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Steves Digicams reviews the Panasonic Lumix DMC-FZ30 and writes - ' Panasonic has done it yet again with a model that offers great image quality and awesome performance all with a multitude of powerful exposure modes and features. Therefore, we feel the Lumix DMC- FZ30 will make a great choice for any user that wants a consumer digital model that offers powerful features like that found on more expensive dSLRs, regardless of their experience. All of this without having to deal with purchasing and changing lens. With a street price of around $699, it offers a good overall value for an 8- megapixel Super-zoom model and is sure to be on many holiday gift lists this season.'
Read more reviews and ratings of the Panasonic Lumix DMC-FZ30
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It doesn't take much to get great shots indoors. In fact the secret is so simple that it'll amaze you once you know what it is.
The first secret to taking good indoor shots is that you need light. The major problem with indoor shots is really just they are far too dark. I've taken shots of things inside and sometimes found that no matter how hard I try, without the aid of an overhead lamp or sunlight streaming through the window my shots just won't turn out.
Portrait shots are a classic example of this. There is a very good reason as to why photographers who work at their family residence, have lots of big and obtrusive lights, lamps etc, creating a lot of light. That's because they know that in order to work successfully indoors, they must have adequate lighting or forget it. It's really that simple.
The correct balance of a light is a tricky one at times. You can have too much light which tends to create too many areas of white light. These blocks of overexposed light eliminate detail.
The problem with indoor pictures is that too often the picture is underexposed. This means not enough exposure to light. Because we see differently to the camera, it's difficult to know exactly how much light to have in your picture.
The good news is that the more you take pictures indoors and play around with the light, the more you know about what light you need at that time to take that subject. Its really just a matter of practice. With this practice you develop a subconscious knowledge about what light will work. Its funny how that just happens automatically after a while of practice.
To work successfully indoors try taking a picture of your subject under window light in the beginning of the day. Even turn the overhead light on to create more light to help the camera pick up the subject more clearly.
You may even want to angle the light onto a wall to be reflected back onto your subject. This can work well inside if done properly. You can even create different types of light on your camera itself. And if you want to get really creative, remember that there are things you can do to create different effects with a very limited amount of money.
This Indoor Photography Tip was submitted by Amy Renfrey - author of the popular Digital Photo Success - an e-book filled with similar tips on all types of digital photography.
Trusted Reviews has reviewed the Canon IXUS 750 and writes - 'There’s no doubt that the Canon Digital IXUS 750 is a great little camera. It is compact, superbly well made and simply oozes style. It also takes a damn fine picture. However the inflated price compared to other equally impressive models from other manufacturers makes it an expensive luxury.'
Read more reviews of the Canon IXUS 750
Get the Latest Price on the Canon Powershot SD550
Steves Digicams reviews the Canon Powershot S80 and writes - 'With an MSRP of under $550, the Canon S80 presents an excellent value among high-end consumer digicams. With 8 megapixels of resolution, a versatile optical zoom range of 28-100mm, excellent image quality and a stylish pocketable design, it has broad appeal for recording family events and travel. It is capable of being used by photographers of every experience level, providing plenty of automation for the beginner and ample controls for the advanced user. The average size of a 8-megapixel Superfine image is nearly 5-megabytes, so make sure that you get an SD memory card large enough for a days worth of shots. And because the S80 can not be powered by common batteries, make sure that you get a spare NB-2LH battery, keeping it fully charged so that you don't miss that once in a lifetime photo op. The S80, like its S70 predecessor, is an excellent camera, one that I can again highly recommend. '
Read more reviews of the Canon Powershot S80
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CNET reviews the Panasonic Lumix DMC-FX9 and writes - 'The 6-megapixel Panasonic Lumix DMC-FX9, available in either all-silver metal or silver metal with black accents, is a slim, beautifully built pocket camera that weighs just 5.3 ounces with battery and SD card and boasts Panasonic's Mega OIS optical image stabilization. Usually reserved for cameras with long zooms--the FX9's is only 3X, with a 35mm-film equivalent range of just 35mm to 105mm--the stabilization allows you to capture sharp images at slow shutter speeds without a tripod or flash. The camera is also a snappy performer speedwise, but photographers with a critical eye will pause at the less than stellar photo quality.'
Read more about the Panasonic Lumix DMC-FX9
Compare prices on the Panasonic Lumix DMC-FX9 and get a price on the Panasonic Lumix DMC-FX9 at Amazon
Bod Atkins reviews Paint Shop Pro version 9.0 and recommends - 'This is the first release of Paint Shop Pro since JASC was taken over by Corel. It has been aimed a little more squarely at the novice user, with additional “one click” tools and a built in “Learning Center” function which displays explanations of how to use many of the tools. The ability to work (at least partly) in 16-bit mode is a useful addition when significant contrast and level changes need to be made. The switch to an external RAW converter seems like a step backwards, but I'm sure that RawShooter is a lot more powerful than an internal RAW converter would have been and it saved Corel a lot of time and effort.'
PhotographyBLOG reviews the Fujifilm Finepix S9500 Zoom and gives it a rating of 4.5 stars out of 5. They write - 'The Fujifilm Finepix S9500 Zoom is an excellent but expensive super-zoom compact digital compact camera. The Fujifilm Finepix S9500 Zoom is a cheap but rather poor digital SLR camera. Both of these statements are true. The S9500 is the best attempt yet to fuse the advantages of compact and DSLR cameras together, but ultimately it cannot rival the entry-level DSLRs that Fujifilm is aiming at. The likes of the Nikon D50, Konica Minolta 5D and Canon EOS 350D all offer faster performance, slicker ease-of-use and better image quality than the Fujifilm Finepix S9500 Zoom in both JPEG and RAW mode. The difference in image quality is a lot narrower for JPEGs, but the S9500 still suffers by comparison with its noisy ISO 800 and 1600 modes. RAW mode is a non-contest - the Fujifilm Finepix S9500 Zoom takes forever to record a RAW image, and I suspect that the majority of users will not be prepared to wait. In addition the RAW software that Fujifilm provides in the box is simply not up to the job.'
Read more ratings and reviews of the Fujifilm Finepix S9500
Get the Latest Price on the Fujifilm Finepix S9500 (also known as the S9000)
DP Review has reviewed the Canon PowerShot A620 and gives it a rating of 'Highly Recommended'. They write - 'Not only does it boast a much better sensor, but the use of the latest DIGIC II processor means it's a lot, lot faster in operation too. There is very little here to suggest a 'budget' model at all; image quality is excellent, it's very well built, it handles well and it has a real wealth of photographic features that make it suitable for everyone from the absolute beginner to the more experienced photographer wanting lots of control over the picture taking process. And like the A95 it's a great first camera for anyone wanting to learn the craft of photography, being both affordable and well-specified enough to grow with you as your knowledge and experience increases.'
Read more reviews of the Canon Powershot A620
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'Samsung Techwin Co, a digital camera unit of Samsung Group, overtook Japanese rivals to become the top firm in South Korea's digital camera market during the first half of this year, industry sources said.
The sources said Samsung Techwin had a 25% market share, followed by Sony Corp with 18% and Canon Inc with 15%.
Olympus Corp, the world's third-largest maker of digital cameras, lost its No 1 spot in South Korea with its market share dropping to 15% for the first six months of this year. '
Read more at Samsung Techwin tops in digital market
Olympus Imaging America Inc. proudly introduces the new H512 MB Type H-Series xD-Picture Card, an advanced memory media designed for ultra-compact digital cameras. The H512 MB card has the highest speed performance in the xD-Picture Card series of media cards, and is scheduled to go on sale at the end of December 2005 with plans of introducing 256 MB and 1 GB capacities later on.
The H512 MB Type H-Series xD-Picture Card uses the latest high-capacity storage technology to pack 512 MB of memory and high speed performance onto an ultra-compact media card measuring just 25.0mm (W) x 20.0mm (H) x 1.7mm (D) in size. The Type H-series xD-Picture Card TM is being developed using this advanced technology.
The H512 MB enables users to take and store approximately 250 shots averaging an image size of 8 megapixels with an Olympus digital still camera in HQ mode (the default high-quality image setting). The card features high-speed data-transfer capabilities, achieving write speeds up to 2-3 times faster than the Standard and Type M xD-Picture CardTM when used with Olympus digital cameras.
“The rising pixel count and the advanced video-recording functions for digital still cameras are driving demand for digital camera memory media with higher speed performance,” said John D. Blakeslee, Business Manager, Digital Memory Products. “Olympus plans to apply this high-capacity, high speed memory technology to develop the xD-Picture CardTM for Olympus digital cameras with memory capacities of up to 8GB.”
The letter “H” is printed on the new H-Series media cards alongside their memory capacity. The xD-Picture Card logo is printed on the product in a distinctive blue (rather than in gold/silver, as with earlier series).
Write speeds will differ from camera to camera, with shooting modes and shooting conditions. The H512 MB does not work with all digital camera models. Please check the Olympus web site for details. www.olympusamerica.com.
Source: Olympus News Release
DivX Technology Adopted by Pentax to Create Industry's First DivX Certified(R) Digital Camera
DivX, Inc. announced today that the first DivX(R) Certified digital still camera, the Pentax Optio S6, is now available for sale in retail stores in Europe, Japan and North America. The Optio S6 represents a breakthrough device by allowing digital camera users to natively capture videos in the extremely popular DivX format for the first time.
As a fully DivX Certified Encoder device, the Pentax Optio S6 is the first digital camera that can capture full-screen VGA (640x480, 30 fps) video directly encoded into DivX on the device itself. DivX has become one of the most popular video technologies in the world by enabling the creation and distribution of DVD quality video at a file size small enough to be easily transferred among an entire ecosystem of devices and platforms.
The ultra-compact Optio S6 is a 6-megapixel still camera with unprecedented video capabilities. It sports a 2.5 inch color LCD for optimal still and video capture, and can store over an hour of DivX video.
“Due to the strong global user base on both PCs and consumer electronics devices, DivX video is an ideal fit for our product and gives our users a whole new way to create and share their own digital content,” said Kiyoshi Kawano of Pentax Corporation Product Planning Office. “We're excited to work with the DivX team to release the first DivX Certified digital camera.”
“As the first DivX Certified digital camera in the global marketplace, the Pentax Optio S6 represents a true milestone; a powerful and elegant device that will let users capture digital content directly in the high-quality, highly compressed DivX format in the most convenient manner possible,” said Kevin Hell, Chief Operating Officer at DivX, Inc. “By achieving DivX Encoder Certification for their device, Pentax is providing real value for their users, eliminating the need to transfer large, bulky files to a computer and ensuring compatibility with one of the most popular and widely used digital media formats on the market.”
Products that bear the DivX Certified logo have undergone a rigorous quality and compatibility testing program to ensure interoperability, performance and visual quality. DivX Certified products enable consumers to create, play and share high-quality video content across a range of devices and platforms such as DVD players, recorders and portable media players. Content created on the Pentax Optio S6 will be compatible with over 50 million DivX Certified devices estimated to ship worldwide by the end of 2005 as well as hundreds of millions of copies of the DivX Player on personal computers worldwide.
The Pentax Optio S6 is available at retail stores across North America, Europe and Japan. For more information, visit www.pentax.com. To learn more about the DivX Certification program, visit www.divx.com/corporate.
Popular Photography Magazine reviews the Canon EOS 5D and writes - 'Will the EOS 5D attract pros? It's missing some features found on the EOS 1D series, such as an eyepiece shutter, vertical shutter release, supertough build with water-resistant seals, mega-capacity battery, 8.5fps burst rate, and high viewfinder magnification. But for the price, how can even the most finicky pro resist the 5D for a lighter-weight backup body? Also, putting aside the new features and photographic firepower, it's great that Canon gave the EOS 5D a simple name, instead of a tongue-twisting moniker like the EOS 20Ds Mark II.'
Read more reviews of the Canon EOS 5D
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Lets Go Digital reviews the Canon Digital IXUS i Zoom Digital Camera and writes - 'Concluding we may say that Canon once again added an excellent digital camera to the rich Digital IXUS range of cameras. The Canon Digital IXUS i Zoom is not perfect but the target group will certainly appreciate this camera. It has its limits but on the other side; it offers a heck of a lot too. The scales definitely turn to a positive appraisal. As a point-and-shoot camera the IXUS i Zoom is a resounding success. It's not a versatile digital camera but Canon doesn't pretend that either. A beautiful design combined with excellent user friendliness has to guarantee success. A recommendable camera for the user that is looking for a trendy design, fine photo quality and user friendliness! '
Read more reviews and ratings of the Canon Digital IXUS i Zoom (also known as the SD30)
Get the Latest Price on the Canon Powershot SD30
Lets Go Digital reviews the Konica Minolta DiMAGE X1 and gives it a rating of 4.5 out of 5. They write - 'In short, we can say that the Konica Minolta DiMAGE X1 digital camera is more than just an attractive camera, it also shows impressive features when dealing with image quality and operation. The DiMAGE X1 is a pleasant camera to carry around with you regularly, so that you can record every moment of daily life. The camera is recommended to those with an eye for detail and a wish to take photos in an easy, comfortable way.'
Read more about the Konica Minolta Dimage X1
Get the Latest Price on the Konica Minolta Dimage X1 8MP Digital Camera with 3x Anti Shake Zoom (Cradle Included)
PhotographyBLOG reviews the SanDisk ImageMate Card Reader and writes - 'The SanDisk ImageMate has been sitting on my desk for a couple of months now, largely ignored and unnoticed, simply because it does the job so well. There have been no connection issues, no bad or slow transfers, nothing to cause any problems at all. This is probably the highest compliment that you can pay to a device like the SanDisk ImageMate. I guess you could claim that it is quite stylish, in a silver and black kind of way, and that it is relatively inexpensive, and also that it suits both desktop and laptop use alike. But ultimately performance and reliability are what really count, and the SanDisk ImageMate delivers on both counts.'
Read more about the SanDisk ImageMate Card Reader
Get the Latest Price on the “Sandisk ImageMate 12-in-1 USB 2.0 Hi-speed Reader ( SDDR-89-A15 )” (SanDisk)
Cameras.co.uk reviews the Panasonic DMC FX9 and writes - 'Overall the pictures I managed to take with the DMC FX9 are a very solid set. Although I can't say they are really outstanding they stand up well against other cameras and I would describe them as comfortably above average....If you are looking for a stylish, easy to use digital camera then the Panasonic DMC FX9 is well worth a close look. It performs well in just about all situations and you are unlikely to find a much more straightforward camera. '
Read more reviews of the Panasonic Lumix DMC-FX9
Compare prices on the Panasonic Lumix DMC-FX9 and get a price on the Panasonic Lumix DMC-FX9 at Amazon
PC World has a review of the Panasonic DMC-FZ20 and recommends - 'The DMC-FZ20 earned high marks for exposure quality in our lab tests, but it fared less well in resolution-dependent tests like those for sharpness and distortion; this was mainly because it was up against several models with 7-megapixel or higher resolution, and the DMC-FZ20 has only 5 megapixels' worth. Of course, in some cases the very long zoom could more than make up for the modest resolution, because you may be able to zoom instead of cropping the image in software later. However, the zoom takes a toll in battery life: In our tests, the DMC-FZ20 lasted long enough to take only 308 shots, which put it near the bottom of our current batch of cameras.'
Read more reviews of the Panasonic DMC-FZ20
Get a price on the Panasonic Lumix DMC-FZ20
Pocket Lint reviews the Pentax Optio WPi digital camera and writes - 'It’s not all perfect. The camera's sports mode is rather disappointing which meant that those looking to take big air pictures on the slopes may be disappointed. We would have thought given the nature of where you may want to take this picture that it would have been a higher priority for Pentax, but clearly not.... Overall a very good camera that will appeal to the adventure-seeker. If you find yourself in situations that warrant the sudden drowning in water or large amounts of dust the OptioWPi is just the thing for you. '
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Digital Camera Review has reviewed the Kodak P880 Digital Camera and writes - 'The newest Easyshare digicam is obviously aimed at the prosumer marketing niche, but Kodak also touts the P880 as a capable and easy to use alternative to larger, heavier, and more expensive entry-level dSLR cameras -- a camera for those who want exceptional images, but don't want to learn advanced photographic skills.'
Read more reviews of the Kodak P880 digital camera
Get the Latest Price on the Kodak Easyshare P880
Bob Atkins has a review of the Canon Powershot A610 digital camera and writes - 'I'd say the A610 would be ideal for at least two types of user. The first is someone who wants to get started in digital, but who wants something more than a simple “auto everything” P&S. The A610 offers both fully auto modes and fully manual modes, with everything in between! You can certainly learn using the A610. The second is someone who wants a small, pocketable, backup camera for their DSLR. They will want control over ISO, exposure, focus and everything else they are used to with their DSLR, such as white balance, exposure compensation and flash exposure compensation. The A610 will give them that. It even has a histogram to check exposure and a twist and swivel LCD for unusual angles (something even a DSLR won't give you!).'
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Steves Digicams reviews the Nikon Coolpix P1 digital camera and writes - 'The Coolpix P1 and P2 offer a high-quality 3.5x Zoom-Nikkor Glass lens with a focal range equivalent to that of a 36-126mm lens in 35mm format and feature a large, bright 2.5-inch LCD for easy viewing in all conditions.. For greater control and creativity, both models feature Aperture-Priority Auto mode with 10-step manual control in 1/3EV increments and 11 of the camera’s 16 Scene Modes are Advanced Scene modes for even greater creative control of the end result. The cameras are compact and lightweight, measuring just 3.6 x 2.4 x 1.5 inches and weighing only six ounces.'
Read more reviews and ratings of the Nikon Coolpix P1
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DCRP reviews the Sony Cyber-shot DSC-T9 and writes - 'I was impressed with the DSC-T9's autofocus speeds. In good light the camera typically took just 0.1 - 0.3 seconds to lock focus. Even when the lens was near the telephoto end the camera still focused quickly. The only slowdown was when the camera had to use the AF-assist lamp, which extends focus times to over a second in some cases. On a related note, low light focusing was good thanks to that AF-assist lamp.'
Read more about the Sony Cybershot DSC-T9
Get the Latest Price on the Sony Cybershot DSC-T9
Cameras.co.uk reviews the Casio Exilim EX-S500 and writes - 'The focusing problems I encountered with the Casio EXILIM EX-S500 are a major drawback. Although you can get round this problem most of the time by shooting in macro mode it means you may well miss the photo. This is a great shame as this is a likeable camera. It is easy to use and has minimal shutter lag.'
Read more about the Casio Exilim EX-S500
Get the Latest Price on the “Casio Exilim EX-S500 Digital Camera
This Landscape Photography Tip was submitted by Amy Renfrey - author of the popular Digital Photo Success and a newer resource on Landscape Photography
Have you ever wondered what it would be like to finally capture that big expansive look and feel to your landscape pictures? How awful is it to arrive at an awesome place that lays out a scene of majestic colour and expansiveness before you only to find you can't capture it properly on your digital camera?
How frustrating huh?
The secret is your lens. Think of the lens as an 'eye' of your camera. Your digital camera has to have something for the light to go into to collect the information to produce the photo. And it can't reproduce an awesome scene if it doesn't have the right visual range from it's 'eye.'
The camera is basically modeled on the human eye. In fact it was discovered that in order for a camera to work it must have light directed into it. And it does this via the lens.
To understand this point, think of this: Can you, yourself, see a long distance away clearly without the aid of a pair of binoculars? Which is why in taking pictures, the long distance zoom lens was created. Even though we are not talking about zoom lenss right now, you get my point. The camera is the same. It needs a little help if you want to create a wider, more expansive feel.
The lens of your camera is one of the most important things that you'll need to know (especially with nature shots). To create a majestic landscape or a powerful scene of nature a wide angle lens is what is used to do this. Good digital photography is always done with the help of 'tools.' Very rarely do you 'point and shoot' and hey presto a magic, professional looking photo appears. Oh if it was that easy!
Now don't fall into this trap: a wide angle lens just gets everything in. Yes and no. In using a wide angle lens a certain amount of compression occurs. What I mean by this is that your mountain landscape scene becomes two dimensional. It means that the lens 'flattens' the scene to a large degree. It has to in order to become a picture. A wide angle lens gives you a better, wider angle in which you can take the landscape at. It actually compresses more than a normal lens would, leaving you with a much better picture.
All fantastic professional landscape shots are done this way. And if you seriously want better landscape pictures then a wide angle lens is the way to go. Just check with your digital camera manufacturer as to what lens is able to be adapted to the camera itself. And in no time those pictures will improve and your experience with digital photography will be so much more rewarding.
This Landscape Photography Tip was submitted by Amy Renfrey - author of the popular Digital Photo Success and a newer resource on Landscape Photography
Imaging Resource reviews the Kodak EasyShare P880 Digital Camera and writes - 'The Kodak EasyShare P880 is the latest in a long line of digital cameras that has proven popular and very user-friendly throughout its history. Kodak's EasyShare line of digital cameras live up to the “Easy” part of their name, as they're among the simplest and most goof-proof to operate out there. While still retaining good ease of use in full-auto mode, the Kodak P880 steps out into relatively new territory for Kodak, as a credible effort at a true enthusiast camera, offering full exposure control, an excellent lens, and both a hot shoe and threaded PC-sync socket for use with an external flash, increasing rarities these days. are among the easiest and most goof-proof out there, and while the Kodak P880 offers a much wider range of exposure and creative controls than the main EasyShare line, it still maintains relative ease of use. '
Read more about the Kodak Easyshare P880
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Luminous Landscape has a brilliant piece on the topic of Street Photography in China. It contains some great advice including:
'Don't carry a lot of gear. Ideally, just one body and a couple of lenses. No camera bag, or if you must, a small canvas sack with an extra lens and a couple of memory cards and batteries. This will allow you to walk further, work longer, and not be singled out as a target for theft.
Keep it small and simple. A large camera body (1Ds or D2x style) along with a large white lens makes you stand out like a sore thumb. A small camera body and a single medium zoom (or a couple of fast primes) is all that's needed. Long lenses have no place when doing this sort of photography. Keep it short, keep it simple. Keep it fast.
Use Auto-everything. I know this is going to get me kicked out of the fraternity, but set your camera on a high ISO (400) and set it in Program mode. The reason for this is that documentary photographs often happen in a split second. You don't want to be thinking about whether or not you have a fast enough shutter speed selected, or enough depth of field. Buy yourself some time by setting the camera so that you can swing from the sunny side of the street to a shadowed doorway in a split second, and still get the shot.'
Read more of Street Photography in China
Bob Atkins has a review of the Canon Powershot SD200 and write - 'Despite the lack of full manual control, I still like the SD200. In fact I bought one myself so I'd have a camera that I can basically take anywhere! Image quality is good and you do have manual control over almost everything except for exposure (and even there you do have exposure compensation). You also get some remarkably good video modes (with audio) including 640x480 at 30fps. The 3.2MP is enough for excellent 4x6 and 5x7 prints and even 8x10 looks pretty good. The price (currently around $180) is pretty good too! If you want more pixels, the SD300 has 4MP (around $250) and the SD400 has 5MP (around $265) in essentially the same camera body with the same camera features.'
Read more reviews and ratings of the Canon Powershot SD200
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'Transcend Information has introduced a USB flash disk drive with an integrated VGA digital still camera (DSC). The JetFlash DSC is designed to enable users to take digital photos without the inconvenience of needing a USB cable or card reader to connect to a PC, according to the company.
Equipped with a 0.25-inch CMOS image sensor, the JetFlash stores pictures in a 640×480 JPG file (VGA), sized at 55KB. Once the pictures are transferred to a PC, the bundled software can be used to edit or enhance the photos.'
Read more at Transcend introduces USB flash drive with integrated digital camera
Popular Photography Magazine has a first impression review of the yet to be released Ricoh GR Digital where they write - 'First, there's the solid-feeling magnesium-alloy body that measures about 4 inches wide by just over 2 inches high and a mere .75 inches thick. Then there's the 2.5-inch/210,000-pixel LCD.
But the coolest part is the lens. Not just the 28mm (equivalent) lens with its f/2.4 maximum aperture, but also the snap-on wide-angle lens that serves up the equivalent of a 21mm view.'
Read more about the Ricoh GR Digital
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Steves Digicams reviews the Nikon Coolpix L1 and writes - 'For creative freedom to compose shots, the 5x optical, 38-190mm Zoom Nikkor lens (35mm equivalent) lets users zoom in for tight portraits or zoom out to capture wide-open scenery. The L1 can compensate for insufficient flash or excessive backlighting with the touch of a button, the D-Lighting function will add detail and brighten the image where necessary. The Face-Priority AF function is able to automatically detect the location of a human face within the frame, providing sharp focus on it to produce sharp, clear portraits wherever the subject is positioned in the frame. The In-Camera Red-Eye Fix™ technology automatically detects and corrects red eyes in an image while Blur Warning will alert the user that a shot has been compromised allowing for it to be retaken before leaving the scene.'
Read more about the Nikon Coolpix L1
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CNET reviews the HP Photosmart R817 and writes - 'When buying a digital camera, the rule of thumb has been small size, small price, big features--choose any two. With recent technological advances and price reductions, you can almost have all three at the same time. The Photosmart R817 is one of HP's recent efforts to cram its mix of image-enhancing technologies into an inexpensive, pocket-size camera. The 6.7-ounce R817 has a 5.1-megapixel sensor, a mostly metal body, and a bright 2-inch LCD screen. It also has a 5X optical zoom, which is unusual in a camera this small.'
Read more about the HP Photosmart R817
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Megapixel reviews the Fujifilm FinePix S9000 and writes - 'The first thing one notices about the S9000 is that it has an excellent ergonomic design. Its shape imparts the S9000 with a stable feel when it is held, and its controls are well-placed and comfortable to access. Similarly, the flexibility of the EVF, where menus can be displayed, and the use of a virtual dial to replicate the movements of the Mode dial all contribute to making the camera one of the most pleasant to work with. Moreover, the design also offers a high resolution image for the EVF with a diopter correction, and a 1.8-inch monitor that can move up or down.'
Read more about the Fujifilm FinePix S9000
Get the Latest Price on the Fujifilm Finepix S9500 (also known as the S9000)
Digital Camera Review has reviewed the Casio Exilim EX-Z120 Digital Camera and writes - 'The Z120 is a good camera for the beginning digital camera owner. The easy mode provides a lot of convenience for someone who doesn't want to deal with all the options available on the camera. Even though there are many manual modes (aperture priority, shutter priority, full manual mode), I think the user that will want to use them will demand higher image quality.'
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Steves Digicams reviews the Kodak Easyshare One and writes - 'The Kodak EasyShare-One is “one cool digital camera” that offers more sharing capabilities than any other cameras on the market. Not only can you capture awesome 4-megapixel prints, but you can email them or print them out for friends an family, without having to go near a computer; just make sure you have the optional EasyShare Printer Dock Plus Series 3 ( about $179). With an MSRP of $599 the ES-One is considerably more expensive than other 4-megapixel cameras. However when you consider its non-typical features like the huge 3.0-inch touchscreen LCD and Wi-Fi capabilities, we feel it offers a good value, especially for your favorite “techno geek.”'
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Steves Digicams reviews the Olympus Stylus 600 and writes - 'The Stylus 600 is yet another weather-resistant model from Olympus this year, offering some very appealing features like a 6-megapixel CCD imager, 3x optical zoom lens, 2.5-inch LCD, etc. This versatile consumer model is aimed toward the user who likes the ability to just point and shoot, no matter what the weather conditions are. Its Program mode is fully automatic with more advanced settings for ISO, White balance, Metering and more. You can also choose from one of 24 scene-specific modes that are programmed for a multitude of different shooting conditions.'
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Popular Photography reviews the Canon EOS 5D and writes - 'The EOS 5D appears to follow a path between two extremes. On the yin side, its full-frame sensor gives photographers the advantages of the expensive EOS 1Ds Mark II and the best image quality you can find in a sub-$3,500 DSLR. On the yang side, its construction, size, and array of features are closer to those offered by the APS-sensored EOS 20D. Now if it only cost less, more photographers would reach nirvana.'
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Imaging Resource reviews the Canon PowerShot SD450 Digital ELPH and writes - 'Widely available as of this writing for under $300, the Canon PowerShot SD450 is an excellent little pocket camera, with a full feature set, super build quality, great image quality, and the flexibility to bring back good-looking pictures from a wide range of shooting situations. Its tiny case is sleek and sophisticated, and travels easily, although we do recommend a small hard case for it, to avoid damage if you bump against something with the camera in your pocket. When it comes to picture taking, while actual exposure control remains automatic, the ability to adjust ISO, White Balance, and access longer shutter times significantly extend the camera's shooting ability.'
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Luminous Landscape reviews the Sony Cybershot DSC-R1and writes - 'I am very ambivalent about the Sony R1. With its large and high resolution sensor, excellent lens, and first rate build quality for under US $1,000 it offers photographers a combination of features and abilities that in a DSLR would cost 2-3X as much to implement.
But, it still is a digicam – or FLD, and therefore lacks some of the features that DSLR users take for granted, such as fast frame rates and snappy autofocus. In exchange the R1 offers a waist level finder, a real-time histogram, and totally silent operation – features that no DSLR can provide.'
DCRP reviews the Sony Cybershot DSC-R1 and writes - 'The Sony Cyber-shot DSC-R1 finds itself in a difficult position: not only is it more expensive than most fixed-lens cameras, but it also costs more than most digital SLR kits. While the R1 has the best photo quality of any fixed-lens camera (by far), the tough competition from digital SLRs makes deciding between the R1 and a D-SLR difficult.'
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CNET reviews the Canon PowerShot A610 and gives it a rating of 'very good'. They recommend - 'At 5 megapixels, the Canon PowerShot A610 doesn't have the pixel punch of the pricier Canon PowerShot A620, but that is where the difference ends. Just like its sibling, the PowerShot A610 packs a lot of muscle into its compact body. A 4X optical zoom, full manual controls, a long list of scene modes, and above-average performance and image quality make this camera a perfect match for snapshot photographers and enthusiasts who want it all for a competitive price.'
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CNET Reviews has reviewed the Olympus FE-120 and writes - 'The Olympus FE-120 is otherwise stuffed with me-too features, including a modest 3X optical zoom, a 1.8-inch LCD that tends to wash out in bright sunlight, and 14MB of internal memory augmented by a 32MB xD-Picture Card. Easy to operate because it doesn't give you much to adjust, the FE-120 provides 19 shooting modes, macro capabilities that zoom down to within an inch of your subject, and a robust continuous-shooting mode that can capture 20 full-resolution images at a 1.1fps clip. Autofocus performance is poor, however, and motion-picture resolution is limited to 320x240 pixels. Even so, priced only $30 to $50 more than its 4-and 5-megapixel stablemates, the Olympus FE-100 and FE-110, this top-end version is easily the most desirable of the bunch.'
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CNET Reviews has reviewed the Olympus FE-100 and writes - 'The Olympus FE-100's image quality was only adequate; if resolution is important to you, consider spending a few dollars more for the 5-megapixel FE-110 or splurging on the superior FE-120. Still, this model produced surprisingly good exposures, and in our test photos, defects such as JPEG artifacts, a touch of noise at higher ISOs, and a little color fringing weren't objectionable in smaller prints.'
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Trusted Reviews has reviewed the Olympus SP-350 and writes - 'It doesn’t have the performance or picture quality to be the compact semi-pro model that it pretends to be, and it does have a few significant flaws, but nonetheless the Olympus SP-350 is a decent camera, with very good build quality and handling, excellent high-ISO noise control and a useful range of photographic controls and extra features.'
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CNET reviews the Panasonic Lumix DMC-FZ30 and writes - 'When you want to look like a professional photographer but not pay the price that comes with it, Panasonic's Lumix FZ-30 may do the trick for you. This prosumer is built to look like a digital SLR, but without the option of interchangeable lenses. The FZ-30 went through a mini design overhaul with its new button layout, control wheels (which are traditionally sported on dSLRs) and manual zoom and focus rings on its non-extendable lens. Not considering the bulk and cost, the Lumix FZ-30 marks an improvement in the overall design, feature set and performance, but its image quality wasn't something to rave about compared with its predecessor.'
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Steves Digicams reviews the Fujifilm FinePix S9000 and writes - 'The S9000 is a very capable prosumer digicam. With its 9-megapixel imager, 28-300mm mechanically controlled zoom lens, extensive exposure and in-camera processing controls, automatic and advanced shooting modes, there's little that you can't do with this camera. And if you're looking for a digicam that can also capture high quality video, you'll love the S9000's VGA resolution 30fps movies -- they're gorgeous. With an MSRP of $699 and a street price of under $600, the S9000 is also a terrific value.'
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CNET reviews the Sanyo Xacti VPC-E6 and gives it a rating of 5.2 out of 10. They write - 'Sanyo, which produces many of the snapshot digital cameras you see marketed under other brand names, is stepping up its efforts to gain some brand recognition of its own. Given that the company's name is hardly synonymous with high quality, we started off with low expectations for the company's Xacti VPC-E6, a 6-megapixel, 3X-zoom ultracompact. We were pleasantly surprised to find it a decent--albeit a little pricey--snapshot camera with an eye-catching 3-inch LCD, a graphical user interface, and reasonable image quality. Only the performance disappointed.'
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PhotographyBLOG reviews the Canon Digital Ixus 750 and writes - 'On the face of it the Canon Digital IXUS 750 is a pretty run-of-the-mill digital camera. A 3x optical zoom lens, 7 megapixel sensor, large 2.5 inch LCD screen - on first sight, it doesn't seem to offer anything different to a lot of other, cheaper cameras. And in terms of features, this assessment is an accurate one. What the Canon Digital IXUS 750 does offer, however, to make it stand out from the crowd is an undeniable sense of quality. No other digital camera that I've reviewed has the same level of sheer luxury as this one, in terms of design, finish, ease-of-use and images. It will impress your friends with its looks and take any hard-knocks that you subject it to.'
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Pentax News Release
Shopping for a digital SLR system? Now, you can shop right from your desktop at http://www.PentaxSLR.com , a microsite dedicated to the growing family of PENTAX digital SLR systems including small, lightweight bodies, superior optical lenses, powerful flashes and nifty accessories. The site also offers FAQs, Specs, Rebates, and other information about building a digital SLR system. Visitors may link from the site to their favorite on-line retail sources to finalize purchase decisions.
“Digital SLR buyers are looking for educational resources, and our microsite is important for anyone looking to build or add on to an existing PENTAX system,” said Ned Bunnell, director of marketing, PENTAX Imaging Company.
Aptly named THE NEW CLASSIC, the microsite touches on the solid PENTAX legacy and devotion to SLR users. Since its first SLR introduction in 1952, PENTAX has remained devoted to delivering the most lightweight and compact SLR products including the PENTAX K1000, one of the most popular 35mm SLRs ever manufactured. PENTAX Imaging Company will acknowledge the 30th anniversary of the PENTAX K1000 in 2006. PENTAX shipped a fourth digital SLR body, the *ist DS2, in November 2005.
“Digital SLR sales are expected to grow by 60 percent in 2006,” said Ed Lee, director, digital photography trends service, InfoTrends. “ Many of those buyers are existing compact digital owners who are discovering the flexibility, creative freedom and more affordable pricing that SLR systems offer.”
To kick off the microsite, PENTAX also announced GEAR UP FOR CASH BACK consumer rebates on nine PENTAX digital SLR lenses from now until March 31, 2005 as well as rebates on PENTAX waterproof digital cameras until February 28, 2006.
All qualifying product models and corresponding rebates are listed below. For complete rebate details, visit: http://www.pentaximaging.com/rebates.
ephotozine reviews the Konica Minolta Dynax 5D and writes - 'The Konica Minolta Dynax 5D, also known as the Maxxum 5D is a more than capable entry level camera and most more advanced amateurs will find that it does all that they need too. It certainly has features above and beyond most of the other entry level cameras available at present. A minor bugbear is having to light up the rear screen to find how many frames are available on the CF card.... the camera is an excellent tool, made easy to use by the large LCD screen and sensible, uncluttered layout. The anti-shake is a helpful, if not mind-blowing feature and navigation through the features is not rocket science. The noise suppression is about the best I’ve seen on a CCD equipped camera, although the in camera noise reduction did not help a lot over the non reduced files. Easily usable up to ISO 800 though. Overall I enjoyed using it.'
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Imaging Resource reviews the Sony Cyber-shot DSC-R1 Digital Camera and recommends - 'The Sony DSC-R1 is a really compelling entry in the high-end “enthusiast” category. It offers a nearly unique focal length range, with truly exceptional optical quality, attractive color rendering, and very appealing tonality in its images. - Bottom line, we just liked looking at the R1's images. We found some of its ergonomics decidedly awkward, and both timing performance and high-ISO noise levels aren't up to the best of the digital SLRs currently on the market. On the other hand though, achieving the optical performance of the R1's lens with a conventional removable-lens SLR would cost literally thousands of dollars in high-end glass.'
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Digital Camera Info reviews the Kodak EasyShare P880 and writes - 'Still, the Kodak EasyShare P880 has some nice features. It has a wide 24-140mm Schneider-Kreuznach zoom lens that accepts telephoto conversion lenses. This versatile digital camera also has a four-pin hot shoe for flash attachments. The Kodak P880 offers the gamut of user control, a fully manual mode, a fully automatic mode, and two priority and plenty of scene modes in between. There are even three custom modes. The Kodak EasyShare P880 is meant to compete with top of the line digital cameras and low-end DSLRs, but with its $599 retail price and collection of drawbacks it falls short of its potential.'
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'For the fourth straight quarter, Eastman Kodak Co. retained its lead over Japanese rivals Canon Inc. and Sony Corp. in the U.S. digital camera market.
In the July-to-September period, digital camera shipments to domestic retailers rose nearly 13 percent to 5.6-million from 5-million a year earlier, research firm IDC of Framingham, Mass., reported.
Photography equipment maker Kodak shipped 1.25-million digital cameras in the quarter - 21 percent more than in last year's third quarter - and its market share rose to 21.3 percent from 19.8 percent, IDC said.'
Source: Kodak increases lead in U.S. digital camera sales
Imaging Resource reviews the Canon PowerShot A410 Digital Camera and writes - 'Featuring a 3.2-megapixel CCD, automatic exposure control with a wide range of preset shooting modes, and a real bargain price, the PowerShot A410 does a great job of holding up Canon's sterling reputation at the low end of their line. Built on the same long-tested design as many A-series predecessors, the Canon A410 delivers a lot of features, great image quality, and tremendous value in a compact package designed for novices.'
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DCRP reviews the Kodak EasyShare One and writes - 'The biggest selling point for the EasyShare One is its wireless abilities and in that area the camera delivers. While the interface is clunky (and entering WEP keys is a major pain), the camera makes it quite easy to share photos via e-mail or prints. Photos and movies can also be transferred wirelessly to your Mac or PC. You an also send photos and movies to Kodak's EasyShare Gallery, where you can view your online galleries (as well as those of your friends) and you can delete photos and albums if you'd like. Printing photos wirelessly is very cool, especially if you're using Kodak's optional Printer Dock.'
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Imaging Resource reviews the Konica Minolta Dimage X1 and writes - 'The Konica Minolta DiMAGE X1 is an unusual digital camera, packing an 8 megapixel sensor, a 3x zoom lens, and anti-shake technology into a compact, stylish case. Its image quality is good, with a much better than average lens for a subcompact camera, very accurate color, and loads of resolution. Packing all those pixels into a tiny sensor does make for higher image noise, and the X1 has taken some knocks from other reviewers on that score. As is often the case with high-resolution digital cameras though, we found that noise that was very evident on-screen became much less so when printed at typical photo sizes. Even at its (modest) maximum ISO of 200, 8x10 prints from the X1 looked surprisingly good:'
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DP Review has reviewed the Olympus SP-310 and gives it a rating of 'recommended. They write - 'The SP-310 is perhaps a camera that deserves more attention than it has so far received - it offers a comprehensive feature set at a remarkably low price in an easy to use and well put together package. Yes, the JPEG output suffers from the same over-sharpening artefacts as the recently-reviewed Stylus 800, but to a significantly lesser degree, and certainly not in a way that will adversely affect prints. And of course in mitigation SP-310 also offers the advantage of raw capture to those with the patience to wait 10 seconds between shots and to fine tune the conversion.'
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Lexar Media, Inc., a world leader in advanced digital media technologies today announced that its LockTight™ technology will be supported in the Nikon D200 creating an ideal solution for photographers who want to fully utilize the advanced feature set in this new camera, including security functionality and burst mode shooting. Lexar Professional LockTight CompactFlash is a unique security technology that allows photographers and organizations to control access to information stored on the user’s memory cards. Following full support in the Nikon D2X and D2Hs digital SLR cameras, the new Nikon D200 is the most affordable digital camera that includes built-in LockTight functionality.
“Security and controlling access to digital images continues to be a critical feature for vertical markets such as law enforcement, insurance, medicine or government. With LockTight, Lexar is offering a unique secure digital imaging solution for these markets,” said John Omvik, director of professional product marketing, Lexar. “With the introduction of the D200, photographers and organizations in these markets now have three different Nikon cameras to choose from with varying feature sets and price points,” he added.
Beyond security, the Lexar Professional CompactFlash with LockTight delivers a minimum sustained write speed capability of 80X, enough to take advantage of the D200’s burst mode of 5 frames per second – without delays in writing the data to the memory card (Lexar defines “X” within its speed-rating system as equivalent to a minimum write speed capability of 150 kilobytes per second). Any Lexar Professional CompactFlash card used with a Nikon D200 digital SLR camera is the ideal combination for shooting at weddings, sporting events or any venue where missing the perfect image is not an option.
“The comprehensive feature set of the D200–including the unique LockTight compatibility and functionality–will appeal to many professionals around the world,” said Kazuyuki Kazami, General Manager of Marketing, Nikon Corporation. “Among the D200’s target customer base are organizations that have a real need to protect their content, demonstrate a chain of evidence and restrict access to confidential or sensitive image data. Lexar’s LockTight system offers us a unique way to address these requirements from our vertical market customers,” he added.
How LockTight Works
The combination of Lexar Professional CompactFlash with LockTight and Lexar’s custom LockTight software creates a security solution ideal for photographers in fields such as forensic photography, scientific research, military and law enforcement. When used in conjunction with a camera that supports the LockTight system, access to the digital content stored on a LockTight card is restricted to authorized users and authorized cameras through card level, 160 bit authentication. Once the card has been registered to users and cameras, it will only work in those specific cameras and can only be accessed on a PC or MAC by those users with the login information established by the system administrator. A Lexar Professional CompactFlash Reader completes the security solution, as only the user’s registered cameras and Professional CompactFlash Readers can recognize a secured LockTight card. LockTight cards that are not secured operate as normal cards.
When used in conjunction with a camera that supports the LockTight system, LockTight CompactFlash employs a unique strategy to protect data, and, as a result, LockTight cards are always “locked.” A computer or camera cannot read or write data to/from a LockTight card until a critical authorization process takes place between the LockTight card and the host computer or host camera. This authorization process is where the 160-bit HMAC SHA-1 hash algorithm is employed.
Lexar Professional LockTight CompactFlash cards are currently available at photo-specialty stores and through key market value added resellers in capacities of 512MB and 2GB. More information on Lexar’s professional products can be found at www.lexar.com/dp
source: Lexar news release
Lets Go Digital reviews the Canon Digital IXUS 750 Digital Camera and writes - 'The Canon IXUS concept has been very well designed. IXUS products have been available since 1996. This evolution now leads to the Canon Digital IXUS 750 and one wonders how much more can be done. The IXUS 750 has got a nice, large monitor that is easily to operate and gives superb results. On top of all this, the camera is an absolute beauty to look at. It should be obvious that I am very satisfied with the results of the Canon Digital IXUS 750. The camera truly exceeds the expectations. This makes the Canon IXUS 750 suitable for both the trendy photographer and anyone interested in a good, decent compact camera. Recommended! '
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Samsung are getting ready to release a digital camera that will enable it's users to play movies and watch TV - all from within the camera itself.
'``We will release the versatile digital camera early next year after terrestrial digital multimedia broadcasting (DMB) services are launched,’’ Samsung Techwin spokesman Ahn Ji-hoon Saturday told The Korea Times.
Terrestrial DMB is the locally developed technology that enables people on the move to enjoy crystal-clear video, CD-quality audio and data via handheld gadgets or in-car terminals for free....
``In addition, our convergence cameras will have the edge in battery life in comparison to cell phones. We expect people will be able to watch TV with DMB cameras for up to three hours on just a one-time charge,’’ he added.'
Read more at Samsung to Couple TV With Digital Camera via Imaging Resource
DC Views reviews the Canon SD550 / IXUS 750 and writes - 'Apart from our minor qualms about the tiny optical viewfinder, which is a bit awkward to use and only shows about 80% of the image area, the Canon SD550 is a welcome addition to the range of Digital Elphs. Its ultra compact size ensures you can take it with you wherever you go. Canon's famed durability and robustness will guarantee years of picture taking pleasure and its stylish appearance and good performance make it an excellent choice for the photographer who wants an easy to use point-and-shoot camera. Add to this that apart from excellent photo quality it has got a very good movie mode and there is no doubt that you get a lot of camera for your money. Just remember to wear that wrist strap.'
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Steves Digicams reviews the Casio Exilim EX-Z120 where they write - 'In addition to high resolution still images you can also capture VGA (640x480 pixels) motion video with audio at 28 frames per second. Using the “MOTION PRINT” function, movies can be converted into a series of nine images or just one snapshot for printing. Movies can be zoomed-in during replay. The “Movie Editing” operation offers three ways (beginning, middle, end) to cut unwanted scenes from a movie.'
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Steves Digicams reviews the Kodak EasyShare P880 Zoom and writes - 'The 24mm wide angle setting is ideal for landscape photography and interior photography and also offers greater depth of field. Creative photographers can shoot with this wide perspective for unique portraiture, or to capture a greater scenic expanse for later cropping. The same lens optically zooms out to 140mm (5.8X), controlled by a manually-operated ring for precise framing. The autofocus system is highly accurate even in low-light conditions and you can manually focus using another ring on the lens.'
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Steves Digicams reviews the Kodak EasyShare P850 Zoom and writes - 'Optical image stabilization, combined with the advanced, hybrid AF system (25 selectable points), provides a 2-stop advantage over non-Image Stabilized systems for better capturing subjects in low light for both still and video. It also minimizes handheld camera shake at longer focal lengths, which is critical when not using a tripod — a scenario found on the sidelines of sporting events, on scenic hiking trails, and during everyday spontaneous picture-taking when carrying a stabilizing device is impractical.'
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CNET reviews the Nikon Coolpix S4 and writes - ' Veteran digital shooters waxing nostalgic for the Nikon Coolpix 900 series will cheer for the Coolpix S4's resurrection of the swivel lens after nearly three years. The S4 comes in a more compact package, with 6-megapixel resolution, a 10X zoom lens, a 2.5-inch LCD, and Nikon's signature ease-of-use features. But a lack of manual controls makes this compact snapshot camera a poor choice for shooting indoors or on the soccer field.'
Steves Digicams reviews the Nikon Coolpix S4 and writes - 'The Coolpix S4 features a powerful 10x optical zoom, six megapixels of resolution and a large 2.5-inch LCD, all housed in a compact body that fits into a shirt pocket. The powerful optical zoom combined with the swiveling body design of the camera gives digital photographers unprecedented freedom and creativity with the ability to take pictures from a wide range of angles such as from the hip, self-portraits and even from overhead.'
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Steves Digicams reviews the Fujifilm FinePix E900 and writes - 'Downloading images and movies to the host computer is fast and easy thanks to its high-speed USB 2.0 connectivity. You can also use the USB port for direct printing with any PictBridge compatible photo printer, no computer is necessary. Storage is via xD-Picture Card media which is available up to 1GB in capacity. Power is supplied by standard AA type batteries, “off the shelf” alkaline batteries can be used but high- capacity NiMH rechargeable cells are recommended for the best performance.'
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Digicam Review has reviewed the Panasonic Lumix DMC-LX1 and writes - 'The Panasonic Lumix LX1 is in the unique position of being the only digital camera to offer a 16:9 widescreen aspect ratio with wide angle at 8 megapixels (other Panasonic digital cameras feature a 16:9 aspect ratio but not at the full resolution). This in itself will sell this camera to people who love this aspect ratio. The camera is also the only digital camera to record videos with a 16:9 aspect ratio (as far as I'm aware). The camera is very good, with good image quality and very good features. There are only two or three problems that let this camera down, and they may unfortunately put you off buying this otherwise excellent camera - they are: very high noise, visible even at the lowest ISO settings, high price compared to other 8 megapixel cameras, and the video modes inability to “gain up” in low light. However, the prositves outweigh the negatives so I would still recommend this unique digital camera! '
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Trusted Reviews has just posted a review of the Canon Powershot S80 digital camera where they write - 'Although it is scarily expensive, the PowerShot S80 really delivers. It has enough creative options to satisfy any keen photographer, and delivers results that are among the best I’ve seen. Performance, design and build quality are all of the high standard we’ve come to expect from Canon. If you got the money, it’s one of the best compact cameras you can buy.'
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The Rollei dp6500 is a 6 megapixel (CCD 1/1.8“ sensor) digital camera with 3x Optical Zoom lens, 16 megabytes of internal memory and 24 frames per second video recording.
Rollei dp6500 Specifications
System requirements
PC, Windows 98/SE/ME/2000/XP USB interface, CD-ROM drive
Apple Macintosh, Version 9.0 or higher USB interface, CD-ROM drive
The Rollei da 5324 is a 5.19 megapixel digital camera with 3x Optical Zoom, 2.4inch TFT LCD and 32 megabytes of internal memory.
Rollei da5324 Specifications
System requirements
PC, Windows 98SE/ME/2000/XP USB interface, CD-ROM drive
Apple Macintosh, Version 9.0 or higher USB interface, CD-ROM drive
Contents
Rollei da5324, USB and video cables, 2x AA Alkaline batteries, strap, pouch, software CD with Ulead Photo Explorer 8 SE Basic, VideoStudio 7 SE VCD and drivers, printed instruction manual
PC Mag has an interesting piece on why Digital Camera Companies Seem to Be doing so poorly at present despite a booming industry:
'I see two trends taking place, one at the top end of the market and one at the bottom. The first is that D-SLRs have dropped dramatically in price, while offering incredible quality and, probably most importantly, incredible ease of use. You can actually use these D-SLRs on Auto mode and it's like you're using a point-and-shoot camera. Consumers who would typically be shopping for enthusiast or superzoom cameras—in the $500-to-$800 range—are springing for a D-SLR which costs the same amount or a little more. Camera manufacturers have dropped prices across the board on their enthusiast and superzoom cameras in order to make them more attractive to buyers, who in turn are stepping up to more full-featured cameras. So, it's a bit of a domino effect, with the D-SLRs pushing prices down in every category, including compacts.
At the same time, the bottom of the market has been flooded by incredibly cheap cameras going for $150 or less. These generally don't offer very much in the name of quality, but since online stores and big-box brick-and-mortar stores like Walmart, Target, and Best Buy have usurped the role of the specialty camera store, sales staff aren't guiding purchasers toward quality cameras.'
CNET Reviews the Kodak EasyShare P850 and writes - 'Second from the top of Kodak's lineup, the 5.1-megapixel EasyShare P850 offers more features than you normally find in digital cameras on the Rochester company's roster. Those features include a 36mm-to-432mm lens (35mm equivalent); image stabilization (for the 12X zoom); manual-exposure adjustments; and controls for contrast, saturation, and even white-balance compensation. Even so, the Kodak EasyShare P850 is comparatively pricey; the 8-megapixel, wide-angle EasyShare P880 costs only about $100 more. Still, the P850 offers enough sophistication and flexibility for enthusiasts while maintaining its EasyShare simplicity for those who may eventually want to graduate to manual adjustments.'
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Megapixel reviews the Nikon Coolpix P2 and writes - 'Like the competition, which stands out by providing a longer than average zoom, or a more compact size for instance, the Coolpix P2, and its 8-megapixel twin the P1, offer a slightly longer than normal 3.5X zoom, a 2.5-inch monitor, and adds a Wi-Fi capability, one of only a handful of cameras to offer it. At a glance, the advantage of being able to link the camera to a wireless LAN is not obvious. After all, a USB cable — which also comes with the P2 — is just as simple, and USB 2.0 has a faster transfer speed.'
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Sigma Press Release
Compact ultra-telephoto zoom lens, optimized for digital SLR cameras.
Sigma Corporation is pleased to announce the launch of the new APO 135-400mm F4.5-5.6 DG lens. This compact ultra-telephoto zoom lens is optimized for digital SLR cameras. The new multi layer lens coating and lens design reduce flare and ghost, and also creates an optimum color balance and better picture quality through the entire zoom range. This lens uses one aspherical lens and three SLD (Special Low Dispersion) glasses for excellent correction of various chromatic aberrations. It provides excellent image quality for digital and film SLR cameras. Rear focus system ensures high performance stability and ease of use. Since the front of the lens does not rotate during focusing, a circular polarizing filter can be easily attached and use. A removable tripod collar is included as a standard component.
Simga APO 135-400mm F4.5-5.6 DG Lens Features
* The new multi layer lens coating and lens design reduce flare and ghosting.
* An aspherical lens and SLD glass elements provide correction for all types of aberration throughout the entire zoom range.
* The rear focus system ensures fast AF speed.
Simga APO 135-400mm F4.5-5.6 DG Lens Specifications
• Focal Length : 135-400mm
• Minimum Aperture : F32
• Lens Construction : 13 Elements in 11 Groups
• Angle of View : 18.2°- 6.2°
• Number of Diaphragm Blades : 9pcs
• Minimum Focusing Distance : 200-220cm (78.7-86.6“)
• Maximum Magnification : 1:5.3
• Filter Size : 77mm
• Lens Hood : Bayonet Type Hood
• Dimensions : Diameter 88.5mm (3.5”) x Length 183.6mm (7.2“)
Weight : 1245gr/43.9oz
* The appearance and specifications are subject to change without notice.
Sigma Press Release
A new zoom lens for the “KONICA MINOLTA” Digital SLR Camera System.
Sigma Corporation is pleased to announce the launch of the new 18-200mm F3.5-6.3 DC for KONICA MINOLTA mount. This high zoom ratio lens is exclusively designed for digital SLR cameras and capable of covering a wide range of focal lengths from wide-angle to telephoto. Two Special Low Dispersion (SLD) glass elements and two hybrid aspherical lenses offer the utmost correction for all types of aberrations, and enables this extended range super zoom lens to be housed in a compact and lightweight construction of 70mm (2.8in) diameter, and 77.6mm (3.1in) in length, and weighing just 390g/13.8oz. The new lens coating reduces flare and ghost, which is a common problem of digital cameras and also creates an optimum color balance. This lens has a minimum focusing distance of 45cm (17.7in) at all focal lengths and has maximum magnification of 1:4.4.
Get the latest price on the Sigma 18-200mm f/3.5-6.3 DC Lens for Nikon Digital SLR Cameras
Get the latest price on the Sigma 18-200mm f/3.5-6.3 DC Lens for Canon Digital SLR Cameras
Get the latest price on the Sigma V9945 18-50mm F3.5-5.6 DC Lens plus 55-200mm Mount for Pentax Digital SLR's
The lens design incorporates an inner focusing system, which prevents the front of the lens from rotating, making it particularly suitable for using circular polarizing filters and petal shaped lens hoods. The overall length of the lens does not change during focusing, ensuring convenient handling and ease of use. A zoom lock switch eliminates “zoom creep” during transportation, a convenient addition when traveling.
* If KONICA MINOLTA α-7 DIGITAL (Maxxum 7D / Dynax 7D) and αSweet DIGITAL (Maxxum 5D / Dynax 5D) cameras are used, the angle of view will be equal to 27-300mm focal length.
* Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.
Sigma 18-200mm F3.5-6.3 DC Lens Features
* Exclusively designed for use with digital Single Lens Reflex (SLR) cameras.
* High zoom ratio 11:1
* Compact and Lightweight construction with diameter of 70mm (2.8in), length of 77.6mm (3.1in) and weight of 390g./13.8oz.
* Minimum focusing distance of 45cm (17.7in) at all focal lengths
Sigma 18-200mm F3.5-6.3 DC Lens Specifications
• Focal Length :18-200mm
• Minimum Aperture :F22
• Lens Construction :15 Elements in 13 Groups
• Angle of View :76.3degree- 8.1degree
• Number of Diaphragm Blades :7pcs
• Minimum Focusing Distance :45cm (17.7in)
• Maximum Magnification :1:4.4
• Filter Size :62mm
• Lens Hood : Petal Hood
• Dimensions :Diameter 70mm (2.8in) x Length 77.6mm (3.1in)
• Weight :390gr/13.8oz
* The appearance and specifications are subject to change without notice.
* Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.
SLR Gear reviews the Sigma 18-200mm f/3.5-6.3 DC lens and writes - 'This is Sigma's version of the 18-200mm "vacation lens", competing against a similar model from Tamron, as well as against Nikon's 18-200mm VR design. Like its competitors, this is a reduced image-circle lens, designed for use on cameras with APS-C sized sensors. Because of this, it's relatively light and quite compact relative to its exceptional zoom range.... If you need to just put one lens on your camera and leave it there, yet still want to cover a focal length range from wide angle to a pretty long tele, this lens is a very good, affordable solution, offering better optical performance than its competition over much of its range.'
Thom Hogan has posted a review of the 18-200mm AF-S DX VR Lens and writes - 'One of the surprises with the D200 announcement was that it could be purchased with a new DX wide angle to telephoto zoom lens. Having a kit lens for consumer camera isn't new for Nikon, but this was a doozy: 18-200mm focal lengths plus vibration reduction and AF-S speed. This looked like the do-all, be-all lens for virtually everything except extreme wide angle, extreme telephoto, extreme macro, and extreme low light. In other words, a lens you would use most of the time. These all-in-one beasts have come to be referred by the trade a "superzooms," though most have proven to be far less than super.'
Get the latest price on the Sigma 18-200mm f/3.5-6.3 DC Lens for Nikon Digital SLR Cameras
Get the latest price on the Sigma 18-200mm f/3.5-6.3 DC Lens for Canon Digital SLR Cameras
Get the latest price on the Sigma V9945 18-50mm F3.5-5.6 DC Lens plus 55-200mm Mount for Pentax Digital SLR's
Photoxels reviews the Fujifilm FinePix S9000 and writes - 'The Fujifilm FinePix S9000 should be at the top of your list if you are considering a prosumer level digital camera. It is absolutely no nonsense and meets all the requirements an advanced photographer would demand from such a camera. No other long zoom prosumer digital camera currently matches its low noise capability up to ISO 400.'
Read more ratings and reviews of the Fujifilm FinePix S9000 (S9500)
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Steves Digicams reviews the Canon EOS 5D SLR and writes - 'With its 12.8-megapixel full-frame imager, accurate autofocus system, precise metering system and responsive performance, the EOS-5D fills a big gap in Canon's dSLR product line between the 20D and 1DS Mark II. To some users of Canons Digital Rebel/10D/20D dSLR's, the 5D's combination of additional resolution, high-ISO image quality and wide angle-friendly full frame image sensor will be very attractive. But the camera body is only part of the system and, depending on your existing inventory of lenses and computer equipment, an upgrade to the 5D may cost far more than its $3300 MSRP would suggest. To realize the best that the 5D is capable of delivering, you'll need Canon's professional L-series lenses, whose total cost may exceed that of the camera body. In addition, the file sizes of the 5D's 12.8-megapixel images are enormous, requiring additional CF memory capacity and placing even more demands on your digital darkroom; additional RAM and hard disk capacity may be required, and a DVD-RW drive would be recommended for archiving your work.'
Read more reviews and ratings of the Canon EOS 5D
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Pocket-lint reviews the Nikon Coolpix P2 and writes - 'the 5.1-megapixel P2 packs a punch in terms of built-in kit for your cash not found on such svelte snappers, including a neat 36-126mm, F2.7, 3.5x optical zoom Nikkor lens which works a treat, providing punchy and crisp images.... Nikon’s P2 offers some great shooting features and the convenience of Wi-Fi connectivity but in a rather bland looking package. That said it takes great pictures and is easy to use (bar the Wi-Fi fiddles I had) but at the end of the day that is what counts in my book, which is why I can heartily recommend this camera. '
Read more about the Nikon Coolpix P2
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Photographic Magazine reviews the Pentax *ist DL and writes - 'Featuring a tiny body with a high-rigidity stainless steel chassis and metal lens mount, the DL felt better in my hands than the DS or original *ist D did. While I found the others difficult to hand hold steady with a long lens attached, the DL somehow seemed easier to manage. And I love the big LCD monitor with its larger menu type. The controls are easy to figure out and operate. I did manage to pop the SD card door open a few times while hiking with the DL and another camera around my neck, but otherwise encountered no ergonomic problems.'
Read more reviews of the Pentax *ist DL
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Imaging Resource reviews the Canon PowerShot SD30 and writes - 'An upgrade to last year's SD20 model, the SD30 adds a zoom lens (a particularly welcome addition), and makes noticeable strides in shooting performance, with a faster shutter response, and significantly better shot to shot cycle times. When it comes to picture taking, while actual exposure control remains automatic, the ability to adjust ISO, White Balance, and access longer shutter times significantly increases the camera's shooting range. Thanks to its high-speed DIGIC-II processing chip, it's also surprisingly responsive for a subcompact digital camera. The wireless remote is a big plus if you like to display slide shows on your TV set, too. '
Read more reviews and ratings on the Canon Powershot SD30
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CNET reviews the Canon EOS 5D and writes - 'For some photographers, a sensor the same size as a frame of 35mm film (24mm by 36mm)--often referred to as full frame--is the Holy Grail of digital SLR technology. It promises the familiar shooting experience in viewfinder size, in lens angle of view, and in certain aspects of a picture's look. Until now, this object of lust was available only at great expense ($7,000 or more) or in cameras with significant design and performance quirks. But Canon's EOS 5D changes that, combining a 12.8-megapixel, 23.9mm-by-35.8mm CMOS sensor with a competent midsize SLR body for less than half the price of the only full-frame alternative available at this writing, also a Canon, the EOS-1Ds Mark II.'
Read more reviews and ratings of the Canon EOS 5D
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Cameras.co.uk reviews the Canon IXUS 750 digital camera and writes - 'The one point that really strikes me with the images I have produced with the IXUS 750 is the clarity and sharpness of them. This says a lot about the quality of the lens. The colours are very strong too.... The Canon IXUS 750 is a very impressive digital camera. The images are really pin sharp and the build quality of the camera is equally impressive. At current pricings levels this camera certainly comes at a hefty premium. This is a very high quality digital camera nonetheless. '
Read more reviews and ratings of the Canon IXUS 750
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Leica News Release
The Leica Camera Group, Solms, has closed the first half year of fiscal 2005/2006(FY end March 31) with sales growing by 6.7 % on the previous year period, to € 48.0 million.
The largest sales growth was recorded by the binoculars, scopes and rangefinders of the Leica sports optics division, which increased by 34.4 % to € 17.7 million. The main driving force behind this positive development were the LEICA GEOVID BRF high performance binoculars with their integrated laser rangefinder. The integration of digital technology into the existing product range was also decisive for the 30.5 % growth experienced in the Leica system cameras division, which posted sales of € 16.6 million. The delivery of the LEICA DIGITAL-MODUL-R had a favourable effect on the sales of this division. The module is a globally unique digital complement to existing 35mm SLR cameras, as well as an example of the combination of classic Leica values and useful system complements. The demand for LEICA DIGITAL-MODUL-R will continue to exceed the Company’s manufacturing capacities. In addition, the analogue reportage cameras and lenses of the Leica rangefinder system experienced a slightly positive development.
Sales of analogue and digital compact cameras temporarily fell by 55.6 % to € 4.2 million, mainly as a result of the fact that the existing digital compact cameras reached the end of their life cycle. Towards the end of the first half year, however, the Company presented the new and especially compact digital camera LEICA D-LUX 2, which is to stimulate compact camera sales beginning with the Christmas business.
The positive development of sales originates in all of the Company’s key sales regions – except Germany, where the Group sales are down by 7.6 % on prior year, to € 10.1 million. However, sales of products in the German market show a slightly positive development. The decrease results from the declining sales in technical after-sales service and other sales areas.
“In spite of the existential crisis Leica Camera Group went through in the months following the beginning of the fiscal year until the end of August, the Company’s sales have developed favourably. This shows that the attractivity of the products and the strength of the brand have not been impaired. However, the challenges the Company faces remain. The reorientation of the Company has been started by defining the product strategy, rebuilding the management structures and implementing short-term measures such as the reduction of inventories. Now that the Company’s financing has been stabilised, we are tackling medium and long-term improvements”, said the Chairman of Leica Camera AG’s Board of Management, Dr. Josef Spichtig.
At € –1.9 million the operating result continues to be unsatisfactory, although it has been reduced by € 2.2 million compared to the previous year period. The extraordinary result comes to € –1.4 million, up from prior year’s € –2.4 million. The net loss after tax was reduced by € 2.8 million and amounts to € –4.6 million. In parts of the Group, the implementation of the adjustment of corporate structures to the lower level of sales has already begun. At the Solms location such implementation will begin in the coming months. The preparatory talks with the works council are approaching conclusion.
Measures aimed at reducing material and overhead costs are already working successfully. Especially as concerns the lowering of inventory and capital commitment costs, a first success has been achieved by reducing inventory by 29.3 % to € 32.4 million. Further improvements are expected on the basis of organisational measures in production that aim at a reduction of workin-process, as well as on the basis of strict inventory management.
Research and development expenditure increased by 12.4 % to € 3.9 million. In this connection, the Company aims at strengthening Leica Camera by increasingly integrating digital technologies into the existing product ranges and systems. Leica Camera Group’s access to innovative technologies is secured by strategic partnerships. Participating in project initiatives such as the new photonics centre at Wetzlar is a way to open up additional potential.
After completion of the capital increase the interests of the two large shareholders in the Company have increased. Hermès International SCA, Paris, now holds 36.2 %, as compared to 31.5 % before the capital increase. ACM Projektentwicklung GmbH, Salzburg, now holds 35.8 %, after 27.2 %. Because of a notification of exemption on the part of the Federal Financial Supervisory Authority (BaFin) ACM Projektentwicklung GmbH is exempt from submitting a mandatory offer in terms of §§ 29, 35 German Securities Acquisition and Takeover Act (WpÜG).
Cameras.co.uk reviews the Canon IXUS 55 (Powershot SD450) and writes - 'As with most Canon digital cameras the colours produced by the camera are very strong. In fact sometimes blues can be a little too vivid. This shows up in the test for colour. On the whole though this bodes well for all types of photography. Landscape style shots will definitely benefit from the strong colours and you should be able to produce rich photos full of colour.... The Canon IXUS 55 throws up no real surprises and is very similar in performance to the IXUS 50. Picture quality is good without being exceptional, but I like the design and build quality. This is also one of the very few ultra compact digital cameras offering a viewfinder. '
Read more about the Canon IXUS 55
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Sigma Press Release
An ultra-telephoto zoom up to 500mm producing high performance with digital or film SLR cameras.
The Sigma Corporation is pleased to announce the launch of the new 170-500mm F5-6.3 DG lens. This compact ultra telephoto zoom lens covers a useful range up to 500mm.
The new multi-layer lens coating and lens design reduces flare and ghosting, and creates an optimum color balance resulting in better picture quality through the entire zoom range on both film and digital SLRs.
This lens uses one aspherical lens and three SLD（Special Low Dispersion） glass elements for excellent correction of chromatic aberration, making high-quality images a reality throughout the entire zoom range.
Since the front of the lens does not rotate during focusing, a circular polarizing filter can easily be attached and used. A lens hood and removable tripod collar are included as standard components.
Sigma 170-500mm Lens
• Focal Length 170-500mm F5-6.3DG
• Minimum Aperture F32
• Lens Construction 13 Elements in 11 Groups
• Angle of View 14.5°- 5°
• Number of Diaphragm Blades 9pcs
• Minimum Focusing Distance 300-320cm (118.1-125.9“)
• Maximum Magnification 1:6.6
• Filter Size 86mm
• Lens Hood Bayonet Type Hood
• Dimensions Diameter 92.5mm (3.6”) x Length 232mm (9.1“)
• Weight 1345gr/47.4oz
• SRP £629.99
• Available fittings Sigma AF
• Canon AF
• Nikon AF
• Pentax AF
• Konica Minolta AF
* The appearance and specifications are subject to change without notice.
Fujifilm UK Press Release
Read it and weep! New memory card readers from Fujifilm give their rivals the blues
New media card readers feature multiple format support, USB 2.0 connection for fast data transfer, and cool translucent design - with blue LEDs!
Fujifilm, the market leader in memory cards for digital devices, today announces four new media card readers, all characterised by their high performance, stylish design and ease-of-use. The readers are named as follows:
Each reader is capable of incredibly quick data transfer speeds of up to 480Mbps via a plug-and-play*, USB 2.0 connection. The devices also feature a futuristic blue LED that lights up when they are in use.
The DCR2-161 is capable of reading 16 different memory card formats including SmartMedia(tm), CompactFlash(tm) types I&II and Microdrive(tm), as well as all the formats handled by the three other Fujifilm readers, and costs £34.99 (SRP inc VAT). Despite measuring just 136mm x 67mm, it can also be used as a handy desktop USB 2.0 hub. The DCR2-161 features three ultra-quick USB 2.0 connections to expand the functionality of a PC or Mac by enabling high-speed connections to a variety of other devices, such as digital cameras and PDAs. The device is also backwards compatible with USB version 1.1.
The versatility of the DCR2-161 media card reader reduces the need to scrabble around at the back of your PC plugging and unplugging connections. It also comes complete with a power supply if a connecting device requires more power than is provided by the USB port, making it a true all-in-one device for data transfer.
The new Fujifilm range includes the DCR2-xD, DCR2-71, and DCR2-MS mini readers, each costing £12.99 (SRP inc VAT). The DCR2-XD is compatible with xD-Picture Cards(tm) and the
DCR2-71 with SD(tm), MiniSD(tm), Multimedia(tm), RS-MMC(tm), MMCmobile(tm), MMCplus(tm) and TransFlash(tm) card formats. The DCR2-MS is designed for the Memory Stick(tm) range of media cards, comprising Memory Stick(tm), Memory Stick PRO(tm), Memory Stick DUO(tm) and the Memory Stick PRO Duo(tm).
Tania Payne, Product Manager at Fujifilm, said, “Not only are these media card readers attractively designed and eye-catching, but they have performance to match. Their incredibly quick speeds and ease-of-use make them indispensable for anyone needing to download data in an efficient and hassle-free manner.”
The DCR2-xD, DCR2-71, DCR2-MS readers are available now from all Fujifilm stockists. The DCR2-161 multi-card reader will be available from late November 2005.
System requirements
*Users of Windows 98 and Mac OS 8.6 to 9.2.2 will require additional drivers (supplied). Compatible with Windows 98, 98SE, ME, 2000, XP and Mac OS 8.6 to 9.2.2, X 10.1.2 to X 10.3. Product mass storage compliant.
Cameras.co.uk reviews the Sony Cybershot DSC T5 and writes - 'The colour test produces a good result too. The colours are not quite as vivid as you might see with Canon IXUS models, but you could argue that the colours produced by this camera have a more natural feel.... There is a lot to like about the Sony DSC T5. It is a very stylish ultra compact camera. Picture quality also stands up well against other digital cameras with a similar design. Although it is one of the more expensive models in its category it is well worth considering.'
Read more reviews and ratings of the Sony Cyber-shot DSC-T5
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DP Review has reviewed the Canon EOS 5D and gives it a 'highly recommended' rating. They recommend - 'The EOS 5D is a fantastic photographic tool which is capable of producing really excellent results. The caveat is that it takes a little more care and understanding of your equipment (especially lenses). We found resolution to be absolutely excellent with crisp detailed results straight from the camera (JPEG) and even more detail available if you shoot RAW. Different 'looks' can be easily achieved via Picture Styles (almost like changing film) and the range of in-camera image parameters has been expanded. Noise levels are essentially identical to the EOS 20D as is dynamic range, this is neither a surprise or a disappointment, it simply means consistency and the maintaining of an expectation built by Canon in the performance of its CMOS sensor.'
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Digital Camera Info reviews the Konica Minolta DiMAGE Z6 and writes - 'The DiMAGE Z6 is a budget compact camera with a 12x lens. It’s not budget in terms of construction – Konica Minolta's Anti-Shake mechanism moves the CCD, not a lens element, after all. It performs like a budget camera, though. An ultra zoom should have more serious capability than the Z6 offers. The displays aren't good enough to check the images; they're small, and low-resolution. The ISO ratings are limiting, too. ISO 320 just isn't good enough for available light shooting indoors. A fair number of bird watchers use super zooms, and ISO 320 sure won't be good enough to catch the twilight-feeding warblers and finches.'
Read more reviews and ratings of the Konica Minolta DiMage Z6
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Steves Digicams reviews the Sony Cyber-Shot DSC-T9 and writes - 'The Cyber-shot DSC-T9 is the first of Sony's ultra-slim “T” series cameras to offer both Super SteadyShot optical image stabilization and high light sensitivity. With these Sony technologies, the six-megapixel DSC-T9 delivers more detailed images with significantly less blur and graininess than typical point-and-shoot cameras. Optical image stabilization reduces image blur from hand movement, while high light sensitivity helps to lessen blurriness resulting from low-light conditions. The end result is better-focused, expressive images that look more like the way you see them, with the human eye.'
Read more about the Sony Cyber-shot DSC-T9
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DCRP reviews the Olympus EVOLT E-500 and writes - 'The EVOLT E-500 is a “regular size” digital SLR that uses Olympus' FourThirds system. Olympus has built up a nice collection of Zuiko Digital Specific Lenses, though the 2X focal length conversion ratio is higher than what you'll find on other D-SLRs. The E-500 thankfully sheds the rather grotesque design of the E-300, and the body is well built and easy to hold. On the back of the camera you'll find a large 2.5“ LCD display which I found to be very easy to see outdoors. When shooting the LCD displays all kinds of camera settings, which can be changed at the push of a button. A hot shoe can be found on the top of the camera for addition flash options. The E-500 has dual memory cards slots, supporting both xD and CompactFlash Type II media.'
Read more reviews and ratings of the Olympus Evolt E-500
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'The fashionable and stylish BenQ DC C500 is one of the lightest 5 megapixel digital camera with fixed focus lens on the market. This small and portable camera is coupled with a 1.7-inch, high resolution LCD screen and offers PictBridge compatibility for easy printing without the need for going to the computer. The BenQ DC C500 camera also supports PC camera for video conferencing.
“The BenQ DC C500 is an exciting addition to the digital camera market and we are looking to promote it heavily in the coming months,” said Robert Dung, Managing Director, BenQ Middle East. '
Read more at BenQ expands digital camera range
PC Mag reviews the Kodak EasyShare-One and writes - 'The LCD is gorgeous, but Wi-Fi is the main selling point. Unlike the Nikon Coolpix P1, which has a wireless antenna permanently attached to its side, the EasyShare-One uses an 802.11b wireless card that comes with the camera and will work on any 802.11b network. Pop the card into a slot on the top of the camera, switch to picture review mode, and the card begins searching for wireless networks. Select the appropriate one, and you're ready to transfer photos wirelessly. The process is quite intuitive—almost instinctive—thanks to an excellent graphical user interface that's among the best we've seen.'
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Nikon have announced a voluntary recall of around 710,000 batteries which have been distributed world wide. The batteries which are found in their D100, D70 and D50 DSLRs can cause shot circuits, overheat an in extreme circumstances melt.
The following is the official announcement from Nikon.
Nikon Battery Recall Announcement
Nikon Inc. is asking your cooperation in connection with a voluntary
recall of certain lot numbers of its Nikon Model EN-EL3 rechargeable lithium
ion battery packs. The battery pack can experience a short circuit causing it
to overheat and possibly melt, posing a potential hazard to consumers. There
have only been four confirmed reports of incidents of the problem worldwide,
and while no injuries have taken place, Nikon Inc. has initiated this recall
of the affected lot numbers as a reflection of its commitment to safety and
product quality. We are asking that owners of the affected battery packs
return them to Nikon Inc. for a free replacement.
The Nikon EN-EL3 battery pack is provided as a supplied accessory with the
purchase of Nikon's digital SLR D100, D70, and D50 cameras. It is also sold
separately at retail under Nikon's model number 26265. The EN-EL3 battery
pack involved in this recall was first distributed by Nikon in May 2004 and is
still being sold at retail.
This voluntary recall is limited only to those units of the Model EN-EL3
bearing the following lot numbers:
First
3 digits Recall Lot Numbers
44A- 44AC
46A- 46AC,46AD,46AE,46AF,46AG,46AH,46AI,46AJ,46AK,46AL,46AM,46AN,
46AO,46AP,46AQ,46AT,46AU,46AV,46AW,46AX,46AY
47A- 47AA,47AB,47AC,47AD,47AE,47AF,47AG,47AH,47AI,47AJ,47AK,47AL,
47AM,47AN,47AO,47AP,47AQ,47AR,47AS,47AU,47AV,47AW,47AX,47AY
48A- 48AA,48AB,48AC,48AD,48AE,48AF,48AG,48AH,48AI,48AJ,48AK,48AL
49A- 49AA,49AB,49AC,49AD,49AE,49AF,49AG,49AH,49AI,49AJ,49AK,49AL,
49AM,49AN,49AP,49AQ,49AR,49AS,49AT,49AU
4AA- 4AAA,4AAB,4AAC,4AAD,4AAE,4AAF,4AAG,4AAH,4AAI,4AAJ,4AAK,4AAL,
4AAM
4BA- 4BAA,4BAB,4BAC,4BAD,4BAE,4BAF,4BAG,4BAH,4BAI,4BAJ,4BAK,4BAL,
4BAN
4CA- 4CAA,4CAB,4CAC,4CAD,4CAE,4CAF,4CAH,4CAI,4CAJ
To determine whether a battery pack is among those being recalled, first
confirm that “EN-EL3” is written on the side of the battery, as shown on the
following photo. Then compare the lot number that appears printed in black
ink in the recessed area on the side of the battery pack, as shown below, with
the list of recalled lot numbers printed above (tilt the battery pack so that
light shines directly on the recessed area to see the lot number). If you have
an EN-EL3 battery pack with one of the lot numbers listed above, you should
immediately stop using it and remove the battery pack from the battery
compartment.
To receive instructions and materials for the return of your EN-EL3
battery pack, postage prepaid, and your free replacement, click here or call
toll free 1-800-645-6678. In both cases, we will send you a prepaid shipping
label, packing materials and instructions to safely return your affected
EN-EL3 battery pack. Your EN-EL3 battery pack will be replaced free of charge
within approximately 7-10 days of our receipt with a new EN-EL3a or EN-EL3e
battery pack. The EN-EL3a and the EN-EL3e may be freely substituted for the
EN-EL3 in all cases.
If the lot number of your EN-EL3 battery pack is not listed above, or if
your batter pack is an EN-EL3a or an EN-EL3e, your batter pack is not subject
to this recall. No other Models of Nikon battery packs are involved in the
recall. Nikon's digital SLR D100, D70 and D50 cameras are also not subject to
the recall.
Nikon is committed to safety and to providing to its customers only the
highest quality products. We regret any inconvenience this matter may cause
you and appreciate your continued support of Nikon.
Olympus have suffered a fall in their net profit for the first half of it's financial year with digital camera sales falling by nearly 14% to 3.7 million units. Their reaction is to move away from compact digital cameras and towards DSLRs.
In May they reduced costs by slashing their workforce by 4000 so figures should improve for the second half of the year - however this won't 'fix' the falling level of sales. They've downgraded their sales targets from 9.5million units to 8.1 million for the year ending in March 2006.
Megapixel have reviewed the Olympus SP-500 and write - 'The marketplace for mid-range digital cameras is incredibly competitive, and manufacturers have to be both creative and generous while being cost conscious in order to attract consumers. If one considers its technical specifications, the Olympus SP-500 UZ, a relatively compact and light camera, is positioned at a very reasonable price point. This is a model that is clearly designed to appeal to consumers that value a powerful zoom more than the highest resolution currently available.'
Read more details of the Olympus SP-500
Get the latest price and/or order an Olympus SP-500 Ultra Zoom 6MP Digital Camera with 10x Optical Zoom
DP Review has posted an excellent review of the Canon PowerShot S80 where they give it a rating of highly recommended and write - 'So then, the S80 is a camera that proves there is hope for the new generation of 8 megapixel compacts. I was ready to blast Canon for another pointless upgrade, but as the review progressed I started to appreciate that this was not just a worthwhile upgrade, it was probably the first time I've found a PowerShot I'd actually lay out my own money for. I toyed with the idea of a recommended simply due to the lack of raw support, but given that - with careful exposure - the JPEGs are so good, I felt that would be unnecessarily harsh.'
Read more about the Canon Powershot S80
Get the Latest Price on the Canon Powershot S80 8MP Digital Camera with 6x Wide Angle Optical Zoom
CNET Reviews the Kodak EasyShare One and writes - 'Although it took nine months from announcement to shipment, the Kodak EasyShare One arrived with its promised three-inch touch-screen LCD and Wi-Fi transfer capabilities. With them, the camera opens up genuinely original possibilities for travelers, business people, and government agencies that need instant photo sharing. But all is not perfect in Kodak's wireless utopia. While the EasyShare One is great for sharing photos, it's not so great at shooting them. The user interface, optimized for maximum simplicity, can be slow and annoying for anyone unwilling to settle for complete automation. The poor image quality further compounds our disappointment.'
Read more reviews and ratings of the Kodak Easyshare One
Get a price on the Kodak EasyShare One
The Pentax Optio 50L is a 5 megapixel (CCD) digital camera that comes complete with 2.5 inch LCD and 3x Optical Zoom lens. It weighs 130grams and measures 91x61x27mm. It takes SD memory cards and has 12 megabytes of internal memory.
Expect to see the Pentax Optio 50L in stores in December 2005.
We're yet to get any official word from Pentax about this digital camera but will update details here as they come to hand.
Read more about the Pentax Optio 50L
NoiseReduction Pro is a Photoshop plugin for reducing several types of luminance and color noise in digital images. Based on an extremely fast, split 5 level redundant wavelet algorithm, this plugin is without a doubt the quickest offering of its kind. Incorporating a resizable, live preview window and interactive controls, the plugin allows for easy determination of the optimal parameters.
Noise Reduction Pro Features:
* resizable preview window still offering a live, realtime preview image,
* user-definable presets for each individual parameter section,
* scriptable via the Photoshop action palette,
* support for GrayScale, RGB, and Lab mode.
* optimized engine that favors 16-bit processing.
The plugin comes with a quickstart guide and manual, and is priced at USD$99.95. Owners of a previous version purchased in or after July 2005 are eligible for a free upgrade, prior purchases are eligible for the USD$39.95 upgrade offer. Visit The Imaging Factory for more information and to download the plugin for a 30-day full-function test-drive.
Business Week reviews the Kodak Easyshare One and Nikon Coolpix P1 WiFi enabled digital cameras and writes - 'The two Wi-Fi cameras I've been trying out for the past few weeks are convenient, but they don't offer that universal connection yet. Instead, they must be in range of a Wi-Fi hotspot for you to shoot and ship. The big difference between the two: The $600, four-megapixel Kodak (EK ) EasyShare One can connect to the Internet and works from any hotspot, whether it's a Starbucks (SBUX ), the airport, or your home. The $550 eight-megapixel Nikon Coolpix P1 and its five-megapixel sibling, the $400 P2, can't transmit to the Web and are mostly limited to the Wi-Fi network in your home. Even so, they're real cameras, with multiple picture modes and zoom lenses, that take photos far superior to the washed-out dreck most camera phones produce.'
Read more reviews of the Nikon Coolpix P1 and the Kodak Easyshare One
Hardware Zone reviews the Panasonic DMC-FZ30 and writes - 'From its design elements, we feel that the FZ30 is suited for prosumers who are aiming to step up to a full DSLR camera in future, but aren't quite ready for one just yet. Since the handling of both camera types is very similar, it is easy for one to transition to a more complicated DSLR camera later. So long as one can cope with the aforementioned shortcomings, the FZ30 is a near perfect long-zoom camera for those aspiring to eventually springboard to the arena of pure DSLR cameras. All things taken in to consideration, the Panasonic DMC-FZ30 is a superb camera with many features and advancements that address the issues of its predecessors.'
Read more reviews and ratings of the Panasonic DMC-FZ30
Get the Latest Price on the Panasonic Lumix DMC-FZ30K 8MP Digital Camera with 12x Image Stabilized Optical Zoom (Black)
Digital Camera Info reviews the Panasonic Lumix DMC-LX1 Digital Camera and gives the following recommendation - 'With 8.4 megapixels, a 2.5-inch LCD screen, and a Leica 4x optical zoom lens with optical image stabilization, the Panasonic Lumix DMC-LX1 has a lot to offer consumers. That is, consumers with lots of money to offer Panasonic. The LX1 retails for $599, which is a substantial amount of money for a compact digital camera. The camera body itself isn’t especially gorgeous; it is more functional than sleek. The camera body has some good aspects to it: sturdy construction, a large LCD that can be viewed at just about any angle, and the compact dimensions; however, if consumers are expected to drop $599 on a point-and-shoot camera, noise should not be an issue.'
Read more reviews and ratings of the Panasonic DMC-LX1
Get the Latest Price on the Panasonic Lumix DMC-LX1K 8MP Digital Camera with 4x Image Stabilized Optical Zoom (Black)
Trusted Reviews has written a review of the Epson R-D1 Digital Rangefinder where they write - 'The Epson R-D1 is an exercise in nostalgia for people with more money than sense. Brick-like handling, poor results and a major inherent design flaw make it an expensive and pointless novelty item. The only analogy I can think of would be stuffing a turbocharger into a wood-framed Morris Traveller and then asking the same price for it as a brand new Mercedes. Who’s going to buy it?'
Read more reviews and ratings of the Epson R-D1 Digital Rangefinder
Get the Latest Price on the Epson R-D1 6.1MP Digital Rangefinder Camera
Pocket Lint reviews the Sony Cyber-shot DSC T5 and writes - 'The 5.1-megapixel resolution T5 provides enough detail for large prints, even up to A3, meaning if all you need is a small, eminently pocketable digital camera with basic controls but oodles of ‘wow!’ factor as standard, then this a digital camera that is sure to hit your sweet spot.'
Read more reviews and ratings of the Sony Cybershot DSC-T5
Get the Latest Price on the Sony Cybershot DSCT5 5.1MP Digital Camera
Cypress Semiconductor Corp. today announced commercial sampling of its new 9.0-megapixel CMOS image sensors for high-end digital still cameras (DSCs). The cost-effective new image sensors offer low dark current and low noise, on par with that of more expensive charge coupled devices (CCDs). These features deliver outstanding image quality, enabling camera makers to meet the increasing demand for high-performance, economically priced single-lens reflex (SLR) DSCs.
The CYIHDSC9000AA (color) and CYIHDSM9000AA (monochrome) are the first image sensors manufactured on Cypress's high-volume, low-cost 0.13-micron CMOS process optimized for image sensors. The image sensors take advantage of Cypress's proprietary, high fill-factor pixel architecture, eliminating the need for microlenses. With a maximum resolution of 3710 x 2434 pixels, the sensors are capable of delivering superior image quality, color rendition and dynamic range. They are ideally suited for camera-makers targeting advanced amateurs, photo enthusiasts and professional photographers.
“Low dark current and low noise are essential for today's high-end DSC market,” said Cliff Drowley, vice president and general manager of Cypress's image sensor business unit. “Our patented pixel architecture, proven in Kodak's DCS Pro SLR line of cameras, is the only CMOS architecture capable of achieving the noise and dark current targets demanded by high-end DSC manufacturers. What is equally attractive to camera makers is this high-end solution does not come with a high-end price.”
The new devices are Cypress's first non-proprietary image sensor targeted at high-end DSCs and build on a foundation established by the 13.85-megapixel image sensor developed for Kodak. The sensors also complement a stable of other Cypress products targeted at the DSC market, including timing solutions and USB controllers.
The image sensors feature a pixel pitch of 6.4-micron and an image array of 3710 x 2434 pixels. The array format is 23.3-mm x 15.5-mm2 with a diagonal dimension of 28-mm, resulting in an effective focal length multiplier of 1.5 compared to a full frame 35-mm camera. The aspect ratio is 3:2. The devices are capable of delivering five frames-per-second (fps) at full resolution and 20 fps at VGA resolution.
Price and Availability
Cypress is currently sampling the CYIHDSC9000AA and CYIHDSM9000AA with production volumes expected to be available in February of 2006. Pricing is expected to be approximately $90.00 each, depending on quantities. A high-resolution photo is available at www.cypress.com/9-megapixelAPS.
Those of you wanting to improve your Landscape Photography might be interested in a new resource just released today by a fellow Australian - Amy Renfrey - who has put together a resource called How Take The Most Clear, Breathtaking, Majestic and Powerful Landscape Photos. Without Spending Hundreds Of Dollars On Expensive Camera Equipment, Using Any Good, Basic Digital Camera.
Ok - it might be a bit of a mouthful but those of you who have used Amy's Digital Photography Success ebook (a more general digital photography tips book) will know she always puts together quality products.
Imaging Resource reviews the Nikon Coolpix P1 Digital Camera and writes - 'Will WiFi-connected cameras be the next big wave in the digital camera market? Perhaps... and perhaps not. Regardless of whether they'll ever achieve dominance though, it's clear that we're going to see more of them cropping up over the next year or two. The Nikon Coolpix P1 is that company's first effort at a consumer-level WiFi camera, and it has a lot to offer. Most importantly, beyond the snazzy WiFi capability, first and foremost it's a very capable camera. Nikon's Coolpix line of consumer digital cameras have always been well-received, appreciated for their image quality and ease of use, and the Nikon P1 continues that trend, upgrading the design with an 8.0-megapixel CCD and a very capable wireless image transfer mode. The Coolpix P1 has a rich feature set, easy enough for any beginner to use in its full-auto “green zone” mode, but with a surprising amount of control available for more sophisticated users through it's myriad menu options. For novices willing to delve just slightly deeper than “just pushing the button,” its extensive Scene modes greatly extend the camera's capabilities, making it easy to bring back good-looking shots of what might otherwise be difficult subjects.'
PC Magazine reviews the Nikon Coolpix P1 and writes - 'The 8MP Nikon Coolpix P1 and P2 can claim the title of the first wireless (802.11b/g) point-and-shoot digital cameras in the consumer marketplace. But the Coolpix P1, which we tested, can't claim the title of the easiest wireless point-and-shoot to use—that honor goes to the Kodak EasyShare-One. In fact, we found the Coolpix P1's wireless features somewhat frustrating. And if you're spending nearly $550 (or almost $350 for the P2), we think you deserve a smoother wireless experience.'
Read more about the Nikon Coolpix P1
Get the Latest Price on the “Nikon Coolpix P1
Steves Digicams reviews the Canon Powershot A610 and recommends - 'I was very pleased with the image quality when using its Large SuperFine setting. Outdoors, it captures sharp images with good color balance. The Auto white balance setting produced accurate results in a variety of different lighting conditions. You can also choose one of the six presets (Day light, Cloudy, Tungsten, Fluorescent, Fluorescent H, Underwater) or use the custom “one-touch” setting. Its exposure system did an excellent job, capturing properly exposed images almost every time. Noise levels are nearly non existent in high/low contrast areas, allowing for beautiful sky and shadow detail.'
Read more about the Canon Powershot A610 digital camera
Get the Latest Price on the Canon Powershot A610
Steves Digicams reviews the Canon Powershot A620 digital camera and writes - 'Canon has struck gold with this winning combination of high-quality and low price. The A620 offers users outstanding image quality with robust performance, all in a stylish and very durable package. With its wealth of exposure modes, your entire family will love using it, and with 7-megapixels of resolution you can create endless 13x19-inch prints (just be sure you have lots of ink handy.) With an MSRP of around $399, the Canon PowerShot A620 offers an excellent value and is definitely one our pics for 2005.'
Read more reviews of the Canon Powershot A620
Get the Latest Price on the Canon PowerShot A620
CNET reviews the Kodak EasyShare C330 and writes - 'If all you need is a simple point-and-shoot, the Kodak EasyShare C330 offers surprisingly good photos for a reasonable price. It's essentially the same camera as the Kodak EasyShare C340, except it has fewer pixels (4 vs. 5 megapixels), a slightly smaller LCD (1.5 vs. 1.6 inches), and a less capable video mode. Like the C340, the C330 is easy to use and has a sturdy, though mostly plastic, construction. For those on a tight budget, it may be a better bargain than the C340.'
Read more about the Kodak EasyShare C330
Get the Latest Price on the Kodak Easyshare C330
It looks like Konica Minolta will be cutting back on it's digital camera business with Japan Today reporting:
'Camera and office automation equipment maker Konica Minolta Holdings Inc said Friday it will drastically cut its photo imaging division, including digital cameras, to cope with slower growth in domestic demand and tougher price competition.
In line with the business restructuring plan, the company will cut 3,300 jobs out of its current group workforce of 33,000. In its medium-term business plan announced in March, Konica Minolta said it will concentrate its digital camera business on production of high-value-added products, such as digital single-lens reflex cameras, over four years starting in fiscal 2005.'
Digicam Review has reviewed the Ricoh Caplio RR530 digital camera and writes - 'The Ricoh Caplio RR530 is a compact 5 megapixel digital camera and is good in regards to value for money and features, however, the average movie mode, poor low-light focusing, and average speed mean that this camera is fairly average, and difficult to recommend. Good results can be obtained when taking photos outside set to ISO50, and when the camera manages to focus indoors, but noise is quite high, and shutter lag and slow focusing defintiely hinder usefulness. '
Read more about the Ricoh Caplio RR530
DCRP reviews the Panasonic Lumix DMC-LX1 and writes - 'The LX1 is packed with features. Probably the second most notable feature on the camera is its optical image stabilization system, which will let you take sharp photos at slower shutter speeds than on unstabilized cameras. The OIS system also functions in movie mode. The LX1 has a full suite of manual controls, including exposure, white balance, and focus. The camera supports the RAW and TIFF image formats, but the included RAW converter doesn't let you take advantage of the format.'
Read more about the Panasonic Lumix DMC-LX1
Get the Latest Price on the Panasonic Lumix DMC-LX1K 8MP Digital Camera with 4x Image Stabilized Optical Zoom (Black)
DC Views has posted a comparison review of the Sony Cybershot DSC T7 compared to Nikon Coolpix S3 digital cameras. They write - 'The Sony Cybershot T7 and the Nikon Coolpix S3 are both ultra compact digital cameras, which perform, despite their small dimensions and weight, above average. The Coolpix S3 is a real 'point-and-shoot'-camera with little manual control, but handy automatic features. The Sony T7 works mainly automatic, but gives you more control if necessary. Colors and exposure of the pictures of the Sony T7 are better than with the Nikon S3. On detail and noise the cameras perform the same. The Sony Cybershot T7 and the Nikon Coolpix S3 are both good travel partners in back pocket or handbag, with the T7 as a winner on image quality and 'looks'. But then again, beauty is in the eyes of the beholder...'
Read more about the Sony Cybershot DSC-T7 and the Nikon Coolpix S3
Photoxels reviews the Fujifilm FinePix E900 and writes - 'The Fujifilm FinePix E900 is a digital camera targeted to Serious Amateur photographers. It has 9.0 effective megapixels resolution on a 1/1.6 in. 5th Gen. SuperCCD HR image sensor. The Fujinon lens is a 32-128 mm (35mm format equivalent) F2.8(W)-F5.6(T), 4x optical zoom. We find the overall image quality of the Fujifilm E900 to be very good to excellent, though not quite approaching the exceptional low noise capability of the Fujifilm F10. Even then, many will find both ISO 400 and ISO 800 an added bonus when printing 4x6 in. photos or for displaying for the web.'
Read more about the Fujifilm FinePix E900
Get the Latest Price on the Fujifilm Finepix E900
Luminous Landscapes reviews the Panasonic Lumix LX1 and writes - 'I really like the Panasonic LX-1. To have a shirt-pocket-sized camera with a high quality Leica lens, optical image stabilization, wide-aspect ratio 8.4MP chip, and decent manual handling, is a pleasure. Anyone coming from a DSLR will find that the shooting is slower, and the need to use the LCD for composition and focusing less then ideal (though typical of digicams). But then there aren't that many DSLRs with 4:1 zoom lenses that will fit in a shirt pocket, so the argument is moot.'
Read more about the Panasonic Lumix LX1
Get the Latest Price on the Panasonic Lumix DMC-LX1K 8MP Digital Camera with 4x Image Stabilized Optical Zoom (Black)
Imaging Resource reviews the Nikon Coolpix S4 and writes - 'Returning to the tried-and-true swivel lens design that proved so popular in early Coolpix models, Nikon introduces the Coolpix S4. The new “twist” is that this twist packs a whopping 10x optical zoom into a small camera body. The Nikon S4 features the same swivel lens design that differentiated past Coolpix models from the digital camera pack, a design that lets you point the lens in almost any direction without losing your LCD monitor view. Though a little long for most average shirt pockets, the Nikon S4 is still fairly compact, especially considering the 10x lens it boasts. Measuring 4.4 x 2.7 x 1.4 inches (111.5 x 68.5 x 87 millimeters) with the lens in its storage position, the S4 weighs only 7.2 ounces (205 grams) without lens cap, batteries, or memory card. Since the Nikon S4 has only a tiny ridge on the front panel for a handgrip, I recommend keeping the included wrist strap securely around your wrist when shooting. The camera's plastic lens cover is actually hinged on the side of the lens, with a flip-open design. When opened, the cover itself can fold backward and out of the way, and its attachment to the lens barrel means you need not worry about losing it accidentally. The camera's silver body is smooth, attractive and fairly simple, housing a 6.0-megapixel CCD that captures high quality images. Other noteworthy features of the Nikon S4 include a macro mode capable of focusing as close 1.6 inches, and no fewer than 16 preset shooting modes. Since the camera operates mainly under automatic control, its control layout and menu display are very user friendly.'
Read more about the Nikon Coolpix S4
Get the Latest Price on the Nikon Coolpix S4 6MP Digital Camera
Imaging Resource reviews the Konica Minolta Maxxum 5D DSLR and writes - 'The only issues with the 7D were its size and price. With the Maxxum 5D, Konica Minolta addressed both issues without hobbling the 5D by removing features likely to be important to the advanced amateur. In fact, they added five scene modes. The Maxxum 5D handles very well, looks good, and feels solid. Images at up to ISO 800 are very usable even at 8x10 inch print sizes, which is a good benchmark. It offers a useful focal length range in the kit lens, with very high optical quality, but its big attraction is its in-camera image stabilization, extending low light shooting to nearly any lens you can mount on it. Considering that this system effectively turns all your lenses into anti-shake models, the higher cost of the 5D's body relative to competing models seems very well justified. Negative points were relatively minor (depending, of course, on the type of shooting you're looking to do) - A slight tendency to underexpose, particularly when confronted with scenes having strong highlights, an occasionally hesitant AF system, and a tendency to lose subtle subject detail at high ISOs. All in all, the Konica Minolta Maxxum 5D is a very solid choice for anyone looking at the current field of digital SLRs.'
Read more about the Konica Minolta Maxxum 5D DSLR
Get the Latest Price on the Konica Minolta Maxxum 5D 6.1MP Digital SLR Camera with 18-70mm Lens Get the Latest Price on the Konica Minolta Maxxum 5D 6.1MP Digital SLR Camera (Body Only)
CNET Reviews has posted a review of the Kodak EasyShare C340 and writes - 'One of the most competitive, take-no-prisoners areas in photography today is centered around the $200 price point for digital cameras. It's a sweet spot for cameras with stripped-down feature sets. This is Kodak's home turf--think of the Brownie camera circa 1900--so you would expect a better-than-average entry-level camera from this company. The Kodak EasyShare C340 is a solid contender but not a trailblazer. The 5-megapixel sensor and the 3X zoom are decent features for the price, and the mostly plastic body feels sturdy and durable. Its biggest assets are easy-to-navigate menus and relatively high-quality photos. The biggest drawback is its undersized, 1.6-inch LCD screen. That might have been acceptable two years ago, but not now, when 1.8-inch screens are common on less expensive cameras. The C340 also falls short on manual controls, though given Kodak's target audience for this model, that's to be expected. Mix it all together, and if you don't mind the small screen and have no aspirations beyond point-and-shoot photos, the Kodak EasyShare C340 could be a safe choice for a budding shutterbug or a confirmed technophobe.'
Read more about the Kodak Easyshare C340
Buy the Kodak EasyShare C340
Trusted Reviews has posted a review of the Fujifilm Finepix S9500 and writes - 'With the S9500 Fujifilm has produced what is unquestionably the best fixed-lens camera currently available. Its SLR-like handling and performance make it a real pleasure to use, while its amazing picture quality and fantastic versatility are matched only by its price. A total bargain at £400, I predict that this camera will be selling by the truckload this Christmas, so get your order in early.'
Read more reviews of the Fujifilm Finepix S9500
Get the Latest Price on the Fujifilm Finepix S9500 (also known as the S9000)
Steves Digicams reviews the Canon Powershot SD450 Digital ELPH and writes - ' Canon has produced yet another winning digital combination of sleek compact design, speedy performance and great image quality. With the camera taking up less space than a deck of playing cards, it can be carried in almost any size pocket or handbag. The PowerShot SD450 has an MSRP of about $399, which we feel is an excellent value when compared to similar models of its class. So if you're in the market for an extremely pocketable 5-megapixel digicam, be sure to take a look at this model.'
Read more about the Canon Powershot SD450 Digital Elph
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Steves Digicams reviews the Konica Minolta DiMAGE Z6 and writes - 'we felt a little let down by this latest addition to the “Z” line. While it offers all of the features we love about these “super zoom” models, its mediocre image quality really drags it down. It has the ability to capture awesome video, but only at the smaller 320x240 resolution. With a MSRP of $399, it offers an OK value, especially for those who enjoy taking portraits. If you're in the market for a digicam with great telephoto capabilities and love the features of Konica Minolta's “Z” series, but don't necessarily need 6-megapixels of resolution, we recommend you take a look at the 5-megapixel DiMAGE Z5.'
Read more reviews of the Konica Minolta Dimage Z6
Get the Latest Price on the Konica Minolta Dimage Z6 6MP Digital Camera with 12x Anti-Shake Zoom
Business Week asks the question - Which Photo Sites Are Best? and writes:
'Sharing your photos once meant gathering friends and family in the living room, pulling up the Da-Lite tripod screen, and enduring an endless progression of look-alike vacation pictures -- accompanied by the ker-chunk of the Carousel projector in the background. Today, more than likely, your vacation snapshots are stored somewhere on your home computer. The good ones might also be on an online service that lets you organize them, invite friends to browse through them, e-mail them as slide shows, and order them as prints, puzzles, and mugs....'
Megapixel reviews the Canon Powershot SD30 and writes - 'Based on its specs alone, the PowerShot SD30 is a fairly standard camera: it has a 2.4X optical zoom — a touch shorter than many of its competitors — a compact size, a 5-megapixel resolution, a 1.8 inch LCD monitor, and SD memory compatibility. What differentiates it from the rest of the cameras occupying that particular segment of the marketplace, is that it has a stylish exterior that can be had in a variety of colours, and a Camera Station — a docking cradle — that makes it simple to connect the camera to a computer, a printer, a television, or simply to recharge its battery.'
Read more about the Canon Powershot SD30 (also known as the IXUS i)
Get the Latest Price on the Canon Powershot SD30
Design Technica has an excellent review of the Kodak EasyShare One where they are very impressed by the 4 megapixel WiFi digital camera and give it a high rating of 9 out of 10. They write - 'the EasyShare One is the start of something very new in consumer digital imaging with Nikon and Canon following in its footsteps. And we’re sure others will follow in the years ahead. Kodak is to be highly praised for trying to cut through the Wi-Fi gobbledegook and making the camera as simple to use as possible. Although I would love to see some improvements on the camera side and a lower price, Kodak is to be commended for taking this wireless leap.'
Read more about the Kodak EasyShare One
Buy the Kodak EasyShare One
Canon have released the following advise regarding problems that some users of their EF 24-105mm Lens are having:
Canon Service Advisory
We have recently discovered a problem with early production samples of the EF24-105mm f/4L IS USM lens in which flare occurs at an unacceptable level under certain conditions. The flare is most obvious in the wide zoom and wide aperture settings.
The problem affects all EF24-105mm f/4L IS USM lenses with a control number less than UT1000. With apologies for the inconvenience involved, we ask customers to check the control number on the back of the lens.
Affected model and control numbers:
EF24-105mm f/4L IS USM
The control number is indicated on the back cover of the lens with UTxxxx symbol (see the number in the red ellipse on the right), and if it contains the letters UT followed by a number under 1,000, the product is affected. Should you have any difficulty identifying the control number, please contact our service centers.
Repair services:
* Starting November 14, 2005, Canon will repair, free of charge, EF24-105mm f/4L IS USM lenses exhibiting the above-mentioned flare problem. Canon will also cover the cost of shipping and handling in connection with this repair.
* U.S. residents are kindly directed to contact the Canon Customer Support Center for further assistance at 1-800-828-4040. Support hours are Monday thru Friday - 8:00 AM to 12:00 midnight; and Saturday 10:00 AM to 8:00 PM (all times EST). Alternatively, if electronic support is preferred, please send your email to carecenter@cits.canon.com
* This information is for residents of the United States of America and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.
We sincerely apologize for any inconvenience caused by this issue, and appreciate your understanding in this matter. Thank you for your support and patronage of Canon products.
PhotographyBLOG reviews the Sony Cyber-shot DSC-H1 and writes - 'It's not quite the perfect ultrazoom digicam though. Noise is the main problem with the Sony Cyber-shot DSC-H1. Squeezing 5 megapixels onto such a small 1/2.5 inch CCD sensor inevitably results in noisier images at lower ISO speeds. Here, noise is fairly obvious at ISO 200, which isn't a particularly fast speed, and at the fastest speed of ISO 400 the image starts to take on a blurry look. The image stabilisation system thankfully makes up for this to some extent, as you can keep shooting at a slow ISO speed in lower light conditions than usual. It's the equivalent of gaining 1-2 exposure stops, or extending the ISO range from 64 up to 200.... If you mainly take photos outside, or indoors with flash, and if you keep the image stabilisation turned on, the Sony Cyber-shot DSC-H1 is a great ultra-zoom digital camera and definitely worth considering.'
Read more about the Sony Cybershot DSC-H1
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Lets Go Digital has a first look review of the Kodak EasyShare P880 and writes - 'The Kodak EasyShare P880 is an interesting digital camera. It is a new concept from Kodak. Packed with all kinds of photographic settings, but priority is given to ease-of-use. Handling the new Kodak P880 is easy. Though I cannot imagine that the P880 is an interesting digital camera for anyone who labels him or herself as semi-pro or pro, it still offers quite a number of the settings you are used to having when working with an advanced camera like a DSLR. The Kodak EasyShare P880 will be of interest to a large group of consumers, especially those who are searching for something that is somewhat more than an entry-level (EasyShare) digital camera, but on condition that you don't have to possess enhanced photographic knowledge. Not the ultimate compact design, but great grip, solid built and a concept with potency...'
Read more about the Kodak Easyshare P880
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DP Review has reviewed the Fujifilm FinePix S9000 Zoom and gives it a 'recommended' rating. they write - 'with the possible exception of the Panasonic FZ30 - it's fair to say the S9000 is the about as close any manufacturer has ever come to producing a fixed-lens camera that offers real SLR-like handling and operation. It certainly looks like a DSLR, and at lower ISO settings it produces results you have to look at very closely before you can see they're not from one. On the other hand it is in many ways frustratingly far from offering a true alternative to an SLR; high ISO performance is good for a small-sensor camera, but simply doesn't compare to even the cheapest entry-level SLR. Raw performance is painfully slow, and the lack of any tools to actually process the resultant files means the S9000 doesn't offer a true 'out of the box' raw solution. There are also a couple of interface and control issues that make the experience of using it far from fluid.'
Read more about the Fujifilm FinePix S9000 (also known as the S9500)
Get the Latest Price on the Fujifilm Finepix S9500 (also known as the S9000)
Compare Prices on the Nikon D200
The Nikon D200 has finally been released. This 10.2 megapixel DSLR from Nikon has been rumoured to be coming for months - but it's now arrived at last with official word from Nikon coming today.
The Nikon D200 features a 10.2 megapixel CCD sensor, shoots at 5 frames per second and shoots up to 1800 images per battery charge. It has a nice large 2.5inch LCD display, 11 area Multi-CAM AF system, magnesium alloy body and 1005 pixel 3D matrix metoring.
Expect to see the Nikon D200 in shops in the Spring of 2006 (northern hemisphere) with a recommended retail price of $1699 (USD).
Compare prices on the Nikon D200 DSLR and get the latest price at Amazon's price on the D200
Following are more pictures of the Nikon D200 and the official press release announcing it with full details and specifications.
We'll update this page with Nikon D200 Reviews and Previews as they come to hand.
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Here's a comparison shot between the Nikon D200 (left) and the Nikon D70s (right)
Also see the following comparison between the Nikon D2X, D200 and D70s.
10.2 Megapixel D200 Digital SLR Delivers Outstanding Image Quality with Blazing Speed, Rugged Construction and Intelligent Features
Nikon today introduced the highly anticipated new D200 � a precision-engineered, high performance digital SLR camera designed to satisfy the requirements of passionate and demanding photographers. Combining brand new technologies with advanced features inherited from Nikon�s venerable D2X professional digital SLR camera, the D200 incorporates more must-have features than any other camera in its class, enabling photographers to capture images in a way once reserved only for professionals.
The D200 promises an extremely satisfying shooting experience, with a winning combination of quality, performance, construction and advanced system features. Employing a newly developed 10.2 effective megapixel Nikon DX Format CCD image sensor, the D200 captures images with remarkable resolution and clarity. Its sophisticated 1005-pixel 3D Color Matrix Metering II system ensures ideal exposures while an advanced Nikon image processing engine renders images with superb clarity and smooth color gradations. The D200 reacts with lighting speed, powering-up in a mere 0.15 seconds, and firing in an imperceptible 50 millisecond shutter release lag time. It can shoot five frames per second with a drastically shortened viewfinder blackout time of just 105 milliseconds between shots. Its large, bright viewfinder offers 0.94x magnification for comfortable and precise composition while a new 2.5 inch LCD screen provides ultra-wide 170 degrees viewing angle from all directions. With an all new 11-area Autofocus system, robust control of Nikon�s i-TTL Creative Lighting System and advanced Wi-Fi image-transmission options*, the D200 is a perfect fit for discriminating photographers and a natural choice for wedding, event and action photographers.
�Nikon has spent considerable time and effort to truly understand the qualities and features photographers desire in an advanced digital SLR camera. The D200 embodies this research and delivers a camera that�s built to the requirements of passionate photographers, and meets demands for resolution, speed, precision, and ultimate image quality. The D200 represents an unmatched combination of quality, performance and value that�s hard to resist,� said Edward Fasano, general manager for Marketing, SLR Systems Products, at Nikon Inc. �The D200 is hands-down the most capable digital SLR camera in its category.�
SMARTER�
The D200 embodies a host of intelligent technologies that deliver remarkably precise control and accurate automatic features. Equipped with Nikon�s exclusive 1,005 pixel 3D Color Matrix Metering II, the D200 seamlessly determines ideal exposures even in complex lighting conditions. Capturing scene elements including brightness, contrast and color content with a unique 1,005-pixel RGB-enabled sensor, this advanced system employs further improved algorithms for even better evaluation of large area highlight and shadow detail. The 3D Color Matrix Metering II light metering system also uses an onboard database of detailed exposure information from over 30,000 actual images against which instantaneous real-time comparisons are made as part of determining exposures. Rather than merely looking at light levels, a complex, yet transparent evaluation of overall scene content takes place, ensuring highly accurate exposures, even in challenging lighting conditions.
The 10.2 effective megapixel image sensor on the D200 incorporates a high-speed 4-channel data output and a new Optical Low Pass Filter that significantly reduces any incidence of moir� as well as color fringing and shifting. Furthermore, 4-channel output allows the D200 to inherit the advanced image-processing engine of the Nikon D2x professional digital SLR that combines color-independent preconditioning prior to A/D conversion with advanced digital image processing algorithms to deliver fine color gradations with smooth, consistent transitions. Photographers can take advantage of the D200�s advanced image optimizing functionality that allows them to fine tune image characteristics such as sharpness, tone, color, saturation, and hue. Photographers can also select from preset options like Normal, Softer, Vivid, More Vivid, Portrait and Black-and-White.
One of the most notable new features of the D200 is its all new 11-area AF system, convertible to a 7-wide area AF system, both based on Nikon�s advanced Multi-Cam 1000 AF Sensor Module. Not only does this AF system support the photographer with fast and precise auto focus under a variety of shooting conditions, but it also offers a pleasing array of functions for greater flexibility � allowing an individual area to be selected from either the 11-area AF or 7-wide area AF sensors for Single AF or making use of multiple sensors to enable Dynamic AF, Closest Subject Priority Dynamic AF and Group Dynamic AF.
Running out of power on the D200 is harder than ever, since in addition to its remarkable capacity of up to 1800 shots per charge, the D200 also features an intelligent power management Fuel Gauge feature that constantly monitors the battery�s precise remaining power in 1% increments. It also displays the total number of shots taken on each charge as well as overall life of the battery, so photographers can easily tell when to replace a battery.
The D200 is a wireless whiz, and features Nikon�s advanced i-TTL wireless Speedlight control built right into the camera, as well as wireless image transfer over a 802.11b/g Wi-Fi network built into the optional WT-3 Wireless Transmitter (available Spring 2006). The camera�s powerful built-in Speedlight, capable of coverage for lenses as wide as 18mm, features a Commander Mode that can wirelessly control up to two separate groups of an unlimited number of i-TTL speedlights such as the SB-800, SB-600 or SB-R200. The Commander Mode in the D200 can adjust flash compensation settings for each of the two groups on the fly, making light output control from speedlights placed in hard to reach locations simple and effortless.
FASTER�
The D200 is faster than any other camera in its class, making its handling exceptionally responsive. The D200 can shoot continuously at up to five frames per second, capturing up to an impressive 37 JPEG images** or up to 22 NEF (RAW) images, making it ideal for action, wedding and event photography. Featuring an industry leading power-up time of 0.15 seconds, the D200 is ready to shoot when the photographer is ready. Its reduced shutter release time lag of 50 milliseconds is nearly undetectable and when shooting in its continuous burst mode of five frames per second, its shortened viewfinder blackout time (between each successive shot) of just 105 milliseconds proves especially useful in keeping an eye on a moving subject.
STRONGER�
The D200 is designed with long term durability, ruggedness and precision in mind. Built on a magnesium alloy chassis and body cover, the D200 combines light weight with high-level durability and protects performance integrity. It also features an enhanced environmental sealing system that helps protect exterior seams from potentially damaging moisture and dust. The D200�s double-bladed shutter unit is tested to well over 100,000 cycles, ensuring highly reliable performance year after year. The shutter unit also employs a refined mirror balance mechanism that allows the mirror to complete its motion cycle and reach a complete stop with virtually no image degrading mirror bounce.
The Ultimate Shooting Experience
Nikon is renowned for the distinct usability and handling of its digital SLRs, and the D200 continues this tradition. Photographers handling the camera will immediately notice its large, bright viewfinder with 0.94x magnification that ensures the clearest view possible for precise composition. Viewing excellence is taken further with an expansive 2.5-inch high-resolution LCD that provides an ultra-wide 170� viewing angle from all directions. It also offers the ability to magnify images by up to 400% to enable photographers to closely inspect images for fine details while offering a selectable RGB histogram display, which allows photographers to make better-informed exposure decisions through the viewing of a composite RGB histogram, or a separate histogram for each individual color channel. The D200 also features the largest top LCD panel among cameras in its class to convey maximum information at a glance with easy access to shooting data including shooting mode, battery condition, card information, gridline display, shutter speed, F-stop and number of remaining shots.
Refined menus on the D200 offer a streamlined and visually enhanced view of camera setup and custom setting options. Photographers can access an expanded on-board Help feature to view brief descriptions of every one of the camera�s menu items. The D200 also features a �Recent Settings� menu that reflects the last 14 settings adjusted, offering a quick way to revisit these settings.
Nikon�s Digital Imaging System
Like all Nikon SLR cameras, the D200 also offers the advantages of compatibility with Nikon�s superior and comprehensive Digital Imaging System. High image quality is assured through compatibility with over 50 outstanding AF Nikkor lenses, including Nikon�s DX Nikkor lenses engineered exclusively for use with Nikon digital SLRs and an extensive array of AF Nikkors designed for use on digital and 35mm SLRs. The D200 also offers compatibility with the Nikon Creative Lighting System, enabling high-precision flash photography with SB-800, SB-600 and the Nikon Wireless Close-up Lighting Systems. Outlined below are groundbreaking technologies and system features that enable photographers to achieve results not possible with any other system:
New Wireless Transmitter WT-3 (Available Spring 2006)
Nikon is leading the imaging world with wireless image transfer technology via Wi-Fi. The D200 marks the announcement of the Wireless Transmitter WT-3, offering photographers creative new ways to set up their workflow. The new IEEE802.11b/g compatible Wireless Transmitter WT-3 provides fast image transmission with improved security and compatibility with the latest protocols. It also provides alternative buttons for shutter release and AF-start as well as an extra command dial to facilitate more comfortable shooting in vertical format.
i-TTL Speedlight Technology
Nikon�s i-TTL speedlight technology is arguably the most robust and advanced speedlight system in the world, and holds limitless possibilities for all kinds of photographers using creative lighting. i-TTL technology built-in to the D200 allows photographers to wirelessly control in full TTL, up to 2 groups of Speedlights, with any number of individual speedlights in each group. Photographers can shed all cords and cables or the need to ever calculate flash and distance ratios, because the i-TTL systems is capable of making all exposure calculations in real time, wirelessly, during the exposure to deliver a perfect flash exposure in any situation. Photographers can even maintain full output control of each group of speedlights from the D200�s built-in speedlight. This technology can potentially distill an entire portrait lighting system into a small set of multiple SB800, SB600 or SB-R200 Speedlights.
Nikkor Lenses
As a company that built its reputation with the superb quality of its lenses, Nikon�s renowned Nikkor brand of optics offer D200 users a tremendous choice of over 50 high quality lenses ranging from highly specialized exotic ones such as the AF DX Fisheye-Nikkor 10.5mm f/2.8G ED to broad zoom range lenses for everyday photography, such as the newly announced AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED lens. The D200 is compatible with DX Nikkor lenses that are optimized for Nikon�s digital SLR camera sensors as well as legendary AF Nikkor lenses, delivering outstanding system digital SLR flexibility. This ensures that D200 users will always find a high quality Nikkor lens that�s just perfect for their photography.
Nikon PictureProject and Capture 4.4 Software
The D200 will include a complimentary copy of Nikon�s PictureProject software, a $49.95 value, and an easy-to-use yet powerful software application that provides image transfer, organization, editing, and design functions for JPEG and NEF (RAW) images produced with the camera. PictureProject can also convert NEF (RAW) files to JPEG or TIFF format finished files, as well as save in the original NEF file format. PictureProject is an essential accessory and is compatible with the new D200 and all prior Nikon digital SLR models and Coolpix Models. The D200 is also compatible with Nikon Capture 4.4 software (sold separately), a new version of Capture that has the specifications to open NEF files from the D200 and all other Nikon digital SLR models. This newest version features greatly enhanced NEF (RAW) processing capabilities as well as Nikon Capture Camera Control that allows remote camera operation when connected to a computer via the included USB cable or wirelessly using the new Wireless Transmitter WT-3 (sold separately). This versatility is especially useful when photographers may need to continue shooting with their D200 while simultaneously having someone else edit incoming images.
The NEF (RAW) files from the D200 comprise not only the RAW image data captured by the 10.2 effective megapixel image sensor but also a thumbnail image and a Nikon �Instruction Set� of the cameras settings at the time of shooting. NEF allows the Instruction Set data � such as white balance, color balance and tone curves and more � to be adjusted for each recorded image at any time after shooting through the use of Nikon Capture software. Use of Nikon Capture also allows a NEF file to be saved as a NEF, ensuring a record of the original Instruction Set is always preserved, even if several newer Instruction Sets are saved to the file. This ensures that photographers never loose the original settings and image data of a NEF (RAW) file, and reverting back to the original image requires just a few clicks in Capture software.
Version 4.4 of Nikon Capture software offers a flexible, stable and creative workflow approach for any photographer in both professional and personal use through Nikon�s unique approach referred to as the �Camera to NEF to Capture Dynamic Link� performance. Newly added features for Capture include automatic highlight recovery when using Exposure Compensation at values lower than 0 EV and Black and White conversion support in Tone Compensation.
The D200 will be available in late December 2005 for an estimated selling price of $1699.95***. For more information, please visit www.nikondigital.com.
* Available Spring 2006
** When using select high performance CompactFlash cards capable of and certified for this performance specification. CompactFlash cards enabling this specification are subject to change. Contact Nikon Technical Support (800-NIKON-UX) for latest information.
***Estimated selling prices listed are only an estimate. Actual prices are set by dealers and are subject to change at any time.
Pre Order the Nikon D200
Lets Go Digital has posted a Preview/Review of the Nikon D200 and writes - 'I believe the Nikon D200 is just the right product for all Nikon fans waiting out there. Ok you could argue about the fact that it took Nikon this long to anticipate to the fast changing market, but hey.. it's here now! I am sure that Nikon D100 users, myself included will react positively to this introduction and will upgrade to this new platform where Pro meets Entry-level... bridging the gap! I also see the D200 function as a 2nd body for Professionals using the advantages of the DX standard. The D200 has it all, I believe we are looking at an all-round D-SLR tagged with a very interesting price.'
DP Review has reviewed the extremely popular 10.2 megapixel Nikon D200 DSLR and gives it a rating of 'highly recommended'. They write - 'I really enjoyed the D200. It's one of those cameras which you look forward to picking up, I really got on with its design and ergonomics, it's small enough not to break your back yet sturdy enough to feel absolutely purposeful, solid and reliable. It fills the photographer with an air of confidence that each time they need it the camera is going to perform. It also has an air of luxury, quality and thoughtful design which other cameras sometimes miss, manufacturers mustn't forget that many professional photographers have to 'live' with their camera day in day out, thinking hard about how it should feel and operate can really make a big difference. Nikon know about good design and it shows, the D200 is a great camera to get along with.'
DPexpert reviews the Nikon D200 and gives it a rating of 'very highly recommended'. They write - 'The combination of high resolution sensor and exemplary in-camera image processing delivers photographs of exceptional detail and wide dynamic range. The ability of the D200 to preserve detail in shadows without producing blown highlights is impressive.... The Nikon D200 rates 5 stars because it does perfectly all that it promises. For any serious photographer with Nikkor lenses the choice of the D200 is easy.'
CNET reviews the Nikon D200 and writes - 'The Nikon D200, a long-awaited successor to the company's D100, offers serious amateur photographers and value-minded professionals a compact, sub-$2,000 digital SLR with many of the specifications, features, and build characteristics of Nikon's high-end pro cameras. Although not quite the junior version of the top-of-the-line D2X that some had hoped for, the D200 offers a significant step up from Nikon's low-end D70s and D50 models, with 10.2-megapixel resolution, a rugged moisture- and dust-sealed magnesium-alloy body, a large viewfinder, a 5fps drive mode, and bountiful fine-tuning and customization options. Accessories including Nikon iTTL external flash units, a Wi-Fi transmitter, a burgeoning line of digital optics, and third-party GPS units give the D200 enough versatility to compete effectively with its pricier midrange competitor, the full-frame Canon EOS 5D. '
DCRP reviews the Nikon D200 DSLR and writes - 'Photo quality was excellent as well. Photos were properly exposed, with vivid colors and low purple fringing and noise levels. As is typical with D-SLRs, images are very smooth, and some folks may want to sharpen things up a bit. My only real photo quality complaint is that noise levels are higher than I would've liked at ISO sensitivities above 640. They're not horrible by any means, but after just reviewing the Canon EOS-5D, I'm a bit spoiled. Then again, the 5D costs $3299 and the D200 is $1699.'
Popular Photography reviews the Nikon D200 DSLR where they do a comparison to the Canon EOS 30D and write - 'If you're willing to spend the extra $300 that the D200 costs over the Canon EOS 30D, and you don't have a Canon lens stockpile, then choosing the D200 is a no-brainer. If you're a pro, the choice is harder. Sure, Nikon's D2x can take more abuse and has a longer-life shutter, but you could buy two D200s, a battery grip, a few lenses, and a flash for the price of one D2x body. And the only advantage an EOS 5D has over the D200 is its full-frame sensor, which gives you the same field of view on a lens as on a 35mm SLR. Is that worth $1,300 more? You decide.'
Lets Go Digital reviews the Nikon D200 and gives it a rating of 5 stars out of 5. They write - 'Summing up all of the above, we can conclude that Nikon has caused an earthquake in the current D-SLR market with the arrival of the D200. A camera of this excellence with such a staggering amount of functions and outstanding image quality, in combination with its price-tag, is truly unheard of. The consumer is the one that will benefit most from this, a fact that we can only applaud. It was a bit of a wait, yet worth every single ounce of our patience! The Nikon D200 is a true shining star, a camera of which we are guaranteed to hear more in the near future. Credit to Nikon!'
Digital Camera Info has posted a review with a comparison of the Nikon D200 vs. Canon EOS 5D. They compare them on a number of different aspects and conclude by writing - 'The D200 is a much faster camera with a more logical ergonomic design. With the Nikon, users can turn the camera on and snap off a shot in a single motion - an action that would require two hands and far more time with the 5D. The D200 can also shoot 5 frames a second, while the 5D can only muster 3. This combined with the D200�s more robust body (not to mention its more affordable price tag), makes it a much more formidable alternative for photojournalists or casual shooters. At lower sensitivity settings (ISO 100-400), the two cameras produce images of comparable quality in terms of noise, color, dynamic range and sharpness. While the 5D still retains a slight edge, the difference is negligible for the quality both cameras produce. However, once the sensitivity is pushed to ISO 400 and beyond, Canon earns the extra $1,300 tacked on the 5D�s price tag. At sensitivity settings beyond ISO 500, the 5D continues to create images of exception quality, while the D200 falters and produces results more consistent with consumer-level designs.'
Steves Digicams has posted a review of the Nikon D200 DSLR where they write - 'With the release of the D200, Nikon have climbed to the top of the enthusiast dSLR market. With a host of features typically reserved for professional cameras, 10.2-megapixels of resolution and excellent image quality, Nikon has not only surpassed Canon in the enthusiast market, they have blurred the distinction with their own professional D2X. If the D200 were an entry-level dSLR, I'd complain about the softness of its JPEG images. But this is an enthusiast dSLR, and the need to apply a bit of USM in post processing is preferable to having an over-sharpened JPEG out of the camera. High ISO image noise can be an issue, but it is most pronounced when images are under exposed; proper exposures complemented by Nikons in-camera High ISO NR feature or post-processing noise reduction result in quite useable images at the highest sensitivity settings. It has been a long time coming, but patient Nikon loyalists have been rewarded with a new benchmark enthusiast dSLR; their patience may be tested more while waiting for their orders to be filled as Nikon struggles to keep up with the demand for this very fine camera. At an MSRP of $1700 it's not inexpensive, but the D200's features and image quality justify its price early in the product cycle.'
Creative Pro has a review of the popular DSLR, the Nikon D200, in which they write - 'For people who own Nikons and want to stay with what they know, the D200 is an exciting release. Great image quality and better overall specs make it a valuable addition to the Nikon product line. If you're not already a Nikon shooter, then the D200 is a great offering -- as long as you're comfortable with the camera's controls. Interface affinity is a very subjective thing, and you really must make that call yourself. While you're testing, ask yourself if you can easily get to the essential, everyday shooting functions: exposure compensation, ISO speed, bracketing, drive mode, and if you're a JPEG shooter, white balance. Then consider secondary operations: changing to priority or manual mode, metering, and focus modes.'
Shutterbug reviews the Nikon’s D200 DSLR where they write - 'Priced at about $1700, the D200 will appeal to those who want one of the best and most useable digital SLRs today, but want to experience pro build and handling without paying the higher price tag of pro-level cameras. At 10+ megapixels it certainly delivers the imaging power for enlargements and even radical crops on 8x10 prints. With more built-in imaging options than one could ever use or imagine, there isn’t much the D200 can’t handle.'
Trusted Reviews has posted their review of the Nikon D200 DSLR and writes - 'The Nikon D200 plugs a wide gap in Nikon’s DSLR range, and provides a bridge between the consumer-oriented D50, D70 and venerable D100, and the giddy heights of the D2x and D2h. It is big, heavy and expensive, but it provides the kind of build quality and performance that the serious amateur or semi-professional will be looking for. The lack of in-camera processing control is surprising, but with the right RAW conversion software it can produce truly stunning results.'
Pocket-lint has a review up of the Nikon D200 and writes, "Sensitivity control is very comprehensive with a range running from ISO 100 to 1600 in 1/3rd, 1/2, or 1 EV steps and with boosted ISO 2000, 2500 and 3200 available if required. The down side is that over ISO 1600, noise becomes noticeable and the noise reduction processing (it can be adjusted to varying strengths) can strip detail from shadow areas. On the up side, the noise is very monochromatic, making it look more like film grain than "normal" image noise that is often full of coloured (chroma) artifacts in other cameras. In terms of shutter control you have a broad 30-seconds to 1/8000th second range to play with, flash sync is up to 1/250th second, so there's plenty to play with here. ... Overall, the D200 provides enough kit and control for the most demanding professional or enthusiast snapper. The image quality is superb with the advanced metering and AF system combining well (albeit with that odd slight underexposure) with nary a shot going astray. Colour balance and detail are superb and despite the Nikkor 18-70 F3.5-F4.5 DX kit lens being more a budget end lens, more serious optics start to pull even more from the camera's high-resolution sensor."
Photo.net reviews the Nikon D200 and writes - 'The Nikon D200 is a very good camera and anybody making the switch from a (high-end) film camera to digital should consider it. Take a look at the image quality, decide if it makes sense financially (don't forget extra lenses, memory etc.) and take into account that the low operating cost of digital encourages to capture more, experiment more.'
Photoxels has a review of the Nikon D200 DSLR and writes - 'The Nikon D200 is a professional-grade DSLR with lots of exposure flexibility and excellent image quality up to ISO 400. On the other hand, an advanced and knowledgeable photographer will be able to use RAW file format and noise reduction software to tweak out the best of higher ISO images. The Nikon D200 is probably not suited for someone new to DSLR. The average amateur photographer will also not need all the functionality of the D200. The pro who has clients with specialized needs and the business owner with specialized photographic needs will appreciate the D200's extensive customization features.'
Compare Prices on the Nikon D200
To accompany the release of the Nikon D200 DSLR that was also released today, Nikon have also released this new Nikon DX VR 18-200 mm F3.5-5.6G Zoom Lens which is sure to be very popular with Nikon DSLR fans.
Get the latest price on the NIKON 18-200MM f/3.5-5.6G ED-IF AF-S VR DX Zoom-Nikkor Lens
Nikon 18-200mm F/3.5-5.6g IF-ED AF-S DX VR Zoom-Nikkor Lens News Release
Nikon Adds Versatile New 18-200mm F/3.5-5.6g IF-ED AF-S DX VR Zoom-Nikkor Lens To Its DX Nikkor Line Of Lenses
New Lens Offers Enhanced VR Vibration Reduction System in a Compact and Lightweight 11.1x High Power Zoom Lens for Nikon Digital SLRs
Nikon Inc. today introduced the new 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens, a compact, lightweight 11.1x zoom lens that is ideal for high performance everyday photography and incorporates advanced features such as Nikon’s Extra Low Dispersion (ED) glass, Silent Wave Motor technology (SWM) and Enhanced Vibration Reduction (VR II), in a DX-Nikkor design engineered exclusively for use with Nikon DX format digital SLR cameras. With a remarkable 18-200mm focal length range (picture angle equivalent to a 27-300mm lens in 35mm format), the lens conveniently covers everything from wide landscapes to tight portraits and action photography. Advanced Nikon engineering has lent the lens a compact lightweight design that offers excellent handling characteristics and superb optical quality.
“Nikon’s range of DX Nikkor lenses, designed specifically for Nikon digital SLR cameras, has grown substantially since the introduction of the category, and the new 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens is an excellent addition offering Nikon digital SLR photographers an advanced all-purpose lens with superb optical performance and Enhanced Vibration Reduction capabilities,” said Edward Fasano, general manager for Marketing, SLR Systems Products, at Nikon Inc. “Nikkor lenses are famous for their breathtaking sharpness, optimal contrast and consistent color rendition across its range of lenses with varying focal lengths. Now with the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor, Nikon photographers will be able to take advantage of remarkable versatility in one lens with assurance of the outstanding Nikkor image performance that has made Nikkor lenses renowned worldwide.”
Beyond the lens' incredible optical versatility is the benefit of Enhanced VR II Vibration Reduction an innovation that makes it possible to take substantially sharper handheld pictures at slower shutter speeds than would otherwise be possible. This provides the distinct advantage of being able to shoot more effectively in a much broader variety of challenging conditions. With the new Nikon VR II advantage, users can take pictures at shutter speeds as many as 4 stops slower* than they ordinarily could shoot without the image degrading blur associated with camera shake at slow shutter speeds. Nikon’s VR technology further enhances picture taking potential with a choice of two modes to match most shooting conditions. VR Normal Mode primarily compensates for camera shake, and includes automatic panning detection,
as well as automatic tripod detection. VR Active Mode effectively compensates for vibration in situations where it is more pronounced and more frequent, such as when shooting from a moving vehicle.
To further ensure outstanding optical performance, the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor features two Extra-Low Dispersion (ED) glass elements and three complex aspherical lens elements that provide for higher resolution, high-contrast images while minimizing chromatic aberration, astigmatism and other forms of distortion. The lens also features Nikon’s compact Silent Wave Motor technology (SWM), which combines fast and precise autofocusing with super-quiet operation, as well as Internal Focusing (IF) construction that allows the lens to focus without changing its external size, improving balance and handling chrematistics.
All of Nikon’s DX Nikkor lenses are engineered exclusively for use with Nikon DX format digital SLR cameras, making the lens smaller and lighter while providing exceptional center-to-edge-to-corner image quality and overall optical performance. With the addition of the 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens, Nikon photographers can choose from over 50 Nikkor lenses, ranging from the amazing 10.5mm f/2.8G ED AF DX Fisheye to the astounding 600mm f/4D ED-IF AF-S II super Telephoto.
The 18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor lens will be available beginning in December 2005 for an estimated selling price of $699.95**. For more information about Nikon and the Nikkor brand of optics, please visit www.nikonusa.com.
18-200mm f/3.5-5.6G IF-ED AF-S DX VR Zoom-Nikkor: Major Features
SLR Gear reviews the Nikon 18-200mm f/3.5-5.6G IF-ED AF-S DX VR lens and writes - 'At the end of the day, the third-party competitors to the Nikon 18-200mm f/3.5-5.6 VR are a fair bit less expensive, but lack Nikon's excellent vibration reduction technology. - This is an important feature, particularly with lenses having smaller maximum apertures that will more often force you to use slower shutter speeds. The Nikon 18-200 also feels better built and more rugged in the hand than either of the other two, although we have no objective way of assessing long-term reliability for the lenses we test. Is the combination of VR and nice build quality worth the roughly $400 differential in street price for the Nikon 18-200VR? That's ultimately a question for each user to ask, based on their available budget. Personally, I view VR as so essential that I'd gladly save my pennies for the Nikon 18-200mm. If you're on a limited budget though, the ability to buy two third-party lenses for the cost of this single Nikkor optic could be a strong argument in favor of the third-party models.'
Get the latest price on the NIKON 18-200MM f/3.5-5.6G ED-IF AF-S VR DX Zoom-Nikkor Lens
Nikon News Release
Nikon's New R1C1 and R1 Wireless Close-Up Speedlight Systems Bring Simplicity and Automation to Close-Up Flash Photography
Latest Additions to Nikon's i-TTL Wireless Creative Lighting System Simplify Lighting for Close-Up Photography and Prove Versatile for Much More
Nikon today introduced two new Wireless Close-Up Speedlight Systems -- the R1C1 and the R1 -- both designed to seamlessly fit within Nikon's i-TTL Wireless Creative Lighting System. Comprised of the SU-800 Wireless Speedlight Commander, two SB-R200 Wireless Remote Speedlights and a host of useful accessories and mounting adapters all neatly packaged in one complete kit, the R1C1 offers photographers using Nikon i-TTL capable SLRs, including D2x, D2hs, D2h and F6 a compelling new way to get outstanding results with their close-up photography while bringing an amazing level of simplicity and automation to the lighting process. The R1 shares all of the components of the R1C1 with the exception of the SU-800 Wireless Speedlight Commander. The R1 is designed to take advantage of Nikon i-TTL digital SLR cameras that feature a Wireless Commander built into the camera's on-board Speedlight system, such as the D70, D70s and the newly announced D200.
The R1C1 and the R1 systems greatly enhance the versatility of Nikon's Creative Lighting System, currently consisting of the SB-800 and SB-600 Speedlights. They offer photographers a myriad of choices and options in creating customized lighting solutions, ranging from a compact, portable lighting set-up for close-up photography to more elaborate lighting arrangements using several i-TTL enabled speedlights. Regardless of the complexity of the lighting arrangements, Nikon's i-TTL technology promises an astounding level of simplicity in achieving the desired lighting effects and accurate exposures. Photographers can shed all cords and cables and the need to calculate flash and distance ratios, because, when used with a compatible Nikon camera, i-TTL technology is capable of making all exposure calculations in real time, wirelessly, during the exposure to deliver consistently accurate flash exposures in virtually any situation.
Packaged as complete systems, the R1C1 and the R1 Wireless Close-Up Speedlight Systems are designed to produce automated creative close-up lighting solutions without any clutter or hassle of connecting cables. The system outfits come in a sturdy and fitted system case that includes all the accessories and adapters a photographer may need to begin capturing beautifully illuminated pictures immediately.
The R1C1 consists of two SB-R200 Wireless Remote Speedlights, the SU-800 Wireless Speedlight Commander, and an SX-1 Attachment Ring that is used to attach the two SB-R200s to the front of the lens. Additionally, the outfit contains a comprehensive assortment of accessories to help users master and enjoy close-up flash photography, including the SW-11 Extreme Close-Up Positioning Adapter, SJ-R200 Color Filter Set, SW-12 Set Diffuser, SW-C1 Flexible Arm Clip and a set of five adapter rings to ensure the SX-1 Attachment Ring can be mounted on virtually any Nikkor(R) lenses designed for close range photography.
For photographers who want to use an SB-800 or the built-in Speedlight of D200, D70s and D70 cameras as a commander, the R1 Wireless Close-Up Speedlight System, which comes without the SU-800, is ideal.
Components of the R1C1 and R1 Wireless Close-Up Speedlight Systems are also available individually, offering photographers versatility and creative control. The SB-R200 Speedlight is a highly capable lighting tool with a guide number of 14/46 (ISO 200, m/ft.). In addition to attaching it to the front of the lens for close-up photography purposes, photographers can also hold it in their hand while shooting for off-camera directional lighting, or freely position it by using the AS-20 Speedlight Stands, supplied with both the R1C1 and R1 systems. The SU-800 Wireless Speedlight Commander, also available individually, adds versatility to the Nikon Creative Lighting System by providing wireless flash output level controls for the SB-800, SB-600 or new SB-R200 remote Speedlight units when mounted on Nikon SLR cameras that are compatible with Nikon's Creative Lighting System. These include the D2X, D2Hs, D2H, D200, D70s, D70 and D50 digital SLR cameras, as well as the F6 35mm film SLR camera.
The Nikon R1C1 and R1 Wireless Close-Up Speedlight Systems will be available in December 2005 for an estimated selling price of $680.00and $430.00respectively. The Nikon SU-800 Wireless Speedlight Commander and SB-R200 Wireless Remote Speedlights will also be available individually in December 2005 for an estimated selling price of $265.00and $155.00respectively. For more information about Nikon's Creative Lighting System and Nikon's Speedlights, please visit http://www.nikonusa.com.
Contents of Nikon R1C1 & R1 Wireless Close-Up Speedlight Systems
Two Wireless Close-Up Speedlight System configurations are available: Nikon Wireless Close-Up Speedlight System R1C1 and Nikon Wireless Close-Up Speedlight System R1 (identical to R1C1 but SU-800 is not included). The system includes:
• SU-800 Wireless Speedlight Commander: (not included in the R1 outfit). Includes the SS-SU800 Soft Case
• SB-R200 Wireless Remote Speedlight (2): Includes (2) AS-20 Speedlight stand, (2) SS-R200 Soft Case, (2) SJ-R200 Filter Set, and (2) SZ-1 Color Filter Holder
• SX-1 Attachment Ring: Enables SB-R200(s) to be attached to the front of the lens. Accepts up to eight SB-R200 Speedlights (maximum four when attached to camera or up to eight off-camera)
• SG-3IR IR Panel for Built-in Flash: Prevents pre-flash light from built-in Speedlight (D200, D70s or D70) from influencing exposures in extreme close-up situations
• Adapter Ring Set: Enables SX-1 to be attached to lenses with filter attachment sizes of 52mm, 62mm, 67mm, 72mm, and 77mm
• SW-11 Extreme Close-Up Positioning Adapter (2): Angles the SB-R200's flash light toward the optical axis to create lighting effects when taking extreme close-up shots
• SW-12 Translucent Diffuser Panel: Provides the ability to bounce and/or soften light
• SW-C1 Flexible Arm Clip: Used to mount SW-12 Diffuser to the SX-1 Attachment Ring. Clamp design allows mounting to other objects, adding flexibility
• SS-MS1 Close-up Speedlight Outfit Case: Houses complete System and included accessories plus space for an additional SB-R200 Speedlight
SB-R200 Wireless Remote Speedlight: Major Features
• Supports the Nikon Creative Lighting System
• Functions only as a remote Speedlight unit
• Supports i-TTL (for automatic balanced Fill-Flash), D-TTL, TTL, Manual
• Accurate i-TTL flash control achieved through flash exposure monitoring control
• Guide Number of 10/33 [ISO100, m/ft], 14/46 [ISO200, m/ft]
• Advanced Wireless Lighting available
• Auto FP High-Speed Sync; use with fast shutter speeds achieves effective blurring of out-of-focus background elements
• FV lock holds flash value, enabling recomposition prior to shooting
• AS-20 Speedlight stand (supplied)
• SS-R200 Soft Case (supplied)
• SJ-R200 Color Filter Set (supplied)
• SZ-1 Color Filter Holder (supplied)
Note: The SB-R200 cannot be attached to the camera's accessory shoe.
SU-800 Wireless Speedlight Commander: Major Features
• When using i-TTL compatible Nikon SLR cameras and Speedlights, user can divide the Speedlight units into three groups and control the flash output independently for each group
• Features a Commander function that can trigger wireless remote flash (SB-800, SB-600, or SB-R200) units without a master flash unit
• One-touch switching between close-up and Commander modes
• Easy-to-use close-up flash operations. Two types of operations: Dual-light close-up flash and Triple-light close-up flash
• Easy-to-view LCD panel
• Compact and lightweight
• SS-SU800 Soft Case (supplied)
• When using the SU-800 with cameras not compatible with i-TTL flash control, only close-up flash operation (using cords) is possible in use with the optional SC-30 TTL Cord.
•
*Estimated selling prices listed are only an estimate. Actual prices are set by dealers and are subject to change at any time.'
The Sony Cybershot DSC-T9 is a 6 megapixel camera with a 1/2.5 CCD image sensor.
It is just 17mm thin and comes with a 2.5inch LCD. It has ISO of up to 640, 3x Optical Zoom (with image stabilization) , 58 megabytes of internal memory and boasts a battery capable of up to 240 shots per charge.
The DSC-T9 comes in both silver and black.
Expect to see it in Japanese stores by November 18 at an estimated 47,000 Yen.
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SONY ENHANCES PICTURE QUALITY AND PHOTO SHARING WITH NEXT-GENERATION T-SERIES DIGITAL STILL CAMERA
Sony is stepping up the picture quality of ultra-slim digital still cameras with the introduction of its new Cyber-shot DSC-T9 model, the first in this category to offer both Super Steady Shot optical image stabilization and high light sensitivity.
With these Sony technologies, the new six-megapixel DSC-T9 delivers more detailed images with significantly less blur and graininess than typical point-and-shoot cameras. Optical image stabilization reduces image blur from hand movement, while high light sensitivity helps to lessen blurriness resulting from low-light conditions. The end effect is better-focused, expressive images that look more like the way you see them, imitating the human eye.
"Our T Series set the standard for slim, stylish, point-and-shoot cameras with fine image quality," said James Neal, director of digital imaging products at Sony Electronics. "Now the use of this category of cameras is pervasive. With the DSC-T9, we are taking this category a step further by incorporating advanced imaging technologies that ensure that you get the shot, even in unfavorable light conditions, like nightclubs and restaurants."
Get a Clear Shot
Sony is the first manufacturer to incorporate an advanced lens-shift optical image stabilizer into a camera with a folded-path lens system. This is what allows for a compact form; the lens does not have to extend from the body of the camera.
The model is equipped with a newly-developed lens-shift system with two gyro-sensors that detects hand movement, and automatically calculates the compensation needed to provide a clear, crisp image.
The new model's high light sensitivity (up to IS0 640) allows you to capture clearer pictures in available light, giving you the option to not use a flash, which sometimes creates unwanted glare or harsh highlights. As a result, images have greater atmosphere and more detail, even when reflective surfaces like glass and mirrors are in the pictures.
Enhanced Photo Sharing Brings Your Photos to Life
With a slim body less than one-inch wide, this compact powerhouse not only takes great pictures but also brings them to life with Sony's new Clear Photo Plus LCD screen and slide show function. The 2.5-inch LCD features astonishing vividness and greatly improved color reproduction compared to previous models. It is the perfect screen to show off your pictures as a slide show, which the camera creates for you -- without having to use a PC.
You can select up to four themes, such as "Stylish" or "Active," to play back your images, complete with dynamic transitions choreographed to your choice of music clips. Depending on your PC configuration, you can also upload your own music with the supplied software.
Big Features, Small Body
The DSC-T9 camera offers mega resolution at six megapixels for high-quality images, a 3x Carl Zeiss Vario-Tessar optical zoom lens, MPEG movie recording, and 58 MB of internal memory for storage and easy transfer to an optional Memory Stick Duo or Memory Stick PRO Duo media card, now available in capacities up to two gigabytes.
As with other T-series cameras, you simply slide the lens cover down and the camera is ready to capture images in seconds. Despite the power consumption of the optical image stabilizer, Sony's Real Imaging Processor power management system helps this model to achieve exceptional battery life, up to 240 shots per charge.
More For Your Memories
With the DSC-T9's slide show feature, sharing your photos right on the camera's LCD is more enjoyable. You can even connect directly to your television with supplied cables. However, if prints are what you want, then you can connect the model to a Sony DPP-FP50 digital photo printer and print from the convenience of your own home. Don't think that you're limited to basic prints with this camera; you can even create postcards or calendars using the printer's supplied software.
Perhaps you need to print tens or even hundreds of pictures, or want to share funny video clips, then there is the option of using Sony's online photo service. At www.imagestation.com, you can create your own online photo and video albums, order prints, or make customized gifts from coffee mugs and photo books to calendars and T-shirts.
The Cyber-shot DSC-T9 camera will be available in January for about $450 online at SonyStyle.com, at Sony Style retail stores (www.sonystyle.com/retail) and at authorized dealers nationwide. Pre-orders begin on Nov. 1 at www.sony.com/T9.
The camera is supplied with an InfoLithium battery, battery charger, multi-connector cable, wrist strap and software CD-ROM. Optional accessories include the Cyber-shot Station cradle for about $80, a sports pack for about $100, and leather carrying case for about $40
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DCRP reviews the Sony Cyber-shot DSC-T9 and writes - 'I was impressed with the DSC-T9's autofocus speeds. In good light the camera typically took just 0.1 - 0.3 seconds to lock focus. Even when the lens was near the telephoto end the camera still focused quickly. The only slowdown was when the camera had to use the AF-assist lamp, which extends focus times to over a second in some cases. On a related note, low light focusing was good thanks to that AF-assist lamp.'
CNET Reviews the Sony Cyber Shot DSC-T9 and gives it a rating of 7.6 (very good). They write - 'The Sony Cyber Shot DSC-T9, the latest in Sony's T-series of shirt-pocket-size digital cameras, is a great tool whether you're a casual shooter or a more serious photographer. Snapshooters will appreciate the camera's ease of use, and discerning photographers will appreciate the 6-megapixel model's above-average image quality and responsive performance. And while a not-so-wide lens and poor red-eye behavior will mar some indoor portraits, any user will love the camera's 2.5-inch LCD screen, its thin and attractive body, and its image stabilization for keeping low-light pictures sharp. The deal is sweetened by 58MB of internal memory.'
Imaging Resource have posted a great review of the Sony Cyber-shot DSC-T9 Digital Camera where they recommend - 'Arguably the best model yet in Sony's diminutive Cyber-shot "T" series, the Cybershot T9 delivers good picture quality and a great feature set in a rugged, super-compact all-metal body. The 6.0-megapixel CCD is an nice feature in a camera this small, and the large LCD monitor is quite impressive as well. The T9 showed good image quality, with good color, and high resolution. Its image sharpness and noise levels aren't quite up to the level of the best full-sized 6.0-megapixel cameras out there, but they're very good for a subcompact model. Relative to competing full-sized digicams, the Sony T9 does have rather limited low-light capability and marginal flash power, but that's to be expected in a camera of this size. The T9's flexible exposure modes and features give the camera the versatility to handle most common shooting situations with aplomb. The camera's light weight and portable size are perfect for travel. New features such as the Steady Shot option and the ability to download music for slide shows are interesting additions to the T-series as well, increasing the T9's value and usefulness. Overall, the Sony Cybershot T9 is an excellent option for busy consumers looking for a tiny digital camera that performs very well as a point-and-shoot.'
Cameras.co.uk reviews the Sony DSC T9 and writes - 'There is a lot to like about the DSC T9. I was very impressed by the camera when it came to picture quality. There was just one problem that was noticeable with the camera and that was the dreaded red eye.... The plus points of the Sony DSC T9 far outweigh any negatives. Picture quality is very good and Sony appears to have nailed shutter lag. I am happy to recommend this digital camera to anyone looking for a good quality pocket sized model. Be warned it doesn't come cheap though. '
Digital Photography Interface has posted their review of the Sony Cyber-shot T9 where they write - 'There are somethings the T9 lacks like improved movie mode (with zoom, maybe?) since that same old VGA 30 FPS movie mode has been there for ages! Image quality (in terms of sharpness and edges) should be improved - It's been like that over the past 6 T-series cameras. I think that the Sony Cyber-shot T9 is an acceptable camera with an excellent macro mode, low-light capabilities (except the LCD) and portability. But if you expect excellent image quality or manual controls, this is not your camera!'
Think Camera reviews the Sony Cyber-shot DSC-T9 and writes - 'With the exception of the 'anti-blur' features, it wasn't immediately obvious why this camera had been added to the range. But the other more minor changes all add up to make this significantly more usable than last year's models, and we'd have no hesitation in recommending this to someone who wanted an all-round, excellent compact camera.'
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