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Nikon D70s DSLR
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Casio Exilim Zoom EX-Z750
Canon EOS 20D
Canon Powershot SD400 - IXUS 50
Panasonic Lumix DMC-FZ20
Sony Cybershot DSC-T7

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Canon EOS 5D
Nikon D200
Canon EOS 30D
Canon EOS 400D
Nikon D80 DSLR
Nikon D40
Canon EOS 40D (Rumored)

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June 2006 Archives

Jun 30: Sony Cyber-shot DSC-W100 Review at Digital Camera Info

Sony-Cybershot-Dsc-W100Digital Camera Info reviews the Sony Cyber-shot DSC-W100 where they write - 'The Sony Cyber-shot DSC-W100 offers manual control, along with automatic, movie, and 6 scene modes, at a decent price of $349. As the flagship of Sony’s W-series of point-and-shoot cameras, the W100 has 8 megapixels on its spacious 1/1.8-inch CCD. This digital camera still fits into the line, though; it keeps the traditional optical viewfinder but adds a 2.5-inch LCD screen onto a sleek body. Previous W-series cameras have been a bit chunky, but the W100 is part of Sony’s redesign. The makeover flattened its surfaces, making the 3.7 x 2.4 x 0.98-inch digital camera more portable. There is a downside to that though: the camera is more difficult to handle. Also complicating the handling are the small buttons, tight zoom switch, and lack of a finger grip. For users who can cramp their hands around the small point-and-shoot model, there are some advantages to the W100. It has a wide ISO range of 64-1250 and a High Sensitivity scene mode that works well in dim lighting. The camera has 64 MB of internal memory, more than most compact digital cameras, and can take up to 360 shots on a single charge of its lithium-ion battery too. Sure, Sony took some shortcuts: its LCD screen has poor resolution, and the Carl Zeiss lens only extends to 3x, which is fast becoming below average. Still, the Sony Cyber-shot DSC-W100 takes great pictures, which users can control manually or automatically, for a fair price of $349.'

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Jun 30: Casio Exilim EX-Z600 Review at Digital Camera Review

Casio-Z600 Digital Camera Review has posted their review of the Casio Exilim EX-Z600 where they write - 'The quick operation, bright LCD, and battery life of the Casio Exilim EX-Z600 are enough to put it on your list for consideration if you're looking for a compact, easy to use, auto-only digital camera. The image quality is good and with a little practice, you can get consistently good pictures. As with many compact point and shoot digital cameras, the more you know how your camera works in certain conditions, the better you get at taking good pictures with it.'

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Jun 30: Casio Exilim Z60 Review at Lets Go Digital

Casio-Exilim-Ex-Z60 Lets Go Digital reviews the Casio Exilim Z60 and writes - 'We have now tried out several Casio digital cameras and we can conclude that Casio is a player to watch out for. The Exilim series is well thought out and fitted with all sorts of innovative solutions. In general, the speed is great and it is typical of Casio that they have succeeded in this. The Casio Exilim Z60 is a handy compact camera with a lot of automatic functionality. It’s not perfect, but its good image quality will be more than enough to satisfy the owners of this camera!'

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Jun 29: Kodak Easyshare V570 Review at Megapixel

Kodak-easyshare-V570Megapixel reviews the Kodak Easyshare V570 and writes 'The Kodak V570 yields its best images with well-lit outdoor subjects. The Multi-pattern metering is good at handling complex scenes, and usually produces well-balanced exposures. Similarly, the Auto white balance setting is trustworthy, and produces accurate colours under most outdoor light conditions ranging from direct sun to overcast. Still, even with photos captured under ideal conditions, the images tend not to look as good when seen on a monitor, as they do when printed.'

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Jun 29: Canon PowerShot A430 Review at Imaging Resource

Canon-Powershot-A430 Imaging Resource has posted their review of the Canon PowerShot A430 where they write - 'Featuring a 4.0-megapixel CCD, 4x optical zoom, automatic exposure control with a wide range of preset shooting modes, and a real bargain price, the PowerShot A430 does a great job of holding up Canon's sterling reputation at the low end of their line. Built on the same long-tested design as many A-series predecessors, the Canon A430 delivers a lot of features, great image quality, and tremendous value in a compact package designed for novices (no matter the age). I'd like to see it equipped with a (much) more accurate optical viewfinder, but other than that, what this camera does, it does very well. With an initial suggested retail price of just $179 (and widely available online for much less), the A430 is an especially good bargain for an all-around consumer model. Overall, a solid replacement for the previous A410 model, and one of the best cameras on the market in its price range.'

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Jun 29: Canon PowerShot SD700 IS Digital ELPH Review at DCRP

Canon-Powershot-Sd700-Ixus-800 DCRP comprehensively reviews the Canon PowerShot SD700 IS Digital ELPH and writes - 'Camera performance is very good. The camera starts up in about a second, it focuses quickly, and shutter lag was not a problem. Shot-to-shot times were impressive, as was the SD700's low light focusing abilities. The continuous shooting mode is superb. Like on Canon's other DIGIC II-based cameras you can keep shooting at 2 frames/second until you run out of memory -- assuming you're using a high speed SD card. While an improvement over its predecessor, the SD700's battery life numbers are average.'

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Jun 29: Kodak Easyshare C663 Review by Cameras.co.uk

Kodak-C663-1 Cameras.co.uk review the Kodak Easyshare C663 and write - 'I found the Kodak Easyshare C663 to be a bit of a mixed bag. If you are looking for a point and shoot digital camera then this model is one of the most straightforward you can find. Photo quality is below that of some other similarly priced digital cameras though.... The Kodak Easyshare C663 has a number of good points. These include ease of use and build quality. I am not sure if I expect too much of cameras like this but in terms of photo quality the results I achieved were mixed. It offers fair value for money, but in my view there are better options available.'

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Jun 29: Olympus MJU 810 Review at Cameras.co.uk

Olympus-Stylus-810-2 Cameras.co.uk reviews the Olympus MJU 810 where they write - 'On the whole the Olympus MJU 810 offers good picture quality. Weatherproof digital cameras are few and far between so this one is clearly an option if this appeals to you. With digital image stabilisation and help text to guide you through the menu system this camera has some worthwhile extra touches as well.... The Olympus MJU 810 is probably the best bet if you are looking for a weatherproof digital camera. It is not perfect, but I prefer it to other cameras in this range. With eight megapixels, digital image stabilisation and help text to guide you through the menu it has some very useful features.'

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Jun 29: Sony Cyber-shot DSC-H2 Review at DP Review

Sony-Cybershot-Dsc-H2DP Review has posted their review of the Sony Cyber-shot DSC-H2 where they give it a rating of 'highly recommended and write - 'Compared to the most obvious competitors - the Canon S3 IS and Panasonic DMC-FZ7 - the Sony H2 scores highly in handling, image quality and ease of use, and only really falls short in a couple of areas; burst mode, focus speed in low light (specifically at the long end of the zoom) and the slightly underwhelming movie mode. Some users will bemoan the lack of a flash hot shoe and Raw mode, but these are still rare on this class of camera. And things like chromatic aberration and focus hunting at the long end of the zoom are common to most competitor models. The smaller screen is a pity, but the H2's screen is surprisingly good, and the flip side of the downgrade is a significant improvement in battery life - and you get a higher resolution viewfinder.'

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Jun 28: Ricoh Caplio RR660

Ricoh-Rr660The Ricoh Caplio RR6600 is a 6 megapixel (CCD) point and shoot camera with a 3x Optical Zoom and 2.4 inch LCD screen.

Ricoh Caplio RR660 Major Specifications


CCD - Effective 6.16 million square pixels (6.36 million pixels), 1/2.5-inch primary color CCD
Lens Focal length - f=5.5-16.5mm (equivalent to 34-102mm for 35mm cameras)
Brightness - (F value) F2.8 (W)-4.8 (T)
Zoom - Optical 3x zoom (up to 12x zoom when combined with digital zoom)
Object Distance - Approx. 0.4m- , Macro: approx. 0.05m-0.4m (Wide), approx. 0.35m-0.4m (Telephoto)
Shutter - <Still> - 1-1/1000 sec.
Recording Media SD Memory Card (3.3V 32MB-1GB),
Internal memory (16MB)
Resolution (pixels) - <Still> 2816 x 2112, 2272 x 1704, 1600 x 1200, 640 x 480 - <Video> 320 x 240 20fps
Recording Mode - Still (Auto, Program, Portrait, Landscape, Sports, Night), Video
LCD Monitor - 2.4-inch color TFT-LCD (110,000 pixels)
Battery - AA alkaline or Ni-MH rechargeable battery x2
Dimensions - 87.0mm(W) x 25.5mm(D) x 60.0mm(H)
Weight - Approx. 130g (without batteries, hand strap, SD Memory Card)

Ricoh Caplio RR660 News Release

Easy shooting at a friendly price with RR660

August 2006 - Adding more exciting and user-friendly features to its extremely popular RR630 predecessor, the new, sleeker Caplio RR660 is a competitively priced addition to Ricoh’s popular, award winning digital camera range.

The new compact 6.16-megapixel camera, with the ‘point and shoot’ ability of the RR630, now boasts a larger 2.4inch colour TFT-LCD monitor for crystal clear images and easier viewing. And it ensures that even absolute beginners will have no trouble impressing friends and family with stunning digital images. The new monitor also features 110,000 pixel resolution, providing clear play back of images.

Fitting easily into the palm of your hand or pocket, the super-light 130g* RR660 contains six still modes, offering more exciting options for those who like to add a touch of creativity to their digital imagery. The Mode dial can be set to Auto, Program, Portrait, Landscape, Sports and Night Scene, as well as the ever-popular Movie mode, allowing extensive choice and usability. In addition, Macro mode means the RR660 can capture images as close as 5cm from the subject.

By combining a large 6 megapixel processor with a sharp 3x optical zoom, the RR660 will provide entry level digital photographers with the confidence to produce consistently striking, crystal-clear images. In addition, the RR660 also offers a 4x digital zoom.

The RR660 contains 16MB of internal memory and features an SD card slot for additional memory space.

It comes with a camera case and accepts regular AA batteries for convenience when you’re on the move. The USB connector allows easy transfer of photos to a PC. The Caplio RR660 is PictBridge enabled and has a bonus PC web cam.

*Without battery and SD card.

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Jun 28: DCRP Review: Kodak EasyShare V610

Kodak-Easyshare-V610 DCRP has posted their review of the Kodak EasyShare V610 and writes - 'Camera performance was good in most respects. The V610 starts up quickly, focus times are decent, and shutter lag wasn't a problem. There wasn't much of a delay between shots, either. The continuous shooting mode was fair (eight shots at 1.8 fps), but most of the competition does a better job these days... Overall I have mixed feelings about the EasyShare V610. I like the idea of having a compact ultra zoom camera, but I'd prefer one with better photo quality and battery life (to name a few things). With a retail price of $450, the V610 is expensive. For $100 less you can buy the vastly superior Panasonic Lumix DMC-TZ1, which is a little bigger, but offers a continuous zoom lens and optical image stabilization.'

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Jun 28: Fujifilm FinePix V10 Review at Imaging Resource

Fujifilm-Finepix-V10 Imaging Resource reviews the Fujifilm FinePix V10 and writes - 'There's a lot to like on the Fujifilm FinePix V10. It's a sleek and snazzy snapshooter with a huge 3-inch LCD with very good resolution that makes composing shots on the live screen and image playback a joy. The Fujifilm V10 is also reasonably responsive, powering on quickly and moving briskly from shot to shot so you're always ready to take pictures. Under adequate lighting, this photo monster gobbles up images in standard mode almost as fast as in its "high-speed" Continuous mode. Images captured in outdoor daylight and well-lit indoor conditions had crisp color and sharpness. In particular, pictures I took of tuna and salmon steaks at a fish store were so life-like it made me hungry.'

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Jun 28: Panasonic Lumix DMC-FX9 Review at Trusted Reviews

Trusted Reviews has posted their review of the Panasonic Lumix DMC-FX9 where they write - 'It’s very sad to see the illustrious Leica name attached to such a substandard camera, but in fairness the lens is probably the best part of it. It is a bit slow at f2.8-f5, but produces reasonably good edge-to-edge sharpness, and manages to avoid serious barrel distortion in wide-angle shots.... Although it looks great, performs well and has the Leica name above the lens, the Panasonic Lumix DMC-FX9 fails to deliver the expected picture quality, especially considering the cost when compared to many other 6MP ultra-compacts. A very disappointing camera from a company that can do better.'

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Jun 27: 'How To' Photography Tutorials

Fireworks-3It's been a week or so since I last updated you on what the latest digital camera tips at DPS were. So here's the latest 10 tutorials:

  1. How to Photography Fireworks - just in time for 4th July
  2. An Introduction to types of DSLR Lenses - the start of a series hoping to answer 'which lens should I buy?'
  3. Factors to Consider When Shopping for a DSLR Lens - some of the basic things to keep in mind when hunting for a new lens
  4. Black and White Digital photography - In Camera or Post Production? - which is best?
  5. Photographing Urban Landscapes - Urban Photography is an increasingly popular genre - here's some tips on how to do it
  6. Using Flash Diffusers and Reflectors - how to soften flash photography with diffusers
  7. How to Take Great Group Photos - one of the most common types of photos - yet one so many people mess up
  8. Create Active Space in Your Photography - a tip for photographing moving subjects
  9. How to Make Digital Photos Look Like Lomo Photography - Lomography is a raging craze and this tutorial aims to help digital camera owners capture the Lomo look and feel in your digital images
  10. Telling Stories with Photos - using a series of photos to tell stories

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Jun 27: Sony Cyber-Shot DSC-H5 Review at Steves Digicams

Sony-Cybershot-Dsc-H5 Steves Digicams reviews the Sony Cyber-Shot DSC-H5 and writes - 'If you're looking for a light-weight, stylish, moderately-priced digicam that is versatile enough to handle most family events while getting you close to sports action or wildlife, the SONY Cyber-shot H5 should be high on your list. You should also consider the Canon PowerShot S3 IS. Both cameras carry similar specifications and are capable of delivering high-quality images. The S3 IS advantages include better Continuous AF tracking of moving subjects, industry-leading movie mode, articulating LCD monitor, faster shutter speeds and greater continuous shooting speed and buffer depth. On the other hand, the H5 provides greater indoor flash range and AF-assist performance, a larger LCD monitor, lower image noise at high ISO settings, ISO 1000, Smart Digital Zoom, Multi Burst mode and an extra 1-megapixel of resolution.'

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Jun 27: Nikon L2 Review at ThinkCamera

Nikon-Coolpix-L2 Think Camera have posted their review the Nikon L2 where they give it a rating of 5 stars (out of 5) and write - 'This camera suits non-technical users who want fast access to some fairly advanced functionality. It really is a camera that you can just pick up and start using immediately. The colour photos I took at 6 megapixels came out very well, and it coped admirably with overcast conditions. The colours were sharp and the borders between different areas of the photo produced the right amount of contrast.... The Nikon L2 is compact, stylish and easy to use. Beneath this camera's sleek exterior lies a good range of features which are genuinely effective, not gimmicky. Perhaps designed with the youth market in mind, it deserves to be considered by a wider audience.'

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Jun 26: Casio Exilim Card EX-S600D

Casio-Exilim-Card-Ex-S600D
The Casio Exilim Card EX-S600D is a 6.0 megapixel digital camera with a 3x Optical Zoom, 2.2 inch LCD and anti-shake technology.

it is an upgrade of the EX-S600 with the main upgrade being the ability to shoot high quality movies in DivX format.

Also featured on the EX-S600D is a 'super life battery' that Casio say will take up to 300 still shots, 'revive shot' which refereshes colors of old photos and 'past movie' which will start recording the movie 5 seconds before you actually press the record button (that would be handy).

Casio Exilim Card EX-S600D News Release

CASIO EUROPE GmbH and its parent company, CASIO COMPUTER CO., LTD., have announced the release of the EXILIM CARD EX-S600D, an ultra-slim, card-sized, high-resolution digital camera. This latest 6.0 megapixel addition to the stylish EXILIM digital camera series can also take high-quality movies in DivX format, a video compression technology developed by DivX, Inc. of the United States.

Fitting easily into a pocket, EXILIM CARD digital cameras are ready to go wherever their users go, so no one has to miss a once-in-a-lifetime photographic moment again. CASIO has previously released the EX-S600, which shoots 6.0 megapixel photos and takes high-quality movies in MPEG-4 format. The EX-S600 has been a hit among people who want a digital camera that makes it a snap to shoot both still pictures and movies.

The new EX-S600D has all the features of the EX-S600, but it can take movies in the DivX format. The new model will be sold primarily online in Europe.

DivX is a cutting-edge video compression technology which delivers high-quality video in reduced file sizes. It also allows users to save movies on CD-R and DVD-R computer media without the time-consuming hassle of having to convert file formats. And with a DivX-Certified DVD player, users can enjoy DivX movies on their TVs. By building DivX into the new EX-S600D, CASIO has expanded the world of movie-making fun, making it easier than ever before to give the gift of a special moment on DVD to friends and family.

This latest addition to the EXILIM CARD series offers all the popular features of its forerunner, the EX-S600. These include:

* Anti Shake DSP for reducing photo blur due to shaky hands or moving subjects and movie blur due to shaky hands
* Super Life Battery for about 300 still pictures (CIPA standard)
* Revive Shot for refreshing the faded colors of old photographs, using digital technology to bring them back to life
* Past Movie, which starts recording the movie 5 seconds before the Record button is pressed

The addition of the EX-S600D to the EXILIM CARD digital camera series makes it even more fun to shoot photos and movies, creating whole new possibilities in digital photography.

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Jun 26: Fujifilm Finepix F470 Review at Digital Camera Review

Fujifilm-Finepix-F470 Digital Camera Review has reviewed the Fujifilm Finepix F470 where they write - 'When it comes to image quality, the F470 delivers the goods. Color is bright, vivid, and hue accurate. Skin tones are a little ruddy. Like most consumer digital cameras red and blue are slightly punched up, but not garishly so. White balance is very accurate outdoors, but I did notice a very slight warmish cast in some interior shots. Images shot at ISO 64 and 100 had extremely low noise levels with balanced contrast and very good shadow and highlight detail. Noise levels start to pick up noticeably at ISO 200, but not objectionably so. ISO 400 images show noticeable noise and some lost detail, but they should be fine for e-mail or 3x5/4x6 prints.'

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Jun 26: Panasonic Lumix DMC-LZ5 Review at Lets Go Digital

Panasonic-Lumix-Dmc-Lz5-1 Lets Go Digital has posted their review of the Panasonic Lumix DMC-LZ5 where they give it a rating of 77% and write - 'At the end of the tests, the Panasonic LZ5 leaves us with a pleasant and particularly positive feeling. For its price-tag, the camera offers the consumer a great deal of ease and functionality. The novice photographer will undoubtedly feel happy as a king with so much user convenience. It is impressive to see how Panasonic manage to integrate the MEGA O.I.S. into all their digital cameras. This feature is a truly valuable asset of the LUMIX digital camera. The Panasonic Lumix DMC LZ5 is a superb digital camera for those who consider themselves novice digital photographers, but do desire that little bit extra from the zoom range. All in all, the Panasonic LZ5 forms an excellent first step to a future advanced camera - and who knows, perhaps even to a future (Panasonic) D-SLR camera?'

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Jun 26: Olympus Stylus 810 / µ [mju:] 810 Review at DC Views

DC Views has posted their review of the Olympus Stylus 810 / µ [mju:] 810 and writes - 'Thanks to some clever automatic functions this Olympus Stylus 810 is a point-and-shoot model that can be used by any member of the family and deliver sharp and crisp results every time. Its compact size, durable construction and weatherproofing means it can be used under all circumstances and carried with you wherever you go. Image quality of this 8-megapixel model is excellent and its versatility, coupled to its user-friendly controls and multiple exposure modes, make it an ideal companion for those who are looking for a quality compact that can be operated without having to worry about extensive or complicated camera settings. And if you were planning to buy a compact for the holidays anyway, we think this Olympus would not be a bad choice at all.'

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Jun 26: Samsung Digimax S600 Review at CNET

Samsung-Digimax-S600 CNET reviews the Samsung Digimax S600 digital camera and gives it a ranking of 5.2 out of 10. They review it by writing - 'Measuring 3.8 by 2.4 by 1 inches and weighing just 4.8 ounces, the Samsung Digimax S600 fits nicely in a jacket pocket, and its curved grip makes it easy to hold. The sparse, silver-and-gray look won't turn any heads, but isn't ugly either. Its 3X optical, 35mm-to-105mm (35mm equivalent), f/2.8-to-f/4.9 zoom lens extends outward from the camera front when powered up and retracts when turned off.'

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Jun 26: Sony Cyber-shot DSC-S500

Sony-Cybershot-Dsc-S500The Sony Cyber-Shot DSC-S500 is a 6.0 megapixel digital camera with a 3X optical zoom lens, 25 megabytes of internal memory and a 2.4 inch LCD screen.

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Sony Cyber-shot DSC-S500 Features


6.0 Megapixel Super HAD CCD
More megapixels give you more detail and definition when you make big prints or crop in tight on your subject. The Sony advanced Super HAD (Hole Accumulated Diode) CCD design allows more light to pass to each pixel, increasing sensitivity and reducing noise.

3X Optical/2X Digital Zoom
3X Optical Zoom helps the DSC-S500 bring distant subjects closer and lets you frame shots for better composition; the Sony precision 2X Digital Zoom provides an additional 2X magnification to zoom in close without jagged edges.

Capture Images In-Camera
With 25 MB2 Internal Memory, the DSC-S500 allows you to shoot without using a memory card -- then easily transfer your images to optional Memory Stick Duo media, upload photos to your computer or make prints on your digital printer.

Large 2.4”1 LCD Screen
The DSC-S500 gives you a big, bright LCD screen for reading camera menus, composing shots, checking results and sharing your photos on location.

Convenient Photo Modes
To adjust quickly for specific shooting situations, the DSC-S500 lets you choose from several convenient photo modes: Auto, P-Auto, and Scene Selections for Twilight, Twilight Portrait, Landscape, Soft Snap, Candlelight, and Beach environments.

QVGA Movie Mode
The DSC-S500 can capture 320 x 240 AVI audio/video clips at high frame rate (up to 30 frames per second), with length limited only by the capacity of your media.

Burst Mode
You can fire off three shots automatically at 1-second intervals (VGA standard mode) or 2-second intervals (6 MP mode) -- a great way to capture a child’s first steps or a pet’s best tricks.

Stamina Battery Power
With optional Sony NiMH rechargeable batteries, you can capture up to an amazing 3502 shots -- shooting capacity that’s about the equivalent of 10 rolls of 35mm film. With supplied AA alkaline batteries, the DSC-S500 can capture up to 602 shots.

Memory Stick Duo Media Convenience
The DSC-S500 has a built-in slot for optional Memory Stick Duo media -- the compact, high-capacity storage media that are compatible with millions of devices worldwide.

Cyber-shot Viewer Software
Sony’s new software that makes it easier to upload images from camera or Memory Stick Duo media -- then organize and browse through photos on your PC screen by simply scrolling through thumbnail images.

Get a Price on the Sony Cybershot S500

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Jun 24: Samsung Digimax S500 Review at CNET

Samsung-Digimax-S500 CNET reviews the Samsung Digimax S500 and writes - 'Samsung calls its S-series cameras point-and-shoots, but these slim snappers offer controls that could help them break away from the usual crop of mindless auto-only cameras. Before you get your hopes up, we have to warn that the Samsung Digimax S500's image quality leaves quite a bit to be desired. You'd be better served eschewing the controls offered here and opting for something along the lines of Nikon's Coolpix L3, which delivers better image quality and a touch more style for about the same price.'

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Jun 23: Nikon Coolpix S5 Review at Imaging Resource

Nikon-Coolpix-S5Imaging Resource has posted their review of the Nikon Coolpix S5 where they write - 'Though it might not lead the pack based on image quality alone, the Nikon Coolpix S5 has a lot going for it in a camera this small. For starters, the Nikon S5's svelte metallic chassis is one of the thinnest I've used, making it the perfect camera to slip into your pocket and forget about until you're ready to take pictures. Along with being thin, the camera boasts a distinctive wave-like design that's less than a inch thick on the right side, providing a convenient handgrip. The left half of the camera has a slight ripple to house the impressive 3x optical Nikkor ED glass lens which does not protrude from the body even at full zoom. The majority of the rear of the Nikon S5 is taken up by the camera's nice 2.5-inch LCD which produces great playback and live preview thanks to the screen's 230,000 pixels.'

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Jun 23: Canon PowerShot S3 IS Review at Digital Camera Info

Canon-Powershot-S3-IsDigital Camera Info reviews the Canon PowerShot S3 IS and writes - 'The Canon PowerShot S3 IS comes to the ultra-zoom digital camera market with a unique set of features. It has the 12x optical zoom lens that qualifies it as part of the ultra-zoom market and couples it with an optical image stabilization system that works incredibly well. Canon put the lens on a chunky SLR-shaped body that looks almost professional with its black finish. The S3 has lots of options in its movie mode that aren’t available on any other digital camera and includes dual recording buttons so users can snap full-resolution pictures in the middle of a video clip. The optical zoom functions in the movie mode – and even looks smooth with the image stabilization system activated. Users can adjust everything from the audio sampling rate to the microphone level and wind filter feature. The still recording features are just as extensive. Full manual control is available, although the manual focusing feature is difficult to execute with the poor viewfinder and LCD resolution.'

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Jun 23: Acer CP-8660

Acer-Cp8660
The Acer CP-8660 is a new 8 megapixel point and shoot digital camera with a 6x Optical Zoom lens and 2.8 inch LCD screen.

It features 25 megabytes of internal memory, anti-shake DSP and it weighs 180 grams.

Acer CP-8660 News Release

Acer, one of the world's leading proponents of the convergence between PCs and Digital Entertainment, further enhances its range of professional Digital Still Camera with the new 8-megapixel Acer CP-8660.

As Acer's flagship digital camera, the Acer CP-8660 is the result of a winning combination among powerful 8.28 MP resolution, a generous 2.8" LCD screen, long-range Acer precision lens with 6X optical and 8.5X digital zoom capability, great design, 25 MB internal memory and SD card compatibility. In addition, the Acer CP-8660 carries the most appealing price tag within its class

The CP-8660 digital camera is Acer's first camera to be equipped with Anti-shake DSP (Digital Signal Processor) technology that overcomes image blur by compensating imperceptible hand movements or the motion of a moving subject. Anti-Shake technology helps achieve the sharpest image possible thanks to electronic image stabilization.

Resolution
With More than 8 MP resolution, the CP-8660 finely reproduces even the smallest detail, giving sharpness and clarity to every shoot. Such resolution is recommended for large prints (up to A3 format) and high-resolution image applications.

Large and great quality display
The Acer CP-8660 also incorporates a generous 2.8" LCD that also uses the latest in LCD technology: LTPS (Low Temperature Poly Silicon). Benefits of this material include increased screen brightness, enhanced durability and improved compactness.

Lens quality and shooting versatility
Equipped with long range Acer precision lens, the Acer CP-8660 features 6X optical and 8.5X digital zoom capability enabling effortless focus on subjects near or far. What's more, 2cm macro mode focal range permits easy and sharp close-up captures.

Great Design
Compactness, first. With dimensions of 96 x 61 x 29 mm, the Acer CP-8660 is extremely manageable guaranteeing extreme confidence and comfort in every shooting situation.

Memory to get started
Offering 25 MB internal memory, the Acer CP-8660 digital camera is ready to shoot wonderful pictures right out of the box. For photo collectors, the CP-8660 can extend its storage capacity up to 1GB with a SD Card.

... and more
The CP-8660 also features video recording (at maximum 640 x 480 pixel resolution at 30 fps), with voice, enabling users to 'voice-caption' their pictures and record their thoughts and ideas while out and about.

The CP-8660 ensures smooth and effortless PC connection thanks to the latest high-speed USB 2.0 interface. Users can download pictures to their computer in a flash, while PictBridge printing compatibility enables rapid photo printing from any PictBridge-compatible printer.

Weighing only 180 grams (without battery), the Acer CP-8660 is elegantly crafted in a matt black aluminium housing, with an ergonomic design that ensures a comfortable grip.

Acer Digital Cameras come with a two years return to base warranty.

Acer CP-8660 Reviews

Trusted Reviews has a review of the Acer CP-8660 and writes, "Picture quality is of course the most important criteria, and here the CP-8660 can provide good results under the right circumstances. Colour rendition is very natural, and in good light and normal conditions the exposure system produces generally nice shots. Oddly the ‘vivid’ colour mode didn’t appear to make any difference to colour rendition at all. ... The CP-8660 is, as I said at the start, an audacious camera but as it turns out, overly so. It does offer a unique combination of features but performance is slow and the anti-shake system is largely ineffective. However, picture quality is generally adequate and the 6x zoom range is very useful. The problem is that there are better cameras on the market that can beat it in every respect, and for about the same price."

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Jun 23: Kodak EasyShare C663 Review at Imaging Resource

Kodak-C663-1Imaging resource posts their review of the Kodak EasyShare C663 where they write - 'Based on ease of use alone, Kodak's EasyShare digital cameras are a beginning photographer's dream. While that simplicity has long been Kodak's hallmark, some of its latest models have been upping the ante with new features and functions not seen on entry-level models. The Kodak C663 is a good example of a camera with some kick. Offering a substantial 6-megapixel sensor, a sharp Schneider-Kreuznach Variogon 3x optical zoom lens, good color and accurate skin tones, increased manual control and Kodak Perfect Touch technology -- which is new to Kodak's digital cameras and is designed to improve brightness in the shadow areas of images without blowing out the highlights -- the Kodak C663 is definitely not your father's entry-level digital camera. For the most part, these improvements are a great upgrade, putting the Kodak C663 in the same league as cameras like Canon's hugely popular A-Series which have done a great job of balancing ease-of-use with advanced control.'

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Jun 23: Nikon D200 DSLR Review at Trusted Reviews

Nikon-D200-1-2-1 Trusted Reviews has posted their review of the Nikon D200 DSLR and writes - 'The Nikon D200 plugs a wide gap in Nikon’s DSLR range, and provides a bridge between the consumer-oriented D50, D70 and venerable D100, and the giddy heights of the D2x and D2h. It is big, heavy and expensive, but it provides the kind of build quality and performance that the serious amateur or semi-professional will be looking for. The lack of in-camera processing control is surprising, but with the right RAW conversion software it can produce truly stunning results.'

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Jun 23: Samsung Digimax GX-1S Review at DCRP

Samsung-Gx1DCRP has posted their review of the Samsung Digimax GX-1S where they recommend - 'While the GX-1S is the smallest D-SLR on the market, it doesn't feel too small, like the Canon Rebel XT. Build quality is very good, not feeling cheap at all (again, like the Rebel XT). The large right hand grip makes the camera easy to hold, and the important controls are right where you'd expect them. The GX-1S supports Pentax K-AF lenses (Samsung has put their name on a few of them), which isn't surprising, as this camera is the *ist DS2. The camera has a large, high resolution LCD display plus an LCD info display on top of the camera. Unfortunately, this latter LCD lacks a backlight, making it impossible to see in low light. The optical viewfinder is large and bright, and it shows 95% of the frame. Being a digital SLR, all kinds of add-ons are available, and you can use accessories from both Pentax and Samsung. The GX-1S also gets points for being one of the few D-SLRs that uses AA batteries.'

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Jun 23: Fuji F30 Review at NeoCamera

Fujifilm-Finepix-F30 NeoCamera review the Fuji F30 and write - 'The Fuji Finepix F30 is an exceptional ultra-compact digital camera which delivers high-quality images with incredibly low image noise. This is the first non-SLR to produce usable images up to ISO 3200, enabling new photographic opportunities. Even more than its predecessor, the F30 is a great camera for indoor photographs due to its high-ISO capabalities, its ultra-compact size and very durable battery life.'

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Jun 23: Sony DSC W70 Review at Cameras.co.uk

Sony-Cybershot-Dsc-W70-2 Cameras.co.uk review the Sony DSC W70 where they write - 'The Sony DSC W70 is a relatively straightforward digital camera. In is small enough to slip into a pocket and can be carried anywhere with you. It has seven megapixels and a 3x optical zoom lens. The DSC W70 is ideal for holiday snaps and all the usual photo opportunities you find at family get togethers and various social functions.... The Sony DSC W70 is a sensibly priced pocket sized digital camera. There are a lot of plus points about the camera. These include picture quality and ease of use. The camera also has a pleasant, simple design. Definitely worth a close look.'

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Jun 23: Canon Powershot A700 Review at Digital Cameras Blog

Canon-Powershot-A700 Digital Cameras Blog has posted their review of the Canon Powershot A700 where they write - 'Overall this is a pretty decent camera. If you don’t mind the long wait after taking a flash picture or the cheap feel to it, then it really does have some great features. The 6x optical zoom, the video mode, and the 2.5 inch LCD are all absolutely wonderful. It seems to get in focus really quickly as I never had one problem with the focus taking a while to pick up. It has 20 different shooting modes including portrait, landscape, night scene, snow, indoor, among others. It does take AA batteries as opposed to a rechargable battery pack, so keep that in consideration. '

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Jun 22: Panasonic Give more Details on DMC-L1 DSLR

Panasonic-Lumix-Dmc Panasonic have released further details on the previously announced Panasonic DMC-L1 DSLR.

Read their latest details on their first DSLR in the following Press Release:

Panasonic Announces Availability Of The Lumix DMC-L1 In The United States

Company's First Digital SLR Camera Comes To North America

Panasonic Corporation of North America (NYSE: MC) today announced the availability of its first digital single-lens reflex (SLR) camera with an interchangeable lens, the DMC-L1, in the United States. The camera will be available beginning early September for a suggested retail price of $1,999. The camera comes equipped with a LEICA D VARIO-ELMARIT lens featuring the industry's first optical image stabilization system - MEGA O.I.S - designed specifically for the Leica lens.

"With the DMC-L1, we confirm Panasonic's position as a leader in the imaging category," noted Rich Campbell, Director of the Imaging Group for Panasonic. "In this camera, we have incorporated today's most advanced digital technologies while maintaining the attractive look and operating feel of the traditional film camera. The DMC-L1 is the flagship model in our digital camera line. It delivers clear, detailed, beautiful imaging, free of unwanted digital characteristics, and allows advanced photographers and hobbyists alike satisfying, intuitive shooting from a digital SLR."

The DMC-L1 features a magnesium-alloy body, which closely resembles the body design of a rangefinder camera from days past, and combines an aluminum-alloy lens section to offer both high rigidity and a high-grade appearance. When combined with the shutter speed dial on the camera top and the aperture ring on the LEICA D VARIO-ELMARIT 14-50mm/F2.8-3.5 lens, the user receives easy, intuitive control of the exposure, rendering superior images.

The DMC-L1 ensures picture quality through incorporation of a Live MOS image sensor and a lens mount system that conforms to the Four Thirds™ Standard. A full-time Live View function uses a signal output directly from the Live MOS sensor, allowing users to view the same image on the LCD screen as seen by the sensor and to compose shots with greater ease and accuracy.

The camera also offers a dust reduction system that eliminates digital SLR cameras' long-standing problem of dust adhering to the sensor. Panasonic has solved this problem by equipping the DMC-L1 with a Supersonic Wave Filter system that uses supersonic vibration to shake off any dust clinging to the sensor. This simplifies camera maintenance and eliminates worries about dust entering the camera body when lenses are being changed.

By incorporating advanced imaging and power management with its Venus Engine LSI, optical image stabilization, and Leica lenses, Panasonic has created a premium line of digital cameras, now led by the DMC-L1.

About Panasonic Consumer Electronics Company
Based in Secaucus, N.J., Panasonic Consumer Electronics Company is a Division of Panasonic Corporation of North America, the principal North American subsidiary of Matsushita Electric Industrial Co. Ltd. (NYSE: MC) and the hub of Panasonic's U.S. marketing, sales, service and R&D operations. Information about Panasonic products is available at www.panasonic.com. Additional company information for journalists is available at www.panasonic.com/pressroom.

Extended Notes

A pleasure to hold and use
The DMC-L1 design reflects Panasonic's diligent pursuit of more than just high functionality. A shutter speed dial on the camera top enhances the user's sense of control. An aperture ring, along with a focus ring and zoom ring, is provided on the LEICA D VARIO-ELMARIT 14-50mm/F2.8 ASPH lens. These rings and the shutter dial combine to give the user quick, intuitive camera control for comfortable shooting in a range of situations. With the DMC-L1, users experience the responsive, satisfying performance that one would expect in a finely crafted camera.

The DMC-L1 also offers a high-grade appearance and high reliability and durability thanks to the use of a lightweight, high-rigidity magnesium alloy for the camera body. The body periphery and grip are covered with a textured, simulated leather that helps ensure a secure, slip-free hold.

Superb image rendering
The LEICA D VARIO-ELMARIT lens, the first interchangeable lens designed specifically for digital cameras to bear the Leica name, is a standard zoom lens developed jointly by and combining the optical technologies of Leica Camera AG and Panasonic. A new set of quality standards were created specifically for this lens, to ensure that it would bring out the best performance of the camera it is coupled with.

With a focal length range equivalent to 28mm (wide) to 100mm (medium telescopic) on a 35mm film camera, the Leica D lens provides exceptional results with everything from portraits to landscapes. This bright F2.8-3.5 lens allows maximum use of the out-of-focus techniques possible only with an SLR camera.

The lens also provides outstanding macro shooting, thanks to a 29 cm minimum shooting distance (0.32x maximum magnification, 35mm equivalent) across the entire zoom range. From landscapes to portraits to macro close-ups, the Leica D zoom lens excels in a wide variety of shooting situations.

The lens system comprises 16 elements in 12 groups and features two large-diameter glass-molded aspherical lenses. Meeting the Leica D lens lofty quality standards, this lens unit provides a superior optical performance and matches perfectly with the digital SLR camera body. The result is exquisite rendering, with images that offer clarity, depth, and rich expression from corner to corner, even at a fully open aperture.

The optical image stabilization system - MEGA O.I.S - provided in the lens unit helps minimize blurring to ensure that photos are sharp even in situations when hand-movement is typically a problem, such as when taking macro close-ups, indoor shots, or night portrait shots. Thanks to the gyrosensors and Venus Engine Plus LSI built into the lens, the system detects camera movement at a rate of 4,000 times per second, so hand-movement compensation is extremely precise.

There are two image stabilization modes. In Mode 1 the hand-movement compensation function remains active at all times, so the image in the LCD and viewfinder is clear, which makes shots easier to compose. In Mode 2 the system activates only when the shutter button is pressed; this provides a more precise compensation performance. Users can select whichever mode they prefer in a specific situation.
*The image stabilization system may not prevent blurring in all situations, such as when the shutter speed is extremely slow or there is excessive hand-movement or camera vibration.

Full-time Live View
Panasonic has developed a full-time Live View function that lets users accurately compose photos while viewing the high-resolution 2.5" LCD screen. In previous digital SLR cameras, a "live" image could be seen only through the viewfinder. The new full-time Live View function thus represents a dramatic change in digital SLR photography, giving users new ways to shoot.

Full-time Live View provides a 100 percent view field coverage (that is, the same image seen by the image sensor) on the DMC-L1's large, 2.5" LCD monitor. Users can compose a shot easily and accurately while viewing the screen. The screen also displays critical information such as a live histogram and white balance, which users can easily check prior to snapping the shot. When a tripod is used, full-time Live View lets users compose the image without bending to peer through the viewfinder. In these ways, users will find that full-time Live View gives them both more shooting flexibility and greater convenience.

The Live MOS image sensor must remain ON when full-time Live View is in use. The Live MOS sensor has a full-time image output function that sends a signal directly to the LCD, allowing high-quality display on the LCD screen of the same image seen in the sensor. Note that when the full-time Live View function is active, the internal mirror is in the raised position, which means that there will be no image visible in the optical viewfinder.

Users can take advantage of the revolutionary full-time Live View function in both Auto Focus and Manual Focus modes. When using Manual Focus, users can select a particular area within the frame and enlarge it up to 10x. Then, viewing the DMC-L1's 2.5" 207,000-pixel LCD screen, it is easy to check the focus. It is also possible, by pressing the aperture preview button, to check the depth of field. When the aperture is being adjusted, the DMC-L1 automatically adjusts the brightness of the full-time Live View image on the LCD screen to prevent it from becoming too dark to see. This makes it easier to check the depth of field.

4/3-type 7.5-megapixel, high-resolution, energy-saving Live MOS sensor
The Live MOS sensor used in the DMC-L1 provides beautiful images with delicate gradation and wide dynamic range that only a CCD image sensor can provide. To this it adds the low energy consumption only a CMOS sensor can offer. The use of dedicated processing technology enables operation at a low voltage of 5 V, minimizing noise in darker parts of an image. Also, photodiodes embedded deeply in the silicon layer create a structure that suppresses noise generated on the substrate surface. As a result, the white-spot pixel defects and textural roughness that often characterize images captured in dim lighting are minimized, so photos are crisp and clear.

Dust reduction system
One of the most critical issues with digital SLR cameras with interchangeable lenses is the possibility of dust entering the camera body during lens changes. This dust can adhere to the image sensor and show up as spots on photos taken. Panasonic has solved this problem by equipping the DMC-L1 with a Supersonic Wave Filter system that uses supersonic vibration to shake off any dust clinging to the sensor. This simplifies camera maintenance and eliminates worries about dust entering the camera body when lenses are being changed outdoors, so users can enjoy themselves and just concentrate on shooting.

Venus Engine III image processing LSI
The Venus Engine III is an image processing LSI developed by Panasonic to maximize the performance of the Leica D lens and Live MOS sensor. This advanced LSI not only helps reproduce images with outstanding resolution, superior color and detailed gradation, it also distinguishes chromatic noise from luminance noise and selectively reduces the chromatic noise, one of the chief sources of image quality problems. This helps the DMC-L1 deliver the superb image rendering one expects from a quality SLR camera. The Venus Engine III also works swiftly, helping give the DMC-L1 a quick startup time of 0.8 seconds, shorter shutter interval, and improved consecutive shooting performance.

Further, the Venus Engine III consumes 20% less power than its predecessor, the Venus Engine II. This combines with the Live MOS sensor's low energy consumption to give the DMC-L1 longer battery life. Users can take around 450 shots (CIPA standard) on a single battery charge.

Film mode
In film cameras, the brand of film used affects the color characteristics, gradation and color saturation of the photos taken. This gives photographers the option of choosing a particular brand of film to attain a particular desired effect. The DMC-L1 provides a similar option by giving the user a total of seven "film" modes to choose from, including four color settings (Standard, Dynamic, Natural and Smooth) and three monochrome settings (Standard, Dynamic and Smooth). Just as photographers can switch film brands to change the imaging characteristics, DMC-L1 users can switch modes to achieve a similar effect.

Two-axis white balance adjustment
In addition to the conventional white balance setting, the DMC-L1 features a two-axis setting system that allows even finer white balance adjustment. Making adjustments along a horizontal amber-blue axis and a vertical green-magenta axis, users can set the camera for detailed color cast compensation over virtually the entire color space.

Extra Optical Zoom*
When the camera is set to record at less than the maximum number of pixels, users can take advantage of an Extra Optical Zoom function*. This function alters the 7.5-megapixel Live MOS sensor's operating area, to vary the angle of view and increase the maximum zoom ratio.

Unlike a digital zoom, the Extra Optical Zoom function extends the focal length 1.5 times** (when shooting at 3-megapixel or a lower-resolution mode) without degrading the image. Users enjoy extra zoom power without loss of picture quality.
*Only applicable in using full-time Live View function.
**When the DMC-L1 is used with the LEICA D VARIO-ELMARIT 14-50mm/F2.8-3.5 ASPH lens provided.

Other features and functions

* Supports SDHC format
* Compatible with external TTL flash units (models DMW-FL500, DMW-FL360)
* Auto bracket function - shoots three or five photos at exposures changing in steps of +1/3 to 1 EV
Equipped with a shutter-speed Bulb setting (8 minutes max.)

Variety of accessories

• Leather Bag DMW-BAL1
• Shoulder Strap DMW-SSTL1
• Battery Pack CGR-S603
• Remote Shutter DMW-RSL1
• MC Protector DMW-LMCH72
• PL Filter DMW-LPL72
• External Flash (GN50) DMW-FL500
• External Flash (GN36) DMW-FL360

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Jun 22: Casio Exilim Zoom EX-Z70

Casio-Ex-Z70-FrontThe Casio Exilim Zoom EX-Z70 is a 7.2 megapixel point and shoot digital camera with a 3x Optical Zoom, 2.5 inch LCD display and anti shake technology.

The Casio Exilim EX-Z70 will sit just above the very similar Z60 (a 6 megapixel version) and will share many similar features.

It comes in black and silver and is set to retail for a price of £229.99 in the UK and is set to be available in stores there in August of this year.

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Casio Exilim Zoom EX-Z70 News Release

CASIO ELECTRONICS CO. LTD. and its parent company, CASIO COMPUTER CO., LTD., announced today the release of the EXILIM ZOOM EX-Z70, a new addition to its stylish series of EXILIM digital cameras. This newest high resolution member of the EXILIM family delivers an effective 7.2 megapixels.

The EXILIM series has a reputation for transforming the digital camera market. Slim and stylish, packed with superior functionality, and astonishingly easy to use, EXILIM cameras combine the benefits of compact size, intuitive controls, large displays, and long battery life. The release of the new EX-Z70 complements the already available EX-Z60, a high-performance, 6.0 megapixel model released earlier this year. The EX-Z70 increases the resolution to 7.2 megapixels for even more detailed, beautiful photographs.

Casio-Ex-Z70-Back

Like its forerunner, the EX-Z70 features Easy Mode, a user-friendly camera menu for beginners. Easy Mode simplifies the wide array of camera settings to three easy menus (image size, flash, and self-timer). With Easy Mode, users can make camera settings using simple onscreen descriptions, enabling even beginners to get started right away with the fun of photography. A combination of other powerful features ensures that beautiful photos are captured with just a touch of the shutter button:

* Anti Shake DSP for reducing photo blur due to shaky hands or moving subjects
* BEST SHOT function for getting optimal photo results simply by selecting a sample image of the type of scene the user wants to shoot
* Large 2.5 inch LCD for great visibility.

The camera’s lightweight aluminium body comes finished in either luxurious black or high quality silver. The top of the body is rounded to give it a soft look, and the overall design is a perfect blend of fashion and functionality. The EX-Z70 captures those priceless moments in a stylish package that puts superior image quality in the palm of every user’s hand.

The CASIO EXILIM EX-Z70 will be available in black from the beginning of July, and silver from the beginning of August, with a guide retail price of £229.99. To learn more, visit www.casio.co.uk

Casio Exilim Zoom EX-Z70

Ken Rockwell reviews the Casio EX-Z70 and writes - 'The EX-Z70 is a swell camera that's easy to love. It weighs the same as the higher-end cameras, but has a little bigger size. This means it's less dense, and feels like it weighs less in your pocket. It looks great and works wonderfully. I'd be all over it, except that at $249 it's very close in price to much better models. if your budget is $249 then go for it. If you have $299, go for a Casio EX-S600 or Canon SD550.'

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Jun 21: Sony Alpha DSLR-A100 Review at Digital Trends Reviews

Sony-Alpha-A100 Digital Trends reviews the Sony Alpha DSLR-A100 where they write - 'The DSLR-A100 was responsive, starting up in less than a second and it captured shots quickly. Continuous shooting was very fast as was focusing. We did a lot of shooting in the RAW+JPEG setting and the camera handled those massive files with ease. Remember this is a 10MP camera and JPEGs are 3872 x 2592 pixels. Color was very accurate though we tended to up the compensation simply because we like more contrasty images, especially landscapes. Skin tones were spot on, even when making large prints (13 x 19s are no problem with a 10-megapixel camera).... Sony has gone “all in” in the D-SLR poker game, quickly leaping into the ranks of the better Canon and Nikon models. Keep it in mind if you’re looking to spend $1,000 for a new camera. Remember this was a pre-production model and we’ll have a final report and DT rating as soon as can.'

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Jun 21: Fujifilm FinePix V10 Review at Lets Go Digital

Fujifilm-Finepix-V10 Lets Go Digital reviews the Fujifilm FinePix V10 and writes - 'All in all, the Fuji FinePix V10 leaves very little to be desired. It is simply a pleasant and user-friendly camera to work with, one that attaches particular value to ease and convenience, whilst producing fantastic images. What more could you possibly want? Fujifilm are quick to answer this question for you, and have added several games as an extra asset. Perhaps not the most important feature of a camera, but without question a fun addition. Once again, Fujifilm offer us a glimpse as to where the future is headed. As for us, we are set to go! Are you? '

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Jun 21: Olympus E-300 Evolt DSLR Review at Digital Reviews

olympus_E300.jpgDigital Reviews has posted their review of the Olympus E-300 Evolt DSLR where they write - 'The two weeks with the Evolt was not enough for an in-depth review but enough to realize that Olympus has a winner in the E-300. If they had a lens that covered the 28-200mm range it would absolutely be the camera of choice for my aerial photography work. This is just a personal requirement though and most folks would be happy to change lenses on occasion. The 8MP resolution gives brilliant enlargements and the price of US$1000 seems to be just right for what’s offered: a camera that does not disappoint the discerning pro.'

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Jun 21: Panasonic Lumix DMC-TZ1 Review at PC Magazine

Panasonic-Dmc-Tz1 PC Mag reviews the Panasonic Lumix DMC-TZ1 and writes - 'I wasn't impressed with Panasonic's claims to have increased the zoom's optical range in lower-resolution modes with a feature called Extended Optical Zoom. Just as we've seen with the Lumix DMC-FZ30, this is just a silly implementation of digital zooming. Though it's true that 10X optical superzooms like the Kodak EasyShare V610 or the Nikon Coolpix S4 don't measure up to the Panasonic Lumix TZ1 in image quality, the TZ1's underperforming features contribute to its falling short of earning an Editors' Choice.'

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Jun 21: Samsung Digimax L60 Review at CNET

Samsung-Digimax-L60 CNET reviews the Samsung Digimax L60 where they give it a rating of 7 out of 10 (very good) and write - 'A fairly flexible point-and-shoot camera, the Digimax L60 is the 6-megapixel member of Samsung's L series of high-end point-and-shoot cameras. This easy-to-pocket camera is about the size of an iPod and weighs just 5.3 ounces. It sports a nice handful of image settings for the casual shooter, but more advanced photographers might find it lacking. Users who prefer lots of manual controls might want to check out the L60's bigger brother, the Samsung Digimax L85.'

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Jun 21: Nikon 50mm 1.8 AFD lens - ThinkCamera Reviews

Nikon-50Mm-1.8 LensThink Camera has posted their review of the Nikon 50mm 1.8 AFD lens where they give it a rating of four stars out of five. In their review they recommend - 'Don't let the low price and plastic body put you off - this is a pro lens that you can use all day long to produce fantastic images. When the light goes down, open it up wide and it will still blow your kit lens away for sheer quality. Three word review? If you own a Nikon DSLR, "Just buy it". '

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Jun 21: Sony Alpha 100 D-SLR Test at PopPhoto

Sony-Alpha-A100Pop Photo tests the Sony's Alpha 100 D-SLR and writes - 'The Alpha 100 also incorporates what Sony calls Dynamic Range Optimization (DRO). This hardware-based system is said to analyze and manipulate RAW data in-camera, before processing and JPEG compression, in order to recover shadow or highlight detail that might otherwise be lost. Because Sony didn't let us take our Alphas home from Alaska, none of us has had a chance to determine whether DRO is worth yet another acronym -- whether it really gives the camera a tonal advantage over its competitors. But the system did seem to tame the relentless light of Alaska's summer, holding good detail even in sunlit snow. The system appeared, in fact, to lessen the need for RAW mode, which of course the Alpha 100 offers.'

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Jun 21: Panasonic DMC LS2 Review at Cameras.co.uk

Panasonic-Lumix-Dmc-Ls2-2Cameras.co.uk reviews the Panasonic DMC LS2 where they write - 'In terms of features the Panasonic DMC LS2 offers a lot for a low priced digital camera. In fact at the time of writing the review it is the cheapest digital camera by some way to offer image stabilisation. The high angle LCD screen function is also useful too. Picture quality is very good on the whole and the only real downside is shutter lag. The DMC LS2 is well worth considering.'

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Jun 21: Canon SD700 IS / IXUS 800 IS Review at Megapixel

Canon-Powershot-Sd700-Ixus-800 Megapixel reviews the Canon SD700 IS / IXUS 800 IS and writes - 'The image quality of the PowerShot SD700 IS is nothing short of excellent. Three levels of JPEG compression are available to record images, and the level that applies the least compression, and therefore guarantees the highest image quality, is the Superfine setting. Set to this compression level, the SD700 IS yields images that show no loss of detail, and subtle colours can be detected in both sky and foliage. Moreover, the Fine image quality, a compression level that yields file sizes that are half of those in the Superfine mode, offers an image quality that is often hard to differentiate from the Superfine level.'

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Jun 21: Apple Aperture 1.1 Review at ePhotozine

ApertureePhotozine reviews Apple Aperture 1.1 photo editing software and writes - 'When Aperture v1.0 hit the shelves, criticism was levelled at it for its lower than average RAW processing performance. Since then Apple have worked hard to improve the RAW processing engine. When the improved image quality in version 1.1 is coupled with the already established list of features, it makes for an excellent RAW workflow solution.'

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Jun 20: Samsung Digimax GX-1S Digital SLR Review at MacWorld

Samsung-Gx1Macworld reviews the Samsung Digimax GX-1S Digital SLR and writes - 'Overall, the GX-1S delivers perfectly acceptable prints for its target market. It has a 6.1-megapixel sensor that delivers up to 3,008-by-2,008-pixel images. The camera is compatible with all Pentax KAF mount lenses as well as Schneider’s D-Xenon series lenses. I tested the camera with its included lens kit—a Schneider f/3.5-5.6 18-55mm with a 28-84mm, 35mm equivalent focal length.'

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Jun 20: Casio Exilim EX-Z850 Review at Steves Digicams

Casio-Exilim-Ex-Z850Steves Digicams reviews the Casio Exilim EX-Z850 and writes - 'Casio's EXilim EX-Z850 will make a great choice for anyone who wants or needs an "ultra- compact" model with loads of useful scene modes, 8-megapixels of resolution, and robust performance, all for a reasonable price. With the 8m Fine images, you'll have plenty of resolution to create poster size prints, or photo-lab quality 13x19-inch prints of a cropped image. With an MSRP of $399, it does offer a great value, however you can purchase Casio's 10-megapixel EX-Z1000 for the same price, and it includes many of these features, plus has a large 2.8-inch LCD.'

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Jun 20: Casio Exilim EX-Z1000 Review at Steves Digicams

Casio-Exilim-Ex-Z1000 Steves Digicams reviews the Casio Exilim EX-Z1000 and writes - 'The overall image quality of its 10m Fine images was very good. The majority of our outdoor samples are sharp with pleasing color saturation and exposure. I did notice a bit of edge softness, but this is a very common issue with consumer models. The 3x optical zoom helped produce these sharp images throughout its 38 - 114mm (equivalent) zoom range. While this focal range is typical for a consumer model, it still offers a great deal of versatility when composing your shots. At 38mm, you can produce nice group portraits and landscape shots, while its telephoto end is good for filling the frame during portrait photography and bringing distant subjects a bit closer. There were only slight traces of chromatic aberration (purple fringing) around brightly lit objects, and moderate barrel distortion at wide angle.'

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Jun 20: Samsung Digimax i6 Digital Camera Review

Samsung-Digimax-I6

Lets Go Digital reviews the Samsung Digimax i6 and gives it a rating of 76%. They write - 'Samsung is also active on the MP3 player market and is gaining more experience. I foresee that Samsung will at some point really be able to draw on its experience to make a super gadget, a real high quality multimedia appliance, with for example a touch screen and high quality video applications. Until that time, we will have to make do with the Samsung Digimax i6, a perfectly good camera that allows you to listen to your favourite MP3 numbers while taking photographs or that can be used just in the MP3 mode. Trendy users and the Samsung Digimax i6 is a match made in heaven.'

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Jun 20: Nikon Coolpix P3 Review at DP Review

Nikon-Coolpix-P3DP Review has posted their review of the Nikon Coolpix P3 where they give it a rating of 'above average' and write - 'Despite producing some of the finest compact cameras in digital photography's short history, Nikon's recent Coolpix offerings over the last few years have, with the occasional exception, been much less inspired or innovative than they were in the early days. That said I get the feeling that the lull is perhaps coming to an end, and there is no doubt that the P3 is a better designed and more capable camera than the model it replaces. Ultimately though, for the majority of the target market, the images aren't punchy enough, the shutter lag is way too slow for a 2006 model and - most importantly - the number of excellent alternatives from Nikon's competitors, means the P3 will be of fairly limited appeal. A good camera, but unfortunately not a great camera, and one that just misses out on a recommendation, not because the final picture quality is poor, but because it can be quite a challenge getting there.'

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Jun 20: Samsung Digimax S800 Review at CNET

Samsung-Digimax-S800 CNET reviews the Samsung Digimax S800 and gives it a rating of 5.2 out of 10 writing - 'Samsung categorizes its S-series cameras as point-and-shoots on its Web site, but with the controls included in these models, they have the potential to reach beyond the majority of simple snapshot cameras. Unfortunately, a not so intuitive set of menus and less than stellar image quality keep the 8.1-megapixel Samsung Digimax S800 from reaching its potential. Measuring 3.9 by 2.4 by 1.1 inches and weighing just 6 ounces, the Digimax S800 should fit comfortably in a jacket pocket, and its curved grip makes it easy to hold. The sparse, silver-and-gray look won't turn any heads but isn't ugly either. Its 3X optical, 35mm-to-105mm (35mm equivalent), f/2.8-to-f/5.1 zoom lens extends outward from the camera's front when powered up and retracts when turned off. '

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Jun 20: Kodak EasyShare P712

Kodak-Easyshare-P712-1 Kodak have today announced the Kodak EasyShare P712 - a top end (P is for Pro) digital camera with 7.1 megapixels and a 12x optical zoom lens (36 - 432 mm equivalent - image stabilized).

It also features improved high speed focussing, fast shutter lag, 30 frames per second VGA video, 2.5 inch LCD screen and high resolution electronic viewfinder.

The Kodak EasyShare P712 will retail at £349.99 and should hit stores in June 2006.

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Kodak EasyShare P712 News Release

KODAK EASYSHARE P712 Digital Camera Unleashes Photographers' Potential with Precision Controls and Stunning Image Quality

Blazing Fast Auto-Focus System, 12X Image-Stabilised Lens, 7.1 MP Sensor Combine for Crisp, Clear Pictures Ideal for Sharing

Eastman Kodak Company today announced the KODAK EASYSHARE P712 zoom digital camera, setting a new performance benchmark for the consumer “superzoom” category. Its precision auto-focus system with best-in-class click-to-capture rate - literally faster than the blink of an eye, at less than 1/10th of a second (0.07 seconds) - helps photographers get the exact shots they want, whether action on a sports field or children on the playground.

“When second and third-time digital camera buyers walk into stores this year, they’re searching for models with better performance and more control than point-and-shoots, without sacrificing ease of use. They want pictures that look phenomenal straight out of the camera,” said Carolyn Walsh, Product Sales Director Digital, Eastman Kodak Company. “Our new P712 camera is specifically designed for these photographers, helping them take stunning pictures that they’ll want to share widely with friends and family.”

The KODAK EASYSHARE P712 camera features a 12X (36 – 432 mm equiv.), image-stabilised, f2.8 – f/3.7, SCHNEIDER-KREUZNACH VARIOGON lens that delivers exquisite detail and sharpness. Its 7.1 megapixel sensor is paired with legendary KODAK Color Science image processing for spectacular, highly accurate colour - shot after shot.

Optical image stabilisation provides a two-stop advantage over non-image stabilised systems for better capturing subjects in low light for both stills and video. It also minimises handheld camera shake at longer focal lengths.

Kodak EasyShare P712 Reviews

DP Expert reviews the Kodak P712 digital camera and writes - ''The Kodak P712 is a disappointing camera. It is just as well that digital images are free because you must take at least 5 photos to get one worth keeping. We understand the attraction of these super-zoom cameras. They seem to offer so much -- a pseudo SLR through-the-lens viewfinder; a lens which is the equivalent of at least three interchangeables; a compact body and, so people hope, simplicity. In our experience it takes much more effort to produce a good picture with these gimmicky cameras than with any digital SLR. The super-zooms are light and cheap and that is the end of their advantage. Kodak’s lovely little V550 is a better camera even with only 5 million pixels and a 3x zoom and optical viewfinder.'

Let's Go Digital has a review of the Kodak EasyShare P712 and writes, "... I have mixed feelings about the Kodak P712 test. On one hand there is the ease of a compact design, great optical range and handy image stabilization, and it provides much user-friendliness. On the other hand there is the disappointing quality of the ISO and the limited ISO range, as well as the, sometimes slow, reaction speed of the camera. It makes me feel as if Kodak eased their way out at these points. Had it been so that the competition showed the same images I would have been milder in my judgment. But with the current technology and hardware/software quality a lot more is possible, and that is where Kodak fails. The Kodak EasyShare P712 is an attractive camera for the every day shots of the beginning photographer. The Kodak EasyShare P712 may certainly not be seen as the alternative to a digital SLR camera. The difference between them is just too big."

Jun 20: Canon EF 24-105mm f/4L IS USM Review at Cameralabs

Canon-Ef-24-105Mm Camera Labs reviews the Canon EF 24-105mm f/4L IS USM lens and writes - 'Ultimately each lens has its pros and cons. If you're into portraiture, shooting mostly at the telephoto end and requiring quick focusing and small depth-of-field, the older 24-70mm has the edge over the 24-105mm. If you're an existing owner of the 24-70mm, we'd also say unless you desperately want longer coverage from the same lens and yearn for Image Stabilisation, it's probably not worth making the swap. But if you don't already own a high quality standard zoom for a full-frame body, the 24-105mm is a great choice. It's particularly well-suited for new 5D owners, although equally applicable to other full-frame or indeed 35mm Canon bodies.'

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Jun 19: Casio Exilim EX-Z1000 Review at CNET

Casio-Exilim-Ex-Z1000 CNET reviews the Casio Exilim EX-Z1000 and writes - 'The Exilim EX-Z1000 was introduced at a time when we all thought the megapixel race was over. It is like calling a truce only to unleash another image resolution war. If you intend to take pictures at the maximum resolution (which could be the main reason you are buying this camera), you'd better invest in a high-capacity memory card. One grouse we have, though, is the nearly unusable ISO 3,200 setting in replacement for optical image stabilization.'

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Jun 19: Panasonic Lumix DMC-FZ7 Review at PhotographyBLOG

Panasonic-Dmc-Fz7 PhotographyBLOG reviews the Panasonic Lumix DMC-FZ7 and writes - 'So overall, the Panasonic Lumix DMC-FZ7 is a stylish, easy to use, advanced camera with that 12x zoom lens as its main attraction. The noise issue is by no means a show-stopper, particularly if you live in a sunny climate or tend to shoot mostly outdoors, but it does stop me from recommending this camera more strongly. If you're really interested in the massive focal range on offer, then the Panasonic Lumix DMC-FZ7 should definitely be on your shopping list.'

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Jun 19: Nikon Coolpix P4 Review at DP Interface

Nikon-Coolpix-P4DP Interface reviews the Nikon Coolpix P4 and writes - 'The Nikon Coolpix P4 has some 8 megapixels in a CCD behind its 3.5X optically image stabilized lens as well as a 2.5 inch LCD on its back. The Coolpix P4 has good build quality except the plastic piece over the battery/card slots and tripod mount. The camera has a good lens, 8 megapixels and produces very good photos too. With low noise (for 8 megapixels) and low levels of chromatic aberration, the P4 still has no high sensitivity option.'

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Jun 19: Nikon Coolpix P3 Review at DP Interface

Nikon-Coolpix-P3 DP Interface reviews the Nikon Coolpix P3 and writes - 'The Nikon Coolpix P3 is a great value, selling for the same as the P4 and adding WiFi. The Coolpix P3 is a great value when compared to other cameras as well - currently, you're paying a $20 premium for the WiFi. I'd recommend the Nikon Coolpix P3 though you might want to consider a bit since 1) if you don't need a WiFi camera, then some other 8 megapixel cameras offer more controls and 2) this camera isn't great for low-light or action shots. Also, I hope Nikon adds on remote shooting and camera-to-camera transfer via a firmware update.'

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Jun 19: New System Blocks Digital Photography

Digital-Camera-BlokerResearchers at the Georgia Institute of Technology have completed a prototype device that can block digital-camera function in a given area. Commercial versions of the technology could be used to stymie unwanted use of video or still cameras.

The prototype device, produced by a team in the Interactive and Intelligent Computing division of the Georgia Tech College of Computing (COC), uses off-the-shelf equipment – camera-mounted sensors, lighting equipment, a projector and a computer -- to scan for, find and neutralize digital cameras. The system works by looking for the reflectivity and shape of the image-producing sensors used in digital cameras.

Gregory Abowd, an associate professor leading the project, says the new camera-neutralizing technology shows commercial promise in two principal fields – protecting limited areas against clandestine photography or stopping video copying in larger areas such as theaters.

“We're at a point right now where the prototype we have developed could lead to products for markets that have a small, critical area to protect,” Abowd said. “Then we’re also looking to do additional research that could increase the protected area for one of our more interesting clients, the motion picture industry.”

Abowd said the small-area product could prevent espionage photography in government buildings, industrial settings or trade shows. It could also be used in business settings -- for instance, to stop amateur photography where shopping-mall-Santa pictures are being taken.

James Clawson, a research technician on Abowd’s prototype team, said preventing movie copying could be a major application for camera-blocking technology.

“Movie piracy is a $3 billion-a-year problem,” Clawson maintains -- a problem said to be especially acute in Asia. “If someone videotapes a movie in a theater and then puts it up on the web that night or burns half a million copies to sell on the street – then the movie industry has lost a lot of in-theater revenue.”

Moreover, movie theaters are likely to be a good setting for camera-blocking technology, said Jay Summet, a research assistant who is also working on the prototype. A camera’s image sensor -- called a CCD -- is retroreflective, which means it sends light back directly to its origin rather than scattering it. Retroreflections would probably make it relatively easy to detect and identify video cameras in a darkened theater.

The current prototype uses visible light and two cameras to find CCDs, but a future commercial system might use invisible infrared lasers and photo-detecting transistors to scan for contraband cameras. Once such a system found a suspicious spot, it would feed information on the reflection’s properties to a computer for a determination.

“The biggest problem is making sure we don’t get false positives from, say, a large shiny earring,” said Summet. “We need to make our system work well enough so that it can find a dot, then test to see if it's reflective, then see if it's retroreflective, and then test to see if it's the right shape.”

Once a scanning laser and photodetector located a video camera, the system would flash a thin beam of visible white light directly at the CCD. This beam – possibly a laser in a commercial version – would overwhelm the target camera with light, rendering recorded video unusable. Researchers say that energy levels used to neutralize cameras would be low enough to preclude any health risks to the operator.

Still camera neutralization in small areas also shows near-term commercial promise, Abowd said. Despite ambient light levels far higher than in a theater, still cameras at a trade show or a mall should be fairly easy to detect, he said. That’s because image sensors in most cell phones and digital cameras are placed close to the lens, making them easier to spot than the deeper-set sensors of video cameras.

Camera neutralization’s potential has helped bring it under the wing of VentureLab, a Georgia Tech group that assists fledgling companies through the critical feasibility and first-funding phases. Operating under the name DominINC, Abowd’s company has already received a Phase 1 grant from the Georgia Research Alliance (GRA) with VentureLab assistance.

Abowd said that funding availability will likely decide which technology -- small- or large-area -- will be developed first. DominINC will apply soon for GRA Phase 2 money, Abowd said. Those funds would be used to aid anti-piracy product development, as would any funding coming from the film industry.

Other potential funding, from industry and elsewhere, would likely be used to develop anti-espionage small-area applications.

Stephen Fleming, Georgia Tech’s chief commercialization officer, said motion-picture groups are actively looking for technology to foil piracy. Movie distributors might even promote camera-neutralizing systems by refusing to send films to theaters that don’t install anti-piracy systems.

There are some caveats, according to Summet. Current camera-neutralizing technology may never work against single-lens-reflex cameras, which use a folding-mirror viewing system that effectively masks its CCD except when a photo is actually being taken. Moreover, anti-digital techniques don’t work on conventional film cameras because they have no image sensor.

Good computer analysis will be the heart of effective camera blocking, Summet believes.

“Most of the major work that we have left involves algorithmic development,” he said. “False positives will eliminated by making a system with fast, efficient computing.”

Also involved in the camera-neutralizing project are Shwetak Patel, a College of Computing PhD student; Khai Truong, a former Georgia Tech PhD student who is now at the University of Toronto, and Kent Lyons, a College of Computing post-doctoral student. A paper on this technology was published and presented at the Ubicomp 2005 conference in Tokyo, Japan, last September.

Source: Press Release Excerpts

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Jun 19: How to change a SLR Lens

Change-Lenses-StrobistThe Strobist has a basic, but good, tip on How to Quick-Change an SLR lens that I think is worth a look for new DSLR owners who have multiple lenses.

I think it's worth a read simply because I see a lot of DSLR users changing lenses in a way that is bound to end in misery (either dropping the lens or camera and/or that will get dust into the camera).

While the post doesn't mention it, the beauty of holding the camera sideways (or facing it down) when changing lenses is that it's much harder for dust to get in. Hold it facing up and you're setting yourself up for trouble.

Read the full post here.

PS: and by the way - Strobist is having a great bootcamp/series on lighting which you can follow here.

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Jun 18: Portable photo storage buyers guide

Photodoto has a good run down of the options available for digital camera users who want a portable photo storage device:

'When you’re on the road and you run out of film, you can pop into almost any nearby store and just buy some more. But what do you do when you run out of space on a digital memory card? They’re also sold just about everywhere, but they’re not nearly as cheap. You could lug a laptop around and transfer files to the hard drive but what do you do if you don’t have a laptop or are loathe to bring something so bulky and expensive on a day trip or vacation? The solution is the portable media storage device. In this article I’ll discuss things to look for when purchasing one of these devices followed by a quick roundup of several popular units.'

Read the full article at Portable photo storage buyers guide

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Jun 18: Canon EOS 5D Review at our ePhotoZine

Canon-Eos-5DePhotozine reviews the Canon EOS 5D and writes - 'The Canon EOS 5D is a very capable camera, which produces silky smooth images right up to ISO400 and beyond that, noise levels are still very well controlled thanks in part to the full frame sensor. Sensor size is also to blame for another trait, vignetting with wide angle lenses is a real problem if you like to shoot wide open. Value for money is the EOS 5D's weakest point. With an RRP of £2540, that makes this camera cost £1240 more than the rival Nikon D200 (based on RRP's), with what appears to be only a marginal gain in image quality. Of course this only applies with the right lenses, which are also costly.'

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Jun 18: Panasonic Lumix DMC-LZ3 Review at T3

Panasonic-Lumix-Dmc-Lz3-2T3 reviews the Panasonic Lumix DMC-LZ3 and writes - 'Ease of use is another strength. Although it can’t quite match the versatility of the Fujifilm F10, it does the job well, using a smattering of manual features to bolster 15 scene modes, including high-sensitivity, which allows you to shoot in darker conditions – such as a pub or club – without a flash. Quick and responsive, features like the big zoom and anti-shake make this snapper great value for money. It’s not going to win any beauty contests, but if you want good performance on a budget, look no further.'

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Jun 18: Casio Exilim EX-Z60 Review at Digital Trends

Casio-Exilim-Ex-Z60Digital Trends reviews the Casio Exilim EX-Z60 and writes - 'Any consumer looking to purchase a new digital camera soon should seriously consider the Casio Exilim EX-Z60. It’s the perfect balance of a high-quality digital camera with a price that most people can afford when shopping around. If you want to do both movies and photos, step up to the EX-S600. Otherwise, the BestShot technology and other great features included in this camera will be sure to attract your attention and get your money’s worth.'

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Jun 18: Kodak EasyShare C643 Review at CNET

Kodak-Easyshare-C643CNET reviews the Kodak EasyShare C643 which they give a rating of 6.2 out of 10. They write - 'Like the C533, the chunky, inexpensive Kodak EasyShare C643 seems cheaply built, with a 6.8-ounce, 1.4-inch-thick light plastic body that feels like the prize from a cereal box. With the same control layout as its sibling, it's a bit button-heavy for such a basic snapshot camera. The shutter release is set inside a mode dial on the camera's top side, next to two buttons for flash and timer/burst settings. The back panel holds a tiny zoom rocker; a four-way-plus-OK control pad; a red Share button; and four menu, review, display/info, and delete buttons. These controls sit next to the camera's relatively large (for its class) 2.4-inch LCD screen. There's still room for an optical viewfinder, however, which is useful for framing shots in close quarters or when the LCD washes out in sunlight.'

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Jun 18: Kodak EasyShare Z612 Review at CNET

Kodak-Easyshare-Z612CNET reviews the Kodak EasyShare Z612 and gives it a rating of 7.2 out of 10. They write - 'Kodak's 6.1-megapixel EasyShare Z612 looks like a Lilliputian SLR. But as with the crafty little people in Jonathan Swift's novel, there's more to it than meets the eye, some of which should be approached with caution. Like most superzooms, it uses an electronic--rather than optical--viewfinder, so if you don't like looking at tiny LCD screens, this isn't for you. On the plus side, it's fairly high-res at 202,000 pixels and doesn't blank out as much as some EVFs when in burst mode, though the image is still a bit herky-jerky compared to an optical finder's. If you don't frame with the EVF, you'll use the Z612's 2.5-inch, 230,000-pixel LCD, which is viewable even in bright light and brightens--that is, gains up--in low light to make it easy to frame in dim situations. Its 12X optical, 35mm-to-420mm (35mm equivalent), f/2.8-to-f/4.8 Schneider-Kreutznach zoom lens gives you plenty of reach, and the camera's image stabilization should help keep things steady at the longer end of the zoom.'

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Jun 18: HP Photosmart M425 Review by PC Magazine

Hp-Photosmart-M425PC Mag reviews the HP Photosmart M425 and writes - 'The daylight test shot revealed very little noise, but the flash test shot displayed a fair amount of colored noise. Both had decent color, although the daylight shot had a slight magenta color cast and the flash shot was tinged yellow. There was some purple fringing in both images, but nothing too conspicuous. Overall, the dynamic range was better in the daylight shot than in the flash shot. I found the flash coverage to be pretty good, but it was slightly uneven, resulting in some vignetting.'

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Jun 15: Kodak EasyShare Z650 Review at Imaging Resource

Kodak-Z650-1 Imaging Resource reviews the Kodak EasyShare Z650 and writes - 'The Kodak EasyShare Z650 brings the renowned EasyShare simplicity and ease of use to the long zoom format, balancing the full complement of exposure modes with 17 Scene modes. The 6.1-megapixel CCD captures high resolution images that make sharp 11x14 prints. The Kodak Z650's color should appeal to most consumers too, as it's very bright and vibrant (a good bit more so than the original subjects), yet it doesn't oversaturate delicate skin tones. With its full range of exposure options, the Z740 would be a great choice for novices who want to grow their skills, while experienced users will immediately appreciate the more advanced features it has to offer. On the down side, the Power switch and popping flash are annoying and the lack of image stabilization makes the 10x zoom less useful under any but the best conditions. More puzzling, Movie mode delivers a lot less than we've come to expect from Kodak. Still, at this price, it's a camera everyone in the family can enjoy on any occasion. And later, EasyShare printing and sharing will extend the pleasure to even more folks.'

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Jun 15: Panasonic DMC-FZ7 Review at Megapixel

Panasonic-Dmc-Fz7 Megapixel reviews the Panasonic DMC-FZ7 and writes - 'Clearly, the DMC-FZ7's primary appeal comes from its powerful, 12X, stabilized Leica lens. This is a lens that has little distortion at the wide end and none at the telephoto end. Similarly, there seems to be no serious chromatic aberration throughout its focal length range, and images are crisp from corner to corner. This, plus the fact that the FZ7 is equipped with a full range of shooting modes, makes it suitable for anyone and should ensure its success.'

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Jun 15: Hewlett Packard Photosmart R927 Review at ThinkCamera

Hp-Photosmart-R927 Think Camera reviews the Hewlett Packard Photosmart R927 where they write - 'The middling lens on this camera is compensated for by above average software and features like the built-in help menu. Once you have accepted the unconventional styling, it is average to use. This isn't a camera to fall in love with. However, if you want a practical good value camera with some very good software this is a strong contender.'

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Jun 15: More Digital Camera Tips at DPS

Just a quick note to let you know some of the latest digital camera tips at Digital Photography School.

Also - we've started a Flickr group for digital photography school where we're setting group assignments based upon the tips we write. Read about the goals of the group here.

Lastly - if you have a digital camera tip to share we'd love to publish it. Check out the details of how to do it here.

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Jun 15: Fuji FinePix V10 Review by PC Magazine

Fujifilm-Finepix-V10 PC Mag reviews the Fuji FinePix V10 and writes - 'The Fuji FinePix V10 is an excellent model to kick off the V series. It takes good pictures, despite a bit of underexposure and purple fringing here and there. The Natural Light & With Flash setting is extremely handy for snapping flash and nonflash shots in succession, and you'll find yourself using it most of the time. And when you're not photographing landscapes or your loved ones, the four included games are a great cure for the traveling blues.'

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Jun 15: Nikon Coolpix L3 Review at Bytesector

Nikon-Coolpix-L3 Byte Sector reviews the Nikon Coolpix L3 where they write - 'This well-thought-out camera builds on the expertise that Nikon has. The L3 was designed on proven technologies that help you take better pictures. Daytime photography offered few difficulties, shooting at night wasn't any worse than average, and the flash was generally cooperative. With its competitive price, I would recommend anyone picking up a camera to spend some time with the L3 and get a feel for what it can do.'

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Jun 15: Adobe Releases Lightroom Beta 3

'Four months after its second update, Adobe released its Adobe Lightroom Beta 3 photo management software yesterday. Upgrades include better handling of PSD and TIFF files and a resolution control in export, among others. Adobe encourages photographers to download its software and send them feedback before the Beta 3 version expires on January 30, 2007.'
Read more at Adobe Releases Lightroom Beta 3

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Jun 14: Pentax Optio A10 Review at Laptop Magazine

Pentax-Optio-A10 Laptop Magazine reviews the Pentax Optio A10 and writes - 'The 8-MP Optio A10 won't win any beauty contests, but it will barely cause a bulge in your pocket. Functionality comes first, and this super-slim shooter takes great-looking photos. Colors look accurate and images overall are crisp with good saturation. We only wish that shooting with the Optio A10 was a bit faster; there is a noticeable lag between frames. Overall, the Optio A10 gets the job done. It might not have the coolest design or as many features as other point and shoots, but its photos are impressive–and that's what matters.'

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Jun 14: 34% of Digital Camera Buyers in US are Repeat Buyers

According to consumer survey research conducted by InfoTrends, 34% of U.S. digital camera owners are repeat buyers, representing an increase of 10% over the previous year. In addition, 20% of digital camera owners surveyed were planning to purchase another digital camera within the next year. Today, digital camera owners who have more than one digital camera tend to be more technology-savvy. In many cases, they have replaced or supplemented their original digital camera, so their behaviors are more reflective of the early adopters. A significantly higher percentage of these consumers own CE devices like portable music players and DVD burners. As consumers continue to upgrade their existing cameras, purchase additional cameras, and become more familiar with the various features and functions, InfoTrends believes that the penetration of technologies complementing digital photography will rise as well.

“Consumers that purchase a replacement or additional camera are more likely to consider a premium camera such as an ultra-compact, extended zoom, or a digital SLR,” commented Ed Lee, a Director at InfoTrends. “Experienced users recognize the benefits of premium features, so vendors will need to reinforce these benefits through their marketing messages.”

With camera phone adoption on the rise as well, the survey also considered which camera would be the go-to capture device for consumers. The survey results indicated that the digital camera remains the go-to capture device for the vast majority of users who also own film cameras or camera phones.

InfoTrends’ research report entitled 2005 Digital Camera Survey End User Analysis - United States is currently available for purchase. The study reveals how demographics are linked to brand preference. It also provides in-depth coverage of digital camera users’ purchasing decisions and feature preferences. The survey included questions about Internet users’ digital camera ownership, usage, and applications, and non-users’ intent to purchase digital photography products and services.

InfoTrends is the leading worldwide market research and strategic consulting firm for the digital imaging and document solutions industry. We provide research, analysis, forecasts, and advice to help clients understand market trends, identify opportunities, and develop strategies to grow their businesses. Additional information about InfoTrends is available on the Web at http://www.infotrends-rgi.com.

Source: InfoTrends Press Release

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Jun 14: Casio Exilim EX-Z60 Review at Steves Digicams

Casio-Exilim-Ex-Z60 Steves Digicams reviews the Casio Exilim EX-Z60 and writes - 'While it did great outdoors, our indoor ambient light shots of the M&M man were disappointing. The Anti-Shake technology helps reduce the effects of camera shake and subject blurring by boosting the ISO sensitivity. Unfortunately, in lower lighting, the ISO is boosted so high that image noise becomes very noticeable. When you look at our ambient light M&M man photo at 100%, there is so much noise that it almost looks like some sort of PhotoShop effect to change a picture into a water color painting. Although this can be corrected by simply turning off Anti-Shake via the menu system, It kind of defeats the purpose of this technology as it was meant to be used in these low light conditions. On a better note, the EX-Z60 did very well in the portrait department. When shooting flash portraits indoors or any marginal lighting, you will have to work with in the range of the flash, which Casio claims can cover 12 feet at wide angle (ISO Auto.) I had no problems capturing our indoor portraits from about 4 to 5 feet away, using the mid telephoto end of the zoom range. Overall they showed pleasing facial detail and natural skin tones.'

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Jun 14: Samsung Digimax GX-1S Review at PCWorld

Samsung-Gx1 PCWorld reviews the Samsung Digimax GX-1S and writes - 'The Samsung Digimax GX-1S is a little expensive when compared with competitors such as the Canon EOS Digital Rebel XT, considering that the Rebel XT offers more controls, better image quality, and a larger selection of lenses. As with any digital SLR, it's best to get your hands on the GX-1S before making a decision. Its small size and thoughtful design may make it your obvious first choice.'

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Jun 14: Casio Exilim EX-Z600 Review at Steves Digicams

Casio-Z600 Steves Digicams reviews the Casio Exilim EX-Z600 where they write - 'the Casio Exilim EX-Z600 is a feature-rich, 6-megapixel model that offers amazing performance, loads of useful exposure modes, and good image quality. The only real issue I had with the camera was the degrading effects of its Anti-Shake mode - it often uses a very high ISO setting and produces noisy images. However, as long as you are using it in plenty of ambient light, you will not see any of these negative effects. That said, I feel with a street price of $299, it offers a great value for an "ultra-compact" 6-megapixel model that is packed with a handful of "cool" features.'

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Jun 14: Canon Powershot SD700 IS Digital ELPH Review at Steves Digicams

Canon-Powershot-Sd700-Ixus-800 Steves Digicams reviews the Canon Powershot SD700 IS Digital ELPH where they write - 'The PowerShot SD700 is another outstanding member of Canon's Digital ELPH series, offering great image quality, robust performance, and useful exposure modes, all packed in an ultra-compact, durable and stylish shell. It's sure to make an excellent choice for any user in the market for an extremely pocketable 4x zoom, high resolution digicam. At about US$499 MSRP, it is roughly $100 more expensive than its SD630 sibling, but its combination of 4x optical zoom lens and Image Stabilization will be worth the extra cost to those who need those features.'

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Jun 14: Canon Powershot S3 IS Review at Steves Digicams

Canon-Powershot-S3-Is Steves Digicams reviews the Canon Powershot S3 IS and writes - 'Like its predecessor the S2, the PowerShot S3 IS is a very capable entrant in the megazoom digicam market. With 6-megapixels of resolution, a high-quality image-stabilized 36-432mm zoom lens, very good image quality and industry-leading support for moving images, the S3 IS offers a compelling combination of quality and versatility. It will please both the beginner and the advanced photographer with its consistently well-exposed and sharp results. The S3 IS presents a worthy alternative for consumer digicam users considering an upgrade to a consumer dSLR. While its image quality, responsiveness and viewfinder quality are not quite up to dSLR standards, the S3's versatility, especially its movie mode and articulating LCD viewfinder, is unmatched by any dSLR available today. If you have a need for megazoom focal lengths, the S3 IS also represents a terrific value; while dSLR image-stabilized long focal length lenses sell for thousands of dollars, the S3 IS can be had for under $500, image-stabilized zoom lens included.'

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Jun 14: Kodak EasyShare C663 Review at PCWorld

Kodak-C663-1 PC World reviews the Kodak EasyShare C663 and writes - 'Kodak's 6.1-megapixel EasyShare C663 ($300 as of 2/6/06) is the first camera to include a digital version of the company's Perfect Touch technology, the same process used in Kodak film minilabs to correct the exposure of photos.... The C663 is a reasonable camera, and it isn't badly priced. Its image quality is good, and it offers most of the features that point-and-shoot users will need. And the Perfect Touch processing can make a big difference in image quality, a feature that may make the camera attractive for folks who just want to take pictures without fuss.'

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Jun 14: Casio Exilim Zoom EX-Z850 Reviews at Digital Reviews

Casio-Exilim-Ex-Z850Digital Reviews has posted their review of the Casio Exilim ZOOM EX-Z850 where they write - 'Let’s summarise my findings over the last few weeks. I’m pleasantly surprised at the high quality of both finish and the digital output. This is a more than capable camera which should give years of great service – even when technology in 2010 will make us snicker at the “mere” 8MP of this model. The Casio Exilim EX-Z850 has my highest recommendation for this class of camera! It’s also very affordable at around the $400 mark. In a couple of words: it’s fun, feature-filled and fantastic. On that note: I just bought a waterproof case for the Z850 so we’ll be plumbing new depths as well.'

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Jun 14: Olympus µ 720SW Review at Trusted Reviews

Olympus-Stylus-720Sw Trusted Reviews has posted their review of the Olympus µ 720SW and writes - 'The new 720SW raises the stakes somewhat. It is fully waterproof to a depth of three metres, conforming to “IEC Standard publication 529 IPX8”, and is also shock proof “according to Olympus test methods”.... Despite its tough-guy credentials and the excellent reputation of its predecessors, the mju 720SW is a rather disappointing camera. Limited battery life, poor image quality and a confusing control system spoil what could have been the perfect travel and adventure camera.'

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Jun 14: Canon IXUS 800 IS Review at Lets Go Digital

Canon-Powershot-Sd700-Ixus-800 Lets Go Digital reviews the Canon IXUS 800 IS and writes - 'To sum things up, we have nothing but praise for the top model from the Digital IXUS series: the Canon Digital IXUS 800 IS. The camera features a user-friendly operation, and produces first-rate image quality. It is not a camera for the photographer with high demands looking for something compact, whilst also wanting to make choices in aperture and shutter speeds, but then again, the Canon IXUS 800 IS does not claim to be this type of camera in the first place. It is an attractive design camera, attaching particular value to quality and ease. And once you have worked with an optical image stabilizer and have experienced the advantages of care-free photography in every imaginable situation, you are not likely to return to a camera that is not equipped with an image stabilization system. We can conclude the Canon Digital IXUS 800 IS is a champion among compact cameras, a camera that truly deserves to be a style icon! An outstanding performance!'

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Jun 14: Samsung Digimax L85 Review at CNET

Samsung-Digimax-L85CNET reviews the Samsung Digimax L85 and writes - 'The Samsung Digimax L85 is a surprisingly functional 8-megapixel digital camera. Its chunky, retro design belies its very flexible, high-end feature set, including the unique ability to output HDMI . Granted, HDMI in a digital camera is more novel than utilitarian, but the wealth of manual settings and image features will be appreciated by anyone who wants to take solid photos. As long as you don't mind its propensity for fringing on edges and the lack of a fast burst mode, you'll find the Samsung Digimax L85 a versatile, quality shooter.'

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Jun 14: Panasonic Lumix DMC-TZ1 Review at DCRP

Panasonic-Dmc-Tz1 DCRP reviews the Panasonic Lumix DMC-TZ1and gives it the thumbs up as a camera to get. They write - 'If you want a compact ultra zoom camera then you really only have two choices: the dual lens Kodak EasyShare V610 and the Panasonic Lumix DMC-TZ1 that I reviewed here. Having used both cameras quite a bit, I know which one I prefer -- the TZ1. While it has a few annoyances, it's a good choice for those who value portability over manual controls and expandability. If you want to know what I really think about the TZ1, this statement should sum it up for you: I bought one as a birthday gift for my dad.'

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Jun 14: Samsung GX-1S Review at ePhotozine

Samsung-Gx1ephotozine reviews the Samsung GX-1S and writes - 'At this budget price point, the Samsung GX-1S packs a lot of features into a compact body. I was impressed by the inclusion of an 11-area autofocus system, which works well, locking onto most subjects quickly and precisely. I was less impressed by the level of noise produced at high ISO settings. It is certainly not class leading performance, although images taken at these settings are still very usable.'

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Jun 14: Nikon Coolpix S6 Wireless Digital Camera Reviews

Nikon-Coolpix-S6-2 DIgiCam Review posts their review of the Nikon Coolpix S6 Wireless Digital Camera where they write - 'The Nikon Coolpix S6 is a very stylish, slim 6 megapixel digital camera with a 3x optical zoom lens and a huge 3" screen on the back. The digital camera is one of few to include Wi-Fi support for wireless transfer of photos. The camera has a lot of features built in that aim to produce a better image, such as Face-priority focus, D-lighting, Red-eye reduction, Blur-warning, etc. However all of this is useless if the lens isn't capable of acquiring a sharp clean image. In this case, the Nikon Coolpix S6 is noticably let down by the lens, as it produces vignetting, distortion, soft corners, and soft edges, so no matter how much post-processing goes on, the image quality will always be a weak point of this camera. Add to that, the very high red-eye in indoor photos, that isn't removed by the built in red-eye reduction, and the image quality problems start mounting up. Overall image quality is very hit and miss, one photo will come out looking great, (particularly macro photos), whereas another photo will come out looking awful (the worst photos were left out of the gallery). If image quality was up there with the rest of the cameras features and abilities then this would be recommended, however, as it stands with image quality so hit and miss, it's very difficult to recommend this camera.'

Digital Camera Info reviews the Nikon Coolpix S6 and writes - 'The Nikon Coolpix S6, with its sexy all-metal body and big screen, offers some very nice features but still has the “small camera syndrome.” Symptoms include poor handling from overall tiny size, automatic modes, blurry pictures, a weak flash, and a body sexier than its true functionality. Indeed, the Nikon S6 has perhaps the smallest zoom control ever included on a digital camera and is sure to break thousands of fingernails. The camera is equipped with automatic modes that work well in bright lighting, but lacks the sensitivity needed to capture decent pictures in lower light: users will end up with plenty of blurry pictures if their subjects are moving. The S6’s tiny flash is powerful in the short range, but can’t reach beyond about 8.5 ft. As with many other small cameras, many pictures from the S6 had red eyes and a harsh flash – despite Nikon’s portraiture technology.'

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Jun 14: Picasa Web Albums

Pwapreview Google have today launched their Picasa Web Albums - a product for digital photographers wanting a place to store their images online. It comes with 250MB of free storage and for an additional $25.00 USD per year you get an extra 6 gigabytes of storage.

At this point it's a beta test (ie something limited to a certain number of testers) but from what I can see they are currently accepting everyone (it might not last long knowing Google's beta tests).

Update: Inside Google has a first impression review of the Picasa Web Albums and writes - 'Flickr’s free accounts have a 20 MB per month upload limit and only three photosets. Google’s free accounts have a 250 MB total limit and unlimited photo albums. The pay accounts ae mostly more than anyone needs, with oodles of storage and unlimited photosets on both sides. I think Flickr’s approach is better, because whatever you can get in the system, it stays there, while if you stop paying for Google’s, anything over 250 could get deleted (read the FAQ). Also, I’d rather have limits on what I can add per month than total account size, since at least I’m not forced to delete individual photos to add new ones.'

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Jun 12: Leica M Digital Lenses

Leica News Release

New 6-bit coding of Leica M system lenses for image optimization in connection with the planned digital camera model.

Leica Camera AG, Solms will be giving the lenses of the Leica rangefinder system a new code on the bayonet ring in future to enable the planned digital Leica M camera to recognize the lens type. The information on the lens that is being used helps the camera to optimize image quality. All lenses leaving the factory from July 1st, 2006 onwards will have the new coding, although they can still be fully used with the current analog cameras LEICA MP and LEICA M7 as well as classic models built after 1954. Lenses in the current range as well as many earlier models can be retrofitted at the cost of the owner to benefit from the image optimization in the camera. The lenses are compatible with the planned digital M camera even without retrofitting, except that the additional features cannot be used.

The lens coding is called ‘6-bit coding‘ because six fields in the bayonet ring are marked in black or white to represent a number from 1 to 64 in binary code. The planned digital M camera reads this information optically and can identify the lens on the basis of this code.

Apart from the improvement in image quality, this information is also written into the EXIF image file.

“On account of their legendary quality, nearly all Leica M lenses are ideal for digital use. However, the new 6-bit coding also uses the performance reserves in the image processing of the camera to give our customers the excellent image result they expect from Leica,” says Rainer Bültert, product manager for the M system at Leica Camera AG.

Lenses bought in the past will be converted at the request of the customer for 95 euros at the Customer Service of Leica Camera AG in Solms or the Leica agencies of other countries.

Many of the lenses made from 1963 onwards can be converted. A list of such models is available on the following pages or from the Leica Info-Service (Tel. 06442/208-111). The only lens in the current range that will not be given a 6-bit coding is the LEICA APO-TELYT-M 135 mm f/3.4. It is not codable later, either, as its extension factor of 1.33 makes it unsuitable for use on the planned digital M camera. The launch of the digital Leica rangefinder camera is planned for the second half of 2006

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Jun 12: Canon PowerShot A540 at Imaging Resource

Canon-Powershot-A540-1 Imaging Resource reviews the Canon PowerShot A540 and writes - 'Featuring a 6.0-megapixel CCD a 4x lens and a full range of exposure control, the PowerShot A540 is another fine addition to Canon's A-series of digital cameras. Built on the same long-tested design as many A-series predecessors, the Canon A540 offers a lot in its compact package. Its combination of automatic and manual features make it very approachable for novices, but interesting for experienced users, the net result being a camera that will satisfy a broad range of interests and provide a good path for novice users to expand their photographic horizons as their experience grows. You can even add accessory lenses and put it in a waterproof case. One of the more popular features of the A-series is their use of AA batteries, something we also like. I'd like to see it equipped with a more accurate optical viewfinder (the optical path is not straight through the front to the back), and its image noise at ISO 400 and 800 was on the high side, but that's pretty normal. As with other legendary Canons, the A540 is a camera that will meet the needs of the average consumer very well.'

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Jun 12: Kodak EasyShare V603 Review at CNET

Kodak-Easyshare-V603 CNET Reviews the Kodak EasyShare V603 and writes - 'Essentially a 6-megapixel version of the EasyShare V550, Kodak's EasyShare V603 shares the same black-and-silver styling; the same 3X optical, 36mm-to-108mm, f/2.8-to-f/4.8 zoom lens; and the same 2.5-inch LCD as its sibling. Fans of tiny tunnel-vision viewfinders will note that the V603 has no such framing device, so you'll have to use the LCD to line up your shots, just like the rest of the digital snapshooting world. It also lacks manual exposure controls; 22 scene presets help you tackle a variety of conditions, while exposure compensation lets you tweak the camera's automatic choices.'

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Jun 12: Samsung Digimax A503 Review at Lets Go Digital

Samsung-Digimax-A503Lets Go Digital reviews the Samsung Digimax A503 and writes - 'The Samsung Digimax 503 digital compact camera gives beginners taking their first steps in the world of digital photography a host of possibilities as well as being user-friendly. Add to this great results and extensive possibilities and the final conclusion is that Samsung has managed to bring a digital camera on the market that has great possibilities, simple operation, excellent results and last but not least, also looks great. I can heartily recommend the Samsung Digimax A503 to any beginning photographer!'

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Jun 12: Nikon Coolpix S6 Review at DCRP

Nikon-Coolpix-S6-2 DCRP reviews the Nikon Coolpix S6 and writes - 'The Coolpix S6 won't win any awards for its photo quality. While photos were well-exposed, I found colors to be oversaturated at times and just plain wrong at others (see the greenish cast in some of the sample images). Vignetting (dark corners) and blurry edges were also a problem. Despite having a fancy two-stage redeye reduction, this annoyance still popped up in our flash test. I was also disappointed with the results of our night test shot, which was soft and noisy.... Overall I was a bit disappointed with the Coolpix S6. Sure, it looks cool, and some of the features are really handy. But the bottom line is that photo quality is not as good as other ultra-compacts, and it has more flaws to boot. I'd probably skip the S6 and look at one of the cameras listed below instead.'

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Jun 12: Sony Alpha A100 Digital SLR Reviews

Sony-Alpha-A100 Trusted Reviews has posted a review of the Sony Alpha α100 Digital SLR and writes - 'An extremely impressive debut from a new player in the digital SLR market, the Sony Alpha α100 is pitched at the consumer end of the market, but is actually a better camera than most of its mid-range rivals too. It bristles with clever technology, but is very easy to use and produces consistently excellent results. It would be a good camera for a newcomer to SLRs, but more experienced users will also find it very satisfying to use.'

Pocket Lint has a first impression review of the Sony Alpha A100 and writes - 'Sony has already confirmed that it intends to introduce new models and lenses within the next year or two, it has also intriguingly said that the new lenses being made are able to cover a “full frame”, hinting at a pro-end model with a full frame (in 35mm terms) D-SLR in the near future. When the camera becomes available to test in the next few weeks, we’ll be able to see just how well it can perform and in coming months, to see if Sony has the might to take on Canon and Nikon. It has to be said, it would seem they’ve made a very aggressive start.'

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Digit reviews the Sony Alpha A100 and writes - 'We choose to interpret these hints as Sony seriously considering a coming full frame format DSLR. Or, perhaps they just want to keep potential customers from buying other systems because the Alpha system does not offer a full frame camera at the moment. It is most unusual for high ranked representatives to formulate a statement this way. The statement was not altered, nor denied by Sony officials later, when this topic was raised during an interview. Vice President of Sony Europe, Takashi Kondo, said that their main goal is to concentrate on the consumer market, but also that the “consumer market� covers a wide range of users, with all kinds of needs. He also underlined that their ambitions are very high and they will use all their power to get competitive in the DSLR market and to stay there as a major supplier in a long foreseeable future.'

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Jun 9: Photography When the Light Fades

Sunset-2-3One of my favorite times to photograph is in the 'golden hour' - just before the sun goes down when you get that wonderful golden glow over the landscape.

I remember a trip a few years back to the outback of central Australia where I discovered the potential of this time of the day in a place where the golden glow of the sun on the red sand and rock of the outback was pure magic.

It was on this trip that I learned how to photograph sunsets and began to experiment with how to take silhouettes in my photography.

Much of what I learned is in two recent tips posts at:

Hopefully they'll help you next time you find youself out in the golden hour!

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Jun 9: Fujifilm FinePix F30 Review at CNET

Fujifilm-Finepix-F30 CNET reviews the Fujifilm FinePix F30 and gives it a rating of 7.4 out of 10. They writec - 'Fujifilm has spent the last couple of years getting in touch with its sensitive side by ratcheting up the usable sensitivity range of its digital compact cameras. The pinnacle of this work is the company's new FinePix F30, which includes a range of ISOs from ISO 100 all the way up to ISO 3,200. In the film world, you could get ISO 3,200 only with black-and-white film, and it had grain that was affectionately referred to as "golfball size" by many photographers. While noise at ISO 3,200 is extreme, the F30 keeps imaging artifacts under control below that point, making for a breakthrough as digital compacts go.'

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Jun 9: Sony DSLR-A100 Review at Steves Digicams

Sony-Alpha-A100 Steves Digicams has posted a first impression review of the Sony DSLR-A100 and writes - 'The DSLR-A100 camera helps to combat blurry pictures through the use of higher light sensitivity (up to ISO 1600) and Super SteadyShot image stabilization, a Sony technology that shifts the image sensor to compensate for camera movement. Because Super SteadyShot is built into the camera body, all compatible lenses are image-stabilized allowing from 2 to 3-1/2 stops of latitude in exposure. This means hand-held telephoto shooting at lower shutter speeds and more opportunities to shoot in natural lighting without a tripod or a flash.'

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Jun 9: Sony Cyber-shot DSC-T9 Review at ThinkCamera Reviews

Sony-Cybershot-Dsc-T9-2 Think Camera reviews the Sony Cyber-shot DSC-T9 and writes - 'With the exception of the 'anti-blur' features, it wasn't immediately obvious why this camera had been added to the range. But the other more minor changes all add up to make this significantly more usable than last year's models, and we'd have no hesitation in recommending this to someone who wanted an all-round, excellent compact camera.'

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Jun 8: Sony Cyber-Shot DSC-W70 Review at Steves Digicams

Sony-Cybershot-Dsc-W70-2Steves Digicams reviews the Sony Cyber-Shot DSC-W70 and writes - 'The Sony Cyber-shot W70 is a good all-around performer. Weighing-in at just under 6 ounces (including battery and Memory Stick Duo), the W70 is both pocketable and stylish while still providing the optical viewfinder that its competitors frequently omit. With very good image quality, 7-megapixels of resolution, versatile sensitivity range, high-quality movies and an MSRP of under $300, the Sony DSC-W70 is a very good value, just the camera to send your child off to college with. If you like the W70's features and image quality but prefer to spend a bit less, consider the W50; it sports the same 2 1/2-inch LCD but with 6-megapixels of resolution for about $50 less.'

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Jun 8: Panasonic Lumix DMC-TZ1 Review at DigiCam Review

Panasonic-Dmc-Tz1DigiCam Review and writes - Panasonic Lumix DMC-TZ1 and writes - 'Image quality is very good, the images have good colour (rich colours, highly saturated), with good contrast and generally good detail, although noise is high and detail is lost when ISO settings are increased. Images were slightly softer than I would have liked, however isn't a major problem. Best results were achieved outside on sunny days, but inside noise was noticably high. Purple fringing was quite low unless the full zoom was used, and red-eye was not a problem. Exposure seemed very good inside and outside. The camera was generally very competent at focusing thanks to the focus assist lamp. I did not notice vignetting, or barrel or pincushion distortion. There is a good range of image sizes, aspect ratios, and compression options. Auto white balance seemed to be good. The camera doesn't give you very many options to customise images - there are no sharpness or contrast controls for example. The camera's built in optical image stabilisation is effective and helps get blur free photos in low light or when using the zoom.'

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Jun 8: Kodak Easyshare V603 Review at Digital Camera Review

Kodak-Easyshare-V603Digital Camera Review has posted their review of the Kodak Easyshare V603 and writes - 'The Kodak Easyshare V603 is a stylish, capable camera. Kodak has a done a good job of improving the usability of the controls while keeping the camera's style. Also improved is the operation speed of the camera -- with minimal shutter lag and good cycle time. The image quality of the camera is good, with a slight tendency to overexpose. Kodak works pretty hard to make it easy to take pictures, so along with the easy camera operation, it can also plug right into their Easyshare printers to print out your Kodak moments.'

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Jun 8: Pentax Optio T10 Review at Megapixel

Pentax-Optio-T10 Megapixel reviews the Pentax Optio T10 and writes - 'Optically, the T10’s 3X zoom lens offers a focal length range that covers the equivalent of a 37.5 to 112.5 mm on a 35mm camera. The lens is effectively free of distortion throughout its range, and it is only when the macro mode is used, a mode that locks the lens at the widest angle, that some barrel distortion becomes visible. At the telephoto end however, no pincushion is noticeable, and whatever the focal length in use, the T10’s lens shows no trace of any chromatic aberration, from wide angle through to telephoto, even when imaging a subject that contains strong contrasts.'

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Jun 8: Fuji Finepix V10 Review at Cameras.co.uk

Fujifilm-Finepix-V10Cameras.co.uk reviews the Fuji Finepix V10 and writes - 'The Fuji Finepix V10 offers something different from other digital cameras. It is best suited to someone who looks on photography as fun and would like a camera for snaps shots at parties and on holiday. You can find better picture quality elsewhere, but if the special features of the camera are attractive to you then it is well worth considering.'

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Jun 8: Sony Cybershot DSC-W100 Review at DPexpert

Sony-Cybershot-Dsc-W100DPexpert reviews the Sony Cybershot DSC-W100 and writes - 'The Sony Cybershot DSC-W100 has a street price of about $600 which makes it an outstanding buy. Even with the high price of a Memory Stick it still represents excellent value. It is devoid of gimmicks and feels like a real camera, not an amusing electronic gadget. It lacks electronic image stabilisation but apart from that the Sony gets 5 stars because it perfectly fulfils its promised function.'

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Jun 6: Beach Photography Tips

Beach-1Taking photos at the beach is one of my favorite locations for shots so it seemed natural that I write a couple of tips on it this week at Digital Photography School. You can read them at:

I hope you enjoy them - have fun at the beach!

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Jun 6: Olympus SP-500 Review at Lets Go Digital

Olympus-Sp-500 Lets Go Digital reviews the Olympus SP-500 and writes - 'By the end of the trial period, the Olympus SP-500 UZ had made a mixed impression on me. The image quality and functionality was convincing enough, but it is just a fact that the specifications of contemporary Megazoom cameras are more extensive than ever. The Olympus SP-500 UZ misses several features found elsewhere, the worst being the lack of an optical image stabiliser. For the time being, the Olympus SP-500 UZ is an all-round digital camera, and if it is priced considerably lower that its competitors, it will be a perfect find for an experienced photographer in search of a second camera or a compact version of their digital reflex camera. Starters will be less convinced and will probably look around to see what the competition has to offer.'

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Jun 6: Casio Exilim EX-Z850 Review at Lets Go Digital

Casio-Exilim-Ex-Z850 Lets Go Digital reviews the Casio Exilim EX-Z850 and writes - 'Casio are putting in serious work to achieve a larger market share. Now, we all know this can prove tricky if one's product assortment does not meet the consumer demand - but for Casio, there are no such issues. Cameras like the Casio Exilim EX Z850 more than deserve market share, simply because they are worth it. The image quality is outstanding, and the speed with which the images are processed, as well as the speed of the camera actions, really is striking. In fact, the entire combination can easily face the competition of other camera manufacturers. The Casio Exilim Z850 certainly leaves a dazzling impression. This camera, a true front runner, features everything needed to gain a larger market share. As far as I am concerned, the Casio Exilim EX Z850 is absolutely recommended!'

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Jun 6: Fujifilm FinePix A400 Review at Steves Digicams

Fujifilm-Finepix-A400 Steves Digicams reviews the Fujifilm FinePix A400 and writes - 'the Fujifilm FinePix A400 was a mixed bag. It produced average quality indoor and outdoor images, but its versatility is limited by its relatively weak flash and poor autofocus performance in dim lighting. But at a street price under $150, cost-conscious consumers might overlook its shortcomings and consider it a good value. Those for whom price is less of a consideration should also look at the Fujifilm A500; with less image noise at ISO 100 and identical features except for its 5-megapixel imager, it is available for about $30 more.'

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Jun 6: Olympus E-330 Review at TrustedReviews

Olympus-Evolt-E-330Trusted Reviews has posted their review of the Olympus E-330 Digital SLR where they write - 'This is a camera that you could use professionally and be assured of good results. Although it may look a little strange, it performs as well as any of its direct mid-range competitors. It has a full range of professional options, including excellent colour options. The live monitor view is a very welcome bonus on an excellent camera.'

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Jun 6: Canon EF-S 17-55mm f/2.8 IS USM Lens Review at The Digital Picture

Canon-Ef-S-17-55Mm-F2.8 One of my favorite Canon lens review sites, the Digital Picture, has produced a good review of the Canon EF-S 17-55mm f/2.8 IS USM Lens where they write - 'Weddings, events, parties, family activities, portraits, landscapes, stage shows, car shows, night sky ... there are far more uses for this lens than I am going to think of. Unless there is an upgrade to a 1.3x or full frame body in your future, the Canon EF-S 17-55mm f/2.8 IS USM Lens is an ideal lens to include in your kit. With the introduction of the Canon EF-S 17-55mm f/2.8 IS USM Lens, Canon displays its commitment to the EF-S line of lenses. With the huge base of Canon EF-S Digital SLR users, the Canon EF-S 17-55mm f/2.8 IS USM Lens, with its excellent features, specs and image quality, will find a home in many professional and amateur photographers' kits. This is the lens I keep mounted on my 1.6x body (currently a 30D) - I highly recommend it.'

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Jun 6: Nikkor AF-S DX VR 18-200mm 3.5-5.6G IF-ED Review at Cameralab

Sigma-18-200-F35-63Camera Labs reviews the Nikkor AF-S DX VR 18-200mm 3.5-5.6G IF-ED lens and writes - 'by delivering a focal range equivalent to 27-300mm, all three of the zooms on test are extremely flexible lenses. Their massive 11.1x zoom range allow you to capture both wide landscape shots and decent close-ups of distant subjects such as wildlife without worrying about carrying additional lenses....

We'd say the inclusion of VR along with the other benefits makes the Nikkor worth the extra, although anyone on a tighter budget can't fail to be impressed by the sheer value of the Sigma and Tamron models. If you can afford the extra though, go for the Nikkor - it delivers great quality and features, and therefore comes Highly Recommended to any Nikon D-SLR owner who only wants to carry a single lens for all occasions.'

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Jun 6: Sony Alpha DSLR-A100

Sony-Alpha-A100

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The Sony Alpha A100 DSLR is a camera we've been talking about over the past few days on numerous occasions but it's now official with press information coming out in the last few hours.

The Sony Alpha A100 is 10 megapixel DSLR (CCD) with super steady Image Stabilization, Anti Dust technology, eye start auto focusing, 2.5 inch LCD screen, 3 frames per second burst mode and 9 point auto focus selection.

The price we're hearing for this is $ 999.95 USD with the 18-70mm lens also announced today.

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Sony Alpha A100 DSLR News Release Excerpts

Enjoy the all-new Sony α (alpha) DSLR-A100 camera with an amazing all-around lens to get you started. Included in this kit is the versatile new SAL-1870 lens. This standard lens easily handles the full range of shots you’ll take most often—but there’s nothing “standard” about its advanced optical design. In 35mm equivalent, it covers wide-angle 27mm to 105mm midrange telephoto for snapshots, portraits, interiors and more—an excellent all-around lens to travel with.

The Sony α (alpha) DSLR-A100 camera is an instant classic: the top-quality 10 MP DSLR system camera that builds on a two-decade legacy of Minolta photographic leadership, accepts 20 years of A-mount lenses sold worldwide—and introduces Sony imaging innovations like high-sensitivity shooting with Super SteadyShot in-camera image stabilization, Dynamic Range Optimizer to automatically increase detail in bright and dark picture areas, new Anti-Dust technology to keep the CCD imager clean for better pictures, and Eye-Start Autofocus system for faster camera response.

Feature List
The Rebirth of a Legend.
In the revolutionary new Sony α (alpha) DSLR-A100 camera, Sony's mastery of digital technology combines with Minolta’s legendary SLR technology -- including autofocus and anti-shake compatibility with over 16 million A-mount lenses sold worldwide.

Advanced Lenses and Accessories.
The Sony α (alpha) DSLR-A100 camera is your gateway to one of the world’s most sophisticated camera systems, including precision Sony standard and zoom lenses, Sony “G” Series lenses with advanced motorized autofocusing, amazingly bright Carl Zeiss T* coated lenses, professional-quality flash units and more.

10 MP Super HAD CCD.
A large APS-size CCD imager with Sony’s advanced Super HAD (Hole Accumulated Diode) design allows more light to pass to each pixel, increasing sensitivity and reducing noise -- and providing greater detail when you make big prints or crop in close on your subject.

Super SteadyShot Image Stabilization.
The Sony α (alpha) DSLR-A100 camera builds image stabilization into the camera body, so all lenses benefit from anti-shake performance. And along with higher ISO sensitivity, Sony’s Super SteadyShot system minimizes blur from shaky hands so you can take sharp, clear photos with hand-held camera in situations that would normally require a tripod -- and also helps both extended telephoto and macro close-up shooting.

Anti-Dust Technology.
Changing lenses in a DSLR can allow dust to enter the camera -- so to keep the CCD imager clean for better pictures, the Sony (alpha) DSLR-A100 camera utilizes both static-free anti-dust coating on the CCD filter and anti-dust vibration that automatically shakes the CCD to dislodge dust each time the camera is shut off.

Dynamic Range Optimizer.
To recover details in dark or bright areas of the picture, the Sony α (alpha) DSLR-A100 camera provides two levels of Dynamic Range Optimization: Normal DRO, to improve shadow detail using standard gamma curves for fast shot-to-shot response time, or Advanced DRO, to adjust dynamic range area-by-area for the greatest precision.

Bionz Image Processor.
At the heart of the Sony α (alpha) DSLR-A100 camera is the advanced Bionz Image Processor, using hardware-based Large Scale Integrated (LSI) circuitry that responds ten times faster than software image processors -- improving camera response time, handling Dynamic Range Optimization processing and extending Stamina battery life.

Eye-Start Autofocus System.
Some DSLR systems don’t start focusing until the shutter button is half-pressed -- but that can slow down camera response. The Sony α (alpha) DSLR-A100 camera begins its precision autofocus adjustments the moment you bring your eye to the viewfinder, to capture fast-action subjects other cameras might blur.

2.5” 1 Clear Photo LCD Plus Screen.
The Clear Photo LCD Plus design of the Sony α (alpha) DSLR-A100 camera’s built-in screen makes it easy to read camera setup menus even in bright sunlight -- and gives you a better picture when you use your screen to set up shots and check results.

Continuous Burst Mode at 3 Frames Per Second.
To catch fast action more effectively, the Sony α (alpha) DSLR-A100 camera offers continuous JPEG image capture up to the limit of your flash memory card -- plus RAW Burst Mode (up to 6 shots) with intelligent buffer management to allow more shots to be captured without waiting for the buffer to clear.

Super-Accurate Exposure Control.
A 40-segment honeycomb sensing system provides multi-pattern measuring for superior exposure control accuracy.

Flexible Exposure Modes.
For greater creative freedom in a wide range of shooting conditions, the Sony α (alpha) DSLR-A100 camera provides full manual exposure control as well as Program Auto, Aperture Priority, Shutter Priority, and Exposure Compensation modes.

9-Point Auto Focus Selection.
The Sony α (alpha) DSLR-A100 camera gives you all the focusing options you need for composing your shot with foreground, background or off-center subjects -- including manual focus point selection, Spot AF, Continuous AF and AF Lock.

Lithium Ion Battery with Stamina Power.
A supplied NP-FM55H Lithium Ion rechargeable battery lets you take up to 600 shots2
on a full charge, recharges quickly with supplied battery charger.

Dual Media Options.
The Sony α (alpha) DSLR-A100 camera accepts both CompactFlash Type I/II media and optional Memory Stick Duo media (with supplied adaptor).

Sony Alpha A100 DSLR Specifications

Imaging Device: 10.2 (effective) APC CCD Sensor; 23.6 x 15.8 mm; RGB primary color filter
Chipset: Bionz Processor LSI with Dynamic Range Optimizer (DRO/DRO+)
Recording Media: Memory Stick Duo/Memory Stick PRO Duo media (via MSAC-MCF1N adaptor); CompactFlash Type I/ CompactFlash Type II / Microdrive media
Shutter Speed: 30 ~ 1/4000 sec, with Bulb
Exposure: Manual Exposure: Yes, w/EV indicator
EV Compensation: ±2.0 EV, 1/3 EV Steps
ISO: Auto/160/200/400/800/1600
LCD: 2.5-inch (measured diagonally) TFT (230k pixels) LCD with Clear Photo design; Eye-start Auto-focus sensor
Display: Histogram: Yes, Live, RGB Playback
Microphone/Speaker: No/ No
Red-Eye Reduction: Yes: On/ Off
White Balance: Auto, Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash ( with custom White Balance color temperature adjustments)
Burst Mode: Continuous burst mode at 3 FPS to limit of media; Up to 6 RAW images in burst.
Color Mode(s): Black & White, Standard, Vivid, Adobe RGB (Except for Adobe RGB, all other color modes use the sRGB color space)
Scene Modes: Portrait, Landscape, Sunset, Night View/Night Portrait
Self Timer: Yes (10 seconds, 2 seconds, Off)
Still Image Mode(s): Normal (JPEG Fine/Standard), High-speed Burst (JPEG, RAW, RAW + JPEG), RAW (.ARW)
Memory Stick PRO Media Compatibility: Tested to support up to 4GB media capacity; does not support Access Control security function
Flash Modes: Manual Pop-up: Auto, Fill-flash, Rear flash sync, Wireless off camera flash (with Flash HVL-F56AM, F36AM)
Flash Effective Range: GN12 at ISO 100 (39 feet/ 12 meters)
Output(s): Video: Yes, NTSC/PAL Selectable
USB Port(s): Yes, Supports USB 2.0 Hi-speed
Battery Type: NP-FM55 Lithium-ion rechargeable battery (
Battery Capacity: 7.2V, 1600 mAh; CIPA standard: approx. 750 pictures3
Supplied Software: Picture Motion Browser for Sony v1.1 (Windows), Image Data Converter SR Ver. 1.1 (Windows & Macintosh), USB Driver
Operating System Compatibility: Microsoft Windows 2000 Professional, ME, XP Home and Professional; Macintosh
OS X (v 10.3 or later). OS must be installed at the factory.
Limited Warranty: 1 Year Parts & Labor
Weight: 1 lb., 3 oz (545 g) body, not including battery, lens and media
Dimensions (WHD): (WHD) 5 1/4" x 3 3/4" x 2 7/8" (133 x 95 x 71 mm)

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Sony Alpha DSLR-A100 Reviews

DP Review has posted a hands on preview/review of the Sony Alpha DSLR-A100 where they write - 'At first glance you can immediately see the Konica Minolta family resemblance, certainly from the back the camera is laid out almost exactly the same as the Konica Minolta 5D. Spend a little longer however and you'll see the differences. With soft corners, sweeping lines, varied materials and ergonomically shaped grip areas. Whether this improved design is thanks to Sony or it was in the pipeline from an unreleased Konica Minolta camera we'll probably never know but it looks and feels a real step ahead of previous Konica Minolta incarnations. Build quality is also very good, the camera feels solid, reliable and purposeful with good use of different materials and a nicely sized hand grip with soft rubber.'

Steves Digicams has posted a first impression review of the Sony DSLR-A100 and writes - 'The DSLR-A100 camera helps to combat blurry pictures through the use of higher light sensitivity (up to ISO 1600) and Super SteadyShot image stabilization, a Sony technology that shifts the image sensor to compensate for camera movement. Because Super SteadyShot is built into the camera body, all compatible lenses are image-stabilized allowing from 2 to 3-1/2 stops of latitude in exposure. This means hand-held telephoto shooting at lower shutter speeds and more opportunities to shoot in natural lighting without a tripod or a flash.'

Trusted Reviews has posted a review of the Sony Alpha α100 Digital SLR and writes - 'An extremely impressive debut from a new player in the digital SLR market, the Sony Alpha α100 is pitched at the consumer end of the market, but is actually a better camera than most of its mid-range rivals too. It bristles with clever technology, but is very easy to use and produces consistently excellent results. It would be a good camera for a newcomer to SLRs, but more experienced users will also find it very satisfying to use.'

Pocket Lint has a first impression review of the Sony Alpha A100 and writes - 'Sony has already confirmed that it intends to introduce new models and lenses within the next year or two, it has also intriguingly said that the new lenses being made are able to cover a "full frame", hinting at a pro-end model with a full frame (in 35mm terms) D-SLR in the near future. When the camera becomes available to test in the next few weeks, we’ll be able to see just how well it can perform and in coming months, to see if Sony has the might to take on Canon and Nikon. It has to be said, it would seem they’ve made a very aggressive start.'

Digit reviews the Sony Alpha A100 and writes - 'We choose to interpret these hints as Sony seriously considering a coming full frame format DSLR. Or, perhaps they just want to keep potential customers from buying other systems because the Alpha system does not offer a full frame camera at the moment. It is most unusual for high ranked representatives to formulate a statement this way. The statement was not altered, nor denied by Sony officials later, when this topic was raised during an interview. Vice President of Sony Europe, Takashi Kondo, said that their main goal is to concentrate on the consumer market, but also that the “consumer market�? covers a wide range of users, with all kinds of needs. He also underlined that their ambitions are very high and they will use all their power to get competitive in the DSLR market and to stay there as a major supplier in a long foreseeable future. '

Pop Photo tests the Sony's Alpha 100 D-SLR and writes - 'The Alpha 100 also incorporates what Sony calls Dynamic Range Optimization (DRO). This hardware-based system is said to analyze and manipulate RAW data in-camera, before processing and JPEG compression, in order to recover shadow or highlight detail that might otherwise be lost. Because Sony didn't let us take our Alphas home from Alaska, none of us has had a chance to determine whether DRO is worth yet another acronym -- whether it really gives the camera a tonal advantage over its competitors. But the system did seem to tame the relentless light of Alaska's summer, holding good detail even in sunlit snow. The system appeared, in fact, to lessen the need for RAW mode, which of course the Alpha 100 offers.'

Digital Trends reviews the Sony Alpha DSLR-A100 where they write - 'The DSLR-A100 was responsive, starting up in less than a second and it captured shots quickly. Continuous shooting was very fast as was focusing. We did a lot of shooting in the RAW+JPEG setting and the camera handled those massive files with ease. Remember this is a 10MP camera and JPEGs are 3872 x 2592 pixels. Color was very accurate though we tended to up the compensation simply because we like more contrasty images, especially landscapes. Skin tones were spot on, even when making large prints (13 x 19s are no problem with a 10-megapixel camera).... Sony has gone “all in�? in the D-SLR poker game, quickly leaping into the ranks of the better Canon and Nikon models. Keep it in mind if you’re looking to spend $1,000 for a new camera. Remember this was a pre-production model and we’ll have a final report and DT rating as soon as can.'

CNET Asia has a review up of the Sony Alpha 100 and writes, "Our JPEG images were pleasing with rich vibrant colors and lots of details which we liked. Barrel distortions were minimal, though we did see some traces of it, especially with straight lines along the corners at the wide end of our lens. Exposures were well-controlled and the camera's automatic white balance was spot-on most of the time--good for first-time dSLR users still learning the workings of a dSLR. One thing to note is the shadow cast at the bottom of your frame caused by the pop-up flash. ... Noise was very well-controlled between ISO 100 and ISO 400 and it's only at ISO 800 where we began to see image quality suffer a little. At the maximum selectable sensitivity setting of ISO 1,600, noise was clearly evident. However, that's still manageable for a camera of its class and our real-world shots looked decent."

Camera Labs has a review up of the Sony Alpha DSLR-A100 and writes, "There's no denying Sony's Alpha DSLR-A100 is an impressive camera for the money. Simply having 10.2 Megapixel resolution and built-in anti-camera-shake is enough to elevate it beyond most budget digital SLRs. Throw in a high resolution 2.5in screen and some neat image processing options, along with a kit lens which zooms-in further than the competition, and it's looking even stronger. But it's not all good news. Increasing resolutions on sensors with the same surface area always raises concerns over higher noise levels, and as our results show, the A100 is noticeably noisier than rivals like Canon's EOS-350D / Rebel XT, particularly at 800 ISO and above. Our gallery also reveals higher noise levels than we'd like even at 400 ISO. It's interesting to note the A100's also noisier than the Nikon D200 at high ISOs, despite them sharing essentially the same sensor."

CNET has a review up of the Sony Alpha DSLR-A100K and writes, "The Sony Alpha DSLR-A100 turned in impressive, high-quality images in our tests. Images have plenty of detail and well-saturated colors, though, as you'd expect, images converted from raw using Sony's included Image Data Converter software showed slightly more detail than those converted to JPEG in the camera. Sony did a nice job of keeping noise under control all the way out to ISO 800. While noise creeps in very slightly at ISO 400, and a little more so at ISO 800, images retained plenty of detail. At ISO 1,600, noise was much more noticeable and obscured some details, but images were still printable, especially at letter size or smaller, and might even be acceptable for prints as large as 11x17 inches. ... Overall, Sony's first foray into digital SLRs is very successful."

Popular Photography has a review of the Sony Alpha 100 DSLR where they write - 'The bottom line? KM and Minolta loyalists should be thrilled with the A100, as it continues many of the best aspects of the Maxxum line and won't let their investment in lenses go to waste. The merger of KM into Sony appears to have produced a better DSLR than either company could have made on its own, with features and a price that should attract anyone ready to move up from a compact or EVF digital camera to their first DSLR. Looks like the established players will be scrambling to top it—and not the other way around.'

DP Review has reviewed the Sony Alpha DSLR-A100 and gives it a rating of highly recommended. They write - 'For me it's a fairly comfortable Highly Recommended, the A100 is a very capable camera with a wide feature set, a good range of manual controls and some unique developments. The built-in Super SteadyShot provides you with that little extra comfort level at slower shutter speeds and the ability to use longer lenses with more confidence.'

DCRP reviews the Sony Alpha DSLR-A100 and writes - 'The DSLR-A100 has plenty of features for both beginners and enthusiasts. If you just want to point-and-shoot, the A100 has several scene modes, plus a standard fully automatic mode. If you want manual controls, naturally they're all here, from shutter speed to white balance. The unique Dynamic Range Optimizer brightens up your images, though I found that the results differed greatly depending on your subject. The Standard mode brightens this up a bit, with Advanced mode going far beyond that. Sometimes that was desirable, other times it's not. My advice is to shoot with DRO set to Standard most of the time, but it's certainly worth experimenting with the Advanced setting when the scene could use it. Do note that the DRO feature is disabled when shooting in RAW, full manual mode, or when the metering is set to anything but matrix. Speaking of RAW: yes, the A100 supports this format, and the bundled software (for both Mac and Windows) does a good job at letting you adjust the various image properties.'

Lets Go Digital reviews the Sony A100 and writes - 'All in all, Sony has come up with a decent camera in the Alpha 100. A good beginning is half the battle. Consider the price/quality ration in the current market and you will see that the well known DSLR manufacturers have suddenly been confronted with a competitor to be afraid of! Not only is the Sony Alpha 100 a pleasure to work with, it also gives great results. People who now work with a Konica Minolta can go on to Sony without a hitch. This is immediately a strong point for Sony. As well as launching a camera, it has come up with an enormous range of accessories and lenses. The Sony Alpha 100 is only the beginning of Sony's rise in the world of reflex cameras. To the competitors, one can only say - watch the Sony Alpha 100 - this camera is ready to conquer market share! '

Imaging Resource reviews the Sony Alpha DSLR-A100 and writes - 'The strength of Sony's initial foray into the DSLR market is testimony to the wisdom shown by Sony's management in partnering with Konica-Minolta and eventually taking over their DSLR operations. By any measure, the Sony A100 delivers strong functionality and represents an excellent value for the money. The sensor-based anti-shake system Sony inherited from Minolta is very capable, and has the usual sensor-based advantage of making all your lenses into image-stabilized ones. We think that the impact of anti-shake is generally underappreciated by the public: It can make a huge difference in the number of usable photos you come home with, and should be a key contributing factor in the selection of a camera/lens system to buy into. Having this capability built into the Sony A100's body is a fantastic user benefit. We were very impressed with other characteristics of the Sony A100 as well, including its excellent fit and finish, high resolution, good color rendition, very good battery life, and very responsive handling. The only weak points we found were its somewhat high noise levels at ISO 800 and 1600, and a tendency toward exposure variability, particularly when wide-area AF was combined with multi-segment metering. Read the full review for a deeper discussion of this: We suspect that novice photographers won't notice the fairly minor variations we observed, and more experienced users are likely to avoid the problem altogether by manually selecting their AF points. '

DC Views has posted a review of the Sony A100 where they write'General camera performance is excellent with quick focusing and good color rendition. The few niggles we had with the Alpha 100 during our tests are really small beer and should not be serious enough to put you off buying one. However the competition is quite strong at the moment with entry level models available from most major manufacturers at very reasonable prices. Therefore we would advise you to try your hands at other models as well and see which one suits your needs best before you decide.'

PhotographyBLOG reviews the Sony A100 and writes - 'Konica Minolta users, means ease of use and a stress-free transference of skill sets are required, and on those two counts the Sony A100 delivers. That start up time of just over a second, mere 3fps capture, and loud shutter may not be good enough to please the pros, but it's a performance that's more than adequate given it's a DSLR intended for mass market consumption. The steady introduction of Carl Zeiss branded lenses will further cement its claim on the pockets of enthusiasts anyway, and Sony has reportedly invested such a hefty sum in making its DSLR brand successful that failure is not an option. Arranged marriages can be fraught with problems, but this one appears to be working out. Sony has been careful not to claim all the glory for itself when talking to the press about the A100, hoping that what it has delivered is the best of Sony and Konica Minolta – and that seems true, at this stage. While in certain respects the product feels compromised by its enforced blend of technologies and, I imagine, rather quick development schedule – what the Sony A100 is, is a very good camera when I believe future generations will hopefully make it great.'

Digital Camera Info reviews the Sony alpha DSLR-A100 and writes - 'The Sony α (alpha) A100 is a good value for users who want stabilization, dust control and 10 megapixels, but don't mind a clunky interface and slow operation. It's a snapshot camera with some very appealing bells and whistles, and it will be a very good fit for casual photographers who want a DSLR, but don't need one. The Sony A100 is an overall disappointment. It's far too similar to the Konica-Minolta cameras it's built on. Those cameras failed in the marketplace, and some of Sony's few and minor changes, such as the parameters dial, aren't improvements. The strategy doesn’t seem to improve a product that didn't sell; it just markets it with a bigger name.'

Megapixel review the Sony DSLR-A100 and writes - 'With an attractive price, the 10-megapixel Alpha 100 is deserving of the attention it has received. Purchased as a kit with one or two lenses, the Alpha is immediately useable, and will produce high quality photos at all but the widest angle of the 18 - 70 mm lens. Moreover, with its numerous advanced features and full compatibility with a wide number of Minolta A mount lenses in addition to the upcoming Carl Zeiss designed Sony lenses, the Alpha 100 should prove to be one of the most popular entry-level DSLR cameras.'

PCWorld has a review of the Sony DSLR-Alpha 100K and writes, "The Alpha 100 delivered high image quality overall. In shots taken at ISO 100 to 400, image quality was very good--comparable to that of other entry-level SLRs. At ISO 800 to 1600, however, the Alpha 100 got noisy. The Sony DSLR-Alpha 100K is a very good but somewhat pricey camera. Despite feeling clunkier than its competitors, it delivers good image quality and a full feature set, plus some nice extras such as image stabilization."

NeoCamera has a review of the Sony Alpha A100 and writes, "The bottom line is that the Sony Alpha A100 brings many unique features and produces high quality images under most conditions. Unless high-ISO is required for large prints, this is one of the best DSLRs to choose. Considering it has built-in stabilization and is priced relatively low, the A100 is an excellent value. Its closest competitor, the weatherproof Pentax K10D, is worth a look for its own unique features. Another interesting competitor is the Canon Digital Rebel XTi. It performs better at high-ISO but lacks stabilization and is not as ergonomic. For action photography, particularly indoors, the 8 megapixels Canon EOS 30D or the much more expensive Nikon D200 should be considered for their 5 FPS continuous drive and high-speed focusing."

Compare prices on the Sony Alpha DSLR-A100 and get the latest price on the Sony Alpha A100 from Amazon

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Jun 6: Sony 28mm f2.8 Wide-Angle Lens - SAL-28F28

Sony-28Mm-Sal28F28Superb value in a wide-angle lens for interiors, group photos and landscapes. With its precision optics, compact size and wide 75° angle of view, this lens is an excellent choice for sharp, high-contrast shots when you’re working indoors, with people in groups, or in landscapes and urban scenes when you want a panoramic or inclusive shot with lots of detail. Mounted on the Sony α (alpha) DSLR-A100 camera, this lightweight wide-angle lens provides a near-standard 42mm focal length (35mm equivalent).

Excellent Depth Perspective:
With wide-angle optics and deep depth of field, this lens creates sharp, high-contrast photos that capture more detail in both foreground and background.

Lightweight Design:
With compact size and light weight, it’s an easy lens to carry when traveling or for long shooting sessions.

Convenient Built-in Hood:
A built-in sliding lens hood protects your optics and makes it faster to switch lenses.

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Jun 6: Sony 16mm f2.8 Fisheye Lens - SAL-16F28

Sony-16Mm-Fisheye-Sal16F28Crisp images in the unique perspective that only a fisheye lens can provide. A superb fisheye lens with a look all its own -- a fascinating perspective on landscapes, cities, crowds and special events. With a 180° angle of view and extraordinary corner-to-corner sharpness, this lens achieves crisp, clear detail from about 8 inches to infinity. Mounted on the Sony α (alpha) DSLR-A100 camera, it provides a 110° angle of view with 24mm focal length (35mm equivalent).

A Unique View of the World:
With exaggerated perspective and intriguing visual distortion, this fisheye lens brings images closer to the focal plane for a view beyond the ability of human eye.

4 Rotating Filters:
Built-in filters can be selected by simply rotating a dial on the lens -- including Normal, 056 for accented contrast in B&W photos, B12 to correct color by eliminating red tones, A12 to correct color by eliminating blue tones.

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Jun 6: Sony G Series 300mm f/2.8 G Super Telephoto Lens - SAL-300F28G

Sony-300Mm-Sal300F28GThe brilliant long-distance lens with wide aperture and fast auto-focus response. For definitive long-shot precision and spectacular portraits even in low light, this professional G-Series lens raises the standard of DLSR performance. Its 35mm-equivalent 450mm focal length and ultra-bright f2.8 aperture combine for superb results in virtually any light -- and its high-speed SSM (Super Sonic wave Motor) auto-focus is fast, accurate and quiet.

SSM (Super Sonic wave Motor):
A built-in lens motor for faster automatic focusing with high torque at low speed, quick start/stop response, and quiet, smooth operation.

ED (Extra-low Dispersion) Glass:
Three precision ED Glass lenses correct chromatic aberrations to provide extremely sharp telephoto images distant subjects as well as dramatic sports close-ups.

Internal Focusing System:
Internal lens elements move, so the overall length does not change -- creating an auto-focus zoom lens that doesn’t affect the balance of your camera.

2 DMF (Direct Manual Focus) Modes:
Allow you to quickly revert to manual focus by just turning the manual focus ring of the lens.

Versatile Focus Hold:
Four focus hold buttons in different lens locations, plus electronic slider focus range selector switch.

Lightweight Design:
A strong, light magnesium lens barrel makes shooting more comfortable even on long wildlife or sports assignments.

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Jun 6: Carl Zeiss Sonnar T* 135mm f/1.8 Telephoto Lens - SAL-135F18CZ

Carl-Zeiss-135Mm-Sal135F18Cz
A high-performance telephoto lens with the widest aperture in its class. Whether you’re shooting a distant mountain peak or a beautiful orchid at arm’s length, this superb telephoto lens provides amazing image quality. Its f/1.8 aperture makes it the brightest telephoto lens in its class -- and with 35mm-equivalent 202.5mm focal length plus the ability to focus tightly on objects closer than three feet away, it can cover an amazing range of photographic assignments.

Ultra-Bright Images:
At fully open f/1.8 aperture (the best in its class), this high-performance 135mm lens creates amazingly bright telephoto images.

Superb Sharpness:
In conjunction with the Super SteadyShot image stabilization system of the Sony α (alpha) DSLR-A100 camera, this lens gives you excellent results even working with hand-held camera by available light.

Close-up Focusing:
You can capture professional-quality images of both faraway scenes and objects closer than three feet.

Internal Focusing System:
Internal lens elements move to increase auto-focus speed to help you catch quick action.

ED (Extra-low Dispersion) Glass:
Two ED Glass lenses minimize flare and greatly reduce chromatic aberration, giving you sharp, clear telephoto shots.

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Jun 6: Sony 135mm f/2.8 (T4.5) STF Telephoto - SAL-135F28

Sony-135Mm-Sal135F28A unique telephoto lens for smooth, natural focus effects in foreground and background. This advanced STF (Smooth Transition Focus) telephoto lens incorporates an apodization optical element that distributes light rays to create smooth, aesthetically pleasing out-of-focus backgrounds that make sharp-focus subjects stand out more vividly. Mounted on the Sony α (alpha) DSLR-A100 camera, this lens provides a 200mm focal length (35mm equivalent).

Smooth Transmission Focus:
While subjects remain in sharp focus, out-of-focus backgrounds or foregrounds are blurred smoothly and evenly with gradation that thickens toward the edges of the frame for a pleasing aesthetic effect.

Transmissive Brightness:
After light passes through the apodization element, the lens aperture of f2.8 yields a T (transmissive brightness) equivalent of 4.5; a manual aperture ring can adjust T setting from 4.5 to 6.7.

Wide Focus Ring:
The dedicated manual focusing system is controlled by a wide focus ring that’s comfortable to hold and gives you a solid, hands-on feel for pinpoint focusing of your subject.

Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.

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Jun 6: Sony 500mm f/8 Reflex Super Telephoto - SAL-500F80

Sony-500Mm-Sal500F80The world’s only super telephoto reflex lens with auto-focus capability. Its reflex design gives this amazing super telephoto lens a short barrel and compact, lightweight design, ideal for field work on wilderness and nature assignments -- and its auto-focus capability makes it unique among reflex lenses of this class. Mounted on the Sony ® α (alpha) DSLR-A100 camera, this lens provides a 750mm focal length (35mm equivalent) -- and takes advantage of Sony’s in-camera Super SteadyShot® image stabilization system to reduce blur by compensating for shaky hands.

Compact Reflex Design:
Its reflective optical system provides super-long telephoto performance in a compact, lightweight design that’s easier to carry on field assignments.

Auto-Focus Operation:
It’s the world’s only super telephoto reflex lens with auto-focus capability, making it ideal for wildlife assignments where events happen fast and you must react quickly to catch the shot.

No Chromatic Aberration:
Reflective optics eliminate the chromatic aberrations that can affect image quality in refractive telephoto lenses, so images are extremely sharp and clear.

Focus Hold Button:
For full creative control, a focus hold button located on the lens can lock auto-focusing.

Shutter-speed Exposure Control:
At fixed f/8 aperture, the exposure is controlled by varying the camera shutter speed and using a neutral-density snap-on filter.

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Jun 6: Sony G-Series- 1.4X Tele-converter Lens SAL-14TC

Sony-1.4X-Converter-Sal14TcProfessional-quality tele-converters to extend the range of your lenses. Using this compact tele-converter lens, you can extend the photographic range of your primary lens by 1.4X -- allowing you to cover more distance and capture more subjects without the burden of extra equipment. Designed to support Sony G-Series 70-200mm f/2.8 G Telephoto Zoom and Sony G Series 300mm f/2.8 G Telephoto lenses as well as the unique Sony 135mm f/2.8 STF (Smooth Transition Focus) lens.

Lighten Your Load:
Carrying this versatile tele-converter lens allows you to increase your telephoto shooting capability without carrying extra equipment -- a significant advantage on long wilderness treks or while traveling on vacation.

Superb Optical Performance:
With these precision Sony tele-converter lenses, you’ll preserve both the accuracy and the image quality of your primary lens.

Open Aperture Settings:
When using these tele-converter lenses, remember to compensate for their reduced light transmission by opening your aperture one step with the 1.4X.

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Jun 6: Carl Zeiss Planar T* 85mm f1.4 Telephoto Lenss - SAL-85F14CZ

Sony-85Mm-Sal85F14CzA brilliant lens for portraits, low light and midrange telephoto shooting. It’s a beautiful piece of glass -- and for intimate or low-light portraits, fashion shots, and quick candid photographs with superior visual accuracy, this professional lens will satisfy the most uncompromising demands. Its performance at fully open aperture is astonishingly precise -- and its 35mm-equivalent 125.7mm focal length gives you sharp midrange close-ups and natural, distortion-free portraits at relaxed distances.

Superb Sharpness at Fully Open Aperture:
In conjunction with the Super SteadyShot image stabilization system of the Sony α (alpha) DSLR-A100 camera, this superb Carl Zeiss lens achieves pinpoint sharpness -- even working with hand-held camera by available light.

Excellent Contrast Reproduction:
Precision optical design and advanced T* coatings help to reduce flare and increase contrast.

Smooth Backgrounds:
Smooth, visually pleasing out-of-focus backgrounds give portraits and close-ups an extra dimension of beauty.

Focus Hold Button:
For full creative control, a focus hold button located on the lens can lock auto-focusing even in continuous advance mode -- and focus lock can also be set on the spot-focus center frame area.

Auto Clutch:
In auto-focus mode, the manual focus ring does not rotate -- and in manual focusing, you’ll have a solid, hands-on feel.

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Jun 6: Sony G Series 70-200mm f/2.8 G Telephoto Zoom Lens - SAL-70200G

Sony-70-200Mm-Sal70200GA precision zoom lens with bright aperture and fast, quiet auto-focus response. Specially designed for the APS-size CCD imager of the Sony α (alpha) DSLR-A100 camera, this superb G-Series zoom lens covers a broad range of frequent telephoto shooting situations. Its 35mm-equivalent range of 105-300mm zooming, fast f/2.8 aperture and quiet, high-speed SSM (Super Sonic wave Motor) auto-focus precision makes it ideal for long-distance sports and wildlife photography.

SSM (Super Sonic wave Motor):
A built-in lens motor for faster automatic focusing with high torque at low speed, quick start/stop response, and quiet, smooth operation.

ED (Extra-low Dispersion) Glass:
Four precision ED Glass lenses correct chromatic aberrations and deliver visually accurate results even at full telephoto zoom extension.

Internal Focusing System:
Internal lens elements move, so the overall length does not change -- creating a zoom lens that focuses more quickly and doesn’t affect the balance of your camera.

2 DMF (Direct Manual Focus) Modes:
Allow you to quickly revert to manual focus by just turning the manual focus ring of the lens.

Versatile Focus Hold:
Three focus hold buttons in different lens locations, plus electronic slider focus range selector switch.

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Jun 6: Sony 75-300mm f/4.5-5.6 Compact Super Telephoto Zoom Lens SAL-75300

Sony-75-30Mm-Sal75300A compact zoom lens that brings you closer to action and portrait subjects. This compact, lightweight 4X zoom lens is a great value and an ideal choice for covering outdoor activities and sports action, even in large stadium locations. Its wide zoom range of 112.5mm to 450mm (35mm equivalent) handles both middle-ground subjects and portraits shot from a relaxing distance, so people won’t be nervous -- even captures intimate details and natural wonders close at hand.

Compact Lightweight Design:
Gives you a super telephoto lens you can shoot with comfortably all day.

Long 4X Zoom Capability:
One lens takes you from close-ups, to portraits, to super telephoto zooms -- covering a 35mm-equivalent range from 112.5mm to 450mm.

Close Shooting:
You can capture wildlife, faces and architectural details about as close as five feet to the camera.

DSLR and 35mm Performance:
Designed for superior performance with both DSLR APS-size CCD sensors and 35mm format cameras.

Circular Aperture:
Gives light sources a pleasing circular defocused effect in backgrounds.

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Jun 6: Sony G Series 35mm f/1.4 G Standard Lens - SAL-35F14G

Sony-35Mm-Sal35F14GThe ultimate standard DSLR lens -- with ultra-bright f1.4 performance. With its 35mm-equivalent 52.5mm focal length, this superb lens closely reproduces the natural angle of vision of the human eye -- making it ideal for both general photo-imaging and fine-art photography applications where zoom capability might distract you from concentrating on aesthetic properties of your subject.

Ultra-Bright f1.4 Aperture:
In conjunction with the Super SteadyShot image stabilization system of the Sony α (alpha) DSLR-A100 camera, this lens captures bright, steady images even working with hand-held camera in very low light.

Glass-Molded Aspherical Lens:
Improves optical stability and precision in creating sharper, more visually accurate images with minimal distortion even at fully open aperture.

Focus Hold Button:
For full creative control, a focus hold button located on the lens can lock auto-focusing.

Auto Clutch:
In auto-focus mode, the manual focus ring does not rotate -- which improves handling ease.

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Jun 6: Sony-50mm f/1.4 Standard Lens - SAL-50F14 spacer

Sony-50Mm-Sal50F14An ultra-bright standard lens for fast, accurate shooting by available light. For quick candid shots that capture "the decisive moment," this lens provides superb clarity and visual accuracy even with fully open aperture when working indoors or in low-light and twilight conditions. Mounted on the Sony α (alpha) DSLR-A100 camera, this lens provides midrange telephoto 75mm focal length (35mm equivalent) -- and takes advantage of the in-camera Super SteadyShot® image stabilization system to minimize blur from shaky hands.

Superb Sharpness in Available Light:
In conjunction with the Super SteadyShot image stabilization system of the Sony α (alpha) DSLR-A100 camera, this lens achieve pinpoint sharpness even working with hand-held camera by available light.

Bright f1.4 Aperture:
The ability to capture more light in dark environments gives you a superb lens for hand-held shooting without flash, to preserve the mood or in locations where flash is not permitted.

Circular Aperture:
Conventional lenses close their apertures with blades that can create multi-sided shapes -- but the aperture blades of this superb wide-angle lens form a near circle at the wide openings you’ll use for low-light shots, so spot-light sources have a pleasing circular defocused effect.

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Jun 6: Sony 50mm f/2.8 Macro Lens - SAL-50M28

Sony-50Mm-Sal50M28A compact macro-focus lens that covers the full range from life-size to infinity. "Life size" macro imaging means that the image you capture is the same size as the subject in reality -- giving you spectacularly sharp photos of insects, flowers, gemstones, postage stamps and other small nature subjects and collectibles. Mounted on the Sony α (alpha) DSLR-A100 camera, this lens provides a 75mm focal length (35mm equivalent) -- which means it can also be used as a standard and midrange telephoto lens.

Sharp Macro Focusing:
You can get closer to your subject to capture low-angle shots of insects, flowers and other natural wonders -- and broad depth of field lets you keep backgrounds in focus too.

Bright f2.8 Aperture:
In conjunction with the Super SteadyShot® image stabilization system of the Sony® α (alpha) DSLR-A100 camera, this lens captures bright, steady images even working with hand-held camera in low light.

High Contrast and Resolution:
Excellent optical precision gives your shots greater visual accuracy for close analysis of your subject.

Focus Range Limiter:
Speeds auto-focus response by limiting the range of distances that are brought into focus -- Close-up Range, or Telephoto Range.

Focus Hold Button:
For full creative control, a focus hold button located on the lens can lock auto-focusing.

Auto Clutch:
In auto-focus mode, the manual focus ring does not rotate -- which improves handling ease.

Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.

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Jun 6: Sony 24-105mm f/3.5-4.5 - SAL-24105

Sony-24-105Mm-Sal24105A high-performance standard zoom for wide-angle to midrange telephoto shots. This compact, easy-to-carry lens carries you from 24mm wide-angle to 105mm telephoto -- the range of focal lengths you’ll use most often for general-purpose photography, giving you a single lens to use on vacation or take on location. Mounted on the Sony\ α (alpha) DSLR-A100 camera, this lens provides 35mm wide-angle to 157.7mm telephoto imaging (35mm equivalent).

5X Zoom Range:
Smaller and lighter, it’s the only 5X zoom lens designed specifically for the APS-size CCD imager used in the Sony® α (alpha) DSLR-A100 camera.

Glass-Molded Aspherical Lens Elements:
Two glass-molded aspherical lens elements correct visual aberrations and improve picture quality across the entire zoom range.

Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.

Auto Clutch:
In auto-focus mode, the manual focus ring does not rotate -- and in manual focusing, a wider focus ring provides a solid, hands-on feel.

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Jun 6: Sony 11-18mm f/5.5-5.6 Super Wide Zoom Lens - SAL-1118

Sony-11-18Mm-Sal1118With the capability to focus quickly and zoom from super-wide-angle to wide-angle, this lens captures interior scenes with greater flexibility and handles fast action in close environments. Its DT design is ideally suited for the APS-size CCD imager of the Sony α (alpha) DSLR-A100 camera -- and its 35mm-equivalent zoom range of 16.5mm to 27mm gives you wide latitude in framing and composition.

Internal Focusing System:
Lens elements at the rear of the optical system move, allowing rapid auto-focus response.

Aspherical Lens Elements:
Aspherical elements correct frame distortion to provide more visually accurate super-wide-angle shots.

ED (Extra-low Dispersion) Glass:
ED Glass lenses minimize flare and greatly reduce chromatic aberration, giving you photos with sharper focus and more accurate color separation.

Circular Aperture:
In low-light shots or nightscapes, out-of-focus light sources have a pleasing circular defocused effect.

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Jun 6: Carl Zeiss Vario-Sonnar - SAL-1680CZ - T* DT 16-80mm f/3.5-4.5 Zoom Lens

Carl-Zeiss-16-80Mmsal1680Cz
The ultimate all-in-one zoom lens designed specifically for DSLR imaging. It’s the first professional-grade 5X zoom lens specifically designed for APS-size CCD image sensors -- providing incredible precision in a single compact, easy-to-carry lens that carries you from 24mm wide-angle to 120mm telephoto (35mm equivalent). Advanced Carl Zeiss optical design and anti-flare T* Coating make this one of the most valued lenses in the world of digital photography.

5X Zoom Range:
Smaller and lighter, it’s the only 5X zoom lens designed specifically for the APS-size CCD imager used in the Sony® α (alpha) DSLR-A100 camera.

Glass-Molded Aspherical Lens Elements:
Two glass-molded aspherical lens elements correct visual aberrations and improve picture quality across the entire zoom range.

Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.

Auto Clutch:
In auto-focus mode, the manual focus ring does not rotate -- and in manual focusing, a wider focus ring provides a solid, hands-on feel.

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Jun 6: Sony SAL-20F28 20mm f2.8 Wide-Angle Lens

Sony-20Mm-Sal20F28A wide-angle lens with uncommon accuracy and extraordinary depth of field. It delivers a super-wide 94° angle of view, corrects visual aberrations from about 10 inches to infinity, and provides deep depth of field for complex shots that maintain sharp focus in both close foreground and far background. Mounted on the Sony α (alpha) DSLR-A100 camera, this beautiful wide-angle lens achieves a 70° angle of view with 30mm focal length (35mm equivalent).

Amazing Visual Accuracy:
Advanced correcting techniques for optical distortion create visually accurate shots with minimum aberration -- so foreground and background are both represented as actually seen.

Clear, Sharp Imaging:
With sophisticated optical coating to prevent internal reflection, this wide-angle lens achieves superb clarity and definition.

Deep Depth of Field:
The ability to keep both close foreground and distant background in critically sharp focus.

Rear Focusing System:
Lens elements at the rear of the lens move to increase auto-focus speed and help you catch quick action.

Circular Aperture:
Conventional lenses close their apertures with blades that can create multi-sided shapes -- but the aperture blades of this superb wide-angle lens form a near circle at the wide openings you’ll use for low-light shots, so spot-light sources have a pleasing circular defocused effect.

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Jun 6: Sony SAL-18200 18-200mm f/3.5-6.3

Sony-Sal1820018-200
Specially designed for the APS-size CCD imager of the Sony α (alpha) DSLR-A100 camera, this is the standard zoom lens that brings you closer to your subject. With superior all-in-one lens performance for everyday shooting, its 35mm-equivalent range of 27mm wide-angle to 300mm telephoto excels at capturing faraway subjects, sports events, dramatic landscapes and intimate close-up views.

Internal Focusing System:
Internal lens elements move, so the overall length does not change -- creating a lens that focuses more quickly and doesn’t change balance.

Aspherical Lens Elements:
Three aspherical elements correct visual aberrations more effectively across the entire zoom range and help reduce weight.

ED (Extra-low Dispersion) Glass:
Two ED Glass lenses minimize flare and greatly reduce chromatic aberration, giving you sharp, clear shots even at full telephoto extension.

Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.

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Jun 6: Sony SAL-100M28 100mm f/2.8 Macro Lens

Sony-Sal100M28-100MmThe superb macro-focus lens for both close-up and distant subjects. This versatile macro-focus lens covers a wide range of photographic applications, from close-up nature subjects to midrange telephoto shots -- making it ideal to carry on location or in the field. Mounted on the Sony α (alpha) DSLR-A100 camera, it provides a 150mm focal length (35mm equivalent) -- and its superb sharpness and clarity give you professional results in every shooting situation.

Sharp Macro Focusing:
You can get closer to your subject to capture low-angle shots of insects, flowers and other natural wonders -- and broad depth of field lets you keep backgrounds in focus too.

Bright f2.8 Aperture:
In conjunction with the Super SteadyShot® image stabilization system of the Sony (alpha) DSLR-A100 camera, this lens captures bright, steady images even working with hand-held camera in low light.

High Contrast and Resolution:
Excellent optical precision gives your shots greater visual accuracy for close analysis of your subject.

Focus Range Limiter:
Speeds auto-focus response by limiting the range of distances that are brought into focus -- Close-up Range, or Telephoto Range.

Focus Hold Button:
For full creative control, a focus hold button located on the lens can lock auto-focusing.

Auto Clutch:
In auto-focus mode, the manual focus ring does not rotate -- which improves handling ease.

Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.

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Jun 6: Sony SAL1870 DT18-70mm F3.5-5.6 Lens

Sony-Sal1870In addition to the Sony Alpha A100 DSLR being announced today is at least one lens to go with it. First cab off the rank is the SAL 1870 DT18-70mm lens. We don't have any pictures of this lens yet

SAL1870 DT18-70mm F3.5-5.6 Lens Press Information:

This superb standard lens for the Sony α (alpha) DSLR-A100 camera handles the full range of shots you’ll take most often -- but there’s nothing “standard” about its advanced optical design. In 35mm equivalent, it covers wide-angle 27mm to 105mm midrange telephoto for snapshots, portraits, interiors and more -- an excellent all-around lens to travel with.

DT Lens Design:
A more compact, lightweight lens designed specifically for the APS-size CCD imager used in the Sony® α (alpha) DSLR-A100 camera.

Aspherical Lens Elements:
To correct visual aberrations at wide-angle setting, enabling a lightweight lens to capture more visually accurate wide-angle shots.

ED (Extra-low Dispersion) Glass:
To reduce chromatic aberration at telephoto extension, correcting certain wavelengths of light for sharp, clear images with well defined colors.

Circular Aperture:
Because aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect.

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Jun 5: Kodak EasyShare C663 Reviews

Kodak-C663-1 Macworld reviews the Kodak EasyShare C663 and writes - 'The Kodak EasyShare C663 is a reasonably good camera at a good price. Its image quality is good, and it offers most of the features that point-and-shoot users will need. And the Perfect Touch processing can make a big difference in image quality, a feature that may make the camera attractive for folks who just want to take pictures without fuss.'

Steves Digicams reviews the Kodak EasyShare C663 and writes - 'I was pleased with the quality of our 6.0MP images. Outdoors it produced well exposed images with good color balance. Thanks in part to its 3x optical zoom, our samples were sharp with only minimal edge blurring. This lens has a typical zoom range for its class, covering an equivalent range of 34-102mm. Its 34mm wide angle extreme which provides a field of view useful for interior and landscape shots, while the 104mm telephoto end is effective both for portraits and to bring your distant subjects a bit closer. I noticed moderate barrel distortion at wide angle, but relatively no pin cushioning at the telephoto end of the zoom range.'

Read more reviews of the Kodak EasyShare C663

Compare Prices on the Kodak Easyshare C663 and get the latest price on the Kodak EasyShare C663 at Amazon.

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Jun 5: Kodak Easyshare C533 at Steves Digicams

Kodak-Easyshare-C533 Steves Digicams reviews the Kodak Easyshare C533 where they write - 'Kodak's EasyShare C533 is yet another appealing digicam in the entry-level consumer class. Offering average image quality, good performance, and plenty of helpful exposure modes, the C533 will make a great choice for anyone looking for an affordable alternative to disposable 35mm film cameras. With an MSRP of about $179, it offers great "bag for your buck" for a 5-megapixel model.'

Read more about the Kodak EasyShare C533

Get the Latest Price on the Kodak EasyShare C533

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Jun 4: 11 Tips for Better Candid Photography

At DPS we covered 11 Tips for Better Candid Photography in the last few days:

'Candid styles of photography are increasingly becoming popular both in general day to day photography but also in formal photographic situations. Last time I was asked to photograph a wedding the couple actually hired me purely to take paparazzi style shows of them and their guests throughout the day. They had another photographer for the formal shots and gave me the brief of getting a behind the scenes look of the day.

The results, when they put together my shots with the formal ones were a wonderful blend of photos that told a fuller story than if they’d gone for one or the other....'

Read more about Candid Photography

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Jun 4: HP Photosmart E427

Hp-Photosmart-E427The HP Photosmart E427 is a 6 megapixel digital camera. It has a 5x digital Zoom (no optical zoom) and a 2 inch LCD screen. It will hit stores in September and retail in the in the low hundreds as an entry level digital camera.


HP Photosmart E427 News Release Extract

The HP Photosmart E427 Digital Camera features 6-megapixel resolution and 5x digital zoom, enabling users to produce true-to-life 4 x 6-inch prints and enlargements up to poster size. Snap photos quickly and easily - frame and view on the large, 2-inch image display.

HP Photosmart E427 Key features and benefits

  • 6-megapixels for beautiful prints and enlargements up to poster size;
  • Users capture exactly what they want with 5x digital zoom;
  • Large, bright 2-inch image display to easily frame and view photos, indoors or out;
  • Email photos to friends and family - without large attachments - using HP Photosmart Share;
  • Conveniently shoot video clips with audio;
  • Intuitive design - find buttons and navigate menus effortlessly;
  • Close the slide cover to protect the lens when not in use;
  • Thin, lightweight design - easily fits in pockets or bags;
  • 16 MB internal memory for storing photos in the camera - increase storage capacity with optional SD cards;
  • Print without a PC using optional SD cards, or to any compatible PictBridge printer.

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Jun 4: HP Photosmart M627

Hp-Photosmart-M627The HP Photosmart M627 is a 7 megapixel digital camera with a 3x Optical Zoom and 2.5 inch LCD screen. It has 16 megabytes of internal memory. Expect to see it in stores in September for a price of $129 *USD.

HP Photosmart M627 News Release Extract

The easy-to-use HP Photosmart M627 Digital Camera features 7-megapixels and 24x total zoom - 3x optical, 8x digital - to produce amazing-quality photos. The camera also features HP Real Life technologies, including industry-leading in-camera red-eye removal(1) and HP Design Gallery. With the new HP Design Gallery, users can easily capture and edit brilliant digital photos. This small, all-metal camera also features one-button ordering and sharing of photos with HP Photosmart Express.(2)

Key features and benefits

  • 7-megapixels for impressive resolution for beautiful prints and enlargements up to poster-size;
  • 24x total zoom - 3x optical zoom, 8x digital;
  • Big, 2.5-inch image display, intuitive button layout;
  • Compact and stylish metal camera is designed for quick one-handed shots;
  • On-camera button to easily order and share photos on Snapfish using HP Photosmart Express(2);
  • 16 MB internal memory allows users to store photos in the camera; extra storage capacity available with optional SD card(3);
  • Record video clips with sound at the touch of a button;
  • HP Photosmart Software is a complete, easy-to-use software solution for editing, organizing, printing and sharing digital photos.

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Jun 4: HP Photosmart R827

Hp-Photosmart-R827The HP Photosmart R827 is a 7.2 megapixel point and shoot camera with a 3x Optical Zoom and 2.5 inch LCD display.

HP Photosmart R827 News Release Excerpt
Take stunning 7.2-megapixel photos with the ultra-compact, metal HP Photosmart R827 Digital Camera. This camera features an indoor and outdoor 2.5-inch image display and is thin enough to slip in a pocket. With the latest generation of HP Real Life technologies, including industry-leading auto in-camera red-eye removal(1) and HP Design Gallery, users can easily take brilliant digital photos perfect for printing and sharing. The HP Photosmart R827 Digital Camera also features a unique, internal 3x optical zoom lens that fits into the slim camera body for clear distance shots, and the new HP steady photo anti-shake mode helps prevent blurred photos.

HP Photosmart R827 Key features and benefits

  • 7.2-megapixels for beautiful prints and enlargements up to poster size;
  • Internal HP Precision 24x total zoom, 3x optical, 8x digital;
  • Big, 2.5-inch image display for framing and viewing photos and menus – indoors or out;
  • HP steady photo anti-shake feature helps prevent blurred photos;
  • High-quality VGA video with audio shoots at 24 frames per second and offers the ability to save still shots for printing;
  • On-camera button to easily order and share photos on Snapfish using HP Photosmart Express(2);
  • Features a thin, metal design to fit easily in a pocket or purse.

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Jun 4: Sony Alpha 100

Sony-Alpha-100

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We are hearing information today that the Sony Alpha DSLR that we've previously mentioned will be called the Sony Alpha 100. It will be a 10.2 megapixel camera with the following specifications if the information we've been emailed today is true.

Expect to see official announcements regarding this camera in the coming week.

Following are the specifications of the Sony Alpha 100 that we've been told about:

update: The official word is now out - the camera is actually called the Sony Alpha A100 and you can get full details on our Sony Alpha A100 DSLR page

  • 10.2 million effective pixels (10 Megapixel)
  • APS-C size CCD Sensor
  • Anti-dust protection system
  • Super SteadyShot in camera body (switchable)
  • Dynamic Range Optimiser
  • BIONZ Image Processing Engine
  • Maximum sensitivity: 1600 ISO equivalent
  • 2.5“ 230K pixel Clear Photo LCD Plus Screen with AR coating and Clear Processing for image review and function navigation
  • Compatibility with Sony α-mount system lenses, including Sony G lens and Carl Zeiss optics
  • Bright Optical Viewfinder with Spherical Acute Matte screen, 20mm eye relief, 0.83x magnification, dioptre adjustment and EyeStart Autofocus.
  • High-speed Autofocus with 4 focus modes: Single-shot AF; Direct Manual Focus; AF Automatic; AF Continuous
  • Ultra wide AF area with 9 local focus points and central cross-hair sensor
  • Centre-weighted, Spot and 40-segment honeycomb pattern metering mode
  • Depth of Field preview
  • Mode Dial for one-touch selection of exposure shooting modes: AUTO; Programme; Aperture Priority; Shutter Priority; Manual; plus 6 Scene Modes (Portrait, Landscape, Macro, Night View, Sunset, Sports / Action)
  • White Balance adjustment: AWB and 6 preset WB modes with manual colour correction, Colour temperature manual selection with additional 19-step magenta/green compensation, Custom setting
  • High Speed Continuous Advance Shooting up to 3 fps
  • Burst shooting: JPEG unlimited, 6 frames RAW, 3 frames RAW+JPEG (dependent on memory card speed)
  • Advanced flash modes as high synchronization speed, rear flash, wireless functions and slow synch direct button access on camera
  • Ambiance and flash separate exposure compensation scales
  • 1600 mAh Lithium ion battery with STAMINA technology for up to 750 shots from single charge (CIPA measurement, 50% usage of built-in flash)
  • Built-in Flash plus support for multiple flash modes (Wireless, Slow Synchro, Rear Synchro)
  • Dimensions: 94.7 x 133.1 x 71.3 mm (L x W x D)
  • Weight: 545g (without battery)
  • CF media slot compatible with Type I/II (MicroDrive) media; supplied MemoryStick DUO adapter
  • Supplied image editing software: (1) Image Data Converter SR Ver.1.1 (2) Picture Motion Browser
  • The Sony Alpha 100 will be available throughout Europe from July 2006 and the stimated price will be $1000

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Jun 4: Olympus SP-320 Zoom Review at Steves Digicams

Olympus-Sp-320Steves Digicams reviews the Olympus SP-320 and writes - 'while the Olympus SP-320 offers some very appealing features, it disappoints with its lackluster performance. On the positive side it delivers excellent image quality and has exposure modes to suit the needs of all users. With a street price of $299 or less, I feel it offers an OK value for an entry level 7-megapixel model.'

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Jun 4: Sony Cyber-shot DSC-W100 Review at Imaging Resource

Sony-Cybershot-Dsc-W100 Imaging Resource reviews the Sony Cyber-shot DSC-W100 and writes - 'Featuring an impressive 8.1-megapixel CCD, 3x optical zoom lens, and a well-designed user interface, the Cyber-shot DSC-W100 offers quite a bit in its small package. Novices and advanced amateurs alike will appreciate its offering of both point-and-shoot automatic and full manual exposure control, and its six pre-programmed scene modes help with more tricky subjects. The large, bright 2.5-inch color LCD monitor is excellent for framing and reviewing shots, and the overall design and layout of the DSC-W100 is user-friendly and hassle-free. Dimensionally it's not too small and not too big, not too slim or too fat. Its size allows for both an optical viewfinder and a big LCD, as well as a good fit in the hand and pocket. We were particularly impressed with the printed output from the W100, which included enlargements up to 13x19 with decent quality, and 8x10 prints at ISO 800. Performance at ISO 400 is now quite good by comparison, with output at 11x14 looking like yesterday's 8x10s at this size. If you're looking for a good “take anywhere” camera with great versatility and good color and tonality, the Sony DSC-W100 deserves a close look -- especially considering its high resolution CCD and low price point. '

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Jun 4: Olympus FE-140 Review at CNET

Olympus-Fe-140 CNET reviews the Olympus FE-140 and writes - 'If you want a simple camera, look no further than Olympus's FE-series point-and-shoot models, which have no manual settings but include low price tags and helpful features for photography newbies. The Olympus FE-140 is at the top of the FE series. It's a 6-megapixel digital camera with an extremely average 38mm-to-114mm (35mm equivalent) optical zoom lens, a 2.5-inch LCD screen, and very few intimidating camera settings.'

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Jun 4: Kodak EasyShare C533 Review by PC Magazine

Kodak-Easyshare-C533 PC Mag reviews the Kodak EasyShare C533 and writes - 'The 5-megapixel Kodak EasyShare C533 ($179.95 list) is a pretty good starter camera—it's very easy to use and hold in your hand, and it's modestly priced. The camera's menu is straightforward, and I found its onscreen guides, particularly the one that explains various scene modes, very helpful. Image quality was average, and the C533 isn't the sleekest camera out there, but for a basic point-and-shoot, it does the job.'

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Jun 2: New Digital Camera Tips

The last week has been a hive of activity at Digital Photography School with loads of new tips and a record week of traffic with over 40,000 visitors popping by to check out some of these Digital Camera tips:

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Jun 2: Nikon Coolpix P4 Review at CNET

Nikon-Coolpix-P4 CNET reviews the Nikon Coolpix P4 and writes - 'As far as compact cameras go, the Nikon Coolpix P4's elaborate specifications sheet places it towards the top end of the market. Its massive 8.1 megapixel sensor allows for high resolution shots, while the 3.5x optical zoom and large 2.5-inch screen are icing on the cake. We went in with high hopes for this camera, given that it's the first Nikon compact to include the company's patented anti-vibration technology, which has previously been limited to its SLR range. And for the most part we weren't disappointed, as the P4 offers a multitude of features catering to both novice and adept users.'

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Jun 2: Hasselblad H2 Review at Luminous Landscape

Hassleblad H2 Luminous Landscape reviews the Hasselblad H2 and writes - 'A top-of-the-line camera it most certainly is, if only by price alone. But it is also one of the most sophisticated picture making machines yet available. I have now used almost every medium format camera made in the past 30 years, and I can state without hesitation that the H1 / H2 Hasselblads are the most advanced cameras yet, with features that are really meaningful for the pro or advanced amateur photographer. It's an unalloyed pleasure to use, and a highly productive tool. But, the days of film are now mostly past. Both the present and the future belong to digital, and this means that the H cameras, as among the last of their breed, must support and interface with any and every medium format back on the market for both Hasselblad and other back makers to be successful. If Hasselblad / Imacon plays hardball with other back makers, freezing them out, or charging exorbitant licensing fees, and if Mamiya and Pentax fail with their 645 integrated digital cameras, Mamiya with the ZD, and Pentax with its yet to be released offering, Hasselblad may well end up being the last man standing.'

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Jun 2: Canon EOS 30D Review at TrustedReviews

Canon-Eos-30D Trusted Reviews has posted a review of the Canon EOS 30D Digital SLR and writes - 'A bit of a disappointment for anyone hoping for a major upgrade, the EOS 30D is unlikely to attract anyone who already owns a 20D. However newcomers to the mid-level DSLR market will find a superbly specified camera with the usual Canon hallmarks of reliability, design and outstanding image quality. For the serious amateur or semi-pro it is the ideal camera.'

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Buy the Canon EOS 30D 8.2MP Digital SLR Camera (Body only) Purchase the Canon EOS 30D 8.2MP Digital SLR Camera Kit with EF-S 17-55mm F2.8 IS Lens

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Jun 2: Canon PowerShot A700 Review at Imaging Resource

Canon-Powershot-A700 Imaging Resource reviews the Canon PowerShot A700 and writes - 'Featuring a 6x optical zoom, 6.0-megapixel CCD, automatic, partial, or fully manual exposure control, and a wide range of preset shooting modes, the PowerShot A700 is another fine addition to Canon's A-series of digital cameras. Built on the same long-tested design as many A-series predecessors, the Canon A700 offers a lot in its compact package. Its combination of automatic and manual features make it very approachable for novices, but interesting for experienced users, the net result being a camera that will satisfy a broad range of interests and provide a good path for novice users to expand their photographic horizons as their experience grows. The 6x zoom lens is quite easy to hand-hold under reasonably bright lighting, but as the light fades, the A700's lack of image stabilization will come to be more of a factor. I'd also like to see it equipped with a more accurate optical viewfinder, and its image noise at ISO 800 was on the high side. Bottom line though, this is a camera that will meet the needs of the average consumer very well, and one that's particularly well suited to situations where both novice and experienced users need to share the use of the same camera.'

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Jun 2: Olympus FE-115 Review at CNET

Olympus-Fe115 CNET Reviews the Olympus FE-115 and writes - 'The Olympus FE-115's chunky plastic body is about the size of a large bar of soap. It won't win any beauty contests, but it feels reasonably solid, and it fits well in the hand. The top side of the camera holds a large shutter-release button and a recessed but accessible power button. The back panel holds a puny 1.5-inch LCD and the rest of the camera's controls. Don't expect many options here, but the few settings you can change are accessible through the camera's mode dial; four-way-plus-OK pad; and five additional control buttons for shooting, playback, trash, menu, and flash. A large indentation between the zoom buttons and the mode dial gives you a comfortable place to rest your thumb when shooting one-handed.'

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Jun 2: Olympus Stylus 710 Review at CNET

Olympus-Stylus-710 CNET reviews the Olympus Stylus 710 and writes - 'If you've ever sat through a graduation in the rain, you know that life's memorable moments don't wait for the sun. At times like that, a camera that can handle the elements sure comes in handy. Though the Olympus Stylus 710's gasketed body fills the bill and its combination of ISO 1,600 support and digital image stabilization can handle any fog banks that roll in, you'll likely be disappointed by the photos. According to Olympus, the Stylus 710's metal, vaguely wedge-shaped body is gold-plated and coated with a platinum alloy to produce an attractive, clean, scratch-resistant surface. The camera's fairly standard control layout is easy to navigate. The shutter release and the power button rest alone on top of the camera. The back panel holds the zoom rocker; the four-way-plus-OK control pad; the mode dial; and the menu, print, display, and trash buttons.'

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Jun 2: HP Photosmart R727 Review at DCRP

Hp-Photosmart-R727 DCRP reviews the HP Photosmart R727 and recommends - 'The R727 is packed with innovative features -- too many to list here. Some of my favorites include Adaptive Lighting, in-camera panorama stitching, Photosmart Express (photo sharing), and a redeye reduction system that really works. You won't find many manual controls on this camera, though -- in fact, there's just one: white balance. That means that the camera makes its own decisions, which isn't always the best, as the night shot illustrated. The built-in Photosmart Express feature lets you e-mail, print, and share your photos by tagging photos on the camera in advance. Connect the camera to your Mac or PC and the photos are sent to the appropriate destination. The software side is a bit clunky, with a sluggish web-based interface and the fact that e-mailed photos aren't really sent to the recipient -- they go to Snapfish instead. The camera has a decent movie mode, though the frame rate is lower than on most of the competition.'

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Jun 2: Fujifilm Finepix V10 Digital Camera Review

Fujifilm-Finepix-V10 Digital Camera Review has reviewed the Fujifilm Finepix V10 Digital Camera and writes - 'The Fujifilm FinePix V10 is a 21st century version of George Eastman's 19th Century Kodak box camera, the world's very first point & shoot. Like Eastman's camera, the V10 was designed to be easy to use (just line up the image in the viewfinder and push the shutter button), capable of consistently capturing very good pictures in a variety of outdoor settings, and not too expensive. Like Eastman's camera, the V10 makes it easy to capture those moments, people, and places that illustrate our life stories.'

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Jun 2: Nikon Coolpix L4 Review at Cameras.co.uk

Nikon-Coolpix-L4 Cameras.co.uk reviews the Nikon Coolpix L4 and writes - 'The Nikon Coolpix L4 is a straightforward digital camera. With a fairly minimal set of features it is very easy to use. It has four megapixels and a three times optical zoom lens. Being so easy to use the Coolpix L4 is likely to appeal to anyone who is looking for a no fuss digital camera. You will be able to start taking pictures with this camera as soon as you have loaded the batteries.... The Nikon Coolpix L4 is a bit of a mixed bag. Outside in good light the camera takes crisp, sharp photos. Like many digital cameras in this price bracket it tends to struggle in less than perfect light. Shutter lag is also an issue.'

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Jun 2: Fuji Finepix S9500 Review at Cameras.co.uk

Fujifilm-Finepix-S9000 Cameras.co.uk reviews the Fuji Finepix S9500 and writes - 'The Fuji Finepix S9500 is an advanced digital camera. It has many features that you would expect to find on a Digital SLR camera. With nine megapixels and a 10.7x optical zoom lens the Finepix S9500 is a very powerful digital camera.... The Fuji Finepix S9500 is a fully featured digital camera. In terms of both looks and features it resembles an SLR camera. There is a lot to like about this camera and it sits in its own niche in the market. It is aimed at advanced photographers rather than someone looking for a simple point and shoot camera.'

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Jun 2: Ricoh Caplio R4 Review at DigiCam Review

Ricoh-Caplio-R4 DigiCam Review has posted a review of the Ricoh Caplio R4 and writes - 'The Ricoh Caplio R4 is a minor update to the Ricoh Caplio R3, with a higher resolution 6 megapixel sensor, a higher resolution screen, and longer battery life. I suspect that there have been more improvements made in the background as the camera seems quicker in operation, and I've been more impressed with image quality this time, particularly with the rich colours and good exposure. The Ricoh Caplio R4 is a stylish digital camera with a wide angle 7.1x optical zoom lens packed into a very compact metal body. The 6 megapixel camera features a 2.5" screen and built in vibration correction - this helps produce blur free photos in low light or at full zoom. When using the camera you do need to be careful that ISO isn't set to AUTO, otherwise you'll end up with high noise in photos, but if you can manage to stick to ISO64 or IS100 then you should end up with some great photos - despite the camera having more megapixels - noise doesn't seem higher than the R3. If having a lot of zoom power in a very compact camera is a priority then this is definitely worth considering. Ricoh are to be commended for innovation in providing such a large amount of zoom with image stabilsation in such a small and speedy camera. The Ricoh Caplio R4 is well worth considering as there are very few alternate digital cameras that offer so much, at such a competitive price.'

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Jun 1: Nikon D2Xs

Nikon-D2XsThe Nikon D2Xs is an upgrade of the D2X DSLR from Nikon.

The D2Xs features a 12.4 megapixel sensor (CMOS), five frames per second shooting or 8 frames per second if shooting at 6.8 megapixels. It has a 2.5 inch LCD, 11 point focussing, one third step ISO and a battery which will take up to 3500 shots without recharging.

It also now features a variety of other minor updates including the ability to shoot in black and white mode, a recent setting menu (to let you go back to other settings you've previously set the camera up with) and in camera image cropping in play back.

The Nikon D2Xs will hit stores in June of this year and will retail for around $4700 (USD).

Get full details of the Nikon D2Xs in Nikon's official announcement below.

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Nikon D2Xx News Release

NIKON- INTRODUCES THE D2xS- PROFESSIONAL DIGITAL SLR CAMERA, DELIVERING PERFORMANCE ADVANCEMENTS AND ENHANCED FEATURES

* 12.4-Megapixel D2XS Offers Unique Combination of Extraordinary Image Quality, High-Speed and High-Resolution in a Single Camera Body
* Internal and External Refinements Make D2XS a Commendable Successor to Nikon’s Flagship D2X Digital SLR Camera

MELVILLE, NY, JUNE 1, 2006 – Nikon- (www.nikondigital.com), the world leader in photography, today introduced the new D2XS- professional digital SLR camera, incorporating an impressive range of refinements that improve overall camera performance and enhance the user experience. The D2XS shares many performance and design innovations with the current and highly successful D2X camera, including the 12.4 million pixel DX format CMOS image sensor that renders images with high resolution and sharp detail, necessary for demanding professional assignments. The D2XS also hosts a range of upgraded features that make operation significantly more responsive – including refined viewfinder performance that makes for easier composition when shooting in Nikon's exclusive High-Speed Crop mode, a new 2.5 inch LCD with a 170-degree wide viewing angle, individually calibrated at the factory to ensure consistent color fidelity, significantly increased battery life and a wide range of firmware enhancements.

Nikon-D2Xs-Back

With its numerous refinements, the D2XS is truly equipped to meet the widely varied demands of today’s professional photographers who strive to create photographs that push the boundaries of what’s possible. Not only does the camera successfully combine high resolution, speed and quality, but it also incorporates exclusive technologies that enable unfettered creativity. Options such as the WT-2A Wi-Fi transmitter achieves full wireless remote camera control and transmission, while the revolutionary i-TTL Speedlight technology included in the D2XS ensures radical new possibilities in creative lighting.

“ Increasingly, professional photographers have chosen the D2X as their primary workhorse camera due to its remarkable performance and versatility, making it Nikon’s best selling professional digital SLR camera. With the introduction of the D2XS, Nikon has built upon the proven performance of its predecessor and added new technologies and refined features that will offer professionals an enhanced overall experience,” said Edward Fasano, general manager for Marketing, SLR Systems Products, Nikon Inc. “The D2XS is poised to become the next Nikon DSLR of choice among professional photographers.”

Versatility Refined
Many of the capabilities that made the D2X such a success have been retained. The D2XS is capable of capturing 12.4 megapixel JPEG or RAW (NEF) images at a rate of up to 5 frames per second in continuous shooting mode, and maintains a rapid start-up time, the world's shortest shutter release time lag of just 37ms, as well as a viewfinder blackout time of just 105 milliseconds. The D2XS also inherits the popular High-Speed Crop mode that uses a specific central area of the sensor to capture 6.8 megapixel resolution images at an incredible rate of up to 8 frames per second. A newly developed viewfinder in the D2XS automatically superimposes a mask over the cropped area within the viewfinder while in the High-Speed Crop mode, for easier and more confident composition.

The D2XS features Nikon's acclaimed Mutli-CAM2000 high-speed AF system, with eleven autofocus sensors – nine of which are cross-type and placed in the rule of thirds layout. The D2XS offers improved subject acquisition and tracking capabilities as well as a new option for controlling the duration of Lock-On- focus tracking, making it easier to adjust for shooting different types of scenes and action.

New Image Rendering and Menu Options
With a combination of powerful image-processing technologies and Nikon's exclusive 1,005 pixel 3D-Color Matrix Metering II, the D2XS makes it possible to capture beautiful 12.4-megapixel images that meet and exceed professional photographers’ needs for larger files that are rich in detail, color and smooth tonal range. The D2XS has also been refined so demanding photographers can take advantage of Nikon's 3D-Color Matrix Metering II even in the High-speed Crop mode. Professional photographers will appreciate the ability to select Adobe RGB in any of the three color modes – making it possible to work with a wider range of colors to match highly diverse assignments and workflow environments, while ideally complementing the NEF file. In-camera creative possibilities are extended even further through the addition of a new Black & White (sRGB) color mode. Photographers shooting in RAW (NEF) will have the ability to shoot in black and white and still retain the color information in the RAW image data, allowing them to easily reverse a black and white image to color using Nikon’s new Capture NX software.

RAW and JPEG images taken using the D2XS can be trimmed within the camera to produce images of reduced display sizes ranging from 640 x 480 to 2,560 x 1,920 pixels. The resulting smaller files can help improve workflow efficiency by eliminating the time required to download and perform software editing within a computer.

New ISO sensitivity options offer greater convenience to photographers who work under constantly changing lighting conditions such as weddings. A new Auto ISO feature allows photographers to maintain a specific shutter speed while letting the camera automatically select an appropriate ISO setting, within a predefined range of sensitivities, based on the existing lighting conditions. This feature helps achieve optimum exposure while freeing the photographer to concentrate on composition. ISO sensitivity can also be manually set between ISO-equivalent 100 and 800 in increments of 1/3 EV, or boosted using HI-0.3, HI-0.5, HI-0.7, HI-1 or HI-2 settings when high sensitivity is a priority. The 3 settings between 800 and HI-1 are newly added to give the D2XS finer control over sensitivity.

Refined Ergonomics and Design
The D2XS body is consistent with the exterior styling of the D2-series, adopted from a design created by famed industrial designer, Giorgetto Giugiaro*. The body is proportionate and well balanced, with a well designed interface that is intuitive and seamless.

The D2XS improves upon its predecessor’s energy efficient design, and when combined with the newly developed high-energy EN-EL4a rechargeable lithium-ion battery, the camera boasts an unprecedented 3,800** shots per charge. Nikon's highly sophisticated, real-time battery Fuel Gauge system in the D2XS allows photographers to determine the precise level of remaining charge, number of shots taken per charge and the overall life of the battery – all at the touch of a button.

A new 2.5-inch, 235,000 dot LCD monitor in the D2XS allows a 170-degree wide viewing angle, and is individually calibrated at the factory to ensure consistent color fidelity. The D2XS also features a new color scheme for menu displays.

Expanded Software Options
The D2XS features a unique Image Authentication feature that, when used with Nikon’s new Image Authentication Software, marks the authentication of an image captured by the camera and can determine whether or not it has been altered since capture. Image data is a critical link in the “chain of evidence” for verifying image authenticity, and D2XS’s hardware and software-based image authentication solution allows easy, secure authentication of images for a wide range of requirements. The software enables verification of JPEGS, TIFF and NEF (RAW) images taken with the Nikon D2XS.

A new remote control software called Camera Control Pro is also available for the D2XS, enabling unprecedented remote control operation of many camera functions from a personal computer. Camera Control Pro software is the next generation of camera control software, previously bundled with Nikon’s Capture 4 software, and features substantial advanced features that offer limitless creativity to photographers who need to control their camera remotely. Camera Control Pro can control the D2XS remotely tethering a high-speed USB cable or optional WT-2a wireless transmitter.

The D2XS is also compatible with Nikon’s soon-to-be-released Capture NX- software – a highly versatile yet elegantly simple photo editing solution that provides easy, yet powerful and visually intuitive image-editing and enhancement tools. With Capture NX, photographers will be able to tap into the full potential of D2XS’s RAW (NEF) files, while also apply powerful photo image processing and editing tools to JPEG and TIFF files.

The D2XS will be available from Nikon authorized retailers in late June for an estimated street price of $4699.95***. For more information, please visit www.nikondigital.com

CNET posts their preview / review of the Nikon D2Xs DSLR and writes - 'The D2Xs retains the professional aspects of its predecessor and improves on many of them. It's a worthy addition to Nikon's professional stable of digital SLRs and will likely find fans and converts mainly among the action and sports photography crowd. Other industry-grade functions are also retained -- GPS information recording remains possible with the use of the optional GPS Adapter Cord MC-35, along with high-speed wireless support with the IEEE802.11b/g compatible Wireless Transmitter WT-2/2A.'

CNET has a review of the Nikon D2Xs and writes, "Overall, the Nikon D2Xs is an amazing camera. It is an extremely responsive, powerful imaging tool meant to tackle even the most challenging photographic situations, and it lives up to the task. Though there are other cameras that can top it in certain areas, you'd be hard-pressed to find a camera that is as versatile as this one. True, Canon's 8-megapixel EOS-1D Mark II N can shoot at up to 8.5fps, but it doesn't have the option of bumping up to 12 megapixels. Canon's EOS-1Ds Mark II will always retain an edge for some photographers because of its higher pixel count and, more importantly, its full-frame sensor. But for Nikon shooters, you can't get any better than the D2Xs."

Imaging Resource has a review of the Nikon D2Xs and writes, "While it represents only a relatively minor upgrade relative to the original D2X, the Nikon D2Xs remains an exceptionally strong competitor in the professional SLR market. It offers exceptional versatility through its dual-resolution, dual-speed design, satisfying the needs of sports shooters and studio photographers alike, in one superbly-constructed body. (If, like us, you're initially skeptical about the value of the dual-resolution feature of the D2Xs, we highly encourage you to beg, borrow or rent a unit to work with for a day or two: We think you'll come to love this feature as much as we did, once we got out and shooting with it.) Combine this with Nikon's unrivalled Advanced Wireless Lighting system for TTL metering with multiple remote strobe units, and you have a system literally without peer, at least in the current state of the market. Our feeling about the camera is pretty well summed up in the list of pros and cons above: There's just a load of things to like about this camera, and precious little to complain about! Kudos to Nikon on a beautifully designed pro SLR, a design that's already stood the test of time in the form of the original D2X, and that likely has years of life left in it yet."

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Jun 1: HP R967

Hp-Photosmart-967The HP R967 is a 10 megapixel point and shoot digital camera with a 3 inch LCD screen (with 170 degree viewing) and a 3x Optical Zoom lens.

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Get a Price on the HP Photosmart R967 10MP Digital Camera with 3x Optical Zoom

HP R967 News Release

The metal, ultra-c-mpact HP Ph-t-smart R967 Digital Camera features a big, 3-inch LCD with a 170-degree viewing angle t- make it easy t- share ph-t-s with friends. The camera pr-duces brilliant ph-t-s with 10-megapixel res-luti-n and the p-werful HP Precisi-n 30x t-tal z--m, and helps t- prevent blurred sh-ts with HP steady ph-t- anti-shake m-de. With the latest features such as industry-leading aut- in-camera red-eye rem-val,(1) HP Design Gallery and -ther HP Real Life techn-l-gies, users can easily take brilliant digital ph-t-s perfect f-r printing and sharing.

Key features and benefits

• 10-megapixels f-r brilliant res-luti-n f-r beautiful prints and enlargements up t- p-ster size;
• HP Precisi-n 3x -ptical lens,10x digital z--m and 30x t-tal z--m;
• HP steady ph-t- anti-shake m-de helps prevent blurred ph-t-s;
• Big, 3-inch image display with an extra-wide viewing angle f-r sh--ting ind--rs -r -ut;
• 32 MB internal mem-ry all-ws users t- st-re ph-t-s in the camera;
• 17 sh--ting m-des, macr- multi-z-ne aut- f-cus and burst m-de f-r quality sh-ts in a variety -f c-nditi-ns;
• High-quality VGA vide- with audi- sh--ts at 24 frames per sec-nd;

• n-camera butt-n t- easily -rder and share ph-t-s -n Snapfish using HP Ph-t-smart Express(2);

• Features an ultra-c-mpact, durable metal b-dy with a sleek, silver finish

Additi-nal features

• HP Real Life techn-l-gies help take the guessw-rk -ut -f digital ph-t-graphy, making it easy t- pr-duce great ph-t-s that are crisp, realistic and true-t--life. HP Real Life techn-l-gies include:

• industry-leading aut-matic in-camera red-eye rem-val
• HP Design Gallery adds artistic effects and b-rders right in the camera – includes slimming feature
• Adaptive Lighting Bracketing all-ws users t- adjust high-c-ntrast ph-t-s t- bring faces -ut -f shad-ws and details -ut -f backgr-unds while aut-matically capturing three versi-ns -f the same scene – -ne with adaptive lighting -ff, -ne with adaptive lighting -n l-w and the final with adaptive lighting -n high
• In-camera pan-rama stitching all-ws the user t- align, capture and review a pan-rama image -n the camera and stitch up t- five ph-t-s t-gether t- save as -ne image f-r easy printing bef-re d-wnl-ading t- a c-mputer
• Impr-ved Image Advice n-w pr-vides real-time feedback t- users -n h-w t- impr-ve a specific picture the next time it is captured

• HP Ph-t-smart Express makes sharing, printing and saving digital ph-t-s easy – users simply take a ph-t- and select its destinati-n right -n the back -f the camera – up t- 34 destinati-ns, including email addresses, -nline albums, printers, and Snapfish f-r -rdering ph-t-s -nline

• pti-nal HP Ph-t-smart 6221 Premium Camera D-ck lets users easily save, view, print and share ph-t-s -n a PC, Snapfish and TV, and recharge in-camera battery, plus a spare. Add Wireless capabilities by purchasing the HP Ph-t-smart 6222 Wireless D-ck Base t- share y-ur ph-t-s via a wireless h-me netw-rk

Technical specificati-ns

• 10-megapixel res-luti-n
• 30x t-tal z--m - 3x -ptical,10x digital
• Dimensi-ns/Weight

• 96 mm (w) x 25.6 mm (d) x 62 mm (h)
• 190 grams with-ut batteries

• PictBridge supp-rt
• JPEG (Exif 2.2 supp-rt)
• Supp-rt/C-nnectivity

• USB C-nnectivity
• USB-c-mpatible PC with Micr-s-ft Wind-ws® 2000, XP H-me, XP Pr-fessi-nal, XP Pr-fessi-nal x64

• USB-c-mpatible Macint-sh c-mputer with Mac -S X v10.3.9, 10.4 and later

HP -ffers a c-mprehensive supp-rt package f-r the HP Ph-t-smart R967 Digital Camera that includes -ne-year -f ph-ne supp-rt as well as real-time chat and email supp-rt bey-nd the warranty as part -f its HP T-tal Care p-rtf-li- -f services. F-r m-re inf-rmati-n regarding HP T-tal Care, including related terms and charges, please g- t- www.hp.c-m/supp-rt.

Pricing and availability

Estimated U.S. street price is $449.(4) Expected t- be available f-r purchase September 2006 in N-rth America, and specific c-untries in Latin America and Eur-pe.
(1) F-r m-re inf-rmati-n, please visit www.hp.c-m/g-/n-redeye.
(2) -n-camera Snapfish feature available in the United Kingd-m and the United States -nly.
(3) N-t included; please purchase separately
(4) Actual price may vary.
Micr-s-ft and Wind-ws are U.S. registered trademarks -f Micr-s-ft C-rp-rati-n.

HP R967 Reviews

Megapixel reviews the HP R967 and writes - 'The image quality the 10-megapixel CCD yields varies greatly with the compression used. The R967 provides 4-JPEG compression levels, each identified by a number of stars. The highest image quality is obtained with the compression, but it is only accessible as a custom option of the image quality settings. At this level, images reveal no compression artefacts, and retain a good overall sharpness. However, as soon as the compression is increased, a commensurate loss of details can be observed.'

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Get a Price on the HP Photosmart R967 10MP Digital Camera with 3x Optical Zoom

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