as that maddening flash/on/off button and it has a build, best politely described as “plasticy�. The camera’s resolution should allow prints up to A3 but there simply is not enough detail to support such a size, add to that some barrel distortion at the wide end of the zoom and purple fringing around high-contrast areas and I have to say that I cannot recommend this camera. "
The Fujfilm FinePix S5 Pro is a new DSLR that Fuji has in development that they are announcing today in the lead up to Photokina. It is set for release 'early 2007' so is still a fair way off production.
It seems to be based upon the Nikon D200 and features an 11 point AF system, 2.5 inch LCD, shutter speeds between 30 seconds and 1/8000 second, 12.34 effective megapixels (Super CCD SR double pixel technology - 6.17MP S-pixels and 6.17 MP R-pixels), ISO of up to 3200, face detection technology, Nikon F-mount and CompactFlash/Microdrive compatibility.
There has been no announcement on price for the Fujfilm FinePix S5 Pro DSLR yet but as we say it is expected to be launched in the first quarter of 2007.
Get a Price on the Fujifilm Finepix S5 Pro Digital SLR
DSLR slated for early 2007 introduction
Valhalla, New York, September 25, 2006 -- Confirming the company’s commitment to professional photographers, Fujifilm today announced the development of the much anticipated FinePix S5 Pro digital SLR camera. The new FinePix S5 Pro is further affirmation of Fujifilm’s goal to achieve professional D-SLR image quality consistent with Fujifilm’s professional film heritage.
The FinePix S5 Pro carries a number of features that made its predecessor, the FinePix S3 Pro, so popular with wedding, portrait and studio photographers. One is increased dynamic range from the Super CCD SR double pixel technology (6.17 million S-pixels and 6.17 million R-pixels). The new FinePix S5 Pro continues this tradition of expanded dynamic range and goes a step further by coupling the new Super CCD SR Pro sensor with Fujifilm’s new RP (Real Photo) Processor Pro for even more outstanding, film-like results. Moreover, the FinePix S5 Pro will house the two technologies in a fully digital and durable metal alloy body frame. This opens the door for Fujifilm’s digital imaging technologies to expand into other applications such as outdoor and high endurance commercial photography.
Highlight features of the FinePix S5 Pro include:
Image Processing and Quality
Real Photo Technology Pro, which combines the Super CCD SR Pro sensor and the RP Processor Pro, allows for the wide dynamic range with smoother tonality from brightest light to darkest shadow. The re-designed new Super CCD SR Pro features an optimized low-pass filter that will reduce the noise and minimize moiré. The newly developed RP Processor Pro features two cycles of noise reduction so photographers can snap pictures at light sensitivities as high as ISO 3200 with less noise than comparable cameras at similar ISOs.
Increased Color and Dynamic Range Control
• Photographers can choose from six preset ranges for greater creative control over the FinePix S5 Pro’s expanded dynamic range between 100% and 400%,
• Three new variations of the original film simulation mode have been added (five modes in total) for improved reproduction of natural skin tones.
Face Detection Technology for post image verification
At the push of a button, the FinePix S5 Pro’s Face Detection Technology detects up to ten faces in a scene immediately after each image is captured. Photographers can zoom in and confirm facial detail, whether eyes are open or closed, focus and exposure on the FinePix S5 Pro’s LCD monitor.
Other camera functions and features
• Nikon F-mount compatibility with all Nikkor AF-D/G and the latest AF-S optics
• RAW+JPEG (4,256 x 2,848 pixels, 3,024 x 2,016 pixels, 2,304 x 1,536 pixels) dual-save mode
• MAC and PC supported tethered shooting mode via USB 2.0 port and optional HyperUtility software
• Robust, lightweight magnesium-alloy body
• Durable shutter unit stands up to approximately 100,000 releases
• Adoption of high-precision i-TTL flash control
• 11-point AF sensor for consistent, fast and precise focusing. This is an improvement from the FinePix S3 Pro’s 5-point AF sensor
• Supports 1/3, ½, and 1 stop lens aperture control
• Shutter speed 30 sec. to 1/8000 sec., maximum flash sync speed of 1/250 sec.
• Remark function enables addition of comments to an image file by connecting a special bar code reader to the camera body.
• 3 levels of custom Function Locking with password protection
• 2.5 inch LCD with 235,000 pixels with 100% frame coverage featuring color or monochromatic 30 seconds, live view function to check the focusing
• Li-ion rechargeable battery
• Compact Flash (CF) Card (Type I/II) and Microdrive compatible
Optional Accessories
• LAN Adapter for wireless, high-speed image transfer.
• New Hyper Utility Software for precise editing control of images taken in CCD-RAW
• 14-bit format. Software also enables PC control of the FinePix S5 Pro.
• Rechargeable Battery
• Battery Charger
• AC Power Adapter
Think Camera has a first look review of the Fujifilm S5 Pro and writes, "The S5 has built in noise reduction like all recent DSLRs. Shooting jpegs you can never be entirely sure that you've turned this off completely. Again this is an area I didn't want to test scientifically only to find that all the results changed at production time. Some add hoc testing puts the S5 way ahead of the D2X for apparent noise. I didn't shoot it directly against a D200 but as a very rough figure I would estimate that the noise is about 1 stop better than the D200 - an S5 picture at 3200 looks as good as or better than a D200 at 1600. Whether the S5 is in the same league as the Canon 5D (our current favourite for low light) remains to be seen."
Digital Camera Info has a first impressions review of the Fujifilm FinePix S5 Pro and concludes, "The Fujifilm FinePix S5 Pro depends on its image quality – if it's not great, the camera doesn't compete. That makes it difficult to reach a solid conclusion in a first impression because we can only guess about image quality. Our educated guess is that the quality will be strong enough to make the camera competitive, but that's based on Fujifilm's history, not on anything we experienced while handling the camera. That said, it is great that the S5 is based on Nikon's D200. ... Using the D200 platform, and keeping it so much intact, Fujifilm's newest S Pro camera has become much more compelling."
Let's Go Digital has a preview of the Fujifilm FinePix S5 Pro and concludes, "The results speak for themselves. Fujifilm S5 Pro knows how to get the best out of pictures, even high ISO pictures, which are always problematic. With these, we see lots of detail and even attractive noise. This last comment probably sounds very strange, but you can almost appreciate the noise with high ISO in the FinePix S5 Pro. It is very similar to the grain in a film, has hardly any annoying colour noise and after it has been treated with noise reduction software, the high ISO end results are fantastic. The additional price that you pay for the Fujifilm FinePix S5 Pro in comparison to the competition can be clarified at once and will definitely not form a barrier to photographers with high requirements."
CNET Australia has a first take review of the Fujifilm FinePix S5 Pro and writes, "We find the S5 Pro chock full with features during our brief hands-on. Pressing the face detection button beside the LCD was supposed to zoom in on up to 10 faces (enabled by an embedded IC chip), but somehow we couldn't get it to work on our unit. In shots without human faces, the image automatically zoomed in on the centre area. ... With an undeniably sturdy body and imaging technology from Fujifilm, the FinePix S5 Pro looks every bit a promising upgrade for advanced amateurs and professionals who want rich tonal graduations and skin tones. Even though the camera is modeled after the Nikon D200, users should be aware of any compatibility issues, especially if they already have a stable of accessories, before shelling out the cash."
PopPhoto has a hands-on review of the Fujifilm FinePix S5 Pro and writes, "On our early sample of the camera, noise suppression appeared not to be quite optimal, so we ran a few preliminary noise tests, and found no higher than Low noise through ISO 800. We expect full-production models will better that performance. ... A camera like this one, made up of hardware and software from different manufacturers, runs the risk of turning out a Frankenstein monster, but the FinePix S5 Pro is no such freak. On the contrary, we found its operation smooth and seamless, with easy-to-grasp controls and menus, and help screens aplenty if and when you need them. This is the camera the old S3 Pro should have been -- squared."
Ken Rockwell has a review of the Fuji Fujifilm S5 and writes, "The Fujifilm S5 is a specialized camera for people concerned with color, lighting tone, which are absolutely the most important technical elements of photography. Color is subjective. I prefer my Canons and Nikons for photos of brightly colored junk, while I prefer the Fuji S5 for people photos. Color is the most important aspect of any color photograph. The reason to pay more for the Fujifilm S5 is if you prefer its color. If you don't prefer the color, other cameras are better for less."
ThinkCamera has a full review of the Fuji S5 Pro and writes, "Here's the deal: The pictures rock. People are going to beat themselves up wondering if this is a 12 MP camera or a 6MP camera. That's because the sensor has 12 million or so photo receptors but some of them are more sensitive than others. The closest analogy I can give is that it's like loading both ISO 100 and ISO 400 film at once and then sampling the best bits from each. ... There are things about this camera that drive me mad. OK, it's the menus and especially the zoom on review system. However, I absolutely love the results I get with it and the learning curve isn't too steep."
ePhotoZine has a review of the Fujifilm FinePix S5 Pro and writes, "Using the same body as the Nikon D200, the Fuji S5 obviously has to differentiate itself in other ways, and the fact that the CCD and processing engine are completely different means that the cameras do head down very different paths. The headline resolution of the S5 may seem to outstrip the D200, at 12Mp to 10Mp, but this is generated from the SuperCCD SR chip, with its fancy honeycomb design and twin-photo receptors at each photo-site of which there are only 6M. The result is that landscape photos are not as impressive with detail tending to disappear in the distance because it wasn't there in the original image. Also, artefacts from the SuperCCD process are evident right from the start at ISO100, though noise is then well controlled. This then is the key point between the two cameras – if you are shooting predominantly landscape photos then the D200 is a better camera, but for portraits and use in more challenging light, the S5 is more capable."
Trusted Reviews has a review of the Fujifilm S5 Pro and writes, "There’s no getting away from the fact that the S5 interpolates its 12MP images from a 6MP sensor, and when examined closely the results simply don’t have the same fine detail as a similar shot taken with a 10MP camera, and there are interpolation artefacts visible on some shots. ... while the S5 is very good at colour and tone, it’s not so good at fine detail. It’s up to you to decide whether its abilities suit your needs. ... The Fujifilm S5 Pro continues in its predecessors’ tradition of providing superior dynamic range and tonal quality for specialist portrait and wedding photographers, who will be delighted with its outstanding capabilities in these areas, as well as its superb handling, build quality and performance. It’s not really an ideal camera for the general consumer though, so if you’re looking for a similarly-priced general-purpose DSLR you’d be better off buying the Nikon D200 instead."
DigitalCameraInfo has a review of the Fujifilm FinePix S5 Pro and writes, "The Fujifilm FinePix S5 Pro’s image quality makes it a viable choice for pros and other quality-conscious photographers. Dynamic range, noise and color are all excellent. The S5's mechanicals – a Nikon D200 body, with Nikon autofocus, metering and flash – are also big assets. The drawbacks of the S2 and S3 bodies are gone. The remaining drawback is speed. The shooting rate is glacial, and the camera churns away recording data for minutes at a time when it's shooting RAW files."
CNET has a review of the Fujifilm FinePix S5 Pro and writes, " Image quality was impressive, but the S5 Pro's resolving power just can't match the Nikon D200. Colors are generally accurate, and the automatic white balance does a respectable job of neutralizing colors in most normal lighting situations. Studio shooters should note that, as one would expect, our unusually warm tungsten hot lights confounded the S5 Pro's auto white balance. We don't hold that against it, however, since this is the case with many cameras. However, if you have tungsten lights that are near the 3,200K color-temperature range as ours are, you'll need to use the tungsten or manual settings, both of which did an effective job of neutralizing colors with those unusual lights. The S5 Pro does an outstanding job of keeping noise under control. Our test images were nearly noise-free all the way out to ISO 400."
Let's Go Digital has a review of the FujiFilm FinePix S5 Pro and writes, "It is a fine digital SLR camera to work with, with especially excellent image quality. Finally, the unique Fujifilm technology is combined with the appropriate body. It's a DSLR camera which can accommodate, and won't disappoint, most photographers. Moreover, a great advantage is the price, which is less than the D200's price, which is what makes it very interesting. The Fujifilm FinePix S5 Pro is not a product for the masses, but will undoubtedly be loved by photographers that want to get the most out of their daily digital workplace. Image quality is still Fujifilm's featured attraction, in one of the most popular bodies found in a DSLR, Nikon's D200."
DPReview has a review of the Fujifilm FinePix S5 Pro DSLR and writes, "Of course no one is going to buy the S5 Pro for its resolution, nor are they likely to be swayed by a few hundred dollars. And you need to be producing serious enlargements to see the D200's sharpness advantage, whereas you can see the S5 Pro's DR advantage and great color even in a postcard print. It's not for everyone, but for studio work, portraits and demanding dynamic range work (such as weddings) it fits a sizeable niche perfectly.The qualities that many users find so attractive in the S5 Pro's output might not all be as immediate, tangible - or quantifiable - as the dynamic range graphs, and you need to be prepared to tailor the settings and put some work into post processing to get the most out of the results, but Fujifilm should be applauded for offering Nikon users a very different approach to image quality."
PhotographyBLOG has a review of the Fujifilm S5 Pro and writes, "Overall the Fujifilm S5 Pro displayed an amazing lack of noise with regard to its images – delivering a performance at ISO 1600 that would be comparable to that from lesser cameras at ISO 400, with ISO 3200 equivalent to the kind of results normally seen at ISO 800. Which means, if you're indeed shooting in low light without flash, as most social photographers worth their salt prefer working these days, the Fujifilm S5 Pro is capable of delivering results that are bang 'on the money'."
ByThom has a review of the Fujifilm S5 Pro and writes, "the S5 Pro is a hands down winner in (un-neutral but) pleasing color and dynamic range. Boy could I have used that shooting white arctic foxes on snow earlier this year. But the lack of speed, some handling issues, and slightly less usable resolution make the S5 Pro more of a specialist than the all-around D200. If you need a specialist that does what the S5 Pro does, you'll love the S5 Pro. That's why, it, too, has found a place in my bag. I don't use it as often, but when I need what it does, nothing else can match it. If I were an event shooter or portrait specialist, I'd probably use it more than I do--there's something quite pleasing about the color rendering of most skin tones (once you get it dialed in with the white balance)."
Steves Digicams reviews the Fujifilm FinePix S5 Pro and writes - 'If you're a portrait photographer I bet you'll love the increased dynamic range and film simulation of the S5 Pro provided by the fourth generation Super CCD. Likewise Fuji's Face Detection Technology is a real time saver in the studio. The S5's body is lightweight, the controls are well-placed, and the grip is very comfortable to hold. The ability to record JPEG and RAW files simultaneously allows you to review smaller-sized images, yet retain the ability to work with the RAW files later. The RP Processor Pro reduces dark noise to deliver a cleaner image, and permit light sensitivity up to ISO 3200. And if you already own Nikon lenses and speedlights, compatibility with the S5 Pro is assured. Or, buy a new compact and lightweight digitally designed lens and you'll have one of the lightest kits on the market.'
Get a Price on the Fujifilm Finepix S5 Pro Digital SLR
The Fujifim FinePix F31fd is a minor upgrade to the very successful Fujifilm Finepix F30 (the point and shoot I've been using for the past few weeks).
The Fujifim FinePix F31fd has a slight update to it's look as well as face recognition and Infra Red connectivity. Other than that it is largely the same camera as the F30 with ISO of up to 3200, 6.3 megapixels, 3x Optical Zoom and a 2.5 inch LCD screen.
It will retail for a price of $399 when it ships this December.
Get a Price on the Fujifilm Finepix F31fd
FUJIFILM BRINGS FACE DETECTION TO THE COMPACT DIGITAL CAMERA CATEGORY WITH THE FINEPIX F31fd
Camera also Boasts 3200 ISO, i-Flash and Picture Stabilization
Valhalla, New York, September 25, 2006 -- Fuji Photo Film U.S.A., Inc., is proud to unveil the FinePix F31fd, the first pocketable digital camera from Fujifilm to feature the company’s new Face Detection Technology.
Fujifilm’s Face Detection Technology debuted on the SLR-styled FinePix S6000fd. It has a tremendous impact on the quality of “people pictures” by ensuring that cameras like the FinePix F31fd will automatically focus on and expose for faces, rather than details that lead to less-than-desirable photographs. Identifying up to 10 faces in a frame, Face Detection Technology ensures photos of friends and family are crisp, clear and properly exposed for a natural feel. It has an advantage over the few other face detection systems currently on the market as the technology is built-in to the camera’s processor, enabling the FinePix F31fd to identify faces and optimize settings within a scant 0.05 seconds.
With the FinePix F31fd, which is similar in style to the FinePix F30, Fujifilm adds Face Detection to the many significant breakthrough features in the award winning and critically-acclaimed FinePix F30 - unprecedented light sensitivities up to ISO 3200 at full resolution, Fujifilm’s Picture Stabilization, the ‘i-Flash’ system, and best-in-class 580-shot battery life. Add a 3x optical zoom lens from Fujinon, a 6-MegaPixel Super CCD HR sensor, and a 2.5 inch LCD screen with glare-reducing coatings and the FinePix F31fd is an ideal companion for consumers looking for a first-class upgrade to their current digital cameras.
Face Detection Technology
Fujifilm’s Face Detection Technology was originally developed for the company’s photofinishing division where it has been improving the quality of photos produced at retail photo centers nationwide by Fujifilm’s Frontier Digital Lab Systems. Fujifilm’s Research & Development team adapted the technology for use within digital cameras, where it is now a genuinely useful tool for making subjects look their best.
A selectable option, Fujifilm’s Face Detection Technology identifies faces by triangulating a subject’s eyes and mouth using an algorithm to optimize focus and exposure. It simultaneously displays a green rectangle around the primary subject, while white squares identify up to nine other subjects. Movement tracking keeps the camera ‘locked on’ to its subjects until they move out of the picture. The technology works regardless of the subject’s position in the frame, and is not confused by eyeglasses. In Playback mode, Face Detection automatically zooms to subjects’ faces and trims the shot for optimum portraits.
Low Light Photography and Picture Stabilization
Fujifilm has identified low light photography as one of the true benchmarks of a digital camera's performance, as many images are taken when light is limited. Limited light requires the use of a flash, however, a flash can leave subjects looking ‘washed out’ and background detail almost non-existent. Higher light sensitivities make flash-free photography possible with available light, balancing foreground and background exposure and contributing to a natural look and feel.
Higher light sensitivities also enable the camera to shoot with faster shutter speeds, which lessen the likelihood of blurry pictures caused by a moving subject or the shake of an unsteady hand. To make it easy for consumers to achieve blur-free results, the FinePix F31fd features a helpful “Picture Stabilization” mode dial setting. This easy-to-identify, automatic setting lets the FinePix F31fd choose the correct light sensitivity and best-matching shutter speed, producing the highest quality digital pictures without blur and the noise often associated with high sensitivity photographs.
i-Flash
For those occasions when flash is required, Fujifilm’s intelligent ‘i-Flash’ system sets flash power output to achieve natural foreground illumination with balanced background exposure. Fujifilm’s i-Flash system is more advanced than similar flash systems because it can detect more accurately the subtle lighting differences within a scene, and then light the subject accordingly with a wider range of flash intensities. Together, the Face Detection and i-Flash technologies produce photographs with prominent subjects exhibiting pleasing, natural tones.
“Fujifilm set the benchmark for digital camera performance earlier this year with the introduction of the FinePix F30, a model that helped consumers take better pictures through innovative technology breakthroughs and best-in-class performance,” remarked David Troy, Senior Product Manager, Consumer Digital Cameras, Electronic Imaging Division, Fuji Photo Film U.S.A., Inc. “With the addition of Face Detection Technology to an already outstanding camera package, the FinePix F31fd will turn just about any picture-taker into a top-notch photographer.”
The FinePix F31fd has a number of useful features that make it easy to snap outstanding photos:“Natural Light & with Flash” Dual Shot Mode: In this mode the FinePix F31fd quickly shoots two images in succession -- one with and one without the flash -- saving both. This convenient function lets the user perform an on-the-spot picture comparison and decide whether the FinePix F31fd produced the most pleasing photo with flash, or without.
“Natural Light” shooting mode: This mode preserves scene mood and enhances background detail by shooting with faster shutter speeds at higher light sensitivities (if necessary) with a suppressed flash.
Fast Operation: The camera’s fast response times, 0.01 second shutter lag and 1.5 second start-up time, ensure it will catch all the action and spell the end for missed photo opportunities.
LCD: The FinePix F31fd features a large 2.5 inch, 230,000 pixel LCD screen coated with Fujifilm’s proprietary CV film. This minimizes glare and reflection so that images can be viewed from any angle and even in sunny conditions, when glare would usually be a problem. In addition, the screen’s brightness adjusts automatically, depending on the amount of light available, to further enhance ease of viewing.
Better Movie Quality: Movie capture for the FinePix F31fd is enhanced by noise reduction, making it possible to capture clear, sharp moving images even at high ISO sensitivity speeds. It is also capable of VGA movie capture at 30 frames per second with sound.Special scene modes: The FinePix F31fd has 15 scene positions including beach, snow and fireworks for optimum photography, no matter what the event. Manual settings: Includes shutter and aperture priority, for more user control.The FinePix F31fd will be available in December at a retail cost of $399.
PhotographyBLOG reivews the Fujifilm Finepix F31fd where they write - 'With the addition of Face Detection and Infra-red, the Fujifilm Finepix F31fd is currently the new best compact, carry-everywhere digital camera for the discerning photographer. There are still a few unnecessary faults though that are retained from the F11 model (come on Fujifilm!), and all that new technology has made the F31fd quite a lot more expensive than its older sibling, the F30, which is overall a more economical and sensible purchase.'
blip.tv has a video review of the Fujifilm Finepix F31d and talks about the camera's face recognition feature: "In our tests we were not just impressed by the feature, which you can see in action in the video review, but also the camera itself. There were a few niggles, such as it selecting noisier high ISO speeds in Auto mode even when the lighting was good, but even so we liked this £199 camera."
Trusted Reviews has a review of the Fujifilm FinePix F31fd and writes, "Image quality is also very good. The lens produces excellent corner-to-corner sharpness, and has virtually no wide-angle barrel distortion. Exposure metering is outstanding, and colour reproduction is also faultless. The only criticism, and one that I’ve made before about Fujifilm cameras including the F30, is a higher than usual level of purple fringing on high-contrast edges, especially next to very bright highlights. ... All in all the F31fd is an extremely good camera, capable of producing outstanding results in circumstance that would defeat most other models. ... Like its predecessor the F30, the Fujifilm FinePix F31fd has the best high-ISO performance on the market, as well as a number of other useful features, not least of which is class-leading battery duration. Build quality, style, performance and photographic results are also as good as anything else on the market. However the Face Detection technology is probably not enough to justify the relatively high price compared to the outstanding F30."
Vnunet has a review of the Fujifilm Finepix F31fd and writes, "Overall image quality is good, but if you crop in 100 per cent you'll see image noise causing some quality issues, even when shooting at ISO 100. That said, if you're not planning to print out extra large photos and won't be cropping in on detail too much, it's not really a problem as you're unlikely to notice it. Occasional purple fringing was apparent in areas of high contrast, but colour reproduction and the camera's auto-exposure decisions were both good. ... The Finepix F31fd has plenty going for it, and the Face Detection technology is a real bonus - especially for novice snappers fed up with blurred portrait shots."
ThinkCamera has a review of the Fujifilm F31fd and writes, "Colour rendition of skin tones is good in the F31fd and the clever face detection software helps you get the best focus and optimized exposure for the shot you are taking. ... When you zoom in on it you can see some noise but not as bad as you might expect at ISO 800. I printed it at 6in x 4in and was pleasantly surprised. There was a very slight softening effect but nothing that would worry you. You'll also notice that the background is nicely balanced too. ... It's a smashing little camera. If you take lots of photos of people it will help you get the best focus for each person. The Fujifilm F31fd is perfect for getting that shot at the party with all your mates. It has a high ISO (can capture detail when it's dark, keeping it sharp), it will balance the background and it won't blow out their faces."
LaptopMag has a review of the Fujifilm FinePix F31fd and writes, "We were impressed with the F31fd's ability to rapidly seek out human faces and not focus on other things in the shot. ... Many digicams also drop the ball when taking low-light shots. At a birthday party, the FinePix F31fd did a good job of capturing the guests crowded around a cake with the lights off while the candles were being blown out. When we bumped the ISO up to 1600, there was very little noise, and when we maxed it out at ISO 3200, the camera still retained some level of quality. The results didn't look overly grainy like photos from some other point-and-shoots that we've tested."
PCWorld has a review of the Fujifilm FinePix F31fd and writes, "In our lab tests, the F31fd performed admirably. Its battery life earned a rating of Superior because the camera reached our test limit of 500 shots on one charge of its rechargeable lithium ion battery. The average number of shots per charge for recently tested point-and-shoot cameras is far lower, at about 270 photos. In our image quality tests, our jury gave the camera high marks for its photos' color accuracy and low distortion. The camera scored high across all categories, earning an overall image quality score of Very Good."
Cameras.co.uk has a review of the Fuji Finepix F31fd and writes, "Looking through all the test shots I have to say I am pretty impressed with the Finepix F31fd. All the key factors I look for in a camera are covered. These include natural colours, sharpness, contrast and lowlight photographs. ... 'm a big fan of the Fuji Finepix F31fd. If you are looking for a digital camera with a bit of style that takes a good photo then this one is worth a close look. It has one or two extra features that come in handy, especially in lowlight. Therefore an area that can be a weakness with other digital cameras is a strength with this one."
Digital Trends has a review