Feb 17: Canon Rebel XT

The New Canon Rebel XT (Canon EOS 350D) is an 8.0 Megapixel (APS-C CMOS sensor) DSLR with a 3 frames per second shooting rate (14 frame bursts) that Canon believes will take over from where previous Rebel releases have left off. It has the same DIGIC II image processor of found in the high end professional 'D-series' of DSLRs.

Buy the Canon Rebel XT/350D

- US Readers Get a price on the Canon Digital Rebel XT 8MP Digital SLR Camera with EF-S 18-55mm f3.5-5.6 Lens at Amazon at the time of writing this bringing the price down to $999.88
- UK Readers get a price on the �Canon EOS 350D Digital SLR Camera 18 - 55mm Lens Kit�.

You can see sample images taken with the Canon Rebel XT here

Also see some pictures of the Rebel XT taken live in Amsterdam.

Canon Rebel XT/350D Press Release

NEW EIGHT MEGAPIXEL EOS Digital Rebel XT SLR ADDS RESOLUTION, SPEED AND CREATIVE CONTROL TO THE IMAGING INFANTRY

Consumer�s Choice: Second �Rebel� Joins the Digital Revolution

LAKE SUCCESS, N.Y., Feb. 17, 2005 � The Canon EOS Digital Rebel? camera that rocked the world of consumer digital SLRs little more than a year ago now has a new, faster, even smaller, big brother. Sibling rivalries aside, the 8.0 megapixel Canon EOS Digital Rebel XT SLR, which will be showcased at PMA 2005, February 20-23 (Canon Booth #3503), in Orlando, Fla., adds resolution, speed, an extra dollop of creative control and enhanced comfort in the hand, to one of the smallest and lightest digital cameras in its class. Despite its advancements in ergonomic design and technology, this easy to use EOS digital camera is compatible with all of Canon�s EF lenses including the EF-S lenses and still retains the sub-$1,000 price point, proven crucial to entry-level digital SLR consumers.

�As we have with the Digital Rebel�s 35mm film-based cousins, we are expanding the line-up of Digital Rebel SLRs, offering consumers a wider variety of features and price points based on their needs and budgets,� said Yukiaki Hashimoto, senior vice president and general manager of the consumer imaging group at Canon U.S.A., Inc, a subsidiary of Canon Inc. (NYSE:CAJ). �Even though we have increased the resolution, speed, responsiveness and energy efficiency on the new EOS Digital Rebel XT camera, we have decreased its size and weight, making it more comfortable to hold and use. Indeed, it is nearly three ounces lighter and more than a half-inch smaller than the original EOS Digital Rebel model.�

Rebel Without A Choice No More
In stores beginning in March, the EOS Digital Rebel XT camera will take its place alongside the original 6.3 megapixel EOS Digital Rebel camera that first placed an affordable, high resolution digital SLR into the hands of Canon consumers. The EOS Digital Rebel XT model is offered in two kit configurations: with and without Canon�s high-quality EF-S 18-55 mm f/3.5-5.6 zoom lens. The estimated street price for the zoom lens kit will be $999* while the estimated street price for the body only kit will be $899*. The original Digital Rebel will be available at the same time for a reduced estimated street price of $799* for the zoom lens kit. Standard accessories in both camera kits include a battery pack and charger, software, manuals, interface cables, neckstrap and Canon U.S.A. limited warranty. The EOS Digital Rebel XT camera will be offered in both the stylish brushed silver patina and the sleek Canon matte-black finish.

While many of the feature advancements and innovations on the new EOS Digital Rebel XT digital camera are inherited from Canon�s recently introduced EOS 20D �prosumer� SLR (which carries a and estimated street price of approximately $1,599*), the two cameras� most striking technological similarities are their use of Canon�s newly-developed, large single plate, high sensitivity, high resolution color CMOS imaging sensor technology. While the size of the APS-C CMOS sensor on the EOS Digital Rebel XT SLR is fractionally smaller than the APS-C CMOS sensor on the EOS 20D camera (22.2 x 14.8 mm versus 22.5 x15.0 mm respectively) accounting in part for the cameras 8.0 vs. 8.2 megapixel resolution rating, individual pixel dimensions are identical, and they both provide the same effective angle of view, equivalent to 1.6 x the normal EF lens focal length.

�As tempting as it is to compare the EOS Digital Rebel XT digital camera with the more advanced EOS 20D model based on their technological kinship, there are, of course, some very real differences between them. While the 20D SLR includes performance features such as faster continuous shooting speed (five frames-per-second (fps) vs. three fps) with larger burst capability (23 frames vs. 14) and custom function settings (18 vs. 9) that more than justify its heftier price tag, this new Rebel XT model was created for those dedicated SLR users who are migrating to digital for the first time and do not wish to give up the flexibility that an SLR system offers,� explained Hashimoto. �For that discerning yet still entry-level digital SLR consumer, having the EOS Digital Rebel and the EOS Digital Rebel XT cameras to choose from is Canon�s latest one/two combination, and it�s a real knockout.�

Finer Photos Faster
The new EOS Digital Rebel XT digital camera can shoot up to 14 consecutive Large/Fine (8.0 megapixel) JPEGs, five RAW files, or four RAW + Large/Fine JPEGs at a rate of up to three frames-per-second. The EOS Digital Rebel camera�s smaller buffer permits bursts of only four Large/Fine (6.3 megapixel) JPEG or RAW frames at a rate of up to 2.5 frames per second.

While reprising the Digital Rebel SLR�s ISO range of 100, 200, 400, 800 and 1600, Canon raised the Auto ISO setting on the Digital Rebel XT model to 400 in order to help improve image quality, reduce camera shake and brighten the scene behind the subject when taking a flash photo. The new Digital Rebel XT camera also offers 12 exposure modes that are user selectable at the turn of a conveniently placed dial. The exposure modes take into account virtually all shooting conditions and preferences are: Full Auto, Portrait, Landscape, Close-up, Sports, Night Portrait, Flash Off, Program AE, Shutter speed-priority AE, Aperture-priority AE, Manual and Auto Depth-of-Field AE.

In addition to its lossless compression 8.0 megapixel RAW image file option, the Rebel XT Digital SLR offers users the option of shooting in a range of sizes and quality JPEG settings (based on shooter�s preference, need and end-use requirements) from large (8.0 megapixels) and medium (4.15 megapixels), to small (2.0 megapixels). Within each resolution option, the user may also select quality settings: large/fine, large/normal, medium/fine, medium/normal, small/fine and small/normal.

RAW Power
What�s more, where the original Digital Rebel camera required dedicated software to extract embedded middle/fine resolution JPEGs from the larger, uncompressed RAW image file, the new Rebel XT model saves RAW and large/fine resolution images as separate files on the Compact Flash card. The user also has the option of selecting RAW (8.0 megapixel) files only, saving valuable space on the CF card. As with the EOS 20D, the Digital Rebel XT camera�s RAW files are denoted by the CR2 extension.

Creative Control
Among the new features found on the EOS Digital Rebel XT camera are user selectable metering and AF modes, flash exposure compensation control, improved E-TTL II evaluative flash metering and for the first time in this product category, custom function control. The Digital Rebel XT SLR even offers a monochrome mode for consumers who enjoy the subtleties and shadings that only black and white images offer. These additional controls greatly increase the creative power of the Digital Rebel XT, without taking away any of the automated functions that made the original Digital Rebel so popular with beginning photographers.

The Rebel XT camera incorporates nine of the Custom Functions previously found on the EOS 20D model. Designed to fine-tune camera operation according to personal preferences, the custom functions offer users a set of programming options for the SET button/Cross keys, as well as control over long exposure noise reduction; flash sync speed in AV mode; AF start from the shutter button or AE lock button; AF assist beam; mirror lockup; E-TTL II metering patterns, and shutter curtain sync.

All This and DIGIC? II
Canon�s newest and most powerful SLR imaging engine, DIGIC II provides high-precision and high speed, natural color reproduction including high-saturation, bright subjects, improved auto white balance, along with increased white balance correction control and white balance bracketing (another legacy of EOS 20D advances), compared to the original Digital Rebel camera.

The white balance correction control is a digital color filter that works like a light balancing filter or a color-compensating filter. Both the blue/amber bias and the magenta/green bias can be adjusted to +/- 9 levels. While the blue/amber bias adjustment is standard on the original Digital Rebel model, the Rebel XT camera�s additional magenta/green bias adjustment provides increased color compensation from the earlier model.

The Rebel XT SLR�s white balance bracketing mode enables the camera to automatically take three images for every shot snapped, each with a different bias setting. The user can then select the best shot and discard the other two. White balance bracketing can also be used in combination with white balance correction. The benefit of all of this white balance wizardry can be found in the photographs with colors captured accurately and precisely under a wide range of conditions.

In addition to the legion of image quality improvements, DIGIC II speeds up the camera�s performance from start up that is ten times faster on the EOS Digital Rebel XT model than it is on the EOS Digital Rebel with the original iteration of DIGIC (.2 of a second on the EOS Digital Rebel XT model compared with 2 seconds on the EOS Digital Rebel camera).

Utilizing the same 7-point autofocus system as the EOS Digital Rebel camera, the new EOS Digital Rebel XT SLR is capable of analyzing where a subject is -- even when it is off center � and almost immediately bringing it into focus. It can also analyze subject movement and automatically selects locking or tracking AF modes as needed. These features simplify the camera�s operation and optimize its performance. The Digital Rebel XT allows users to select locking or tacking AF modes independently, adding a new dimension of creative control.

What�s more, even though both Digital Rebel SLRs use that identical 7-point autofocus system, the Rebel XT model�s new DIGIC II chip actually help increase the speed of autofocus calculation and hence the responsiveness of the autofocus itself. For greater creative control, both cameras also offer users the option of automatic and manual focusing point selection.

Another feature improved by the presence of DIGIC II is the speed of the direct printing function, which is PictBridge compatible. DIGIC II also produces faster startup times, faster CompactFlash card writing speed; and approximately 10X faster data transfer speeds thanks to the processor�s new USB 2.0 high-speed interface. As an added bonus, the DIGIC II chip is so efficient, it actually reduces the EOS Digital Rebel XT camera�s power consumption (and extends battery life) by approximately 35%. Indeed, this new Rebel XT camera is so energy efficient, it is powered by the same lighter-weight NB-2LH battery pack used by the PowerShot S60 (as opposed to the larger BP-511A battery pack used by the original Digital Rebel model). While the NB-2LH battery and charger are included with the Digital Rebel XT camera, both a new vertical grip (BG-E3) that accepts up to two NB-2LH battery packs or six AA-sized batteries and an AC Adapter Kit (ACK700) for powering from an AC outlet, are available as optional accessories.

E-TTL II: Exposure Control In A Flash
The new Rebel XT camera also features the next step in the evolution of evaluative- through the lens exposure control, E-TTL II. Though compatible with all Canon EX-series Speedlites, this �smarter� new E-TTL II system helps ensure that, even in situations with highly reflective subjects or backgrounds or when shooting in most other similarly difficult lighting situations, the image will be optimally exposed.

The E-TTL II system compares the ambient light with the reflected pre-flash off the subject reported in all 35 metering zones and selects the areas with a small difference to be weighted for flash exposure calculation. This system also helps eliminate or underweights areas with large differences, recognizing them as an extremely reflective object in the background or a highly reflective subject.

Bundled Software
Both the Rebel XT Camera and lens kit and the body only kit are shipped with three software discs including EOS Digital Solutions Disc 10 featuring ZoomBrowser EX, ImageBrowser and ArcSoft PhotoStudio together with other utilities, another disc containing Digital Photo Professional 1.6 for RAW file conversions, and a third disc containing PDF versions of the instruction manuals for each application.

Canon Rebel XT/350D Reviews

Outback Photo has an experience report/review of the Canon EOS Digital Rebel XT (350D) and lists some of the initial Pros of the DSLR as:

• 'We never liked the silver body of the Rebel and bought a black body XT (we know very subjective here)


• We miss a second dial for aperture if we work in manual mode (90% of the time actually)


• Shutter noise way lower than 20D


• Instant review is as fast as 20D, D70, 1Ds Mk. II


• Shutter lag no problem (we don't measure it though)


• The XT features mirror lockup (Canon really listened)'

Imaging Resource has a good user review of the Canon Digital Rebel XT and writes - 'There's no question that the Canon Digital Rebel XT is a leap ahead, offering a quality SLR in a very small package. I think it'll be ideally suited for its target market, which is the family shooter who wants to catch the kids at play. It'll give you more of what you need to catch action at sporting events and is a good size for the traditional keeper of family photographs, the mom. Those who think the smaller size will be a burden can still choose the original Digital Rebel, now available in a kit that includes the lens for around $800. You can also buy the new BG-E3 battery grip, which you can load with less expensive AA batteries if you like. Since humans are vertical, shooting vertical is a great way to eliminate clutter in the background, so buying and using this grip by default would immediately improve your people photography. For travelers wanting a powerful digital camera with a spectacular imager, and the option of a few different lenses, you'll not find a more portable SLR, and certainly not a more capable one anywhere near its size or price range.'

Photo.net also has a good user review of the Canon EOS Digital Rebel XT and writes - 'It looks very much like the image quality of the Digital Rebel XT is up to that of the EOS 20D. It's also evident from using the Digital Rebel, that it's a Rebel, i.e. a camera aimed at the consumer entry level, while the 20D is clearly aimed at the more experienced and serious photographer. Ultimately in many respects the cameras will be capable of yielding almost identical results, it's just that doing it with the 20D will be a little easier. Of course there are things the Digital Rebel doesn't do as well. It has a slower frame rate, a smaller JPEG image buffer, a lower capacity battery, the AF system is different and, as mentioned, the viewfinder is smaller. However for many people saving $400-$500 will make up for all those things. Personally, I'd buy the 20D, but that's just me. Many people will buy the Digital Rebel XT and be very happy with it.'

Steves Digicams reviews the Canon EOS Digital Rebel XT / EOS 350D and writes - 'The Digital Rebel XT's 12 exposure modes are easily selected by a turn of the top-mounted Mode dial. These exposure modes cover virtually all the shooting conditions you'll ever encounter and are: Full Auto, Portrait, Landscape, Close-up, Sports, Night Portrait, Flash Off, Program AE, Shutter speed-priority AE, Aperture-priority AE, Manual and Auto Depth-of-Field AE. The camera's ISO sensitivty range is 100, 200, 400, 800 and 1600, Canon raised the Auto ISO setting to include ISO 400 in order to help improve image quality, reduce camera shake and brighten the scene behind the subject when taking a flash photo.'

Digital Photography Review has a review of the Canon EOS 350D / Digital Rebel XT Review and writes - 'So it's clear, the EOS 350D is a great successor to the EOS 300D, it puts right many user complaints, it delivers a smaller and lighter camera which feels better put together and delivers an increase in resolution. Image quality is just as good as the more expensive EOS 20D, if you can live with the differences between the two the money saved could buy you a very nice lens. The upgrade decision for existing EOS 300D owners is definitely more difficult, the increase in resolution from six to eight megapixels really isn't that significant but some of the new features, improved performance and reduction size and weight are.'

Gordon Laing has published a great review of the Canon EOS 350D / Digital Rebel XT review and writes - 'The prospect of upgrading a camera which is less than two years old can be a bitter pill to swallow, and if you're happy with your 300D or 10D, then our best advice is to stick with it. Sure, the extra two megapixels on the 350D are nice to have, but unless you're making very large prints or tight crops, you won't notice much difference. Similarly, the smaller dimensions and weight of the 350D may be welcomed by most photographers, but unless you're an avid climber or walker who values every ounce, you could probably live with your old camera.

Probably the biggest difference between the 350D and its 6 megapixel predecessors though is the handling speed. Again if you never really noticed the time it took for the 300D and 10D to startup, stick with what you've got, but if you've cursed this delay then the 350D's speed could be sufficient to justify an upgrade.'

BIOS reviews the Canon EOS 350D DSLR and writes - 'Canon's EOS 350D Digital (Digital Rebel XT in the US) combines ease of use, a robust design, and many of the same compelling technologies found in Canon's professional series EOS cameras, making it an excellent camera for the money. Image quality is up slightly on its predecessor thanks to a new CMOS sensor and improved DIGIC image processing, its high-ISO performance was impressive, and its low shutter lag and nearly instant power on time will prove popular for impulsive snappers. For travellers wanting a powerful digital camera with the option of different lenses, you'll not find a more portable or capable SLR in this price range.'

Creative Pro reviews the Canon EOS Digital Rebel XT Camera and writes - 'It's kind of sad, really. When it comes to image quality, Canon has set the bar so high that there's no real surprise about the XT's output. It's great. (The truly newsworthy event would be if Canon released an EOS camera with lousy image quality.)

Seemingly identical to the 20D's image quality (though 48 x 36 pixels smaller), the XT excels in all shooting situations. With an ISO range of 100 to 1600, it lacks the 20D's additional 3200 ISO, but delivers images with even less noise than the original Rebel. With the XT, shooting at 1600 ISO delivers noise roughly equivalent to what the original Rebel would deliver at 800.'

PC Magazine reviews the Canon EOS Digital Rebel XT and recommends - 'The Canon EOS Digital Rebel XT is a superbly crafted camera that will please nearly anyone with any interest in photography�from those who want to set their camera on auto to those who want to experiment. And by keeping the price under $1,000, Canon ensures the continued popularity of its Digital Rebel line. This camera provides a truly excellent value, and we wholeheartedly recommend it.'

Lets Go Digital Reviews the Canon EOS 350D Digital Camera and writes - 'The Canon EOS 350D overall quality is excellent. Especially the application of the DIGIC II processor gives the camera indeed a surplus-value. This processor is used by Canon on a broad range and it certainly pays off. The Canon 350D's responses under various circumstances are incredibly impressive. Action, portrait, indoors and outdoors images, snapshots or precise macro images, the Canon EOS 350D is a versatile camera with easy access and captures all these images effortlessly. '

Megapixel reviews the Canon EOS 350D - XT and writes - 'Considerably smaller than the original digital Rebel/EOS 300 D, the Rebel XT/EOS 350D should be very attractive to those tempted by the image quality and lens interchangeability of a digital SLR, but who find most of these cameras too bulky. Indeed, to date only Pentax's *ist DS is comparable to the Rebel XT in terms of size, and the new Rebel XT, building on the excellent reputation of the first digital Rebel, could well become the new yardstick for non-professional digital SLR's.'

CNET Reviews has a review of the Canon EOS Digital Rebel XT and writes - 'The Canon EOS Digital Rebel XT (known as the EOS 350D outside the United States) represents a leap forward from its predecessor, the original Digital Rebel, offering more than one might expect from the addition of a couple consonants to the name. The XT is a zippy performer. It offers more creative control than its predecessor and boasts an 8-megapixel CMOS sensor and Canon's Digic II processing engine. Canon touts its smaller, lighter body as well; it's nearly as small as you can get in a digital SLR. But while that might appeal to the small handed and nimble, the XT's compressed, lightweight, and slightly chintzy-feeling frame will be a hindrance to others who prefer a solid grip and a balanced camera body--particularly if they're using a lens any heavier than the mediocre 18mm-to-55mm f/3.5-to-f/5.6 unit included in the kit. In terms of image quality, the Rebel XT is a bargain, delivering wonderfully detailed and colorful images for a competitive price. While the Rebel XT lacks some features found on the more solid and slightly pricier Nikon D70, the XT is the clear winner when it comes to resolution and dynamic range.'

ephotozine reviews the Canon EOS 350D and writes - 'The Canon EOS 350D is a very capable camera providing all the common features needed to get started photographing with a digital SLR. The 18-55mm EF-S lens bundled with it is the biggest disappointment, a better lens is needed to really get the most out of this camera. Images taken at high ISO sensitivities display low amounts of noise, and the autofocus is quick, accurate and easy to use. This camera is ideal for a beginner looking for a high quality digital camera that allows plenty of scope for more advanced techniques as their ability grows.'

Feb 16: Nikon Face-priority AF

Today Nikon updated its Coolpix range with the release of 5 new cameras, the Nikon Coolpix 4600, Nikon Coolpis 5600, Nikon Coolpix 5900, Nikon Coolpix 7600 and Nikon Coolpix 7900. One of the interesting selling points of these digital cameras is the new inbuilt editing and sensing capabilities including Red Eye Reduction (which detects and fixes red eyes in camera), 'D-Lighting' (which in playback mode detect underexposed parts of the image and enhances them) and 'Face Priority AF Function' which senses a face in an image and ensures it is in focus.

Nikon Press Release: Face-priority Auto Focus Industry Leading Technology Featured in New COOLPIX 7900, 5900 and 7600, Compact Digital Cameras

Tokyo — Nikon Corporation is pleased to announce an exciting new technology that makes it easier to take high-quality, sharply focused portraits. Called Face-priority AF (Autofocus), this technology is an industry first and will be initially available on the new COOLPIX 7900, the COOLPIX 5900 and the COOLPIX 7600 compact digital cameras.

Nikon’s newest built-in technologies have set a trend that helps make better pictures with less effort a reality; they’re for making picture taking easier and more effective. While built-in automation has long assured good results, Nikon’s introduction of a new generation of industry leading built-in automatic technologies such as One-Touch Transfer button, In-Camera Red Eye Fix, Scene Assist and D-Lighting facilitate even better results and easier operation. With these newest built-in technologies, the fix is in the camera, and with the announcement of Nikon’s next leadership built-in technology, the next level of exciting picture taking will be achieved.

The Face-priority AF function uses the latest digital technology to automatically detect a person’s face at typical portrait taking distances, then, operating based on real photographic techniques, activates autofocus to focus upon the face area!

Here’s how it works: when you’re ready to take a portrait, select the camera’s Portrait Mode and Face-priority is automatically activated. A special digital detection program will scan for facial details and then control autofocus operation based on the location of the detected face in the scene. Even if the subject moves, or as the photographer recomposes the picture, Face-priority AF will respond and keep focus on the subject’s face. Manual techniques that formerly required the photographer to use focus lock can be avoided in favor of the new automation of Face-priority AF. It’s faster, responsive to creative composition, and makes portrait picture taking easier than ever.

Based on detection of facial characteristics and general scene arrangement, the technology can detect when the camera is composed for vertical or horizontal composition and works effectively even if the composition is a little tilted. Even when the subject’s distance changes within the typical portrait distance, Face-priority AF will continue to operate.

To use the new technology, Select Portrait Mode on the camera’s mode dial and Face-priority AF will be automatically selected. Compose on the person, which must have their face towards the camera, then, ½ depress the shutter button to activate the camera. As Face-prioity AF activates, a square outline on the camera’s LCD will appear around the face, confirming operation; if the photographer decides to recompose the image, Face-priority AF will track the subject’s facial area and will confirm the moving subject by changing color for the square outline and keeping the square outline around the face. When there are two or three people in the scene, Face-priority AF will operate using closest subject priority and the square confirming outline will indicate the closest person in the scene’s composition.

Taking a portrait is not a static, always the same situation. Picture taking varies with the photographer’s creativity. So, each Nikon model that features Nikon’s new Face-prioity AF, will also include Nikon’s popular Scene Assist Mode and Multiple AF sensing areas such as those featured in 5-area automatic focus function or 99-area manual focus selection in the new COOLPIX 5900 and 7900 models as well! Portrait Mode picture taking will be effective and a more exciting part of anyone’s picture taking enjoyment.

* Note: Face recognition capability may be limited in some shooting conditions. For example, the camera may not recognize a face if it is too near or far from the camera, or if some portion of the face is obstructed, such as when a person is wearing sunglasses. Face-priority AF indication outline is visible only on the camera’s LCD panel, and is not visible in the optical viewfinder.

Nikon Corporation has succeeded in bringing this new technology to the market through working closely with Identix (USA – Nasdaq: IDNX). The incorporation of Identix’ industry-leading facial recognition technology, FaceIt® was critical to enabling Nikon’s latest digital photography feature. Dr. Joseph Atick, president and CEO of Identix commented:

“As a leading innovator in camera technology and user friendly features, Nikon is consistently associating itself with many firsts in the history of modern photography. We are proud to collaborate with Nikon on this industry first and to provide our advanced face-finding biometric technologies for the consumer market. Our industry-leading FaceIt face recognition technology is being incorporated as a feature in the new COOLPIX cameras to provide users with an entirely new and convenient photographic experience. We look forward to working closely with Nikon in their quest to continually improve the customers’ experience with their products.”

The new Face-priority AF function is one more example of how Nikon continues to build on the success of the COOLPIX selection of compact digital cameras — making the COOLPIX ever more user friendly and capable of producing better pictures with ease through Nikon built-in technologies.

Every COOLPIX camera model is packaged together with Nikon PictureProject software, designed to help any photographer Organize, Edit, Design and Share their pictures with family and friends. PictureProject … a perfect companion for Nikon photography!

Feb 16: Nikon D2Hs DSLR

The Nikon D2Hs is a new professional Digital SLR from Nikon just announced in the lead up to the PMA show in Orlando. The Nikon D2Hs takes their D series of DSLRs to the next level

Lets Go Digital's PMA report's Nikon D2Hs page has the word on the D2Hs and writes:

'The Nikon D2Hs performs continuous shooting of 50 photos with 4.1 effective Megapixels at a speed of 8fps. Not only inherits this digital SLR all the good things from its predecessors, it also benefits from the new technologies and advances in the development of the recently announced Nikon D2X digital SLR for professional photographers. The impressive range of exclusive functions deliver speed, response, resolution and operation which makes the Nikon D2Hs an ideal camera for professional photographers and sports photographers.'

DP Review also has a good preview of the Nikon D2Hs

Nikon News Release
The professional digital SLR for action and sports, featuring ultra-high speed, high image quality, and maximum efficiency

TOKYO – Nikon Corporation is pleased to announce the introduction of a professional digital SLR camera that delivers high speed, high precision, and improved handling for action photography: the Nikon D2Hs.

Since the launch of the D1 series and successful introduction of the Nikon DX Format in 1999, Nikon has been conducting extensive research into the needs of photographers in every field and discipline. This research, coupled with painstaking analysis of feedback from Nikon users worldwide, has led to a string of technological and design innovations for the Nikon DX Format aimed at enhancing system performance for the serious photographer.

Capable of shooting at 8 fps for a continuous burst of up to 50 images at 4.1 effective megapixels, the D2Hs inherits the best of its predecessors while also benefiting from new technologies and feedback from advances made in developing the recently announced D2X digital SLR for professionals. This impressive array of exclusive features deliver the speed, response, resolution and handling to establish the D2Hs as the professional’s choice in photojournalism and sports photography.

The enhanced accuracy of digital processing in the ASIC provides smoother shading in gradual color changes, important for subjects, like a blue sky with very subtle tone changes within the blue range.

The D2Hs supports the sYCC color profile found in many of the latest printers. This means that the wider range of colors can be reproduced for printing JPEG data than the conventional sRGB color profile.

The D2Hs also adopts a combination of image-processing technologies and 3D-Color Matrix Metering II improved with new algorithms initially developed for the D2X, making it possible to capture beautiful images that will fulfill photographers’ needs for action photos with rich detail, color and smooth tone range.

Class-leading performance features inherited from its predecessor, the D2H include instant start-up, an almost imperceptible shutter time lag of just 37ms, and an improved implementation of the 11-area autofocus system, all of which enable the user to concentrate on shooting without being distracted by the time-consuming process of obtaining the most suitable settings for the best possible result.

Improvements to the large 2.5-inch LCD monitor include higher resolution of 232,000 pixels and clear, flicker-free display of images and information. The Histogram display is improved, while new selectable RGB Histogram displays make color channel-specific exposure confirmation quick, easy and accurate. Other handy displays have also been added, including the World Time function and the chronological Recent Settings list.

As part of Nikon’s Total Imaging System, the D2Hs is compatible with Nikon’s growing family of digital-exclusive DX Nikkor lenses as well as the lineup of high-quality Nikkor AF lenses. When used with the SB-800 or SB-600 Speedlights, the D2Hs maximizes the potential of Nikon’s Creative Lighting System with high precision flash performance, including i-TTL flash control and support for Nikon’s Advanced Wireless Lighting system.

The D2Hs is compatible with the new IEEE802.11b/g Wireless Transmitter WT-2/2A, providing faster image transmission with improved security and compatibility with the latest protocols, as well as offering capability for wireless remote control of the D2Hs from a computer with Nikon Capture 4 version 4.2.1 (optional) software installed. Of course, support is also maintained for the Wireless Transmitter WT-1/1A developed for the D2H.

Another feature adopted from D2X development is support for GPS devices, which can connected using the optional new MC-35 cable to include in the shooting data information such as latitude, longitude and altitude at the time of capture.

Bundled with the D2Hs is PictureProject, an easy-to-use software application for managing, editing and sharing image files. The D2Hs is also compatible with Nikon’s own photo-finishing application Nikon Capture 4 version 4.2.1 (optional), a convenient tool for professional photographers. Nikon Capture 4 version 4.2.1 has been enhanced with faster processing, improvements to image processing functions, as well as several new functions.

The design of the camera’s ergonomic styling is adopted from one created by famed industrial designer Giorgetto GIUGIARO exclusively for a new generation of Nikon camera.

Nikon D2Hs Major Features
LBCAST image sensor with 4.1 effective megapixels
Nikon's exclusive DX Format JFET image sensor LBCAST (Lateral Buried Charge Accumulator and Sensing Transistor array) combines optimized resolution and speed to deliver image quality and high-speed performance.
 
Advanced new image processing engine produces high quality images
The new image-processing engine adopts advances from the D2X to further improve image quality. Increased quantization precision when processing the data from the LBCAST sensor improves image quality to produce finer gradations with consistent and smooth transitions.
 
High-speed continuous shooting at 8 fps for up to 50 consecutive shots
The speed achieved by the LBCAST sensor and image processing makes it possible to shoot continuously at 8 frames per second for up to 50 consecutive JPEG or 40 RAW (NEF) shots. The increased speed of the buffer memory improves recording speed as well as the speed of writing files to CompactFlash™ (CF) memory cards.
 
3D-Color Matrix Metering II
Refinements to the exposure metering system achieve higher precision in calculating optimum exposure from the data supplied from the 1,005-pixel RGB Exposure/Color Matrix Metering Sensor, even when shooting under challenging conditions.
 
Precise white balance
Advanced Auto White Balance (AWB) and Auto Tone Control (ATC) systems combine the advantages of three sensors – Nikon's 1,005-pixel RGB Exposure/Color Matrix Metering Sensor, the LBCAST image sensor, and the external Ambient Light Sensor – to effectively handle even complicated lighting conditions. Full manual white balance control options include white balance presets and the direct setting of Kelvin color temperature. In addition, white balance bracketing can also be performed using up to nine frames for a single shot.

Faster, higher precision 11-area AF system
Refinements to the system's AF and lens drive algorithms further improve focus precision, subject acquisition, and subject tracking. Nikon's advanced Multi-CAM 2000 AF Sensor Module features eleven widely spread AF sensors, of which nine are cross-type sensors, broad detection range and a selection of four flexible operating modes. The high precision and speed of the D2Hs's AF system also contributes to achieving high-speed continuous shooting.
 
High-speed wireless data transfer and camera control
The D2Hs is compatible with both the original Wireless Transmitter WT-1/1A that expanded photographic possibilities and with the optional Wireless Transmitter WT-2/2A, which supports IEEE 802.11g for faster transfer speeds as well as IEEE 802.11b networks. The WT-2/2A also strengthens wireless security options and supports a wider variety of network protocols, including the new PTP/IP protocol that realizes wireless Capture Control from a computer running Nikon Capture 4 (Ver. 4.2.1 or later).
 
sYCC color space support
Support for sYCC color space produces JPEG files that can fully exploit the output capabilities of the latest color printers and use a gamut wider than sRGB to achieve optimum print quality. The D2Hs also continues to feature three available color modes, which are optimized by the advanced color reproduction system to best match the specific assignment and workflow environment. Color Modes I and III use the sRGB color space, while Color Mode II uses the wider gamut of the Adobe RGB color space.

JPEG and RAW (NEF) combination filing system
The option to simultaneously record RAW (NEF) and JPEG files to the CF card for the same shot makes it possible to streamline workflow operations. JPEG files can be used when faster transfer or delivery is the priority, while NEF format is a convenient option for high-quality applications that allows non-destructive editing and changes.
 
GPS connectivity expands applications
The latitude, longitude, altitude and UTC (Coordinated Universal Time) at which a shot is taken can be recorded from a GPS unit to the image's metadata. GPS units that comply with the NMEA 0183 (ver.2.01) interface standard can be connected using the optional GPS cable (MC-35).
 
High-resolution 2.5” LCD
A large new 2.5-inch LCD monitor with a higher resolution of 232,000 pixels adds an all-digital interface for clear, flicker-free display of images and information. Displays include preview images at up to 15x magnification, an improved histogram display, and new selectable RGB Histogram displays make exposure confirmation quick, easy and accurate for each of the Red, Green and Blue color channels, or for RGB.
 
New World Time and Help menus improve operational ease
The World Time menu makes it easy to select the local time from a world map displayed on the LCD monitor, a handy feature for globetrotting professionals. Also new is the chronological Recent Settings list, as well as available help dialogs that describe menu settings.
 
Immediate response & ultra-short 37ms shutter lag
Instant power-up and a class-leading shutter release time lag of a mere 37 milliseconds combines with optimized systems throughout to maximize all-round performance and deliver the response needed to handle even challenging professional assignments.
 
Body design aimed at efficient handing, durability, and resistance to dust & water
The D2Hs inherits the refinements made to the controls and buttons on the D2X for easier operation. The body design is optimized for handling efficiency and, along with the highly durable shutter unit, mirror balancer and other internal mechanisms, to stand the rigors of professional assignments while protecting against drops of water.
 
Advanced lithium-ion battery system for more shots per charge
Revised battery check algorithms help the high-energy EN-EL4 rechargeable lithium-ion battery to power the D2Hs for approx. 2,900 shots per charge. Accurate real-time battery system status displays include the remaining battery level, the number of shots taken since the last charge, the overall status of the battery's service life, and notification when calibration is necessary.
 
Practical output interfaces
The USB 2.0 (Hi-Speed) interface allows for fast transfer of images to a computer or external storage device. PictBridge support makes it possible to print directly to any compatible printer. And, the supplied Audio Video Cable allows for playback on external devices, including playback of recorded voice memos, which can each be up to 60 seconds in length. Voice memos can also be played back via the built-in speaker.

Full integration with Nikon’s Creative Lighting System
Seamless operation with the SB-800 and SB-600 Speedlights takes full advantage of i-TTL flash control's advanced monitor pre-flash method, accurate measurement when using bounce and robust wireless operation to fully exploit features of the Creative Lighting System such as Advanced Wireless Lighting, Flash Value (FV) Lock, AUTO FP High-Speed Sync, and Flash Color Information Communication. The D2Hs is also compatible with the SB-80DX, SB-50DX, and other earlier Speedlights that use D-TTL flash control.
 
Compatible with the extensive selection of DX Nikkor and AF Nikkor lenses
The Nikon F lens mount assures unprecedented compatibility with the expanding family of digital dedicated DX Nikkor lenses as well as Nikon’s comprehensive lineup of more than 50 different AF and AF-S Nikkor lenses, which feature high-performance technologies such as VR (Vibration Reduction) functions, Silent Wave Motors (SWM), and ED glass elements. Long favored by professionals for their outstanding autofocus performance, superb color, high contrast and razor-sharp images, over 35 million Nikkor lenses have been sold to date.
 
Supplied PictureProject software supports personal pleasure
PictureProject's intuitive user interface provides fast and easy access to the basic image management, editing and sharing tools that add to the enjoyment of the digital photography experience. Features include automatic file import, drag-and-drop organization, design layout templates, CD/DVD burning, and plug-in filter support for feature set expansion, (with a RAW plug-in supplied).
 
Nikon Capture 4 (Ver 4.2.1) for professional workflow support
The optional Nikon Capture 4 (Ver.4.2.1) software package delivers a unique, powerful and expandable environment that provides full control over RAW (NEF) and the color-controlled workflow environment that professionals require. Version 4.2.1 incorporates outstanding new tools that further increase productivity and creative control, while it also improves the speed of data processing. Nikon Capture 4's Remote Camera Control function can control most shooting settings and trigger the camera's shutter release remotely, either connected via the USB 2.0 Hi-Speed interface, or using the optional Wireless Transmitter WT-2/2A. (PTP/IP wireless camera control requires Windows XP or Mac OS X.)

Feb 16: Nikon Coolpix 4600

The Nikon Coolpix 4600 is the lowest end digital camera to be announced by Nikon today but by no means is it without any decent features. It is a 4 megapixel camera with a 3x Optical Zoom ultra compact camera that has a 1.8inch LCD monitor.

The Coolpix 4600 features 'D-Lighting' a new Nikon exclusive feature that allows some editing of images lighting conditions in camera as well as an automatic red eye reduction feature that detects and edits red eyes in camera. Another innovation from Nikon in this model is a camera shake warning.

Get the Latest Price on the Nikon Coolpix 4600

Nikon Coolpix 4600 Reviews

DigiCam Review has a good review of the Nikon Coolpix 4600 and writes - 'The Nikon Coolpix 4600, has some very appealing qualities, it's compact size, red-eye reduction, blur warning, lots of scene modes, built in help, a 3x optical zoom lens, a 1.8“ screen, a 4 megapixel sensor, and a very good macro mode. Another bonus is that the camera takes AA batteries, something quite rare for compact cameras. The camera has very good image quality - however the camera is let down by purple fringing, and a lack of sound on videos. The Nikon is very good value for money especially for a Nikon - it's a real shame it doesn't record sound on videos - but if you're not interested in videos then this would make a very good digital camera.'

Buy the “Nikon Coolpix 4600 4MP Digital Camera with 3x Optical Zoom”

The PMA report writes about the Nikon Coolpix 4600 Digital Camera saying:

'The Nikon Coolpix 4600 is ultra compact and light as a feather. The size of the camera simply asks for being carried around everywhere and always. The Nikon 4600 is equipped with a series of useful preset scenes. Four scenes are even equipped with a handy composition assistance. These preset scenes come in very helpful and prevent the user from thinking too much about how to adjust camera settings. Preset scenes are easy to use: simply select a scene that fits the subject best, like Sunset or Portrait, and have the camera selecting the optimum settings itself. Newly added is the so-called underwater mode.'

Steves Digicams has a review of the Nikon Coolpix 4600 and writes - 'Shooting performance was good for a camera in this class. Power up to first image captured measured 3.1 seconds. Shutter lag measured 1/10 of a second when pre-focused and 3/10 of a second including autofocus. The shot to shot delay averaged about 1.7 seconds between frames without the use of the flash and between 7 and 10 seconds with the flash. While the flash is recharging the LCD goes blank, which I found quite aggravating. There are two Sequential shooting mode to choose from (Continuous, Multi-shot 16.) With Continuous mode, I was able to capture 5 frames in about 3 seconds. Multi-shot mode captures 16 frames, then makes a single 5M/Fine image out of all 16 frames. Using this mode, I was able to capture 16 frames in under 7 seconds. The LCD viewfinder briefly displays the last image captured in all Continuous modes; you'll prefer to use the optical viewfinder if your subject is moving. All test were done using a SanDisk 256MB Ultra II SD card, using 4M/Fine size/quality, welcome screen off, preview off, and all other settings at default (unless otherwise noted.) Times may vary depending on lighting conditions, camera settings, media, etc.'

PhotographyBLOG reviews the Nikon Coolpix 4600 and writes - 'The Nikon Coolpix 4600 is a compact, stylish and easy-to-use point and shoot digital camera. The scene modes are both numerous and advanced in their implementation and will really help the beginner, and the in-built help system, although limited, will also prove useful. The Nikon Coolpix 4600 has a couple of new features that aim to make the photographer's life easier, both of which work well. D-Lighting was very effective, offering an in-camera solution for revealing detail in the shadow areas of an image without also over-exposing the highlights. The Red-Eye Reduction feature also worked as promised, with little evidence of red-eye.'

CNET Reviews the Nikon Coolpix 4600 and gives it a rating of 6.0 out of 10. They write - 'Like a brother or a sister who might be mistaken for a twin, Nikon's new entry-level point-and-shoot digital camera is nearly identical to its more expensive sibling. Outwardly, the Nikon Coolpix 4600 and the Coolpix 5600 look exactly the same, but the 4600 has a 4-megapixel sensor instead of the 5600's 5.1-megapixel chip. And while the 4600 has the same video specs as the 5600, it doesn't record video with sound. Like the 5600, the 4600 has several novice-friendly features, including Blur Warning, D-lighting, and Best Shot Selector, which provide automatic solutions to problems you might otherwise solve with manual settings. This camera, however, doesn't offer manual settings because its likely owners aren't interested in fiddling with them. Add the Coolpix 4600's small size, solid construction, and 3X optical zoom, and you have a camera that's worth considering if you're a casual snapshot photographer on a tight budget. '

Learn more about the Nikon Coolpix 4600 from the following news release from Nikon announcing it and the coolpix 5600

Nikon Coolpix 4600 Press Release:

Two highly sophisticated, high-quality compact digital cameras with a wealth of easy-to-use features and the ability to achieve exceptional results.

Tokyo — Nikon Corporation is pleased to announce the introduction of the COOLPIX 7900 and COOLPIX 5900. Two superior quality compact digital cameras with the power to take highly impressive images, they also feature appealing exterior designs and boast a range of convenient functions and features that are highly advanced, yet easy to use.

For easier composition and anytime viewing, the COOLPIX 7900 and COOLPIX 5900 feature a large 2.0-inch amorphous silicon TFT LCD monitor. Bright and clear, this makes it easy to view images at any time. It also makes it much easier to navigate the new Graphic User Interface (GUI), which has been specially designed to allow the user to select functions on the main menu by either name or icon. There’s also a Help button, which can be pressed to display a straightforward explanation of each function on the main menu and the cameras can be configured to display the menu in a choice of 11 languages.

For impressive imaging performance, the COOLPIX 7900 and COOLPIX 5900 both feature a 3x optical Zoom-Nikkor ED (Extra-low Dispersion) lens with a focal range equivalent to that of a 38-114mm lens in 35mm format. They also offer the imaging advantages of 7.1 and 5.1 effective megapixels respectively and a 1/1.8-inch CCD. As a result of these factors, impressive quality is retained even when images from the COOLPIX 7900 are enlarged to A3 dimensions and when images from the COOLPIX 5900 are enlarged to A4 size.

As for speedy performance, the COOLPIX 7900 and 5900 offer continuous shooting at approximately 1.7 and 2fps. They also feature high-precision Multi AF with a choice of 99 manually selectable areas, 5 choices for Auto select AF and the advantage of the new Face-priority AF function*, which can be easily selected when using the Portrait Scene Mode. As its name suggests, Face-priority AF ensures crisp focus when shooting portraits by automatically sensing the presence of a human face in the frame and setting accurate focus accordingly.
* Face recognition capability may be limited depending on the shooting conditions.

Nikon has also turned its ingenuity to reducing power consumption, allowing the COOLPIX 7900 and 5900 to take significantly more shots per battery than other compact digital cameras. In fact, the COOLPIX 7900 is able to take an impressive 220 shots (approx.) with a single fully charged EN-EL5 battery, while the COOLPIX 5900 is able to shoot as many as 270 (approx.). Both cameras are also compatible with widely available disposable CP1 lithium batteries.

Like all the other models in Nikon’s exceptionally popular COOLPIX range, the COOLPIX 7900 and 5900 make shooting much more simple in a range of common situations through the incorporation of Scene Modes. Both cameras offer four Scene Modes that feature Scene Assistance and there’s also a new Underwater Scene Mode that brings the total choice of Scene Modes up to 16. Intended for use with the Waterproof Case WP-CP4, the Underwater Scene Mode enables true-to-life colors to be captured when taking shots while snorkeling or scuba diving. Like all the other Scene modes, operation is extremely easy. Simply select the Scene Mode that best matches the subject, then point and shoot for optimal results — it is that simple. Both cameras are also ideal for capturing action too. Both the COOLPIX 7900 and 5900 have the power to record VGA-size movies with sound at a smooth rate of 30 frames per second.

Perhaps one of the most impressive features of both cameras is Nikon’s innovative D-Lighting function, which adds light and detail to dark areas of shots, while keeping brighter areas just as they are. Nikon’s In-Camera Red-Eye Fix function is another advantage that allows the quality of the shot to be improved after the fact — automatically detecting, then correcting red eyes in-camera to turn shots affected by flash into pleasing night portraits. In addition to these exceptional features, the COOLPIX 7900 and 5900 also feature a handy Blur Warning function that alerts the user immediately whenever an image is blurred due to camera movement. This enables the user to recompose and shoot again before leaving the scene of the shot. The BSS function (Best Shot Selector) is also beneficial in similar circumstances — it allows several shots to be taken and the best shots to be kept. The COOLPIX 7900 is available in both black and silver while COOLPIX 5900 in silver**.
** Availability of body colors may differ by country or area.

Nikon will also be complementing the excellent performance of these new additions to the COOLPIX range with the release of the latest version of Nikon’s unique PictureProject software. Enabling the user to edit, organize and share images with greater speed and ease, PictureProject comes bundled with both cameras.

Sales release schedule: The COOLPIX 5900 is scheduled for release in February 2005. The COOLPIX 7900 is scheduled for release in March 2005.

Note: Specifications, design, product name, standard accessories, and release schedule may differ by country or area.

Nikon E7900/E5900 Feature Highlights

Comfortable, compact and sophisticated
The compact COOLPIX 7900 and COOLPIX 5900 simply exude superior sophistication, priming the user to expect images with a distinctive level of quality. They also inherit the same grip as their predecessor COOLPIX 5200 and COOLPIX 4200, adding a sense of comfort to the digital shooting experience. Furthermore, the elegance of the COOLPIX 7900/5900 stems not only from their attractive lines and overall ergonomic appeal, but they are also available in eye-catching colors — with a choice of black and silver for the 7900 and silver for the 5900.
* Availability of body colors may differ by country or area.

Impressive imaging capability
The sheer quality of the exteriors is an excellent indication of the imaging capabilities of the COOLPIX 7900/5900. Each possesses a renowned 3x optical Zoom-Nikkor lens with ED elements (plus 4x digital zoom) to achieve high-level clarity with absolute minimal dispersion. The COOLPIX 7900/5900 offer the respective imaging power of 7.1 and 5.1 effective megapixels, enabling the capture of images with high-level definition that remains stunning even when considerably enlarged.

Accurate, yet easy and convenient
Despite their high-level sophistication and innovative, advanced features, the COOLPIX 7900/5900 are extremely easy to operate. With a newly designed Graphic User Interface (GUI) that enables the photographer to select functions by either name or icon, it’s so easy to access the desired functions in minimal time. With a large 2.0-inch LCD monitor, composition is made easy and recorded shots can be viewed at any time. The COOLPIX 7900/5900 also come complete with internal memory, enabling them to record images without the need for an SD memory card. And because both cameras have been designed to consume power at a significantly decreased rate, battery life is considerably extended. In fact, the COOLPIX 7900 can take approximately 220 shots* with a fully charged EN-EL5 battery, while the COOLPIX 5900 can take approximately 270 !*
* According to data obtained in accordance with CIPA standards.

Nikon E7900/E5900 Other Features

• Both models feature the same comfortable grip as their highly popular predecessor COOLPIX 5200/4200
• Compact dimensions of 88 x 60 x 36.5mm (3.5 x 2.4 x 1.4in.).
• Light weight of approx. 150g (5.3 oz.) (without battery and memory card)
• Selectable AF: 5-area Auto, 99-area Manual, Center-focus area selection available
• AF-assist illuminator can be switched on and off at will
• 256-segment Matrix Metering
• 7 manual white balance settings and White Balance Bracketing
• Direct printing with PictBridge compatibility
• 4 of the 16 Scene Modes offer Scene Assist (Portrait, Night Portrait, Sports, Landscape)
• World Time function allows local time to be set easily anywhere
• USB compatibility enables swift transfer of image data to computers
• Voice memo function records up to 20 seconds of sound that can then be attached to an image
• All main buttons located on camera back for easy operation
• 4x digital zoom capability
• Choice of Single AF and Continuous AF
• Options for playback: Single, 4- and 9-segment thumbnail, Slideshow, 10x magnification
• Built-in Speedlight: features settings for Auto, Red-eye Reduction by pre-flash, Anytime flash, Flash cancel and Slow sync.

Get the Latest Price on the Nikon Coolpix 4600

Feb 16: Nikon Coolpix 5600

The Nikon Coolpix 5600 is a 5.1 megapixel digital camera with a 3x Optical Nikkor Zoom lens. Like the other coolpix models released today it features an automatic red eye reduction editing feature as well as 'D-Lighting' (for in camera editing of poorly lit images). It also has a warning system that alerts the photographer if an image is taken that might be suffering from camera shake.

The Nikon Coolpix 5600 has 14MB of internal memory, takes SD cards for memory expansion and comes in silver, light blue or a light pink color.

Buy the “Nikon Coolpix 5600 5MP Digital Camera with 3x Optical Zoom”

The Nikon Coolpix 5600 is let down by a slow flash recycle rate and metering issues. However, it’s very easy to use, a good price and is able to produce some super shots in ideal conditions.'

Nikon Coolpix 5600 Reviews

PC World reviews the Nikon Coolpix 5600 digital camera and writes - 'The Coolpix 5600 earned high marks in our tests for its accurate reproduction of color and its well-balanced exposures. And though its battery life was shorter than that of some other units we've tested recently, the 5600 outlasted every other new model that uses alkaline batteries, taking photos for 2.5 hours on just two AAs.'

PhotographyBLOG reviews the Nikon Coolpix 5600 and writes -'The Nikon Coolpix 5600 is a compact, stylish and easy-to-use point and shoot digital camera. The scene modes are both numerous and advanced in their implementation and will really help the beginner, and the in-built help system, although limited, will also prove useful. The Nikon Coolpix 5600 has a couple of new features that aim to make the photographer's life easier, both of which work well. D-Lighting was very effective, offering an in-camera solution for revealing detail in the shadow areas of an image without also over-exposing the highlights. The Red-Eye Reduction feature also worked as promised, with no evidence of red-eye.'

Steves Digicams reviews the Nikon Coolpix 5600 and advises - 'The Nikkor 3x optical zoom lens produced sharp results throughout its range, with noticeable barrel distortion at wide angle, with virtually no pin cushioning at the telephoto end of the zoom range. The lens moves smoothly and quietly through its zoom range, but not continuously; I counted 19 steps between wide angle and telephoto, quite adequate for shot composition. Its 35 - 105mm (35mm-equivalent) zoom range is typical for a camera in this class, offering a sufficient field of view for portraits of individuals, small groups, and landscape shots, and enough telephoto magnification to bring your subject closer. The autofocus system complements the lens nicely, producing sharp images in most conditions, however it will fail in low-light situations; this is when an AF-assist lamp would come in handy.'

Imaging Resources has a review of the Nikon Coolpix 5600 and writes - 'Nikon's Coolpix line of consumer digicams has always been well-received, appreciated for their image quality and ease of use. The Coolpix 5600 continues that trend, offering a 5.1-megapixel CCD and nice range of preset scene modes. The Nikon Coolpix 5600 would be a good choice for anyone who wants an easy to use camera that delivers good-looking pictures with pleasing color and plenty of resolution. For those willing to delve just slightly deeper than “just pushing the button,” its extensive scene modes and unique framing-assist options greatly extend the camera's capabilities, making it easy to bring back good-looking shots of what might otherwise be difficult subjects. All in all, a good choice for the point & shoot user looking for an easy to use, compact digicam with a surprising range of capabilities. I would liked to have seen much better low-light focusing and exposure capability, less-noisy flash shots at distances greater than 9 feet, and less color left in images shot under incandescent lighting, but the bottom line is that I think a lot of consumers will be very pleased by the Coolpix 5600's photos, and it clearly goes the extra mile with its scene modes and framing assist options to help novice users bring home good-looking photos.'

Pocket Lint reviews the Nikon Coolpix 5600 digital camera and writes - 'My biggest gripe is saved for last however, and is reserved for the built-in Speedlight flash. Because the 5600 has limited sensitivity and a fairly modest maximum aperture range, the flash comes into play frequently, particularly indoors, but once fired, it takes an age to recharge (even with a fresh set of rechargeable NiMH AA’s in place), also locking the camera up and blanking the screen as it does so. As a snapping-style camera, this makes the 5600 a tad irksome to use as you wait for around three seconds for the files to write to memory and another five seconds for the camera to wake up after the flash has recycled.

PC Mag reviews the Nikon Coolpix 5600 and writes - 'The Nikon Coolpix 5600's compact form factor harks back to that of the Coolpix 775 (which debuted in 2001), a camera that was quick, light, and fun to use. For Nikon's follow-up, integrating two out of three of these qualities isn't bad, but it isn't so good, either. The 5600 is light and fun to use, but we take issue with its speed—specifically recycle time. That's a shame, because the 5600 (as well as the related 4MP Coolpix 4600 and 7MP Coolpix 7600) is nicely designed and fairly easy to use, and it gives users 16 accurate and versatile scene modes from which to choose.'

Digital Camera Info reviews the Nikon Coolpix 5600 and write - "The Nikon Coolpix 5600 packs a few cool features into a very traditional silver structure. Nikon advertises the camera’s D-Lighting, In-Camera Red-Eye Fix, and Scene Assistance functions as effortless alternatives to improve image quality. These functions do work to a degree and will help salvage some improper exposures; however, many of these flaws stem from the camera’s limitations that would not arise on other similarly priced models."

Learn more about the Nikon Coolpix 5600 from the following news release from Nikon announcing it and the coolpix 4600

Get the Latest Price on the Nikon Coolpix 5600

Nikon Coolpix 5600 News Release:

Two easy-to-use compact digital cameras that make shooting more fun and convenient!

Tokyo — Nikon Corporation is pleased to announce the introduction of the COOLPIX 5600 and COOLPIX 4600 — two new digital compact cameras with impressive image quality and packed with enhanced in-camera features that are easy to use, making them ideal for beginners of all ages.

With a comfortable grip, the COOLPIX 5600/4600 make the user feel at ease and ready to shoot right away. There’s also a range of features that enable beginners to start producing pleasing shots with confidence. A newly designed Graphic User Interface (GUI) allows the user to select functions by either name or icon. A handy “Help” button explains each menu function. Furthermore, both cameras display the menu in a choice of 11 languages. The COOLPIX 5600 and the COOLPIX 4600 feature a large, bright 1.8-inch LCD monitor that makes it easy to compose shots and to view the results. In addition to making operation even more convenient, both cameras have been designed to consume significantly less power — enabling the user to shoot almost twice as many shots with alkaline batteries, for example, in comparison with other entry level Nikon digital cameras.*

The advantage of 5.1 and 4.0 effective megapixels resolution enable the COOLPIX 5600 and COOLPIX 4600 respectively to deliver high image quality exceeding that of most entry level digital compact cameras. They also feature the advantage of a 3x optical Zoom-Nikkor lens — combining the freedom to compose in different ways with high-quality and reliability, and meanwhile supporting macro shooting from as close as 4cm (1.6 inches).

Furthermore, the COOLPIX 5600/4600 not only allow the user to achieve truly pleasing quality with minimal preparation, but they also stand apart from other cameras in their class with the handy ability to automatically improve the quality of recorded images with the touch of a button. Nikon’s exclusive D-Lighting function, for example, can be selected in Playback mode — automatically recovering and compensating for insufficient flash or excessive back lighting in order to obtain balanced exposure throughout the frame. Nikon’s Advanced In-Camera Red-Eye Fix, on the other hand, has the ability to automatically detect and correct red eyes in-camera in most situations. Both cameras are additionally equipped with Blur Warning, which alerts the user when a shot is compromised by camera shake, allowing another shot to be taken to achieve the optimal result.

Designed with a new high-density integration of key components, the COOLPIX 5600/4600 have been created with compact dimensions. They are also lightweight and easy to carry, making them even more attractive to the day-to-day user. To make operation even simpler, the COOLPIX 5600 and COOLPIX 4600 feature the same handy Scene Modes that have made the COOLPIX lineup such a success and four of them also feature Scene Assistance, enabling virtually anyone to achieve better composition. Scene Modes are easy to use — simply select the mode that most closely fits the subject, such as Sunset or Portrait, then leave the camera to select the appropriate settings automatically. The COOLPIX 5600/4600 also feature an entirely new “Underwater” Scene mode, which produces more satisfying, true-to-life colors when using the optional WP-CP3 waterproof case to shoot scenes while snorkeling or scuba diving. This exciting new addition increases the choice of handy Scene Modes to 16!

A choice of five Color Options allows the photographer to have more fun with digital photography, enabling them to select one before shooting to change the entire feel of a shot by making it sepia or black-and-white, for example. The COOLPIX 5600/4600 also have 14MB of internal memory, which enables images to be recorded without additional memory media. What’s more, they are compatible with SD cards, which enable a large number of shots to be stored and are widely available for purchase.

The COOLPIX 5600 and COOLPIX 4600 make it easy to capture action in an expressive manner with movie shooting capability. Both cameras offer a choice of three different movie modes — TV, Small and Smaller — and the COOLPIX 5600 has the ability to capture video with sound. They can also be easily connected to a TV, making it simple to share the results with friends or family.

Printing is made easy with the COOLPIX 5600/4600. PictBridge compatibility makes it possible to print directly to a compatible printer, without the need for a PC. Both cameras come bundled with Nikon’s own PictureProject software, which is user-friendly and offers a broad selection of versatile functions.

* Under CIPA-compliant test conditions, the Nikon E5600 and Nikon E4600 can shoot almost twice as many shots with alkaline batteries as the Nikon E4100.

Both cameras are compatible with the new dedicated waterproof case, WP-CP3, available as an optional accessory, offering sub-aqua shooting at depths of up to 40 meters.

Sales release schedule: Both cameras as well as the waterproof case, WP-CP3 are scheduled for release in February 2005.

Note: Specifications, design, product name, standard accessories, and release schedule may differ by country or area.

Nikon COOLPIX 5600/4600 Feature Highlights

Easy operation
The COOLPIX 5600 and COOLPIX 4600 are easy to use. In fact they’ve been designed to appeal not only to beginners of all ages, but also to people who’ve never even considered buying a digital camera before. With a redesigned graphic user interface that lets the user navigate functions by either name or icon, they enable the total beginner to find the right mode at the right moment to achieve pleasing results time after time. There is also a handy new “Help” button that displays a straightforward description for each selected function on the main menu. The COOLPIX 5600/4600 also feature a large 1.8-inch LCD monitor too with increased brightness — making it easy to compose shots and view recorded images at any time. As both cameras have been designed to consume much less power, it is possible to take almost twice as many images when using alkaline batteries in comparison with other entry level digital cameras. Add to these factors Nikon’s high-level reliability and a body design that makes the cameras more comfortable in the hand and it’s easy to see why the COOLPIX 5600 and COOLPIX 4600 are set to become highly popular among beginners and those with no prior interest in digital photography alike.

Shots that impress. Shots you can improve
You shouldn’t have to be an expert photographer to expect pleasingly sharp images with appropriate exposure. In fact, armed with powerful 3x optical Zoom-Nikkor 35-105mm* and 34-102mm* lenses and the clarity of 5.1 and 4.0 megapixels respectively, the COOLPIX 5600/4600 make it easy for even total beginners to produce shots they can be proud of. Furthermore, under certain common circumstances, they allow the user to improve the quality of the results in-camera. The handy Advanced In-Camera Red-Eye Fix function automatically detects, and then corrects red eyes in-camera, turning shots compromised by flash into pleasing night portraits. And the highly impressive D-Lighting function automatically recovers and compensates for excessive back light or insufficient flash — transforming the quality of such recorded images at the touch of a button.
* 35mm [135] equivalent.

Nikon COOLPIX 5600/4600 Other Features:

• Compact and easy-to-carry dimensions of 85 x 60 x 35mm (3.3 x 2.4 x 1.4 in.) (W x H x D)
• Light weight of approximately 130g (4.6 oz.) (without battery and memory card)
• Attractive, ergonomic grip for comfortable, confident shooting
• BSS (Best Shot Selector) automatically selects and saves the best exposure from ten sequential shots
• 4 of the 16 Scene Modes offer Scene Assistance (Portrait, Night Portrait, Sports, Landscape)
• Noise Reduction automatically achieves more faithful color reproduction in some Scene Modes
• Time zone function allows local time to be set easily anywhere
• USB compatibility enables swift transfer of image data to PC’s
• Voice memo function (not available on COOLPIX 4600) records up to 20 seconds of sound that can then be attached to an image
• All buttons located on camera back for easy operation
• 4x digital zoom capability
• Single AF and Continuous AF selectable in Movie Mode
• Choice of White Balance: Auto with TTL control, 5-mode manual (Daylight, Incandescent Fluorescent, Cloudy and Speedlight) and Preset
• Allows direct printing to PictBridge-compatible printers
• Options for playback: Single, 4- and 9-segment thumbnail, Slideshow
• Built-in Speedlight: features settings for Auto, Red-eye Reduction by pre-flash, Anytime flash, Flash cancel and Slow sync.

Feb 16: Nikon Coolpix 5900

The Nikon Coolpix 5900 is the little brother to the previously mentioned Coolpix 7900 digital camera. It combines a 5.1 megapixel sensor with a 3x Optical Nikkor ED (extra low disperson) lens.

The Nikon Coolpix 5900 has a large 2inch LCD TFT monitor and has a high performance multi auto focussing system, Face Priority AF mode (which detects faces and ensures they are in focus), 'D-Lighting' for in camera exposure editing in playback mode as well as automatic red eye reduction which detects and edits red eyes all in camera.

The Nikon Coolpix 5900 is housed in a silver metal casing and is shoots video at 30 fps at VGA quality resolution.

Buy the “Nikon Coolpix 5900 5MP Digital Camera with 3x Optical Zoom”

Digital Camera Info reviews the Nikon Coolpix 5900 and writes - 'In short, the Nikon Coolpix 5900 is a great buy at $349.95 (USD); you get all the frills of a more expensive camera (Nikon Coolpix 7900) at a lower cost. The only reduction that I can spot is a diminished megapixel count. With 5.1 effective megapixels and an all-glass 3x optical Nikkor zoom lens, performance should be solid. Applying a 2-inch LCD, a host of preset modes and some manual control options, along with an innovative help button, smart design and an intuitive menu system, the Nikon Coolpix 5900 is a great solution to your low budget digital imaging needs regardless of photographic competence.'

PMA report writes about the Nikon Coolpix 5900 Digital Camera:

'This model belongs to the new generation advanced Coolpix compact digital cameras. Keywords are: excellent quality with the capability of capturing superior images, superb design and comprehensive and advanced settings, with equal user friendliness. The Nikon Coolpix 5900 is equipped with a 5.1 effective Megapixel image sensor and features a 3x optical Zoom-Nikkor ED (Extra Low Dispersion) lens with a focal length equivalent to a 38-11mm lens on a 35mm camera. The high resolution guarantees photo-realistic prints in A4 and A3 format.'

PhotographyBLOG has just posted a review of the Nikon Coolpix 5900 and writes - 'The Nikon Coolpix 5900 is a compact, stylish and easy to use digital camera that produces great image quality. Noise and chromatic aberrations were both very well controlled, with only ISO 400 exhibiting a visible level of noise and hardly any evidence of purple fringing or other unwanted effects. The Nikon Coolpix 5900 also has some new features that aim to make the photographer's life easier, some of which work better than others. The Face-Priority AF feature sounds like a great idea, but in practice was slow to use and often focused on the wrong object in the scene. D-Lighting was much more effective, offering an in-camera solution for revealing detail in the shadow areas of an image without also over-exposing the highlights, although it does introduce some extra noise. The new Red-Eye Reduction mode also worked well with no red-eye present in any of the test shots. In addition the Nikon Coolpix 5900 is one of the most responsive digital cameras that I have reviewed, and is well-suited to capturing both static subjects and more fast-moving subjects such as your children or sports photography.'

Imaging Resource reviews the Nikon Coolpix 5900 Digital Camera and writes - 'As one of the smallest Coolpix models in the line (and one of the smaller digicams on the market), the 5900 is a combination of a fine Nikkor 3x ED glass optical zoom lens, a 5.1-megapixel CCD, and a range of automatic, preset shooting modes in a very consumer-friendly digicam. Automatic exposure control lets the camera take charge of all the picky details, although a handful of exposure options provides creative tools when you need them. With its diminutive dimensions, the Coolpix 5900 is great for travel, and the range of preset shooting and framing modes anticipates most common shooting conditions. The 3,072 x 2,304-pixel maximum resolution is high enough for making acceptable 11x17-inch photographic prints (or 8x10 prints with some cropping), while the 640 x 480-pixel resolution setting is perfect for sending email attachments over the Internet. The uncomplicated user interface means you won't spend much time learning the camera. Perfect for novice users or anyone looking for a point-and-shoot camera with a slick look, a few extra features, great ease of use, and sharp, colorful photos, the Coolpix 5900 could also serve as a great take-anywhere snapshot camera for more advanced shooters.'

CNET Reviews the Nikon Coolpix 5900 digital camera which they give a rating of 6.8 (good). They write - 'A smattering of gee-whiz features lifts this compact point-and-shoot model above the busy crowd of highly automated 5-megapixel pocket cameras. A less expensive stablemate of the 7-megapixel Coolpix 7900, the Nikon Coolpix 5900 shares its sibling's Face-Priority Autofocus, postshot shadow-brightening tool, help features, and blur detection, all of which spice up an otherwise mundane feature set.'

Get the Latest Price on the Nikon Coolpix 5900

Learn more about the Nikon Coolpix 5900 from the following Nikon News Release.

Nikon Press Release: Two highly sophisticated, high-quality compact digital cameras with a wealth of easy-to-use features and the ability to achieve exceptional results.

Tokyo — Nikon Corporation is pleased to announce the introduction of the COOLPIX 7900 and COOLPIX 5900. Two superior quality compact digital cameras with the power to take highly impressive images, they also feature appealing exterior designs and boast a range of convenient functions and features that are highly advanced, yet easy to use.

For easier composition and anytime viewing, the COOLPIX 7900 and COOLPIX 5900 feature a large 2.0-inch amorphous silicon TFT LCD monitor. Bright and clear, this makes it easy to view images at any time. It also makes it much easier to navigate the new Graphic User Interface (GUI), which has been specially designed to allow the user to select functions on the main menu by either name or icon. There’s also a Help button, which can be pressed to display a straightforward explanation of each function on the main menu and the cameras can be configured to display the menu in a choice of 11 languages.

For impressive imaging performance, the COOLPIX 7900 and COOLPIX 5900 both feature a 3x optical Zoom-Nikkor ED (Extra-low Dispersion) lens with a focal range equivalent to that of a 38-114mm lens in 35mm format. They also offer the imaging advantages of 7.1 and 5.1 effective megapixels respectively and a 1/1.8-inch CCD. As a result of these factors, impressive quality is retained even when images from the COOLPIX 7900 are enlarged to A3 dimensions and when images from the COOLPIX 5900 are enlarged to A4 size.

As for speedy performance, the COOLPIX 7900 and 5900 offer continuous shooting at approximately 1.7 and 2fps. They also feature high-precision Multi AF with a choice of 99 manually selectable areas, 5 choices for Auto select AF and the advantage of the new Face-priority AF function*, which can be easily selected when using the Portrait Scene Mode. As its name suggests, Face-priority AF ensures crisp focus when shooting portraits by automatically sensing the presence of a human face in the frame and setting accurate focus accordingly.
* Face recognition capability may be limited depending on the shooting conditions.

Nikon has also turned its ingenuity to reducing power consumption, allowing the COOLPIX 7900 and 5900 to take significantly more shots per battery than other compact digital cameras. In fact, the COOLPIX 7900 is able to take an impressive 220 shots (approx.) with a single fully charged EN-EL5 battery, while the COOLPIX 5900 is able to shoot as many as 270 (approx.). Both cameras are also compatible with widely available disposable CP1 lithium batteries.

Like all the other models in Nikon’s exceptionally popular COOLPIX range, the COOLPIX 7900 and 5900 make shooting much more simple in a range of common situations through the incorporation of Scene Modes. Both cameras offer four Scene Modes that feature Scene Assistance and there’s also a new Underwater Scene Mode that brings the total choice of Scene Modes up to 16. Intended for use with the Waterproof Case WP-CP4, the Underwater Scene Mode enables true-to-life colors to be captured when taking shots while snorkeling or scuba diving. Like all the other Scene modes, operation is extremely easy. Simply select the Scene Mode that best matches the subject, then point and shoot for optimal results — it is that simple. Both cameras are also ideal for capturing action too. Both the COOLPIX 7900 and 5900 have the power to record VGA-size movies with sound at a smooth rate of 30 frames per second.

Perhaps one of the most impressive features of both cameras is Nikon’s innovative D-Lighting function, which adds light and detail to dark areas of shots, while keeping brighter areas just as they are. Nikon’s In-Camera Red-Eye Fix function is another advantage that allows the quality of the shot to be improved after the fact — automatically detecting, then correcting red eyes in-camera to turn shots affected by flash into pleasing night portraits. In addition to these exceptional features, the COOLPIX 7900 and 5900 also feature a handy Blur Warning function that alerts the user immediately whenever an image is blurred due to camera movement. This enables the user to recompose and shoot again before leaving the scene of the shot. The BSS function (Best Shot Selector) is also beneficial in similar circumstances — it allows several shots to be taken and the best shots to be kept. The COOLPIX 7900 is available in both black and silver while COOLPIX 5900 in silver**.
** Availability of body colors may differ by country or area.

Nikon will also be complementing the excellent performance of these new additions to the COOLPIX range with the release of the latest version of Nikon’s unique PictureProject software. Enabling the user to edit, organize and share images with greater speed and ease, PictureProject comes bundled with both cameras.

Sales release schedule: The COOLPIX 5900 is scheduled for release in February 2005. The COOLPIX 7900 is scheduled for release in March 2005.

Note: Specifications, design, product name, standard accessories, and release schedule may differ by country or area.

Nikon E7900/E5900 Feature Highlights

Comfortable, compact and sophisticated
The compact COOLPIX 7900 and COOLPIX 5900 simply exude superior sophistication, priming the user to expect images with a distinctive level of quality. They also inherit the same grip as their predecessor COOLPIX 5200 and COOLPIX 4200, adding a sense of comfort to the digital shooting experience. Furthermore, the elegance of the COOLPIX 7900/5900 stems not only from their attractive lines and overall ergonomic appeal, but they are also available in eye-catching colors — with a choice of black and silver for the 7900 and silver for the 5900.
* Availability of body colors may differ by country or area.

Impressive imaging capability
The sheer quality of the exteriors is an excellent indication of the imaging capabilities of the COOLPIX 7900/5900. Each possesses a renowned 3x optical Zoom-Nikkor lens with ED elements (plus 4x digital zoom) to achieve high-level clarity with absolute minimal dispersion. The COOLPIX 7900/5900 offer the respective imaging power of 7.1 and 5.1 effective megapixels, enabling the capture of images with high-level definition that remains stunning even when considerably enlarged.

Accurate, yet easy and convenient
Despite their high-level sophistication and innovative, advanced features, the COOLPIX 7900/5900 are extremely easy to operate. With a newly designed Graphic User Interface (GUI) that enables the photographer to select functions by either name or icon, it’s so easy to access the desired functions in minimal time. With a large 2.0-inch LCD monitor, composition is made easy and recorded shots can be viewed at any time. The COOLPIX 7900/5900 also come complete with internal memory, enabling them to record images without the need for an SD memory card. And because both cameras have been designed to consume power at a significantly decreased rate, battery life is considerably extended. In fact, the COOLPIX 7900 can take approximately 220 shots* with a fully charged EN-EL5 battery, while the COOLPIX 5900 can take approximately 270 !*
* According to data obtained in accordance with CIPA standards.

Nikon E7900/E5900 Other Features

• Both models feature the same comfortable grip as their highly popular predecessor COOLPIX 5200/4200
• Compact dimensions of 88 x 60 x 36.5mm (3.5 x 2.4 x 1.4in.).
• Light weight of approx. 150g (5.3 oz.) (without battery and memory card)
• Selectable AF: 5-area Auto, 99-area Manual, Center-focus area selection available
• AF-assist illuminator can be switched on and off at will
• 256-segment Matrix Metering
• 7 manual white balance settings and White Balance Bracketing
• Direct printing with PictBridge compatibility
• 4 of the 16 Scene Modes offer Scene Assist (Portrait, Night Portrait, Sports, Landscape)
• World Time function allows local time to be set easily anywhere
• USB compatibility enables swift transfer of image data to computers
• Voice memo function records up to 20 seconds of sound that can then be attached to an image
• All main buttons located on camera back for easy operation
• 4x digital zoom capability
• Choice of Single AF and Continuous AF
• Options for playback: Single, 4- and 9-segment thumbnail, Slideshow, 10x magnification
• Built-in Speedlight: features settings for Auto, Red-eye Reduction by pre-flash, Anytime flash, Flash cancel and Slow sync.

Feb 16: Nikon Coolpix 7600

The Nikon Coolpix 7600 is another of Nikons new Coolpix range - this one featuring a 7.1 megapixel sensor, 3x Optical Nikkor Zoom lens (with extra low dispersion). Like others in the new range it features 'D-Lighting' which allows adjustments to images in playback mode that will add light and detail to underexposed parts of the image.

The Coolpix 7600 also features 'Face Priority AF' which automatically finds faces in images and ensures that they are in focus in images as well as in built automatic red eye reduction for detecting and fixing red eyes all within the camera.

Buy the Nikon Coolpix 7600

Nikon Coolpix 7600 Reviews

PMA show report writes about the Nikon Coolpix 7600 saying:

'To obtain even better results, the Nikon Coolpix 7600 is equipped with Nikon's new Electronic VR (vibration reduction.) In times when it is difficult to keep the camera steady this function will stabilize the images. Connecting the camera onto a television set is easy so results can be shared with family and friends to get more fun out of your digital images. Five different colour options allow the photographer to more creative shooting; these options enable changing the complete atmosphere of an image by selecting the sepia or cool blue setting prior to taking the picture. The Nikon 7600 also features approximately 14MB of internal memory which enables taking pictures without inserting an SD memory card into the camera.'

Steves Digicams reviews the Nikon Coolpix 7600 and writes - 'the Nikon Coolpix 7600 is an affordable ultra-compact digicam that offers users great image quality with an abundance of exposure options. The only annoyance I found was when using the flash. After you capture an image, the camera “locks up” until the flash is recharged, which causes you to miss out on some spontaneous photo opportunities. Its 7M/Fine images have plenty of resolution to create photo-quality 13x19-inch or larger prints. With a street price of around $379, it offers a good value for a 7-megapixel digicam.'

PhotographyBLOG reviews the Nikon Coolpix 7600 and writes - 'The Nikon Coolpix 7600 is a compact, stylish and easy-to-use point and shoot digital camera. The scene modes are both numerous and advanced in their implementation and will really help the beginner, and the in-built help system, although limited, will also prove useful. The Nikon Coolpix 7600 has a few new features that aim to make the photographer's life easier, some of which work better than others. D-Lighting was very effective, offering an in-camera solution for revealing detail in the shadow areas of an image without also over-exposing the highlights. The Red-Eye Reduction feature also worked as promised, with no evidence of red-eye. The Face-Priority AF feature sounds like a great idea, but in practice was slow to use and often focused on the wrong object in the scene.'

Imaging Resource reviews the Nikon Coolpix 7600 Digital Camera and writes - 'The Nikon Coolpix 7600 would be a good choice for anyone who wants an easy to use camera that delivers good-looking pictures with pleasing color and plenty of resolution. For those willing to delve just slightly deeper than "just pushing the button," its extensive scene modes and unique framing-assist options greatly extend the camera's capabilities, making it easy to bring back good-looking shots of what might otherwise be difficult subjects. All in all, a good choice for the point & shoot user looking for an easy to use, compact digicam with a surprising range of capabilities. I would liked to have seen better low-light exposure capability, less-noisy flash shots at distances greater than 9 feet, and less color left in images shot under incandescent lighting, but the bottom line is that I think a lot of consumers will be very pleased by the Coolpix 7600's photos.'

Get the Latest Price on the Nikon Coolpix 7600

Learn more about the Nikon Coolpix 7600 from the following news release from Nikon.

Nikon Coolpix 7600 News Release:

Nikon’s New 7 Megapixel Compact Digital Camera adds to the COOLPIX Range

Tokyo — Nikon Corporation is pleased to announce the introduction of the COOLPIX 7600, a compact and easy-to-operate digital compact camera that combines 7.1 effective megapixel performance with a host of new and enhanced in-camera features designed to appeal to today’s digital camera users of all levels.

COOLPIX 7600 produces clear and sharp images even after cropping and enlarging up to A3 size thanks to its 7.1 effective megapixel high-resolution image sensor and 3x optical Zoom-Nikkor ED (Extra-low Dispersion) lens equivalent to a 38-114mm lens in 35mm format. Macro shooting enables the user to take close-ups as close as 4cm (1.6 inches)

The COOLPIX 7600 incorporates Nikon’s innovative features which produce outstanding images straight out of the camera. Nikon’s exclusive D-Lighting function is available in Playback mode for use on images with excessive backlight or insufficient flash. At the touch of a button, D-Lighting keeps bright areas bright, while automatically adding light and detail to the darker parts.

Face-priority AF is another key advantage of the COOLPIX 7600. Available in Portrait mode, this unique capability has the power to automatically find and focus on people’s faces to ensure sharpness in portrait images where it is needed.

There’s also the In-Camera Red-Eye Fix — a function that can detect the annoying red eye effect sometimes caused by flash and correct it in-camera to leave you with pleasing night portraits.

And last, but definitely not least, there’s Blur Warning too, which alerts the user whenever a shot is compromised by camera shake, allowing another shot to be taken before leaving the scene.

The COOLPIX 7600 is surprisingly simple to operate. Compact dimensions and a well-designed grip make it feel extremely comfortable in the hand. It also features a new Graphic User Interface (GUI) which enables the user to select functions by name or by icon according to their preferences. What’s more, the COOLPIX 7600 also features a useful HELP button. Located conveniently on the back of the camera, the HELP button provides an explanation for functions on the main menu, so there’s no need to worry if you haven’t had time to read the manual.

The COOLPIX 7600 is also more easy to use for people around the world, as the menu can be displayed in a total of 12 languages on the large, bright 1.8-inch, 85,000-dot LCD that is ideal for both composing shots and viewing the results. The COOLPIX 7600 has even been designed to be more energy efficient — enabling the user to take up to 100 images when using two AA-size alkaline batteries.

Like all other cameras in the popular COOLPIX range, the COOLPIX 7600 features a selection of handy Scene Modes that can make operation even easier. All the user has to do is select the Scene Mode that most closely matches the subject, such as Sunset or Portrait — the COOLPIX 7600 then takes care of selecting the optimal settings for the best results. Four of the Scene Modes feature the additional advantage of Scene Assist too, which makes it easier for virtually anyone to achieve more appealing composition. And new to the COOLPIX 7600, there’s also a BSS copy function available in Copy mode, which automatically activates the BSS function to achieve the best possible results.

As well as taking great still images, the COOLPIX 7600 offers movie capability too. Users can choose from a selection of five movie modes, two of which can shoot movies at a smooth 30fps. Furthermore, the COOLPIX 7600 features Nikon’s new Electronic VR (Vibration Reduction) function, which can be activated during movie shooting to achieve more stable results when it is difficult to keep the camera steady. The COOLPIX 7600 can also be easily connected to a TV making it easy to enjoy the results with friends and family.

A choice of five Color Options allows the user to be a little more creative with their picture taking, enabling them to select one before shooting to change the mood of an image by making it sepia or shooting in cyanotype, for example.. The COOLPIX 7600 also has approximately 14MB of internal memory, enabling images to be recorded on the camera without a SD memory card.

Printing pictures from the COOLPIX 7600 is easy too. PictBridge compatibility makes it possible to print directly to a compatible printer without the need for a computer. The COOLPIX 7600 also offers the added convenience of being able to select different print sizes actually in the camera.

Like all other cameras in the COOLPIX range, the COOLPIX 7600 comes complete with Nikon’s own PictureProject software, which offers a wide range of versatile functions and is very user-friendly.

Sales release schedule: This camera is scheduled for release in Europe in Spring 2005.
Note: Specifications, design, product name, standard accessories, and release schedule may differ by country or area.

Nikon COOLPIX 7600 Feature Highlights

More megapixels and a powerful ED lens
The COOLPIX 7600 makes it simple for anyone to get results they can be proud of. The 7.1 effective megapixel shooting capability allows the user to capture much more detail than most other entry level digital cameras, while the powerful 3x optical 38-114mm* Zoom-Nikkor ED lens achieves superior sharpness and optimal color correction.
* 35mm [135] equivalent.

Innovations that improve images in-camera
With the previously mentioned advantages alone, it’s easy for virtually anyone to achieve satisfying pictures. The handy In-Camera Red-Eye Fix function automatically detects, then corrects red eyes in-camera, turning shots compromised by flash into pleasing night portraits. The highly impressive D-Lighting function automatically compensates for excessive back light or insufficient flash — transforming the quality of such recorded images at the touch of a button. The Face-priority AF function automatically detects people’s faces in the picture and provides optimal focus accordingly.

User-friendly, easy operation
The COOLPIX 7600 is designed to be easy to use and provides even beginners with the confidence to enjoy digital photography! A redesigned Graphic User Interface (GUI) lets users navigate and select functions by either name or icon, and a handy HELP button displays a description for each of the functions on the main menu - so there’s no need to worry about getting confused! The COOLPIX 7600 also has a 1.8-inch LCD with increased brightness that makes it easy to compose shots and view the results. In addition to these factors, the COOLPIX 7600 is compact and has a well-designed grip — so it feels comfortable in the hand and helps make taking pictures easy.

Nikon COOLPIX 7600 Other Features:

• Easy-to-carry dimensions of 85 x 60 x 39mm (3.3 x 2.4 x 1.5 in.) (W x H x D)
• Light weight of approximately 145g (5.1 oz.) (without battery and memory card)
• 5 movie modes with sound; 2 at a smooth 30fps
• Electronic VR (Vibration Reduction) adds stability when shooting movies
• Attractive, ergonomic grip for comfort and easy holding
• Voice recording function enables of up to 30 minutes of audio recording with internal memory, or up to 5 hours with an SD card
• BSS (Best Shot Selector) automatically selects and saves the best exposure from ten sequential shots
• BSS monochrome copy creates a black and white copy of the image chosen by BSS
• 4 of the 16 Scene Modes offer Scene Assist (Portrait, Night Portrait, Sports, Landscape)
• Noise Reduction automatically achieves more faithful color reproduction in some Scene Modes
• PictBridge enables direct printing, with print size selectable from the camera
• Time zone function allows local time to be set easily anywhere
• USB compatibility enables swift transfer of image data to computer
• Date counter lets you visually record the number of days until, or since, an important event
• All buttons located on camera back for easy operation
• 4x digital zoom capability
• 12 languages selectable in menu display, including newly added Russian
• Manual White Balance enables selection of Fine, Incandescent and Fluorescent modes
• Options for playback: Single, 4- and 9-segment thumbnail, Slideshow
• Built-in Speedlight: features settings for Auto, Red-eye Reduction by pre-flash, Anytime flash, Flash cancel and Slow sync.

Feb 16: Nikon Coolpix 7900

The Nikon Coolpix 7900 is a 7.1 megapixel digital camera just announced by Nikon as part of their new Coolpix range. The Coolpix 7900 has a 3x optical Zoom Nikkor lens, a 2inch LCD monitor and is encased in either a silver or black metal casing. It comes with all the normal Nikon Coolpix settings including a new Underwater recording mode (it might be worth investing in an underwater housing to test this one). Also featured on the Coolpix 7900 is a 'D-Lighting' function which allows improvement of a photo in playback mode when there is too much backlight or not enough flash light - similarly there is an inbuilt red eye reduction tool that detects and deals with red eyes.

Buy the Nikon Coolpix 7900

PC Magazine Reviews the Nikon Coolpix 7900 and writes - 'While the 7MP Nikon Coolpix 7900 is a great compact camera, it isn't for everybody. Beginning and intermediate users will love the creative possibilities of the 7900's scene modes, but the compact camera lacks the manual settings that experienced shooters will want for more control.

One of the more practical features of the 7900 is the Face Priority AF mode, a portrait-focusing feature included in the portrait scene assist mode. (Read more about Face Priority AF here.) The feature was introduced at this year's PMA show, and it works well, though it won't work in every portrait situation, such as capturing someone in profile. With just a few improvements, though, this technology would really be worth using in the future.'

Nikon Coolpix 7900 Reviews

Trusted Reviews has a review of the Nikon Coolpix 7900 digital camera and writes - 'The Coolpix 7900 is arguably the single best digital compact camera on the market today. For a surprisingly low £251 it offers ease of use, attractive styling, outstanding build quality and images that truly impress. If you want a good compact camera then it’s hard to see how you would ever need anything better than this.'

DP Review has reviewed the Nikon Coolpix 7900 digital camera and writes - 'In an increasingly crowded 7MP compact market, the Coolpix 7900 has much to recommend it. Design, build and ease of use are excellent, and there is a surprising amount of power hidden in the extensive menus, offering control over focus, metering, white balance and so on for those who like to tweak. The novice market the 7900 is aimed at will surely welcome the hand-holding approach of the scene and scene assist modes, and the overall responsiveness makes using the camera a real pleasure. Features such as Best Shot Selector (which takes a burst of shots as you hold down the shutter, then chooses and saves only the sharpest one), D-Lighting, Face-Piority AF and In-Camera Red-Eye Fix (which works virtually every time) add value to an already well-priced camera.'

PhotographyBLOG reviews the Nikon Coolpix 7900 Review and writes - 'Overall the Nikon Coolpix 7900, with its wealth of different scene modes, will be best suited to the point and shoot photographer. You may find however that you will never use some of the more advanced features on offer. For the photographer who requires more control, the Nikon Coolpix 7900 is not such a good choice, which is a real shame as otherwise it is a very responsive camera that produces very good 7 megapixel images. Hopefully Nikon will release an updated version of the Coolpix 7900 with full manual control over exposure in the near-future.'

Photoxels review the new Nikon Coolpix 7900 and write - "The Nikon Coolpix 7900 is very easy to use and effortlessly captures well-exposed images with Point-and-Shoot simplicty. With 7.1MP resolution, an ED lens, and fast operation, the Nikon 7900 delivers very good image quality in a compact, attractive and solidly built body."

Digital Camera Info reviews the Nikon Coolpix 7900 and recommends - 'At $399.95, the Nikon Coolpix 7900 is built for the point-and-shooter with 16 scene modes, framing assists, and technology geared to fix red-eye in the camera and improve the lighting automatically. There is no manual mode, but there are still a few manual controls such as white balance. The movie mode offers three sizes with quick frame rates and the video quality looks pretty good – especially when used with the electronic vibration reduction. The Nikon 7900 includes 13.5 MB of internal memory, but additional memory will be essential as this digital camera has 7.1 effective megapixels. Overall, the 7900 has some odd quirks to it but would still be a good buy for novices who need an easy to use digital camera that will enable them print large and crop while still providing scene modes and movie options.'

Nikon Coolpix 7900 Press Release

Two highly sophisticated, high-quality compact digital cameras with a wealth of easy-to-use features and the ability to achieve exceptional results.

Tokyo — Nikon Corporation is pleased to announce the introduction of the COOLPIX 7900 and COOLPIX 5900. Two superior quality compact digital cameras with the power to take highly impressive images, they also feature appealing exterior designs and boast a range of convenient functions and features that are highly advanced, yet easy to use.

For easier composition and anytime viewing, the COOLPIX 7900 and COOLPIX 5900 feature a large 2.0-inch amorphous silicon TFT LCD monitor. Bright and clear, this makes it easy to view images at any time. It also makes it much easier to navigate the new Graphic User Interface (GUI), which has been specially designed to allow the user to select functions on the main menu by either name or icon. There’s also a Help button, which can be pressed to display a straightforward explanation of each function on the main menu and the cameras can be configured to display the menu in a choice of 11 languages.

For impressive imaging performance, the COOLPIX 7900 and COOLPIX 5900 both feature a 3x optical Zoom-Nikkor ED (Extra-low Dispersion) lens with a focal range equivalent to that of a 38-114mm lens in 35mm format. They also offer the imaging advantages of 7.1 and 5.1 effective megapixels respectively and a 1/1.8-inch CCD. As a result of these factors, impressive quality is retained even when images from the COOLPIX 7900 are enlarged to A3 dimensions and when images from the COOLPIX 5900 are enlarged to A4 size.

As for speedy performance, the COOLPIX 7900 and 5900 offer continuous shooting at approximately 1.7 and 2fps. They also feature high-precision Multi AF with a choice of 99 manually selectable areas, 5 choices for Auto select AF and the advantage of the new Face-priority AF function*, which can be easily selected when using the Portrait Scene Mode. As its name suggests, Face-priority AF ensures crisp focus when shooting portraits by automatically sensing the presence of a human face in the frame and setting accurate focus accordingly.
* Face recognition capability may be limited depending on the shooting conditions.

Nikon has also turned its ingenuity to reducing power consumption, allowing the COOLPIX 7900 and 5900 to take significantly more shots per battery than other compact digital cameras. In fact, the COOLPIX 7900 is able to take an impressive 220 shots (approx.) with a single fully charged EN-EL5 battery, while the COOLPIX 5900 is able to shoot as many as 270 (approx.). Both cameras are also compatible with widely available disposable CP1 lithium batteries.

Like all the other models in Nikon’s exceptionally popular COOLPIX range, the COOLPIX 7900 and 5900 make shooting much more simple in a range of common situations through the incorporation of Scene Modes. Both cameras offer four Scene Modes that feature Scene Assistance and there’s also a new Underwater Scene Mode that brings the total choice of Scene Modes up to 16. Intended for use with the Waterproof Case WP-CP4, the Underwater Scene Mode enables true-to-life colors to be captured when taking shots while snorkeling or scuba diving. Like all the other Scene modes, operation is extremely easy. Simply select the Scene Mode that best matches the subject, then point and shoot for optimal results — it is that simple. Both cameras are also ideal for capturing action too. Both the COOLPIX 7900 and 5900 have the power to record VGA-size movies with sound at a smooth rate of 30 frames per second.

Perhaps one of the most impressive features of both cameras is Nikon’s innovative D-Lighting function, which adds light and detail to dark areas of shots, while keeping brighter areas just as they are. Nikon’s In-Camera Red-Eye Fix function is another advantage that allows the quality of the shot to be improved after the fact — automatically detecting, then correcting red eyes in-camera to turn shots affected by flash into pleasing night portraits. In addition to these exceptional features, the COOLPIX 7900 and 5900 also feature a handy Blur Warning function that alerts the user immediately whenever an image is blurred due to camera movement. This enables the user to recompose and shoot again before leaving the scene of the shot. The BSS function (Best Shot Selector) is also beneficial in similar circumstances — it allows several shots to be taken and the best shots to be kept. The COOLPIX 7900 is available in both black and silver while COOLPIX 5900 in silver**.
** Availability of body colors may differ by country or area.

Nikon will also be complementing the excellent performance of these new additions to the COOLPIX range with the release of the latest version of Nikon’s unique PictureProject software. Enabling the user to edit, organize and share images with greater speed and ease, PictureProject comes bundled with both cameras.

Sales release schedule: The COOLPIX 5900 is scheduled for release in February 2005. The COOLPIX 7900 is scheduled for release in March 2005.

Note: Specifications, design, product name, standard accessories, and release schedule may differ by country or area.

Nikon E7900/E5900 Feature Highlights

Comfortable, compact and sophisticated
The compact COOLPIX 7900 and COOLPIX 5900 simply exude superior sophistication, priming the user to expect images with a distinctive level of quality. They also inherit the same grip as their predecessor COOLPIX 5200 and COOLPIX 4200, adding a sense of comfort to the digital shooting experience. Furthermore, the elegance of the COOLPIX 7900/5900 stems not only from their attractive lines and overall ergonomic appeal, but they are also available in eye-catching colors — with a choice of black and silver for the 7900 and silver for the 5900.
* Availability of body colors may differ by country or area.

Impressive imaging capability
The sheer quality of the exteriors is an excellent indication of the imaging capabilities of the COOLPIX 7900/5900. Each possesses a renowned 3x optical Zoom-Nikkor lens with ED elements (plus 4x digital zoom) to achieve high-level clarity with absolute minimal dispersion. The COOLPIX 7900/5900 offer the respective imaging power of 7.1 and 5.1 effective megapixels, enabling the capture of images with high-level definition that remains stunning even when considerably enlarged.

Accurate, yet easy and convenient
Despite their high-level sophistication and innovative, advanced features, the COOLPIX 7900/5900 are extremely easy to operate. With a newly designed Graphic User Interface (GUI) that enables the photographer to select functions by either name or icon, it’s so easy to access the desired functions in minimal time. With a large 2.0-inch LCD monitor, composition is made easy and recorded shots can be viewed at any time. The COOLPIX 7900/5900 also come complete with internal memory, enabling them to record images without the need for an SD memory card. And because both cameras have been designed to consume power at a significantly decreased rate, battery life is considerably extended. In fact, the COOLPIX 7900 can take approximately 220 shots* with a fully charged EN-EL5 battery, while the COOLPIX 5900 can take approximately 270 !*
* According to data obtained in accordance with CIPA standards.

Nikon E7900/E5900 Other Features

• Both models feature the same comfortable grip as their highly popular predecessor COOLPIX 5200/4200
• Compact dimensions of 88 x 60 x 36.5mm (3.5 x 2.4 x 1.4in.).
• Light weight of approx. 150g (5.3 oz.) (without battery and memory card)
• Selectable AF: 5-area Auto, 99-area Manual, Center-focus area selection available
• AF-assist illuminator can be switched on and off at will
• 256-segment Matrix Metering
• 7 manual white balance settings and White Balance Bracketing
• Direct printing with PictBridge compatibility
• 4 of the 16 Scene Modes offer Scene Assist (Portrait, Night Portrait, Sports, Landscape)
• World Time function allows local time to be set easily anywhere
• USB compatibility enables swift transfer of image data to computers
• Voice memo function records up to 20 seconds of sound that can then be attached to an image
• All main buttons located on camera back for easy operation
• 4x digital zoom capability
• Choice of Single AF and Continuous AF
• Options for playback: Single, 4- and 9-segment thumbnail, Slideshow, 10x magnification
• Built-in Speedlight: features settings for Auto, Red-eye Reduction by pre-flash, Anytime flash, Flash cancel and Slow sync.

Feb 16: Olympus 1 GB xD-Picture Card

Olympus News Release: Olympus Announces One Gigabyte xD-Picture Card And New Mobile USB Reader/Writer Exclusively For xD Media

USB Reader/Writer is an Inexpensive Way to Upgrade xD Card to a Portable Storage Device Capable of Sharing Images, Music, Video and Documents

Melville, New York, February 15, 2005 – Olympus today announced the release of a One Gigabyte xD-Picture Card™ and a new Portable USB Reader/Writer for xD media. As one of the world’s smallest storage media for digital cameras and digital voice recorders, the xD-Picture Card is now capable of holding an entire gigabyte of data, whether it’s digital images, video, music files, written documents, or presentations. When any xD card is placed inside the new stylish, compact MAUSB-300 Reader/Writer, data can go anywhere and be directly transferred quickly to and from a personal computer for added convenience.

“With its small size and powerful memory card platform, the xD-Picture Card enables Olympus to develop feature-rich digital cameras that are consistently rated among the best in their class. The One Gigabyte xD-Picture Card is a tremendous benefit for photographers who wish to capture a greater number of images, at higher resolution settings.” said Chip Pryor, memory products business manager, Olympus Imaging America Inc. “Beyond photography, the functionality of all xD cards is increased when used with the MAUSB-300 Reader/Writer, as it can plug directly into a computer’s USB port to drag and drop files of any kind to or from the card.”

Designed to Do More
By offering a range of storage capabilities, the One Gigabyte xD-Picture Card guarantees that digital camera users’ storage requirements will be fulfilled. Whether on a challenging photo-shoot assignment or on that once-in-a-lifetime backpacking adventure far from civilization when having the most storage is a must, professionals and other active photographers will appreciate the convenience and freedom the new one gigabyte card provides.

For example, used with the 5.0-megapixel Olympus Stylus 500, the one gigabyte removable media can save up to approximately 800 High Quality (HQ) images – an incredible amount of image files. The new high-capacity card also supports Olympus exclusive features such as Panorama photography. Olympus xD-Picture Cards are the only media cards on the market that enable the Panorama function on Olympus digital cameras, whereby up to 10 images can be stitched together to create incredible vistas.

Innovative Memory Media
Using multi-level cell (MLC) technology, the Olympus One Gigabyte xD-Picture Card inaugurates the first of the Type-M series of xD media designed to reach up to 8 gigabytes in storage capacity. MLC technology doubles the amount of information that can be stored in a single memory cell, increasing storage capacity and cost effectiveness.

Compact and durable, the Olympus xD-Picture Card is the ultimate reusable digital media. The size of the card (20mm x 25mm x 1.7mm, a weight of only 2 grams) allows for digital manufacturers to design even smaller, more stylish and powerful digital devices today and in the future.

Stylish Reader/Writer Design
Stylish and lightweight, durable and easy to use, the MAUSB-300 is an inexpensive must-have accessory to any xD-compatible camera. Simply insert an xD-Picture Card into the MAUSB-300 and you upgrade the card into a portable storage device capable of transferring images, audio, video and data to and from a computer.

The Olympus MAUSB-300 Portable xD-Picture Card USB Reader/Writer has an attractive, durable and sleek white plastic body with a removable clear plastic top cover to protect against shock, dust and static electricity. With an ergonomic palm-sized design (dimensions 2.5“ x .75” x .38“), the MAUSB-300 is a lightweight (14 grams) travel-friendly companion that can also clip onto a key ring to provide the ultimate in unimpeded mobility, speed and convenience – no matter where you are.

With digital camera image-file sizes increasing, users need the fastest way possible to quickly and easily download larger images to a personal computer (PC or Mac OS). The MAUSB-300 does all of this thanks to the fast transfer time of USB 2.0 technology, and it will also work with USB 1.1 devices. Because it is Auto-Connect, no software drivers are needed for installation (Windows ‘98/’98 SE users will have to download free driver software from the Olympus web site).

The Olympus MAUSB-300 xD Reader/Writer can plug directly into a USB port (ideal for laptops). With the Reader/Writer, there’s no need to connect a digital camera directly to the computer, making it easier to move data from an xD-Picture Card to its final destination and helping to conserve a camera’s battery power. No heavy A/C adapter or batteries are ever needed to use the Olympus MAUSB-300, and it has no moving parts.

Availability
The Olympus 1 Gigabyte xD-Picture Card will be available in April 2005. The MAUSB-300 Portable xD-Picture Card USB Reader/Writer will be available in March, 2005.

U.S. Pricing
MAUSB-300 Portable xD-Picture Card USB Reader/Writer Estimated Street Price: $19.99
1 Gigabyte xD-Picture Card Estimated Street Price: To be announced.

Feb 16: Sony Nexelion Battery

Sony Press Release - SONY’s NEW NEXELION HYBRID LITHIUM ION BATTERIES TO HAVE THIRTY-PERCENT MORE CAPACITY THAN CONVENTIONAL OFFERING

Industry’s First Tin-Based Anode Battery to be Initially Used with Handycam Camcorders

With the growing demand for smaller digital devices with increased functionality, the trade-off-until now-has been battery life. Sony Corporation today announced the industry’s first hybrid lithium ion rechargeable battery. Dubbed NexelionTM the new battery utilizes a tin-based amorphous anode; translating into a 30% increase in the capacity per volume ratio compared to conventional lithium-ion batteries, and will be commercialized initially as a battery pack for Handycam® camcorder products.

Instead of using graphite-based materials for the anode as found in conventional batteries, Sony incorporated a tin-based amorphous anode material where the lithium ion storage capacity per volume ratio has been increased by 50%, which increases the overall battery capacity by 30%.

“At Sony, ever since the commercialization of lithium ion secondary battery in 1991, the battery capacity has more than doubled from the enhanced performance of carbon based materials and other materials to be used in the anode, as well as improvements in the structure of the battery,” said Masayuki Nagamine, deputy general manager of Sony Corporation’s Energy Company.“ The newly developed tin based amorphous material is a high capacity anode material which will take the lead of the next generation lithium ion secondary battery. Technological development will be carried on, to further increase the capacity of batteries, to deal with enhanced performance as well as longer operating time of the products.”

“While tin and silicon, or compounds which include these elements, enable high capacity in lithium-ion rechargeable batteries, their propensity for change in particle shape during the charge and discharge phases was drastic, requiring an improvement in the characteristics of deterioration at recycling for commercialization. Sony’s development of the tin-based amorphous anode, along with a new cathode, electrolyte and battery structure, has resulted in a new generation of lithium-ion batteries with higher durability and capacity. Additionally, the Nexelion battery offers improved charge and discharge at low temperatures and quicker recharge times.

Key Features of ‘Nexelion’ hybrid lithium ion rechargeable battery

1. Tin-Based Amorphous Anode
The newly developed tin-based amorphous anode is a material consisting of multiple elements such as tin, cobalt, carbon, where the elements are mixed on a nanometer level-as opposed to conventional batteries which use carbon-based materials such as soft and hard carbons, as well as graphite. By adding several elements to the tin based compound, Sony has been able to minimize the change in particle shape during charge and discharge, solving the problem of cycling characteristics. The result is a 50% higher unit per volume ratio of lithium ion density compared to the conventional graphite anode, resulting in dramatic increase in the density.

2. Multi-stage Composite Cathode
In the cathode, multiple metal atoms such as cobalt, nickel, and manganese are incorporated in the crystal structure in an optimized atomic ratio to form a multi-metal oxide material, and this is then added in the equally optimized, high-temperature resistant Lithium. By introducing this multi-stage composite cathode, Sony managed to realize a higher capacity with the same charging voltage. Also, excess discharge can be avoided, resulting in greater battery reliability.

3. Enhanced Low-Temperature Characteristics
90% of the Nexelion battery’s fully-charged capacity can discharge at 0°C or at room temperature (25°C). In addition, at minus 20°C the discharging capacity has increased by 40% (the discharge of the conventional battery is 450mAh), which allows improved video shooting time in ski resorts and in winter leisure timing.

4. Enhanced Charging Efficiency
Compared to the graphite anode of the conventional battery, the Tin based amorphous anode has a higher affinity of lithium ions, and from this, the charging efficiency has increased by 20% compared to the conventional battery. 90% of the Nexelion battery’s capacity can be charged in approximately 30 minutes.

Feb 16: Fujifilm FinePix E510 review - Fujifilm FinePix E510 Intro - Digital Cameras - CNET Reviews

CNET reviews the Fujifilm FinePix E510 and writes - 'Unfortunately, the FujiFilm FinePix E510 has some serious image-quality issues that negate our largely positive impressions of its design and feature set. This camera has a tendency to overexpose shots, thus blowing out highlights and increasing noise, even at relatively low ISO settings. We also noted purple fringing at the periphery of our shots, as well as radically inconsistent focus across the board. That said, the bumped-up exposure will make for more direct-from-the-camera detail in low-light situations, and given the E510's decent shutter-lag performance indoors, it may deserve a look from snapshooters who work in poorly lit environments.'

Learn more about the Fujifilm Finepix E510

Feb 16: Olympus D-535 Zoom Review - Digital Camera Resource Page

Digital Camera Resource Page reviews the Olympus D-535 Zoom and writes -'The D-535 is a point-and-shoot camera -- perhaps too much so. The menus are stripped down with nearly no options. The biggest omission is white balance controls; indoor photos will not turn out well since the auto white balance doesn't do a great job. Outdoors, the photo quality is decent but not spectacular. Photos are a little soft, with some muddy details. Redeye was also a bit of a problem.'

Read more about the Olympus D-535 Zoom

Feb 16: Panasonic Lumix DMC-FZ3 Review - Digital Camera Info

Digital Camera Info reviews the Panasonic Lumix DMC-FZ3 and writes - 'The body of the Panasonic Lumix FZ3 has a simple design that belies its advanced features. There is an exposure mode for everyone: a “simple” mode for point-and-shooters and a manual mode for more advanced users. The large 12x optical zoom lens with image stabilization is likely to attract both point-and-shooters who want to invest in their camera and the journeyman audience looking for a large lens without paying the price for a digital SLR. The 3.1-megapixel FZ3 is shaped like an SLR, but is not as bulky. That said, it is not as compact as most digital cameras; it cannot fit into a pocket. The FZ3 retails for $399, which is a good deal for the extensive manual functions. This model has more expensive siblings in the Lumix line, each with more megapixels and better cosmetic features (such as larger LCD screens) but the essential manual and automatic functions remain the same.'

Read more reviews of the Panasonic Lumix DMC-FZ3 Digital Camera.

Feb 15: Casio Exilim Zoom EX-Z750

The Casio Exilim Zoom EX-Z750 is a 7.2 megapixel digital camera with a 3x Optical Zoom lens. It retails for $499.

Casio Exilim Zoom EXZ750 Reviews

Digital Camera Info has a first impression review of the Casio Exilim EX-Z750 and writes - 'The 7.2-megapixel Casio Exilim EX-Z750 packs a lot of power in a 0.9-inch thick compact camera body. While it isn’t as attractive as some of the other Exilim models, it has a traditional brushed aluminum body that weighs only 4.5 ounces. The battery lasts an estimated 325 shots before needing a recharge, which is quite good for a digital camera, although many portable imagers now are surpassing that. With the high megapixel count, there are plenty of resolutions available for photographers who want to print large pictures and those who want to email files. The Z750 has helpful features such as an optical viewfinder and manual focus capabilities as well as some more dynamic and exciting features, such as Past Movie and ID Photo modes. The Casio Exilim EX-Z750 has plenty of manual control options, but users may have trouble accessing them. The Z750 isn’t the most strait-forward camera to navigate, but with incentives like 7.2 megapixels and nearly 30 scene modes, this digital camera will turn heads when it comes out in March for a retail price of $449.99.'

Buy the “Casio Exilim EXZ750 7MP Digital Camera with 3x Optical Zoom”

CNET reviews the Casio Exilim EX-Z750 and writes - 'You usually have to choose between two types of digital cameras: slim-line beauties with large LCD screens or bulky enthusiast cameras capable of heavy lifting. The Casio Exilim EX-Z750 scores a coup by integrating these two schools of camera design--or rather, squeezing the benefits of the latter into the tight-fitting pants of the former. The 7.2-megapixel Z750 is the impressive spiritual successor to the handsome Exilim EX-Z55, a camera with admirable looks but disappointing image quality and a dearth of manual features. It offers the same 2.5-inch screen and trendy sub-inch-thick jeans-pocketable design as its forbearer but brings a host of new features to the table, as well as solid performance and very good image quality. Though it still lacks some of the advanced manual features found in Casio's larger but similarly priced EX-P700, we're willing to give it the benefit of the doubt. If you're a photographer who craves style but also has a creative itch, the EX-Z750 is one of the few cameras we've seen that adequately addresses both.'

Steves Digicams reviews the Casio Exilim EX-Z750 and writes - 'Shooting performance was robust. From power up to first image captured averaged 1.8 seconds, which confirms Casio's claim of extremely fast start-up times. This is pretty amazing when you consider it has to extend the lens and boot up. The all important shutter lag is almost non-existent when pre-focused and only 1/10 of a second including autofocus. The shot-to-shot delay averaged just under 1.6 seconds without the use of the flash and 2.0 seconds with the flash. The camera has three Continuous modes (Normal, Multi, and Zoom). In Normal mode I was able to capture 5 frames in approx. 4.8 seconds. Multi continuous mode captured 25 frames in 1.3 seconds and saved them as a single 1600x1200 image. The Zoom mode isn't really a sequential capture mode, rather it displays a framing guide on the LCD and when you press the shutter, it records the image inside of the guide, digitally zoomed to twice the normal size. Our tests were done using a high-speed 512MB SD card, Large/Fine quality, preview off, flash off, and all other settings at default (unless otherwise noted.) Times may vary depending on lighting conditions, media, camera settings, etc.'

DCRP reviews the Casio Exilim EX-Z750 and writes - 'The Casio Exilim EX-Z750 is a very nice 7 Megapixel ultra-compact camera with a few annoying flaws. First, the good points. The Z750 is compact, made of metal, and is well constructed. It fits easily in your pocket and can go anywhere you do. The camera has a large 2.5“ LCD display and a tiny optical viewfinder. While the screen is big, the resolution is not, and low light visibility is not very good either. Camera performance is excellent. The Z750 starts up in just one second and focusing, shutter lag, and shot-to-shot speeds are all very good. The camera's AF-assist lamp helped it focus well in low light situations. Battery life is superb compared to most other ultra-compacts.'

PC Magazine reviews the Casio Exilim EX-Z750 and writes - 'The camera's zoom covers 7.9 mm to 23.7 mm (a 35-mm equivalent of 38 mm to 114 mm), with an aperture range of f/2.8 to f/5.1. But what you'll notice first is the EX-Z750's very large 2.5-inch LCD, with adjustable brightness settings. We could see the image on the LCD even in bright light, but we appreciate that the camera also has a tiny viewfinder, a feature many manufacturers seem eager to remove from their ultracompacts. We feel it's still a useful thing to have. We were glad to see that the USB cradle, which you'll need to connect the camera to your PC, is fairly sturdy.'

DP Review has reviewed the Casio Exilim EX-Z750 and gives it a pretty good recommendation. They write - 'It's a surprisingly rewarding camera that manages to squeeze a lot of features into its tiny body, and - just as importantly - makes using the wealth of controls and features as easy as possible given the lack of surface area for extensive external buttons or switches. It's fast, easy to use, and reliable, with very few focus or exposure problems (save for the occasional metering error in scenes with lots of contrast or large areas of sky). In the final assessment the EX-Z750 has a bigger feature set than any of its pocket-sized competitors and has a very impressive movie mode with some pretty advanced options thrown in for good measure.'

Digital Camera Review has a review the Casio Exilim Ex Z750 and write - "The new Casio Exilim EX Z750 is often compared with the Canon Powershot SD500 and that's a reasonable comparison (since these two digicams are similar in many ways). Photographers looking for a easy to use point and shoot or a stylish ultra compact bar/party camera should probably opt for the SD500. Shooters who want the ability to intervene in the creative process by tweaking settings until they get just the "look" they want are probably going to be happier with the Z750. As the icing on the cake, the Z750 will still be going after the SD500 runs out of juice and it costs less than it's chief rival, too. I really liked the Canon Powershot SD500, but when push comes to shove I like this little Casio better."

Cameras.co.uk reviews the Casio Exilim EX-Z750 and writes - 'The Casio Exilim EX-Z750 proves to be a real disappointment. It has so much going for it in terms of features and ease of use but it is let down by the quality of the photos it produces. Well designed menus, an advanced movie mode, a fast responding shutter and smart design are all there waiting for you. Without the ability to take a sharply focused image this camera's many good points are unfortunately undermined. '

Photography Review has reviewed the Casio Exilim EX-Z750 Pro and writes - 'I really enjoyed using the Casio Exilim EX-Z750. I've even thought about buying one for myself. It has a great list of features, including a lot of manual controls as well as great point-and-shoot functionality. But what really sets this camera apart for me is the combination of speed and size. I love that I can drop it in my pocket and take it everywhere. And I am very, very impressed with the quick startup and minimal shutter-lag. Image quality may not be the best. But I'm willing to trade a little image quality for portability and functionality. In the end, it's a point-and-shoot that doesn't feel like an unreasonable compromise to this SLR user. If I make the decision to leave my digital SLR at home and take the Casio in my pocket, I don't worry that I've made a big mistake. Because I know the EX-Z750 delivers.'

Imaging Resource reviews the Casio Exilim EX-Z750 Digital Camera and writes - 'Tiny and stylish, the Casio Exilim EX-Z750 is packed with features. But with its its 7.2-megapixel CCD and very fast shutter response it's also an impressive performer. Toss in full Manual exposure mode and its 31 preset scene modes (not to mention Auto) and there's little this subcompact can't do. The mix of features and good performance should appeal to both novices and more experienced photographers interested in a fun digital camera for snapshots. Features like the whiteboard and business card modes that straighten "note taking" shots as well as the voice recorder make the EX-Z750 an exceptionally useful business tool, truly offering the "Unexpected Extra" that Casio claims for its products. Several kid and vacation modes are also contribute to the Z750's utility, and its fast shutter response make it a natural for sports shooting or just keeping up with a young family. Its somewhat overaggressive noise processing tends to flatten out subtle detail somewhat, particularly at high ISO settings, but the effect isn't all that noticeable in prints, particularly at 5x7 and below. A great "take anywhere" camera, the Casio EX-Z750 Zoom is so tiny and versatile, you can slip it in a pocket and go, with the confidence that you'll get good images just about anywhere.'

Casio Exilim Zoom EX-Z750 News Release

CASIO ELECTROINCS CO., LTD. has announced an exciting addition to its popular EXILIM ZOOM series. The new CASIO EXILIM ZOOM EX-Z750 is equipped with an astonishing 7.2 megapixels and an array of manual features. It offers extended battery life, making it ideal for use during long vacations, business travel, and other occasions requiring the amazing stamina that these cameras offer.

Buy the “Casio Exilim EXZ750 7MP Digital Camera with 3x Optical Zoom”

The CASIO EXILIM ZOOM EX-Z750
The EX-Z750's 7.2 megapixel CCD delivers excellent picture quality with remarkably high definition, while the optical 3 x zoom lens and large 2.5“ TFT colour display makes framing and sharing shots a breeze. In addition to standard automatic operation, an extremely versatile array of shooting functions enables users to achieve a variety of photo effects. Using MPEG-4 format, high quality movies can also be taken in VGA size (640 x 480 pixels) at 30 frames per second. CASIO has included its EXILIM Engine to reduce power consumption and its SUPER LIFE battery to enable an impressive 325 shots (CIPA standards) on a single charge. When set in its cradle, an AV out connection allows the user to view and share the photos or movies taken on their television.

CASIO's cameras are now well known worldwide for their advanced miniaturisation and digital technology. The entire range encompasses slim, compact bodies coupled with the latest in digital imaging, making them faster, smaller, and more powerful. CASIO's unique developments, such as the EXILIM Engine and SUPER LIFE battery technology, along with sleek design put the CASIO EXILIM cameras at the cutting edge of the digital camera world.

The Casio Exilim Zoom EX-Z750 will be available in the UK from the beginning of April 2005, from all good photographic stores. Recommended retail prices will be confirmed closer to the time of availability.

Casio Exilim EX-Z750 FEATURES

7.2 MEGAPIXEL QUALITY WITH VERSATILE SHOOTING FUNCTIONS :
• Imaging CCD with an effective 7.2 megapixels, along with a 3x optical zoom lens enables high-quality, high-resolution photographs.
• SUPER-LIFE battery enables up to 325 shots on a single charge (CIPA standards).
• AF assist light makes focus operation easier even in dark settings.
• High-speed startup enables shooting approximately 0.9 seconds* 1 after the power is turned on.
• Release time lag of only 0.007 seconds means images are recorded approximately 0.007 seconds after the shutter is released.* 2
• High-speed picture playback of approx. 0.1 seconds interval.
• Continuous shutter function enables photos to be taken in approximately 0.9 seconds intervals (using normal photo quality, 3072 x 2034 size).
• Manual exposure mode enables greater flexibility for more image control.
• Manual settings can be quickly set on a single screen via the EX Button.
• “Continuous Zoom” enables automatic framing function that crops and resizes pictures to create optimally framed images, taking 2 images with a single press of the shutter.
• “ART SHOT” function enables pastel, illustration or cross-filter effect processing on the liquid crystal monitor during shooting to deliver the creation of artistic images.
• ID photo function enables with a single press of the shutter, the automatic layout and shooting of five differently sized portrait photos saved as 1 image, ideal for resumes and drivers licenses.
• “BESTSHOT” * 3 function enables the user to choose the desired setting from samples.

HIGH QUALITY MOVIE MODE
• MPEG-4 format used at VGA size (640 × 480 pixels), at 30 frames/sec. for high-quality smooth video.
• 3x optical zoom lens, with macro mode allowing shooting down to as close as 10 cm. • Movie BEST SHOT: select a scene* 4 from among the predefined scenarios to achieve the best results
• Approx. 2 hours and 50 minutes of movie shooting on a single battery charge (continuous recording).
• Past Movie function enables video recording to begin from five seconds before the shutter is pressed.
• Short Movie function enables up to eight s

Feb 15: Casio Exilim Zoom EX-Z57

Casio Exilim Zoom EX-Z57 Reviews

Steve's Digicams reviews the Casio Exilim EX-Z57 and writes - 'Shooting performance was very robust. From power up to first image captured averaged 1.7 seconds, which confirms Casio's claim of extremely fast start-up times. This is pretty amazing when you consider it has to extend the lens and boot up. The all important shutter lag is almost non- existent at less than 1/10 of a second when pre focused and only including autofocus. The shot-to-shot delay averaged just under 2 seconds without the use of the flash and 3.8 seconds with the flash. The EX-Z57 does not offer a continuous or burst mode. Our tests were done using a High-speed ATP 1GB SD card, SnapShot mode, Large/Fine size/quality, preview off, flash off, and all other settings at default (unless noted.) Times may vary depending on lighting conditions, camera settings, media, etc.'

Get the lastest price on the ;Casio Exilim EXZ57 5MP Digital Camera

Digital Camera Info reviews the Casio Exilim EX-Z57 Digital Camera and writes - 'With a 1/2.5-inch 5 megapixel CCD sensor and large 2.7-inch LCD screen available for under $300 online, the 3.48 x 2.28 x 0.89–inch aluminum alloy Exilim EX-Z57 appears to be an enticing package. Other attention-grabbing elements are the rechargeable Lithium-ion battery that reportedly attains 400 shots per charge (CIPA standards), 23 preset shooting modes, a video capture setting, and despite the scarcity of manual controls, a custom white balance setting. The graphical design of the menu is perhaps the most impressive element of all. The interface graphics are well structured to provide optimal visibility in direct light and dark shooting situations.

However, the camera only appears enticing at first glance. Look closer and the camera has some cardinal deficiencies. While the oversized LCD screen might sound attractive, the Z57’s 2.7“ screen sounds far better than it actually performs. The 115,200 pixel monitor displays images with minimal sharpness and poor color reproduction. The screen itself consumes 3/4 of the back of the frame; a problem when there is no mode dial and the back of the camera houses all controls other than the shutter and power buttons. The cramped layout will limit the camera’s audience, and users with larger hands might forgo the Z57 entirely rather than deal with the headache (or hand ache) of operating it.'

CNET Reviews has a review of the 5 megapixel Casio Exilim EX-Z57 and gives it a rating of 7.2 (very good) out of 10. They describe it by writing - 'At some point, you have to figure that the dominant digital photography trends of smaller cameras, bigger LCD screens, and more megapixels will reach a critical point, and we'll be left with some sort of tiny 12-megapixel monocle. Until that day arrives, we'll have to settle for models such as Casio's 5-megapixel Exilim EX-Z57 digital camera, a highly portable snapshot camera with a 2.7-inch LCD that's as bright as it is large. Though the Z57's lack of manual features and poor outdoor imaging can be frustrating at times, the camera delivers pleasing indoor results and acceptable shot-to-shot performance.'

Casio Exilim Zoom EX-Z57 News Release

CASIO ELECTROINCS CO., LTD. has announced an exciting additions to its popular EXILIM ZOOM series. The new 5.0 megapixel CASIO EXILIM ZOOM EX-Z57 boasts an extra large 2.7“ display – CASIO's biggest screen ever! It offers extended battery life, making it ideal for use during long vacations, business travel, and other occasions requiring the amazing stamina that these cameras offer.

The CASIO EXILIM ZOOM EX-Z57
The extra-large 2.7” TFT colour display represents an amazingly brilliant picture for framing and viewing without compromising the compact and sleek design. The EX-Z57 features 5 megapixels and a 3x optical zoom lens for capturing photos of remarkable quality. The extra-long battery life of approximately 400 shots (CIPA standards) on a single battery charge assures users that they can enjoy shooting and sharing at their pictures over and over again without ever worrying about running out of power.

CASIO's cameras are now well known worldwide for their advanced miniaturisation and digital technology. The entire range encompasses slim, compact bodies coupled with the latest in digital imaging, making them faster, smaller, and more powerful. CASIO's unique developments, such as the EXILIM Engine and SUPER LIFE battery technology, along with sleek design put the CASIO EXILIM cameras at the cutting edge of the digital camera world.

The Casio Exilim EX-Z57 will be available in the UK from the beginning of April 2005, from all good photographic stores. Recommended retail prices will be confirmed closer to the time of availability.

CASIO EXILIM EX-Z57 FEATURES

HIGH PERFORMANCE OPERATION IN AN EASY TO USE, COMPACT DESIGN :
• Extra-large, easy-to-view 2.7“ digital interface TFT colour LCD that brings out the true quality of images.
• High-resolution images captured by the CCD with 5.0 million effective pixels.
• 3x optical zoom lens in a very compact design.
• Sleek, stylish lightweight aluminum body with an ergonomic grip

SUPERLIFE BATTERY FOR EXTENDED SHOOTING ON A SINGLE CHARGE:
• Same battery life as the EX-Z55, but with a larger 2.7” LCD
• Approximately 400 shots can be taken on a single battery charge (CIPA standard s ).

QUICK RESPONSE THANKS TO HIGH-SPEED DESIGN:
• Automatic selection of Auto Pan Focus mode for quick response when the shutter is depressed in one push.
• Direct On function for one-touch start up in either picture recording or playback modes.
• High-speed startup enables shooting approximately 1 . 6 seconds* 1 after the power is turned on.
• Shutter release lag time of only 0.01 sec onds means images are recorded approximately 0. 01 seconds after the shutter is released.* 2
• High-speed playback of approx. 0.1sec . interval between images (scroll though 100 images in 10 secs).

CONVENIENT USER FUNCTIONS:
• Business Shot function compensates for photos taken at an angle and records them as though taken from straight ahead, useful for taking pictures of white boards and business cards.
• “BESTSHOT” allows settings to be chosen by selecting from a collection of sample images.
• Extended shooting of video with sound can be performed until the memory is full.
• Noise Reduction p rocessing makes night scenes more true.
• Auto Macro function enables automatic switching between Macro and AF modes.
• 7-point Multi-Auto Focus automatically selects the optimum focus point location.
• Flash Assist function provides exposure compensation for areas not reached by the flash.
• Icon Help function uses on-screen pop-up guides to help the user when switching settings.

FEATURES FOR FUN:
• Voice recording function with playback from the camera's in-built speaker.
• Photostand feature allowing a slideshow of images while the camera sits in its cradle.
• Calendar function shows thumbnail images of photos taken on any specified date.
• World Time function allows the camera to be set to the local time in one of 162 cities in 32 time zones.
• Store special photos or those you don't want others to see in your own Favourites folder.
• Create HTML albums in the camera that which can be viewed directly by Web browsers.

OTHER FEATURES:
• The colour LCD with two levels of brightness to choose from to suit users' needs.
• Connects directly to compatible printers via PictBridge and USB DIRECT-PRINT.
• 9.3MB internal memory, compatible with SD memory card / Multi Media Card.
• Menu display can be set in 10 languages, including Chinese (simplified and traditional), English, French, German, Italian, Japanese, Korean, Portuguese, Spanish
• Photo Loader software for automatic image transfer to a PC at the touch of a single button via USB cradle.
• Compatible with ExifPrint (Exif 2.2) and PRINT Image Matching III .

*1: with internal flash off, using internal memory
*2: with internal flash off

Feb 15: Digital Film from AgfaPhoto

Agfa News Release: AgfaPhoto launches storage media for digital cameras

Orlando, February 14, 2005 – At PMA 2005, AgfaPhoto is demonstrating a key element in its strategy for leveraging the boom in digital photography, and introduced a diverse family of flash memory cards for digital cameras called “Digital Film”.

“Our new Digital Film offerings are the latest step in our evolution as a leader in the worldwide digital photography marketplace,” said Bing Liem, President and CEO, AgfaPhoto North America. “They build on our solid reputation and long expertise as a provider of advanced digital lab equipment by extending our product strategy to now include digital image capture solutions.”

AgfaPhoto's Digital Film product line provides retailers with highest-quality offerings for the most commonly used types of memory card. The Secure Digital Card and Compact Flash Card offer super-fast and robust versions of today’s most popular cards, as well as MultiMediaCard, Memory Stick and SmartMedia Card types. Depending on card type, these products will be available with memory capacities ranging from 64 MB to 1 GB. The product line will be rounded off by the AgfaPhoto USB Stick 2.0. AgfaPhoto’s new memory cards are compatible with all commonly used digital cameras, and also with other devices such as hand-held PCs or digital camcorders.

In its marketing strategy for the Digital Film product line, AgfaPhoto will present the memory cards using packaging and in-store displays with a unique pictorial design that recalls analog film packaging familiar to consumers. The product line packaging and promotion will also consistently reflect AgfaPhoto’s widely recognized concept of “Pictures of Happiness”. A color code will make it easier for consumers to distinguish between the different types of card. For instance, blue will stand for the Secure Digital Cards and green for the Compact Flash Cards.

With the addition of this new product line, imaging specialist AgfaPhoto will be offering an even fuller, complete range of image capturing media under the umbrella of the strong brand: from classical film and single-use cameras (SUCs), all the way to Digital Film.

Feb 15: SanDisk Announces 1-Gigabyte miniSD Card

SanDisk News Release: Large Capacity Ideal To Store Digital Music, Video, and Photos On The Latest Mobile Phones

CANNES, France --(Business Wire)-- Feb. 14, 2005 SanDisk(R) Corporation (Nasdaq:SNDK) today announced that it is doubling the current capacity of its popular SanDisk miniSD(TM) card to 1-gigabyte (GB)(a). The miniSD card is used in a growing number of mobile phones with multimedia capabilities such as digital cameras, music players, video recording and playback, games and more.

“The 1GB miniSD card provides a level of storage that significantly enhances the features and usability of these full-featured mobile phones,” said Nelson Chan, executive vice president and general manager of SanDisk's consumer and handset business. “For example, with a 1GB card you can store approximately 16 hours of MP3 songs, record up to several hours of MPEG-4 video or take more than 2000 digital photos on a 1-megapixel mobile phone. With that level of capability, consolidating music, video, digital camera and other key features into the mobile phone platform is much more meaningful and powerful.”

According to IDC, the global market for mobile phones with card slots is expected to increase to more than 258 million units by 2006, as manufacturers continue to add features to phones that increase their storage requirements. In addition to increasing available memory, a removable storage card provides greater interoperability with other portable consumer electronics devices, an important feature as mobile phones converge with other portable devices.

The SanDisk miniSD card includes an adapter allowing it to be used in any of the existing SD card devices. The new 1GB SanDisk miniSD card is expected to be available at the suggested retail price of $99.99 in Q2 2005.

This is the latest in a series of new capacity points offered by SanDisk. Also announced was the 512MB SanDisk TransFlash(TM), one of the smallest flash memory storage cards designed primarily for the mobile phone market.

Offered for sale to OEM customers and through retail markets, SanDisk cards are sold at many of the 100,000 consumer electronics stores and other retail outlets where SanDisk products are sold worldwide.

SanDisk is the original inventor of flash storage cards and is the world's largest supplier of flash data storage card products, using its patented, high-density flash memory and controller technology. SanDisk is headquartered in Sunnyvale, CA and has operations worldwide, with more than half its sales outside the U.S.

The matters discussed in this news release contain forward looking statements that are subject to certain risks and uncertainties as described under the caption, “Factors That May Affect Future Results” in the company's annual report on Form 10-K-A and quarterly reports on Form 10-Q, filed with the Securities and Exchange Commission. The companies assume no obligation to update the information in this release.

(a) 1 megabyte = 1 million bytes.

Feb 14: Help Digital Photography Blog

If you're a regular reader of Digital Photography Blog and a subscriber to our Newsletter you'll be aware that this blog is one of a number of similar sites on a range of topics. One of our sites, ProBlogger, has been nominated for an award as best overall blog in a business blogging awards competition.

The prize for the award is for website design which we'd love to use to improve this site. You can help improve the service we run here at Digital Photography Blog by casting your vote today. Simple go to this page and highlight the ProBlogger circle and cast your vote.

Thanks for those that have already voted - we appreciate your support in improving Digital Photography Blog.

Feb 14: Casio Exilim Zoom EX-Z55 Review - PhotographyBLOG

PhotographyBLOG reviews the Casio Exilim Zoom EX-Z55 and writes - 'If you're looking for an ultra-compact camera then you should seriously consider the Casio Exilim Zoom EX-Z55. Casio may not be the first name that you associate with digital cameras, but they have definitely produced a very capable camera in the EX-Z55.... With that massive 2.5-inch LCD screen and simple control layout, the Casio Exilim Zoom EX-Z55 is perfectly suited to the new photographer that it is aimed at, and indeed for any photographer that wants a small and very responsive point and shoot model. '

Read more reviews of the Casio Exilim Zoom EX-Z55

Feb 14: Olympus Camedia C-470 Zoom Review - Pocket Lint

Pocket Lint reviews the Olympus Camedia C-470 Zoom and writes - 'This is a nice, compact machine and one that brings 4-megapixels to the masses at a superb price. But the smoothing of detail by over processing means the larger prints made possible by the high resolution are not what they could have been, so the C-470 is good rather than great.'

Read more about the Olympus Camedia C-470 Zoom

Feb 14: Kodak and Lexar Expand Flash Memory Card Line-Up to Include Popular Mobile Card Formats

Kodak/Lexar News Release: miniSD, Reduced Size MMC (RS-MMC), MMCmobile Formats Make It Easy to Print, Share, and Store Pictures Anytime, Anywhere

Eastman Kodak Company and Lexar Media, Inc. today announced the further expansion of the KODAK flash memory card line to include popular formats for mobile devices including mobile camera phones and PDAs.

“Generations of people have trusted Kodak to help them take and preserve pictures. Our introduction of the new KODAK memory cards is yet another way of extending such trust and reliability to the mobile imaging market,” said Claudio D'Amico, general manager, worldwide memory business, Digital and Film Imaging Systems, Eastman Kodak Company. “The mobile memory card formats -- miniSD, Reduced Size MMC, and MMCmobile cards -- will be competitively priced and offered at retail locations where memory cards and mobile devices are currently sold.”

Using the new KODAK memory cards, people can store numerous pictures and short videos on their compatible mobile camera phones or PDAs. From those devices, they can then upload favorites to KODAK Mobile Service for quick, digital sharing with friends around the world, and order real KODAK pictures from the KODAK EASYSHARE Gallery (formerly Ofoto). In addition, the mobile cards -- with included adapters -- can be inserted into KODAK kiosks at retail shops worldwide to make real KODAK pictures in seconds. Furthermore, the miniSD form factor, with adapter, will work in KODAK EASYSHARE digital cameras as well as other digital cameras compatible with the SD card format.

KODAK miniSD cards and KODAK Reduced Size MMC cards will be available from Lexar in March, while KODAK MMCmobile cards will be available this summer. All will be available in capacities ranging from 128 MB to 512 MB, with initial shipments targeting Europe (other regions to follow).

As part of a multi-year agreement announced in mid-2004, Lexar Media is manufacturing and distributing a full range of KODAK branded memory cards. Both companies market the products worldwide.

Feb 14: Pentax Optio MX4 review by PC Magazine

PC Mag reviews the Pentax Optio MX4 and writes - 'You may not want to try and take the pistol-grip, raygun-shaped Pentax Optio MX4 through airport security. But otherwise it's a passable, inexpensive 4MP superzoom still camera, and quite a good still/video hybrid as well. If you're looking primarily for a superzoom that shoots great stills, you can do much better, but if you want one camera that's also suitable for shooting a lot of video, the MX4 is well worth considering.'

Read more about the Pentax Optio MX4 digital camera

Feb 14: Panasonic Lumix DMC-FZ20 review by PC Magazine

PC Mag reviews the Panasonic Lumix DMC-FZ20 and writes - 'Larger than most superzooms, Panasonic's top-of-the-line Lumix DMC-FZ20 is similar in size and look to a digital SLR. It combines very good image quality with top-notch specs and features. It isn't perfect, but if we could take only one camera with us on vacation, it would be high on our list. With its impressive zoom lens and other capabilities, there are few scenes this camera couldn't handle with aplomb.'

Read more reviews of the Panasonic Lumix DMC-FZ20 digital camera

Feb 14: Nikon Coolpix 8800 review by PC Magazine

PC Mag reviews the Nikon Coolpix 8800 and writes - 'We define superzooms as cameras with a 10x or greater zoom. We define the enthusiast models as the all-in-one cameras at the high end of the price scale that can create very large images and give the shooter a lot of control. Until recently, these two segments were very cleanly delineated. But not anymore, thanks to Nikon's 8-megapixel Coolpix 8800, an enthusiast camera with a superzoom lens.'

Read more reviews of the Nikon Coolpix 8800

Feb 14: Sigma Launches DG Version of Ten Telephoto Lenses

The Sigma Corporation is pleased to announce the launch of ten DG EX telephoto lenses.

The recent rapid growth of the digital single lens reflex (SLR) camera market has greatly increased the demand for digitally optimised lenses.

The Sigma Corporation began production of the DG wide-angle lens series in 2000. This range has grown to include 13 models by February 14th 2005. Sigma is now launching ten new EX DG telephoto lenses including three fixed focal length telephoto lenses. The EX DG telephoto lens series is designed to deliver ultra high performance with digital SLR cameras.

The following lenses are all fully dedicated and matched to work with our 1.4x and 2x tele converters giving the utmost in image quality. All these lenses come complete with matched lens hoods and fitted padded cases. HSM focusing is used extensively throughout the range.

50-500mm F4-6.3 APO EX DG
This lens ensures a superior level of precision from 50mm standard to 500mm ultra telephoto. Four Special Low Dispersion (SLD) glass elements effectively compensate for chromatic aberrations. High optical performance is demonstrated throughout the entire zoom range.

70-200mm F2.8 APO EX DG
A popular telephoto zoom lens with a large constant maximum aperture of F2.8. Four Special Low Dispersion (SLD) glass elements ensure high quality images at all zoom settings. Featuring HSM technology and internal focusing, this lens offers fast and quiet auto focusing without rotating the front element.

80-400mm F4.5-5.6 APO EX DG OS
Using Sigma’s original OS (Optical Stabiliser) function, two types of sensors inside the lens detect vertical and horizontal movement of the camera. By moving a portion of the optical system to compensate for movement, this function delivers outstanding results in compensating for camera shake.

100-300mm F4 APO EX DG
This telephoto zoom lens provides a large F4 aperture at all focal lengths. With minimal light fall-off, superior peripheral brightness is ensured. It’s an ideal lens for digital SLR cameras. Internal focus design and HSM system for silent and high speed auto focus.

120-300mm F2.8 APO EX DG
This unique zoom lens offers F2.8 even at 300mm zoom setting and allows you to determine the picture composition you want without having to change your vantage point. Ideal for sports and wildlife photographers.

300-800mm F5.6 APO EX DG
A unique high powered zoom lens incorporating a range of focal lengths from 300mm to ultra telephoto of 800mm featuring a constant aperture of F5.6. Ideally suited for specialist sport, wildlife and landscape photography.

180mm F3.5 APO EX DG
Floating Inner Focus system moves two lens groups within the lens, so the lenses physical length remains unchanged. This technique also maintains good correction for Spherical Aberration and Astigmatism and provides extremely high optical performance from infinity to 1:1 Macro. A useful combination of telephoto and macro capabilities.

300mm F2.8 APO EX DG
This lens incorporates two Extraordinary Low Dispersion glass elements to produce sharp, high contrast images. A drop-in filter holder can be inserted near the rear of the lens and circular polarising filters can be used in situ. A classic sports lens with a compact and lightweight design.

500mm F4.5 APO EX DG
ELD glass elements maintain high resolution at all aperture settings. It employs a drop-in filter system that can be inserted near the rear of the lens, and circular polarising filters to be used in situ. Ideal for wildlife and sports photography.

800mm F5.6 APO EX DG
An ultra telephoto, fast aperture lens for specialist uses. Encorporating ELD glass elements to ensure high contrast at all aperture settings for high image quality. A drop-in type filter can be inserted near the rear and circular polarising filters can be used.

Feb 14: Pentax Optio50

The Pentax Optio 50 is a compact digital camera with 3x Optical Zoom lens and a 5.19 megapixel CCD sensor. It has PictBridge compatibility for direct printing, takes AA batteries and a 1.8inch LCD screen.

Get a Current Price on thePentax Optio 50 Digital Camera

Pocket Lint Reviews the Pentax Optio 50 digital camera and writes - 'Overall the Optio 50 is opportunity to own a camera with respectable resolution for around £100. The functionality is ‘wholesome’ without being over complicated and the Optio 50 would make an ideal first time camera for a novice or someone wanting to move to digital from film. The included ‘PictBridge’ technology means that users can direct-print, without the need of a PC, further strengthening the cameras position as a stand-alone technology, ideal for those who want to dabble without having to commit to further expensive purchases.'

Pentax Press Release

The PENTAX Optio50 — the Compact Digital Camera Enabling Even Novices to Achieve Impressive Images with Easy Operation

PENTAX introduces the new Optio50 — a compact, lightweight digital camera that makes digital photography easy for virtually anyone. Incorporating a handy “Simple” mode, it allows the user to quickly choose an icon that matches the subject at hand and have the camera select all the optimal settings automatically for the best possible results. And to ensure easy use continues no matter where you go, the Optio50 has also been designed to be powered by AA batteries, which are widely available internationally. But to be worthy of the PENTAX name, of course, ease of use is simply not enough. Indeed, the Optio50 offers the power and clarity of a 3X optical zoom lens and the sheer detail and high-level resolution of 5.0 effective megapixels, making it as sharp at shooting as it is easy to use.

Major features

1. Compact, lightweight design
Despite its 3X optical zoom lens and AA battery compatibility, PENTAX has succeeded in creating the Optio50 with compact dimensions of just 91 (W) x 61 (H) x 27 (D)mm*1 and a light weight of a mere 130 grams*2. Furthermore, its chic silver exterior has also been specially crafted with rounded corners that make it feel more comfortable in the hand, while imparting a clear sense of user-friendliness.
*1: Excluding controls and other protrusions
*2: Excluding batteries and SD memory card

2. Mode dial for simple mode selection
All the user has to do to select a shooting mode is simply turn the handy mode dial to pick the desired icon from a choice of seven. Also available on this handy mode dial are Portrait, Landscape, Night scene, and Movie mode — the latter of which enables movie recording with sound to the full capacity of the memory card. There’s also the useful “Simple” mode, which lets the camera automatically select the optimal settings for the scene at hand.

3. Impressive image quality
As the Optio50 incorporates a 3X optical zoom lens with two lenses that are aspherical on both sides, it is able to make the very most of its ample 5.0 effective megapixel imaging performance. What’s more, its 5.19 total megapixel CCD is also complemented by a primary colour filter, enabling it to achieve satisfyingly high-resolution images with vivid colour.

4. AA battery compatibility
The Optio50 is compatible with widely available AA batteries (takes two alkaline or nickel hydride batteries) making it easy to replenish the power practically anywhere in the world.

5.1.8-inch LCD monitor
Despite its positioning as an entry-level model, the Optio50 employs a large 1.8-inch, TFT LCD monitor with 130,000 pixels. As a result, composition and focusing are made much simpler when shooting, and images become much easier to evaluate during playback.

6. PictBridge compatibility for direct printing
The Optio50 supports PictBridge, a new direct-print standard released by the CIPA (Camera and Imaging Products Association). This impressive advance means there’s no need to use a computer to make a printout – just connect the Optio50 directly to a compatible printer via USB cable and produce printed photographs directly.

7. Other features
1) SD memory card compatibility, approx. 12MB built-in memory
2) USB mass storage class compatibility, AV cable connects the Optio50 to a TV
3) Standard image viewer, ACDSee for PENTAX software
4) Built-in auto flash with red-eye reduction mode*
5) Actual image optical viewfinder
6) Up to 4X digital zoom
7) Macro mode allows the user to shoot as close as 6cm from the subject
8) DPOF function, Exif Print compatibility
*This mode does not eliminate “red eyes” in all instances.

Feb 14: Pentax *istDS Silver

The Pentax *istDS Silver is the silver version of the previously released Pentax *istDS DSLR.

Pentax Press Release

PENTAX Adds a Silver-Coloured Version to Its Popularly Priced Compact Digital SLR Camera

PENTAX Corporation is pleased to announce the addition of a silver-coloured version to the popular PENTAX *istDS digital SLR camera. Named the PENTAX *istDS Silver, it offers the same user-friendly features and high-standard specifications as the original black-coloured version, except for its body colour. With a choice of two attractive colours, the *istDS now extends outstanding manoeuvrability, simplified operations and an affordable price to a broader range of quality-conscious digital SLR users.

Major Features of the *istDS Silver

1. Attractive silver-coloured body
In response to the request from many enthusiastic consumers, PENTAX designed a fashionable silver-coloured body for the new *istDS Silver, offering a choice of a body colour between silver and black to accommodate individual preferences and assure greater colour conformity with lenses.

2. Compact, go-anywhere design
Featuring a super-compact, ultra-lightweight body, the *istDS Silver offers outstanding portability to accompany the user anywhere. The combination of many downsizing technologies, including a high-rigidity stainless-steel chassis, multi-layered electronic circuit boards and high-density packaging technology, resulted in this extremely portable body, measuring only 125mm wide, 92.5mm high and 66mm thick and weighing a mere 505 grams without batteries and SD memory card.

3. High-definition, maximum-gradation images with 6.1 effective mega pixels
Thanks to its large, high-performance CCD image sensor, the *istDS Silver offers 6.1 effective mega pixels. Coupled with PENTAX’s original image processing technology, it produces high-definition images rich in gradation and saturation.

4. Compatibility with PENTAX interchangeable lenses
The *istDS Silver offers the outstanding benefit of lens interchange-ability, allowing the user to take advantage of a wide selection of existing PENTAX interchangeable lenses to deal with diversified subjects and applications.*
*PENTAX K-, KA-, KAF- and KAF2-mount 35mm-format lenses can be used without an adapter or modification. PENTAX screw-mount 35mm-format lenses and PENTAX 645- and 67-system lenses can be used with an adapter. Some functions may not be available with certain lenses.

5. Bright, high-magnification pentaprism viewfinder
The *istDS Silver comes equipped with a glass pentaprism viewfinder offering a 95% field of view and a 0.95-times magnification*. It offers a large, bright viewfinder image equal in size, clarity and brightness to viewfinders incorporated in conventional 35mm-format SLRs. It makes confirmation of the subject’s focus much easier, even in manual-focus mode.
* With 50mm F1.4 lens at infinity.

Thanks to a high-precision 2.0-inch colour LCD monitor offering approximately 210,000 pixels, the *istDS Silver makes it quick and effortless to review recorded images and read menus.

7. Large LCD data panel
The *istDS Silver features a large, easy-to-read LCD data panel on the top panel to allow easy, at-a-glance confirmation of the camera’s operational status and various settings.

8. User-friendly automatic operations
The *istDS Silver is equipped to make camera operations simple and effortless for the user. Its innovative Auto Picture mode automatically and instantly selects the optimum combination of exposure settings for a given subject or situation, including shutter speed, aperture, white balance, saturation, contrast, and intensity of edges. The built-in auto flash automatically pops up in dimly lit or backlit situations.

9. Simple, accessible operation system
From the multi-function four-way controller to the responsive electronic select dial and the large, easy-to-use mode dial, all switches and dials are efficiently and functionally laid out around the *istDS Silver’s compact body to assure smooth, fingertip control.

10. High-precision 16-segment multi-pattern metering
The *istDS Silver incorporates an advanced 16-segment metering system to assure high-precision light measurement, even under complicated lighting conditions. Centre-weighted metering and spot metering are also available to meet specialized applications.

11. High-accuracy 11-point AF sensor
The *istDS Silver features the sophisticated SAFOX VIII AF system incorporating 11 AF sensors (nine of them constituting a cross-type wide-area sensor grid in the middle). It not only offers accurate, pinpoint auto-focusing, but also allows the user to select one of the sensors to accommodate a specific image composition.

12. Superimposed AF sensor point indication
The selected AF sensor point is highlighted in red in the viewfinder for easy visual confirmation.

13. 1/4000-second high-speed shutter
The *istDS Silver features a high-speed shutter unit with a top speed of 1/4000 second and a top synchronization speed of 1/180 second to assure greater visual creativity.

14. High-speed consecutive shooting
The *istDS Silver records up to 8 images consecutively at a speed of approximately 2.8 frames per second, allowing the user to capture a series of the subject’s action or movement.

15. SD memory card compatibility
The *istDS Silver uses the widely available SD memory card as its storage media, not only assuring high-speed recording and readout of image data, but also contributing to the downsizing of the camera body.

16. Other features
1) 18 user-programmable custom functions to personalize camera operations to
the user’s preferences
2) Noise-reduction system to minimize annoying digital noise during extended
exposures
3) Dual power source, with a choice of two CR-V3 lithium batteries or four
AA-size batteries
4) Effortless data uploading to a PC using the included USB cable
5) Functional playback functions, including 12X zoom display and nine-image
thumbnail display
6) A choice of image format between JPEG (Best, Better or Good) or RAW
7) Interchangeable Natural-Bright-Matte focusing screen (AF Frame Matte
screen included as standard; AF Split-Image Matte and AF Scale Matte
screens available as optional accessories)
8) PENTAX PHOTO Laboratory 2.0 RAW-data processing software and
PENTAX PHOTO Browser 2.0 browser software included
9) PictBridge compatibility

PENTAX, smc PETNAX, *ist, PENTAX PHOTO Browser and PENTAX PHOTO Laboratory are trademarks of PENTAX Corporation
All other brands or product names are trademarks or registered trademarks of their respective companies.

This product supports PRINT Image Matching III. PRINT Image Matching enabled digital still cameras, printers and software help photographers to produce images more faithful to their intentions.

Some functions are not available on printers that are not PRINT Image Matching III compliant

Feb 14: Pentax OptioS5n

The Pentax Optio S5n is a 5 Megapixel digital camera with a 3x Optical Zoom and 2 inch LCD monitor. It looks like it will be in stores in March 2005. Learn more about the Optio S5n from the following news release from Pentax.

Pentax Optio S5n Reviews

Trusted Reviews has a review of the Pentax Optio S5n and writes - 'The Optio S5n is a third-generation product, building on a very successful line of cameras, and is certainly one of the best ultra-compacts on the market. It is extremely well made, has a long list of useful and entertaining functions, superb handling and image quality, and it even looks nice. It’s not the cheapest in its class, but you’re getting a lot of camera for your money, and in a very small package.'

Pentax Optio S5n Press Release

The PENTAX OptioS5n — a Stylish Digital Camera Combining a 2.0-inch LCD monitor, Ultra-compact Dimensions, High Performance and Exceptional Ease of Use

PENTAX introduces the new OptioS5n — a stylish and compact digital camera with ultra-compact, lightweight appeal. What’s more, it also offers the power of 5.0 effective megapixels and a 3X optical zoom lens incorporating PENTAX’s unique Sliding Lens System. Developed in line with the OptioS series concept of being “stylish and ultra-compact to enable it to be worn like an accessory”, there’s so much more to the OptioS5n than its stylish, elegant appearance. Indeed with an easy-to-see 2.0-inch large LCD monitor, a useful Mode Palette function that simplifies shooting and playback and the advantage of MPEG-4 file format for high-quality, extended duration movies, the OptioS5n is every bit as versatile as it is attractive.

Major features

1. Stylish, ultra-compact body
A high-precision spindle effect of fine engraving has been applied to the silver surface of the OptioS5n’s high-quality aluminium body. This achieves a texture that exudes sophistication and catches the light, while each of the four corners has been carefully rounded to impart a sense of softness. Handling is further improved through the use of rubber material on the back and strategic design elements on the front that lead to a more confident grip.

The OptioS5n is also highly compact. In fact, through making use of the unique Sliding Lens System, the OptioS5n features a powerful 3X optical zoom lens, yet retains ultra-compact dimensions of just 83 (W) x 52 (H) x 20.5 (D)mm*1 and has a light weight of just 105 grams*2.

With such sophisticated looks and conveniently small dimensions, the OptioS5n is ideal not only for travelling, leisure and everyday shooting, but also for various business purposes too.
*1: Excluding controls and other protrusions
*2: Excluding batteries and SD memory card

2. Large, easy-to-view 2.0-inch LCD monitor
Despite its ultra-compact body, the OptioS5n incorporates a large 2.0-inch, TFT LCD monitor — the biggest in the popular OptioS series. It offers an approximate 100% field of view with the clarity of approximately 110,000 pixels, making it easy to confirm composition at the time of shooting and displaying images with high quality during playback.

3. Extremely easy Mode Palette
Selection of both shooting and playback modes simply couldn’t be any easier. Using the Mode Palette that displays 16 shooting icons and 11 playback icons on the monitor at once, the user is free to simply choose the one best suited to the scene at hand. Furthermore, the palette itself is also translucent, so the icons are displayed directly over the desired image for even easier mode selection.

4. Quick button customizes desired functions
The user has the freedom to assign up to three functions*1 to the handy Quick button for fast access. When the user assigns the “Fn Setting” to the Quick button, it provides a shortcut to four items out of a total of 11*2 choices. Alternatively, the user can enjoy the convenience of leaving the Quick button at its default setting, Green mode, which leaves all settings to the camera for a fully automatic shooting.
*1: Functions that can be assigned to the Quick button: Green Mode, Initialize Rec. Mode, Fn (Function) Setting
*2: Items that can be assigned to the Fn Setting: Recorded Pixels, Quality Level, White Balance, Focusing Area, AE Metering, Sensitivity, EV compensation, Sharpness, Saturation, Contrast and off

5. High image quality
A number of factors converge in the OptioS5n to achieve satisfyingly high image quality. A 1/2.5-inch primary colour CCD with the power of 5.25 total megapixels captures intricate detail with excellent resolution. A smc PENTAX lens delivers high-clarity by suppressing ghosting and flare. Furthermore, the OptioS5n also incorporates a new ASIC (Area Specific Integrated Circuit) to provide strengthened image processing performance, while noise reduction has been taken to a superior level. As a result of all these advantages, the OptioS5n combines clarity and true-to-life colour gradations with meticulous colour compensation.

6. Movie shooting with in-camera editing
Offering movie shooting with 640x480 recording pixels at the smooth rate of 30fps (frames per second), the OptioS5n delivers movie quality comparable to a television image. The OptioS5n is also a first in the OptioS series in that it offers the new advantage of an MPEG-4* image compression system. In comparison to the conventional AVI (motion JPEG) system, the MPEG-4 recording format enables the user to record longer movies on the same memory card. The user can also conduct various editing tasks in-camera following shooting, such as “Save as still image,” “Divide” and “Cut and stitch”.
*Recorded images on the OptioS5n can be played back on computers with Windows 98SE/Me/2000/XP with Windows Media Player 9 or later installed. Not compatible with Windows 98/NT and Macintosh machines.

7. Handy camera stand charges batteries still in the camera and spares at the same time
The camera stand charges batteries while they are inside the camera. Furthermore, it has space for spare batteries too, which begin charging as soon as the ones inside the camera are fully charged. The OptioS5n also offers the additional convenience of being compatible with different voltages ranging from 100V to 240V (50/60Hz) — enabling users to take it along on travels and recharge it virtually anywhere in the world*.

Feb 13: Olympus E-300 Review - DC Views

DC Views reviews the Olympus E-300 digital camera and writes - 'Although it looks radically different from other digital SLRs, the Olympus E-300 is an excellent photographic tool with comfortable handling, nice controls and superb built quality. It provides you with comprehensive image info at all times through the convenient LCD monitor on the back, which remains clearly visible even in direct sunlight. It possesses a unique supersonic wave filter to solve the problem of dust settling on the image sensor, one of the common problems of DSLRs with exposed CCDs.'

Read more reviews of the Olympus E-300

Compare prices on the Olympus Evolt E-300 and get the latest Price on the the E-300 at Amazon

Feb 13: Konica Minolta DiMage Z3 Review - PC Magazine

PC Mag reviews the Konica Minolta DiMage Z3 and writes - 'Exposure is good and there is no significant purple fringing or noise at ISO 50 or 100, but there are no sharp, well-defined edges in the picture. Our flash test shot, although evenly illuminated, is dull and muddy, but without the orange color shift seen on the daylight picture. Noise is significant at ISO 100 and above, especially in dark and shadowy areas. And though the image overall is marginally sharper than the daylight picture, edges aren't well defined.'

Read more about the Konica Minolta Dimage Z3

Feb 13: Kodak EasyShare DX7590 Review - PC Magazine

PC Mag reviews the Kodak EasyShare DX7590 digital camera and writes -'Our daylight test shot showed outstanding color with quite high levels of contrast that actually helped hide areas in the photo that lacked sharpness; actual sharpness was good but not exceptional. We also noted some falloff in the corners of the shots and minor amounts of noise. The flash still-life shots were very similar to the daylight shots, with very good color reproduction but some edge falloff, and less sharpness than we'd expect given the camera's resolution scores. The images were good, but could have been better.

This is a good camera that's easy to use and takes appealing pictures. If it had antishake technology built in, took slightly sharper images, and came with rechargeable batteries, we'd have liked it even better.'

Read more reviews of the Kodak EasyShare DX7590

Feb 13: Fujifilm FinePix S5100 Review - PC Magazine

PC Mag reviews the Fujifilm FinePix S5100 and writes - 'Very good to excellent image quality and good performance make the Fujifilm FinePix S5100 a fine choice if you're looking for a superzoom camera at a competitive price. But, if money is less of an object, consider our EC, the Panasonic Lumix DMC-FZ15, which is nearly as fast and adds image stabilization, a longer zoom, and a lens that's got an even wider maximum aperture at max telephoto.'

Read more about the Fujifilm FinePix S5100 Digital Camera

Feb 12: Digital Camera Growth to Slow in 2005 -Study

'The photography industry expects U.S. digital camera sales growth to slow to about 13 percent this year, as the market matures after growing at a breakneck pace for almost a decade, according to a report released on Thursday.

Unit sales of digital cameras, which use no traditional film and record images on a memory chip, will rise to 20.5 million this year from an estimated 18.2 million in 2004, industry trade group Photo Marketing Association said in its annual photography industry report.

The increase pales beside the rapid gains of more than 30 percent in each of the last three years.'

Read more at Digital Camera Growth to Slow in 2005 -Study

Feb 10: Fujifilm Finepix E500 Review - PhotographyBLOG

PhotographyBLOG reviews the Fujifilm Finepix E500 and writes - 'The Finepix E500 is a commendable attempt by Fujifilm to make the finer points of photography accessible to a wider audience. Fujifilm have decided that beginner photographers do want to have control over things like apertures and shutter speeds, and so they should in my opinion - these are the key fundamental aspects of photography that make it so creative and enjoyable. Having said that, the Fujifilm Finepix E500 also has a number of auto and scene modes, which ensures that this camera can also be used as a point and shoot until you are confident enough to take over the reins. The other main attraction of this camera is the 28mm wide lens, which is a refreshing change after using so many cameras which have zooms that start at 35mm+.'

Read more about the FujiFilm Finepix E500

Feb 10: Sony Cybershot DSC-P93 Review - CNET Reviews

CNET reviews the Sony Cyber Shot DSC-P93 and writes - 'This 5-megapixel, 3X optical zoom member of Sony's Cyber Shot budget line is, aside from its larger sensor, a clone of the 4-megapixel DSC-P73 and costs just a few dollars more. Snapshooters who want ease of use plus basic manual controls will find pretty much all they need in the compact DSC-P93--except great photo quality.'

Read more about the Sony Cybershot DSC-P93

Feb 10: Canon Powershot Pro1 Review - Shuttertalk

Shuttertalk review the Canon Powershot Pro 1 and write - 'Canon have designed the PowerShot Pro1 from the ground up to attract experienced photographers who know what they want out of digital photography -- the great zoom range, L-series lens, creative controls and professional construction add to the appeal. Canon's flagship prosumer camera exudes quality, feels great in the hand and handles well. While it has no trouble in producing rich, contrasty and sharp images that have a lot of detail, it is let down by sluggish shot to shot times and noisy images at the higher ISO settings. In optimum conditions the Pro1 can defitely hold its own, but with the price envelope of Digital SLRs continually dropping and features such as image stabilisation being offered from other 8 megapixel contenders, the Pro1 certainly faces some stiff competition.'

Read more about the Canon Powershot Pro1 Digital Camera

Feb 9: Sanyo Xacti DSC-S5

The Sanyo Xacti DSC-S5 is an update to the current S3 and S4 models from Sanyo. It has a 5 megapixel CCD sensor with interpolation taking it up to 10.2 megapixels. The Xacti DSC-S5 has a 1.8inch LCD screen, 2.8x Optical Zoom and is powered by 2 AA batteries or a CR-V3 Alkaline or Lithium battery.

It measures in at 91.3 x 61.5 x 30.8mm and weights 185 grams.

Sanyo are expecting it to arrive in stores in Japan from February 15 for around the $330 (US) mark.

Feb 9: Panasonic Lumix DMC-FZ5

The Panasonic Lumix DMC-FZ5 is a 5.0 megapixel digital camera with a 12x optical zoom lens with optical image stabilizer built in. It is a significant upgrade to their previously released DMC-FZ3.

Compare prices on the Panasonic Lumix DMC-FZ5 and get the latest price on it from Amazon.

Panasonic News Release

Combine 12x Optical Zoom with MEGA O.I.S. in Compact Body

Panasonic is introducing the incoming LUMIX model 5.0-megapixel DMC-FZ5 and 4.0-megapixel DMC-FZ4 with MEGA O.I.S., Optical Image Stabilizer that compensates the handshake, incorporating a newly developed 12x optical zoom (equivalent to 36mm to 432mm(FZ5) / 35mm to 420mm(FZ4) on a 35mm film camera) lens. The DMC-FZ5/FZ4 is the heir to the 3.1-megapixel DMC-FZ3, but enhanced its excellence not only with the total number of pixels but also with other innovative technical improvements such as faster AF and various design development on the grip or the position of shutter button, to encourage higher-level shooting with comfortable operation. Panasonic has already introduced the DMC-FZ20, 5-megapixel 12x optical zoom model in 2004 for high-end prosumers. DMC-FZ5, however, makes clear distinction in the point of body size and usability, by which nonexclusive users can enjoy the deeper world of photography.

The remarkable 12x optical zoom combined with 4x digital zoom magnifies images by as much as 48x and can capture large frames of photo subjects even a long distance away. Furthermore, Panasonic’s MEGA O.I.S. assures stability of the magnified image and resolves the problem of blurring when the zoom photography is operated by hand without the assistance of a tripod. Same as the FZ20, the camera is equipped with a LEICA DC VARIO-ELMARIT lens for high resolution imaging with very little distortion. Moreover, the combination of 3 aspherical lenses preserves an astonishingly compact body size even for a 12x optical zoom digital still camera.

The engine, or the brain, driving high picture quality and quick response of the camera is once again the leading-edge image processing LSI Venus Engine II, which boasts excellent resolution in the horizontal and the vertical, in addition to the diagonal. An industry-leading release time lag of 0.008(FZ5)/0.006(FZ4) sec minimum and shutter interval of approx. 0.4(FZ5)/0.3(FZ4)* sec minimum, allowing you to precisely capture your target subject. What’s more, consecutive shooting performance boasts the capability of sequential shots at a rate of 3(FZ5) / 4(FZ4) frames per sec at full resolution. An unlimited** consecutive shooting function allows you to take photos in succession until the memory card or built-in memory is full.

The LUMIX DMC-FZ5/FZ4 are the higher-resolution model out of FZ3, retaining the advantages of compactness and ease, but still satisfying 12x powerful zoom and MEGA O.I.S., to use for every level of users in need of a digital still camera a cut above ordinary ones for shootings of the subject at a distance like child’s sports activities.

* Not including the time for AF.
** The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card size, battery life, picture size, and compression.

1. A Remarkable 12x Optical Zoom in a Compact Body

The LUMIX DMC-FZ5/FZ4 digital camera is equipped with 5.0(FZ5)/4.0(FZ4) megapixel CCD and newly developed LEICA DC VARIO-ELMARIT lens offering 12x optical zoom (equivalent to 36mm to 432mm(FZ5) / 35mm to 420mm(FZ4) on a 35mm film camera) with aperture of F2.8 to F3.3. The combination of 3 aspherical lenses, the crystallization of Panasonic’s optics technology, generates high optical performance while preserving the compactness of the unit. The zoom range can be totally extended to 48x when combined with 4x digital zoom.

2. MEGA O.I.S. – The Essential Feature for Digital Cameras

MEGA O.I.S., which we strongly believe indispensable for a high-magnification model, is subsumed with 2 selectable modes. In “Mode 1”, the O.I.S. lens continuously compensates the vibration, and in all Panasonic’s own “Mode 2”, the O.I.S. lens suppresses hand-shake only at the moment the shutter button is pressed. In this mode, the lens can move in all directions at the moment to maximize its effect, and higher-resolution image can be taken by capturing the image as close as to the center of the lens. Venus Engine II also encourages this advantageous performance in the point of enhancing the accuracy of hand-shake detection, consequently, even without using a tripod, it allows you to reduce the shutter speed more than 3 steps compared to the conventional cameras without O.I.S., while assuring clear images. It is difficult to capture crisp and clear images in shootings with high-powered zoom or with macro mode without using a tripod. The shutter speed tends to slow when shootings in low-lit indoor or of nighttime scenery. However, MEGA O.I.S. enables you to easily take clear, beautiful pictures in such situations.

3. The Venus Engine ll Leads the Industry for its Quick Response

The engine, the brain of digital camera, driving high picture quality and quick response of the camera is once again the leading-edge image processing LSI Venus Engine II. Panasonic has achieved great improvements in both resolution and response compared with the performance of previous Venus Engine. In the previous Venus Engine, the luminance signal was extracted from all RGB pixels to improve the diagonal resolution by 50%. In addition to that, the Venus Engine II gains new imaging process which adds the luminance signal extracted only from the G pixels upon detecting the horizontal / vertical lines in the image. This results in the improvement of the horizontal and vertical resolution by more than 10% compared with the former Venus Engine, while maintaining the 50% improvement in the diagonal resolution.

The multi-task image processing LSI realizes outstanding response of industry-leading release time lag of 0.008(FZ5)/0.006(FZ4) sec minimum and a shutter interval of approx. 0.4(FZ5)/0.3(FZ4)* sec for achieving more stress-free operation. It also boasts high consecutive shooting performance, providing shooting at 3(FZ5)/4(FZ4) frames per sec at full resolution. The Unlimited** Consecutive Shooting function allows limit-free consecutive shooting up to the capacity of the memory card or built-in memory.

* Not including the time for AF.
**The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card size, battery life, picture size, and compression.

4. The Industry-leading Short AF Time for a High Zoom Model

An AF method can be selected according to the shooting situation: 9-point, 3-point high-speed, 1 point high-speed, 1-point normal-speed and Spot. In the newly incorporated 1 point high-speed AF, the shutter time lag (including AF speed i.e. the time from “shutter full pressing” to “capturing picture”) has dramatically been reduced to one-third the level* of the previous DMC-FZ3 model, and has resulted in achievement of industry-leading short shutter time lag for a high zoom model.

Although screen-freeze in high-speed AF is now minimized, if you take the picture of subject with fast movement, you can select 1 point normal-speed AF which does not have any screen-freeze while focusing. In addition, AF assist lamp is equipped for expanding the AF ability even at night or under the low-light conditions.

* Panasonic in-house comparison with DMC-FZ3 at the tele-end.

5. Variety of Settings with Mode Dial and Scene Modes

9 scene modes that meet most any shooting situation can be appropriately selected thanks to the newly installed Scene Mode Help screen. This shows the description of each mode on the LCD monitor, makes it easier to select the mode that best fits the shooting conditions.

Manual functions such as aperture-priority AE, shutter-priority AE or manual exposure, are selectable directly by the mode dial and offers smooth control. On the other hand, it also offers easy shooting even to the entry-level users by providing the Simple Mode, in which most settings are made automatically. You just aim at the subject, zoom in or out, and press the shutter button.

6. High-End Usability Satisfies a Wide Range of Photographers

LCD monitor has become 1.8-inch* in size for an improvement in visual image confirmation. And a battery life of 300 images (CIPA) gives the FZ5/FZ4 more staying power than the FZ3.

Auto angle detection, another new feature, records whether an image was taken horizontally or vertically. This ensures that when playing back on the LCD monitor and displaying images on your TV by connecting your LUMIX with an AV cable**, vertical images are automatically displayed vertically and horizontal images are automatically displayed horizontally.

* 1.5-inch for FZ4
** Video Cable for FZ4

Panasonic Lumix DMC-FZ5 Reviews

DC Resource review the Panasonic Lumix DMC-FZ5 and write - 'The Panasonic Lumix DMC-FZ5 is a very good ultra zoom camera, just like its predecessor. Some of the changes were welcome: a higher resolution CCD, larger LCD, and much faster focusing. Some things got a bit worse: the lens is now slower. And some things didn't change: composing photos in low light is frustrating. But if you don't want to carry around the monster that is the DMC-FZ20, this is a great choice. The FZ5 takes very sharp (maybe too much so) 5 Megapixel photos with nice color and no purple fringing. The lens on this camera, while not as nice as the one on the FZ20, is still way better than average: F2.8-3.3, 12X zoom. Did I mention the great image stabilizer feature?'

Digital Camera Info reviews the Panasonic Lumix DMC-FZ5 and writes - 'The Panasonic DMC-FZ5 makes some marked improvements over the earlier Lumix FZ3. The most notable is the larger 1/2.5-inch CCD with 5 effective megapixels and a Venus Engine imaging processor. The FZ5 still keeps the best features from its little sibling: the Leica 12x optical zoom lens, two modes of image stabilization, a full range of automatic and manual modes, and the same body size and shape. The FZ5 includes a lithium ion battery with a charger, a lens hood, a full suite of software, and other accessories. There are a few drawbacks, such as the small 1.8-inch LCD and loud zooming function, but Panasonic keeps this digital camera in consideration with a $499 retail price tag and flashy features like flip animation and sleep mode.'

DP Review has a review of the Panasonic Lumix DMC-FZ5 and writes - 'The DMC-FZ5 solves the only two reservations most people had about its predecessor (the DMC-FZ3); fairly low pixel count and slightly sluggish focus (especially at the long end of the zoom). It also adds a bigger, better screen, slightly better ergonomics and seems to have almost entirely removed the vignetting problem that plagued FZ3 shots. Put all these improvements together and you've got an incredibly powerful, incredibly compact camera capable of punching well above its weight. In fact, unless you really want a big camera, or really need manual focus or external flash, I wouldn't hesitate to recommend the FZ5 over the hugely popular, but more expensive, FZ20 - such is the small difference in image quality and overall performance (and with near-SLR speed focus the cheaper camera is much better in one important respect).'

GizMag has a review of the Panasonic Lumix FZ5 and writes - 'The remarkable 12x optical zoom combined with 4x digital zoom magnifies images by as much as 48x and can capture large frames of photo subjects even a long distance away. Furthermore, Panasonic�s MEGA O.I.S. assures stability of the magnified image and resolves the problem of blurring when the zoom photography is operated by hand without the assistance of a tripod. Same as the FZ20, the camera is equipped with a LEICA DC VARIO-ELMARIT lens for high resolution imaging with very little distortion. Moreover, the combination of 3 aspherical lenses preserves an astonishingly compact body size even for a 12x optical zoom digital still camera.'

PC Mag reviews the Panasonic Lumix DMC-FZ5 and writes - 'The FZ5 is geared toward several different skill levels. Easy mode provides access to just the most basic functions of the camera. For shooters who want to tailor their pictures a bit, Panasonic includes scene modes like sports, night portrait, fireworks, party, and snow, among others. For more advanced users, the FZ5 offers a manual mode, which lets you set the aperture and shutter speed for more creativity and control.'

CNET Reviews has a review of the Panasonic Lumix DMC-FZ5S digital camera and writes - 'We like the Panasonic Lumix DMC-FZ4, but this 1-megapixel upgrade is even better. The Panasonic Lumix DMC-FZ5 has the same optically stabilized 12X Leica Vario-Elmarit zoom lens (the different focal-length range is the result of pairing it with a different sensor), it has similar performance and image quality and, unlike its cheaper sibling, includes a microphone and speaker for audio annotation or video film clips with sound.

Manual exposure controls, an SLR-like design, and advanced options that include lossless TIFF file storage will appeal to the photo enthusiast, while an abundance of scene choices, such as a neophyte-friendly Simple mode, ease snapshooters into the world of the megazoom. Some Rube Goldberg touches--including a lens hood that must be removed each time you use the flash or the autofocus-assist lamp--are annoying, at best. However, once you get used to the FZ5's quirky design, it works quickly and well.'

Photoxels reviews the Panasonic Lumix DMC-FZ5 digital camera and writes - 'Overall, the Panasonic Lumix DMC-FZ5 makes a great all-round family digital camera. Beginner amateur photographers (and the proverbial "soccer moms") will find it easy-to-use, and more serious amateur photographers will appreciate all the useful and immensely practical features -- all in a well-designed and very compact body. The Panasonic FZ5 produces great images, is fast and a pleasure to use -- and is simply incredible value for money. If you are looking for a long zoom digital camera, don't miss checking out the Panasonic FZ5, available in silver or all black body.'

Compare prices on the Panasonic Lumix DMC-FZ5 and get the latest price on it from Amazon.

Feb 8: FujiFilm MP-70 Mobile Printer

Gizmodo has a first look at the new FujiFilm MP-70 Mobile Printer - a printer that complements their newly released cameras that uses infrared to print photos that are something like the old Polaroid photos. They write that photos come out at around business card size which isn't really big enough for the serious photgrapher but might be fun for those taking shots on their camera phones.

The Fujifilm MP-70 will retail for around $100 (US) and be released in Q2.

Feb 8: Panasonic Lumix DMC-LZ2

The Panasonic Lumix DMC-LZ2 is a 4 megapixel digital camera with a 6x Optical Zoom and optical image stabilization. It runs on 2 AA batteries and comes with 14 megabytes of internal memory built in. Learn more about the Panasonic Lumix DMC-LZ2 from the following Panasonic press releasing announcing it and its DMC-Lz1 little brother.

Buy the “Panasonic Lumix DMC-LZ2 5MP Digital Camera with 6x Image Stabilized Optical Zoom (Silver)”
Buy the “Panasonic Lumix DMC-LZ2 5MP Digital Camera with 6x Image Stabilized Optical Zoom (Black)”

Panasonic Lumix DMC-LZ2 Reviews

DP Review has a comprehensive review of the Panasonic Lumix DMC-LZ2 and writes - 'The Panasonic LZ2 promises a lot for under $300, and in the most part it doesn't disappoint. For one thing offers a longer zoom range than just about every other major-brand 5MP camera in its price range, and that's before you throw in the undeniably useful image stabilization system. It's as well built as can be expected of an all-plastic 'entry-level' camera, seems pretty tough and handles a lot better than it looks. The images produced are - if you keep the ISO low - very sharp, and detailed, and color, contrast and white balance leave little to complain about.'

Steves Digicams Reviews the Panasonic Lumix DMC-LZ2 and writes - 'The overall image quality when using 2560/Fine mode was only average. The majority or our outdoor test shots were sharp and properly exposed, but noise was present in shadow areas even at the camera's lowest sensitivity, ISO 80. In addition, the LZ2 applies more sharpening than I care for, compounding the effects of noise. Image noise is quite noticeable at ISO 100, and objectionable at ISO 200 and 400. While users of the camera's Normal exposure mode can limit noise by selecting ISO 80, beginners who use Simple and Scene modes will be disappointed when the camera selects ISO 200 or higher. Outdoor portraits were well exposed with natural skin tones; indoor flash portraits were largely without red eyes when red eye reduction flash mode was used. Although not equipped with a focus-assist lamp, the LZ2's autofocus system performed reasonably well in average room lighting at wide angle; zooming into the telephoto range reduces the lens aperture and autofocus fails more frequently. The flash range is limited at low ISO settings (under 7 feet at ISO 80 and 100); the range increases at ISO 200 and 400, but so does image noise. The flash does “throttle down” when using Macro mode, ensuring that it will not over-expose the subject.'

Imaging Resource reviews the Panasonic Lumix DMC-LZ2 and writes - 'The Panasonic Lumix DMC-LZ2 is a pretty unique digital camera, there really isn't anything else like it on the market from any of the other manufacturers. It packs a 6x zoom lens into a surprisingly compact body, and throws in Panasonic's excellent MegaOIS Optical Image Stabilization technology for good measure. Image stabilization is becoming more of a factor in the market these days, and with good reason, as it really makes long-ratio zoom lenses a lot more useful than they would be otherwise. Along with the long, stabilized zoom lens, the Panasonic LZ2 also offers 5-megapixel resolution, very bright color without oversaturating skin tones, good macro focusing, and excellent battery life. The downsides are that its images get soft in the corners at the telephoto end of its range, shots captured at ISO 400 are noisy, and its low light shooting and focusing capability is a little limited (but still OK for typical city night scenes). None of these are by any means fatal flaws though: The Panasonic DMC-LZ2 is a fine little camera, and clearly one of the best bargains on the market for a long-zoom, optically stabilized digital camera. It just missed being named a “Dave's Pick,” but it deserves your very serious consideration if you're looking for a long-zoom camera on a budget. - You really can't match its combination of 5 megapixels, 6x zoom and optical image stabilization for anywhere near its price, and its compact body design is an added plus.'

CNET Reviews has posted a review of the Panasonic Lumix DMC-LZ2 that gives the digital camera a rating of 'very good'. They write - 'The DMC-LZ2's vibration-damping optical image stabilization is especially useful at the telephoto end of this compact's 6X zoom, helping to produce sharper photos at slower shutter speeds. High-performance burst shooting and easy operation increase the DMC-LZ2's appeal for the casual photographer. But its lack of manual controls will disappoint photo enthusiasts, and even snapshot takers may wish there were an optical viewfinder in extra bright or dim lighting conditions.'

Cameras.co.uk reviews the Panasonic DMC LZ2 and writes - 'With a six times optical zoom lens in a compact body the Panasonic DMC LZ2 offers something different to other digital cameras. The quality of the outdoor photos is excellent and I was also struck by how easy it is to use the camera. If you are looking for a compact camera with a lens that can get you in that bit closer then this camera is well worth considering. '

Panasonic Lumix DMC-LZ2 Press Release

: 5-Megapixel DMC-LZ2 and 4-Megapixel DMC-Lz1 Featuring Optical 6x Zoom and MEGA O.I.S.(Optical Image Stabilizer)

Panasonic is introducing the incoming LUMIX models 5.0-megapixel DMC-LZ2 and 4.0-megapixel DMC-LZ1, incorporating MEGA O.I.S.(Optical Image Stabilizer) and 6x optical zoom(equivalent to 37mm to 222mm on a 35mm film camera) lens, that run on 2 AA batteries. Panasonic is the first company in the industry to have succeeded in incorporating MEGA O.I.S. into a compact digital camera. Compared to the previous models, the DMC-LC80/70/50, the image processor Venus Engine has been upgraded to the newly developed Venus Engine Plus, which achieves about 50% low energy consumption while providing even higher image quality and quick response. The new models have a large 2.0 inch TRM(Transmissive with Micro Reflective) LCD display which is extremely easy to view, even outdoors on bright, sunny days. And despite the equipment of optical 6x zoom lens unit, the body size is yet as compact as ordinary AA-battery operated 3x optical zoom camera.

The optical 6x zoom is able to capture and magnify subjects located at a distance that cannot be captured enough by the 3x zoom of ordinary compact cameras. Normally, blurry pictures caused by hand shake is a major problem of compact cameras, particularly with shooting through LCD monitor, but this is solved by MEGA O.I.S. It is difficult to capture crisp and clear images in shootings with high-powered zoom or with macro mode without using a tripod. The shutter speed tends to slow when shootings in low-lit indoor or of nighttime scenery. However, MEGA O.I.S. enables you to take clear, beautiful pictures in such situations easily. In addition to a consecutive shooting function that allows you to take 3(LZ2) / 4(LZ1) frames per sec at full resolution, the newly developed Venus Engine Plus facilitates an unlimited* consecutive shooting function, which allows you to shoot successive photos until the memory card or build-in memory reaches capacity.

What’s more, the new models include 14 megabytes of built-in-memory, which enables you to take pictures even when you do not have an SD Memory Card, and allows you to always have your favorite pictures in your camera wherever you go. Also, despite the large LCD display, the battery life achieves 215 pictures for LZ1 / 235 pictures for LZ2 (CIPA) recording with included 2 AA OXYRIDE batteries.

The DMC-LZ2 and DMC-LZ1, thanks to the optical 6x zoom and MEGA O.I.S., are the perfect compact cameras for parents to easily take clear, beautiful pictures of family events such as traveling or camping and other moments worth preserving.

*The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card and built-in memory size, battery life, picture size and compression.

1. Optical 6x Zoom – Top Class for Compact Cameras

The LUMIX DMC-LZ2 and LZ1 are equipped with a newly developed optical 6x zoom (equivalent to a 37 – 222 mm zoom on a 35 mm film camera) lens, while keeping the body size as compact as ordinary 3x zoom cameras. With 24x magnification when combined with 4x digital zoom, the models boast top-class performance for compact camera zooms. This powerful zooming function allows you not only to easily capture and magnify subjects in distant locations, but also to take impressionable photos with soft-focused backgrounds. In addition, the zoom lens features the crystallization of Panasonic’s optics technology, 2 aspherical lenses, which are used to achieve compactness and higher optical performance.

2. MEGA O.I.S. – The Essential Feature for Digital Cameras

Panasonic is the first company in the industry to have succeeded in incorporating MEGA O.I.S. into a compact digital camera. It also features two corrective modes, Mode 1 and Mode 2. Mode 1 constantly detects and follows movements and continuously compensates for them. In contrast, in Mode 2, the O.I.S. lens suppresses hand-shake only at the moment the shutter button is pressed. In this mode, the lens can move in all directions at the moment to maximize its effect, and higher-resolution image can be taken by capturing the image as close as to the center of the lens. In consequence, since MEGA O.I.S. enables a beautiful picture shot without blurring at slower shutter speeds of more than 3 steps compared to the conventional models without O.I.S., you can enjoy shooting clear and beautiful pictures easily even in the situations using slow shutter speeds, like indoor shots and nighttime scenery, as well as shooting with 6x zoom or macro mode.

3. The New Image Processing LSI : Venus Engine Plus Achieves Low Energy Consumption Enhancing Responsiveness and Image Quality

Venus Engine, which was used in the previous DMC-LC80/70/50, has been substantially upgraded in terms of performance in the energy consumption, responsiveness and image quality, and newly reborn as Venus Engine Plus. This newly developed image processing LSI consumes only about 50% as much power as previous Venus Engine. In terms of response, release time lag has been improved from the conventional 0.1 seconds down to industry-leading 0.008*(LZ2)/ 0.006*(LZ1) sec minimum, allowing you to precisely capture your target subject. What’s more, consecutive shooting performance has also been improved, so that you can take consecutive shots at a rate of 3(LZ2) / 4(LZ1) frames per sec at full resolution. An unlimited** consecutive shooting function has also been added. With this function, you can take photos in succession until the memory card or the built-in memory is full. In addition, by adjusting the amount of noise reduction depending on the brightness of the subject, the models have succeeded in fully preserving image resolution in bright areas and reducing noise in darker areas to as much as one-third of previous levels.

Last but not least, the auto focus consisted of 1-point and spot focus modes, you can now choose between 4 modes, 5-point, 3-point, 1-point, and spot focus. This makes the auto focusing even easier but very accurate.

* Not including the time for AF.
** The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card and built-in memory size, battery life, picture size and compression.

4. 2.0 Inch Large LCD Monitor – Easy to View Even Outdoors

The large 2.0 inch size makes the display extremely easy to view when taking photos or playing back them. In addition, a TRM(Transmissive with Micro Reflective) LCD has been employed to prevent wash-out even outdoors on a bright day. This means that you are able to view crystal-clear images on the LCD monitor regardless of the circumstance.

5. Other Features Expanding the Usability

The improvements go beyond just the main functions; a number of convenient features have either been added or upgraded. With 14 megabytes of built-in memory, you can take photos without missing an chance that may suddenly arise even when you do not have an SD Memory Card. You can also store your favorite photos like an album that you can enjoy viewing or showing at any time. Additionally, you can easily copy photos from the built-in memory to the SD Memory Card and vice versa. The cameras run on 2 AA batteries, which can be purchased anywhere. And, if you use Panasonic’s OXYRIDE dry-cell batteries included with the camera, you can take up to a maximum of 215 photos with LZ1 / 235 photos with LZ2 (CIPA).

It also offers easy shooting even to the entry-level users by providing the Simple Mode, in which most settings are made automatically. You just aim at the subject, zoom in or out, and press the shutter button.

8 scene modes that meet most any shooting situation can be appropriately selected thanks to the newly installed Scene Mode Help screen. This shows the description of each mode on the LCD monitor, makes it easier to select the mode that best fits the shooting conditions.

Another new feature, Auto angle detection, records whether an image was taken horizontally or vertically. This ensures that when playing back on the LCD monitor and displaying images on your TV by connecting your LUMIX with an AV cable*, vertical images are automatically displayed vertically and horizontal images are automatically displayed horizontally.

* Video cable for LZ1

Get the Latest Price on the Panasonic Lumix DMC-LZ2

Feb 8: Panasonic Lumix DMC-LZ1

The Panasonic Lumix DMC-LZ1 is a 4 megapixel digital camera with a 6x Optical Zoom and optical image stabilization. It runs on 2 AA batteries and comes with 14 megabytes of internal memory built in. Learn more about the Panasonic Lumix DMC-LZ1 from the following Panasonic press releasing announcing it and its DMC-LZ2 big brother.

Buy the “Panasonic Lumix DMC-LZ1 4MP Digital Camera with 6x Image Stabilized Optical Zoom”

Panasonic Lumix DMC-LZ1 Press Release

5-Megapixel DMC-LZ2 and 4-Megapixel DMC-LZ1 Featuring Optical 6x Zoom and MEGA O.I.S.(Optical Image Stabilizer)

Panasonic is introducing the incoming LUMIX models 5.0-megapixel DMC-LZ2 and 4.0-megapixel DMC-LZ1, incorporating MEGA O.I.S.(Optical Image Stabilizer) and 6x optical zoom(equivalent to 37mm to 222mm on a 35mm film camera) lens, that run on 2 AA batteries. Panasonic is the first company in the industry to have succeeded in incorporating MEGA O.I.S. into a compact digital camera. Compared to the previous models, the DMC-LC80/70/50, the image processor Venus Engine has been upgraded to the newly developed Venus Engine Plus, which achieves about 50% low energy consumption while providing even higher image quality and quick response. The new models have a large 2.0 inch TRM(Transmissive with Micro Reflective) LCD display which is extremely easy to view, even outdoors on bright, sunny days. And despite the equipment of optical 6x zoom lens unit, the body size is yet as compact as ordinary AA-battery operated 3x optical zoom camera.

The optical 6x zoom is able to capture and magnify subjects located at a distance that cannot be captured enough by the 3x zoom of ordinary compact cameras. Normally, blurry pictures caused by hand shake is a major problem of compact cameras, particularly with shooting through LCD monitor, but this is solved by MEGA O.I.S. It is difficult to capture crisp and clear images in shootings with high-powered zoom or with macro mode without using a tripod. The shutter speed tends to slow when shootings in low-lit indoor or of nighttime scenery. However, MEGA O.I.S. enables you to take clear, beautiful pictures in such situations easily. In addition to a consecutive shooting function that allows you to take 3(LZ2) / 4(LZ1) frames per sec at full resolution, the newly developed Venus Engine Plus facilitates an unlimited* consecutive shooting function, which allows you to shoot successive photos until the memory card or build-in memory reaches capacity.

What’s more, the new models include 14 megabytes of built-in-memory, which enables you to take pictures even when you do not have an SD Memory Card, and allows you to always have your favorite pictures in your camera wherever you go. Also, despite the large LCD display, the battery life achieves 215 pictures for LZ1 / 235 pictures for LZ2 (CIPA) recording with included 2 AA OXYRIDE batteries.

The DMC-LZ2 and DMC-LZ1, thanks to the optical 6x zoom and MEGA O.I.S., are the perfect compact cameras for parents to easily take clear, beautiful pictures of family events such as traveling or camping and other moments worth preserving.

*The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card and built-in memory size, battery life, picture size and compression.

1. Optical 6x Zoom – Top Class for Compact Cameras

The LUMIX DMC-LZ2 and LZ1 are equipped with a newly developed optical 6x zoom (equivalent to a 37 – 222 mm zoom on a 35 mm film camera) lens, while keeping the body size as compact as ordinary 3x zoom cameras. With 24x magnification when combined with 4x digital zoom, the models boast top-class performance for compact camera zooms. This powerful zooming function allows you not only to easily capture and magnify subjects in distant locations, but also to take impressionable photos with soft-focused backgrounds. In addition, the zoom lens features the crystallization of Panasonic’s optics technology, 2 aspherical lenses, which are used to achieve compactness and higher optical performance.

2. MEGA O.I.S. – The Essential Feature for Digital Cameras

Panasonic is the first company in the industry to have succeeded in incorporating MEGA O.I.S. into a compact digital camera. It also features two corrective modes, Mode 1 and Mode 2. Mode 1 constantly detects and follows movements and continuously compensates for them. In contrast, in Mode 2, the O.I.S. lens suppresses hand-shake only at the moment the shutter button is pressed. In this mode, the lens can move in all directions at the moment to maximize its effect, and higher-resolution image can be taken by capturing the image as close as to the center of the lens. In consequence, since MEGA O.I.S. enables a beautiful picture shot without blurring at slower shutter speeds of more than 3 steps compared to the conventional models without O.I.S., you can enjoy shooting clear and beautiful pictures easily even in the situations using slow shutter speeds, like indoor shots and nighttime scenery, as well as shooting with 6x zoom or macro mode.

3. The New Image Processing LSI : Venus Engine Plus Achieves Low Energy Consumption Enhancing Responsiveness and Image Quality

Venus Engine, which was used in the previous DMC-LC80/70/50, has been substantially upgraded in terms of performance in the energy consumption, responsiveness and image quality, and newly reborn as Venus Engine Plus. This newly developed image processing LSI consumes only about 50% as much power as previous Venus Engine. In terms of response, release time lag has been improved from the conventional 0.1 seconds down to industry-leading 0.008*(LZ2)/ 0.006*(LZ1) sec minimum, allowing you to precisely capture your target subject. What’s more, consecutive shooting performance has also been improved, so that you can take consecutive shots at a rate of 3(LZ2) / 4(LZ1) frames per sec at full resolution. An unlimited** consecutive shooting function has also been added. With this function, you can take photos in succession until the memory card or the built-in memory is full. In addition, by adjusting the amount of noise reduction depending on the brightness of the subject, the models have succeeded in fully preserving image resolution in bright areas and reducing noise in darker areas to as much as one-third of previous levels.

Last but not least, the auto focus consisted of 1-point and spot focus modes, you can now choose between 4 modes, 5-point, 3-point, 1-point, and spot focus. This makes the auto focusing even easier but very accurate.

* Not including the time for AF.
** The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card and built-in memory size, battery life, picture size and compression.

4. 2.0 Inch Large LCD Monitor – Easy to View Even Outdoors

The large 2.0 inch size makes the display extremely easy to view when taking photos or playing back them. In addition, a TRM(Transmissive with Micro Reflective) LCD has been employed to prevent wash-out even outdoors on a bright day. This means that you are able to view crystal-clear images on the LCD monitor regardless of the circumstance.

5. Other Features Expanding the Usability

The improvements go beyond just the main functions; a number of convenient features have either been added or upgraded. With 14 megabytes of built-in memory, you can take photos without missing an chance that may suddenly arise even when you do not have an SD Memory Card. You can also store your favorite photos like an album that you can enjoy viewing or showing at any time. Additionally, you can easily copy photos from the built-in memory to the SD Memory Card and vice versa. The cameras run on 2 AA batteries, which can be purchased anywhere. And, if you use Panasonic’s OXYRIDE dry-cell batteries included with the camera, you can take up to a maximum of 215 photos with LZ1 / 235 photos with LZ2 (CIPA).

It also offers easy shooting even to the entry-level users by providing the Simple Mode, in which most settings are made automatically. You just aim at the subject, zoom in or out, and press the shutter button.

8 scene modes that meet most any shooting situation can be appropriately selected thanks to the newly installed Scene Mode Help screen. This shows the description of each mode on the LCD monitor, makes it easier to select the mode that best fits the shooting conditions.

Another new feature, Auto angle detection, records whether an image was taken horizontally or vertically. This ensures that when playing back on the LCD monitor and displaying images on your TV by connecting your LUMIX with an AV cable*, vertical images are automatically displayed vertically and horizontal images are automatically displayed horizontally.

* Video cable for LZ1

Get the Latest Price on the Panasonic Lumix DMC-LZ1

Panasonic Lumix DMC-LZ1 Reviews

PC Magazine reviews the Panasonic Lumix DMC-LZ1 and writes - 'We like the LZ1's 6X optical zoom, which is above average among compact digital cameras, with most models at 3X or 4X (except, of course, the Nikon Coolpix 4800, which has an impressive 8.3X optical zoom lens). The f/2.8 to f/5.6, 6.1- to 36.6-mm (37- to 222-mm, 35-mm equivalent) lens may limit you at the telephoto end, especially in low-light situations. It also would have been nicer to see a slightly wider angle, say 35 mm, or even better, 30 mm. We also like that the LCD is 2 inches, though we'd be even happier with a 2.5-inch LCD like the one on some Casio ultracompact models.

Like several other Panasonic cameras, the LZ1 has an optical image stabilization feature, which worked very well on our tests. It has two types of stabilization (called Vibration Reduction): Mode 1, which operates continuously, and Mode 2, which is a standby mode and activates only at the moment the shutter releases. In our testing, we found that Mode 2 offers a greater degree of stabilization'

Steves Digicams reviews the Panasonic Lumix DMC-LZ1 and writes - 'While its size is not ultra-compact, the LZ1 can easily be carried in a pocket or purse, its 6x optical zoom lens neatly retracting into the body. The back of the camera is dominated by its large 2-inch LCD monitor, the only viewfinder. It was effective for menu navigation, image review and as a viewfinder in the bright Florida sun, but it fails to “gain-up” in marginal lighting, sometimes limiting its effectiveness indoors. The LZ1's controls are well-placed, being easy to use and not subject to accidental activation. The menu system was simple to use, providing ample control over the camera's limited functions.'

CNET Reviews the Panasonic Lumix DMC-LZ1 and gives it a 'good' rating. They write - 'Priced about $50 less than its 5-megapixel Lumix DMC-LZ2 sibling, this affordable point-and-shoot offers the same 6X zoom lens with a 37mm-to-222mm reach (35mm-camera equivalent) and the same highly desirable optical image stabilization to counter shaky hands at slow shutter speeds or high magnifications. Panasonic trimmed about a million pixels to create this 4-megapixel version, but its image quality is almost as good as the higher-res model's. The only key feature missing is a microphone to record video sound clips.'

Cameras.co.uk reviews the Panasonic DMC LZ1 and writes - 'Apart from one shot I was delighted with the quality of the images I was able to take with the DMC LZ1. For a camera in this price range the overall standard is very good indeed. Looking through the images there were two points that really stand out. The first one is the sharpness of each shot and the second one is the vibrant colours the camera managed to produce.... If you do not want to spend a fortune on a digital camera, but you are still looking for image quality then buy the Panasonic DMC LZ1. It is rare that I make such a recommendation for a camera, but at this price I think the camera is an absolute steal. It is so easy to use and is certainly worth the money. '

Get the Latest Price on the Panasonic Lumix DMC-LZ1

PhotographyBLOG has posted their review of the Panasonic Lumix DMC-TZ1 where they write - 'The Panasonic Lumix DMC-TZ1 is a unique camera in a crowded market-place, thanks solely to its combination of a 10x zoom lens and compact dimensions. Using such a small camera with such a large zoom range opens up lots of photographic opportunities that you just won't get with similar sized models. The DMC-TZ1 isn't the fastest camera available, but the ability to zoom from 35mm up to 350mm and still get sharp results thanks to Panasonic's Mega O.I.S system is a revelation. Everything from mild wide-angle scenics to distant close-ups is possible, all from a camera that you can just about squeeze into a (large) pocket. There's obvious distortion at both ends of the zoom range, but that's a small price to pay for the flexibility that's on offer. The 5 megapixel sensor is modest in this day and age, but more than adequate for prints up to A4 in size. Image quality is on the whole good, although the inability to alter sharpness in the camera is frustrating as the images are soft.'

Feb 8: Panasonic Lumix DMC-LS1

The Panasonic Lumix DMC-LS1is a 4.0 megapixel (CCD) digital camera with 3x Optical Zoom lens. It has an image stabilizer, fast shooting mode (shoots at up to 4 fps), 14MB of internal memory and a 2 inch LCD display.

Panasonic Lumix DMC-LS1 Reivews

DigiCamReview has a review of the Panasonic Lumix DMC-LS1 and writes - 'Image quality is excellent, the images have extremely accurate colour, saturation, contrast and good detail - however there is some purple fringing. Images tend to come out of the camera perfectly, without requiring any post-processing! The camera did a good job focusing the majority of the time, only slightly struggling in low light. Noise was on the high side, especially at ISO 200 and 400. I didn't notice any vignetting in the corners. There is a good range of image sizes and a good choice of compression options. The macro mode is very good. Auto white balance and metering seemed to be very good. Red-eye was controlled fairly well. The movie mode is slightly better than average, at 320x240 / 30fps although unfortunately doesn't record sound.'

Megapixel reveiws the Panasonic DMC-LS1 and writes - 'Photos captured with the DMC-LS1 reveal that while the zoom may not offer a very bright aperture at the telephoto end, the lens is a good performer overall. Barrel distortion is extremely light at the wide end, and there is no noticeable pincushion distortion at the telephoto end. Likewise, chromatic aberration is quite well-controlled, and is normally undetectable unless a photo is magnified considerably on a monitor.

The LS1 provides a sensitivity range of 64 to 400 ISO.'

Cameras.co.uk has a review of the Panasonic DMC LS1 and writes - 'The Panasonic DMC LS1 is a standard point and shoot digital camera. Its main attraction is its ease of use. Therefore it is likely to appeal to anyone who enjoys taking photographs, but would like a camera that they could just pick up and use. It can handle all the normal social photo opportunities such as holiday snaps, parties and get togethers, plus shots for the family album. The DMC LS1 is a four megapixel model with a three time optical zoom lens.'

Learn more about the Panasonic Lumix DMC-LS1 from the following Panasonic news release.

Buy the “Panasonic Lumix DMC-LS1 4MP Digital Camera with 3x Image Stabilized Optical Zoom”

Panasonic Lumix DMC-LS1 Press Release

: MEGA O.I.S. Equipped 4-megapixel 3x Optical Zoom DMC-LS1
Running on AA batteries

Panasonic is introducing the incoming LUMIX models 4.0-megapixel DMC-LS1, incorporating MEGA O.I.S., an Optical Image Stabilizer that compensates the handshake, and 3x optical zoom lens, that runs on 2 AA batteries. Panasonic is the first company in the industry to have succeeded in incorporating MEGA O.I.S. into a compact digital camera. 　Compared with the previous models DMC-LC80/70/50, the image processing LSI Venus Engine has been upgraded to the newly developed Venus Engine Plus, which achieves about 50% low energy consumption while providing even higher image quality and quick response. The new model has a large 2.0 inch TRM (Transmissive with Micro Reflective) LCD monitor which is extremely easy to view, even outdoors on a bright sunny day. In addition, the zoom lens features the crystallization of Panasonic’s optics technology, 3 aspherical lenses, which are used to achieve compactness and higher optical performance.

Normally, blurry pictures caused by handshake is a major problem of compact cameras, particularly with shooting through LCD monitor, but this is solved by MEGA O.I.S. The spur-of-the-moment for which you’re not ready enough, the low-lit indoor or nighttime when the shutter speed tends to slow, and macro shooting in which even a slight move will spoil the picture, all those are common situations accompany blurry pictures. However, MEGA O.I.S. enables you to easily take clear, beautiful pictures in even in such situations. In addition to a consecutive shooting function that allows you to take 4 frames per sec at full resolution, the newly developed Venus Engine Plus facilitates an unlimited* consecutive shooting mode, which allows you to shoot successive photos until the memory card or the built-in memory reaches capacity. What’s more, the new models include 14 megabytes of built-in-memory, which enables you to take pictures even when you do not have an SD Memory Card, and allows you to always have your favorite pictures in your camera wherever you go. Also, despite the large LCD display, the battery life achieves 215 pictures (CIPA) recording with included 2 AA OXYRIDE batteries.

The DMC-LS1 is the perfect compact camera especially for the entry-level users thanks to its variety of supportive settings of Mode Dial and Scene Modes together wit MEGA O.I.S., to easily take clear, beautiful pictures worth preserving.

* The speed of the consecutive shooting varies depending on the memory card or the built-in memory.

The number of recordable picture depends on the memory card and built-in memory size, battery life, picture size and compression.

1. MEGA O.I.S. – The Essential Feature for Digital Cameras

Panasonic is the first company in the industry to have succeeded in incorporating MEGA O.I.S. into a compact digital camera. It also features two corrective modes, Mode 1 and Mode 2. Mode 1 constantly detects and follows movements and continuously compensates for them. In contrast, in Mode 2, the O.I.S. lens suppresses hand-shake only at the moment the shutter button is pressed. In this mode, the lens can move in all directions at the moment to maximize its effect, and higher-resolution image can be taken by capturing the image as close as to the center of the lens. In consequence, since MEGA O.I.S. enables a beautiful picture shot without blurring at slower shutter speeds of more than 3 steps compared to the conventional models without O.I.S., you can enjoy shooting clear and beautiful pictures easily even in the situations using slow shutter speeds, like indoor shots and nighttime scenery, as well as shooting using macro mode.

2. The New Image Processing LSI : Venus Engine Plus Achieves Low Energy Consumption Enhancing Responsiveness and Image Quality

Venus Engine, which was used in previous DMC-LC80/70/50, has been substantially upgraded in terms of performance in the energy consumption, responsiveness and image quality, and newly reborn as Venus Engine Plus. This newly developed image processing LSI consumes only about 50% as much power as previous Venus Engine. In terms of response, release time lag has been improved from the conventional 0.1 seconds down to industry-leading 0.006* sec minimum, allowing you to precisely capture your target subject. What’s more, consecutive shooting performance has also been improved, so that you can take consecutive shots at a rate of 4 frames per sec at full resolution. An unlimited** consecutive shooting function has also been added. With this function, you can take photos in succession until the memory card or the built-in memory is full. In addition, by adjusting the amount of noise reduction depending on the brightness of the subject, the models have succeeded in fully preserving image resolution in bright areas and reducing noise in darker areas to as much as one-third of previous levels.

Last but not least, the auto focus consisted of 1-point and spot focus modes, you can now choose between 4 modes, 5-point, 3-point, 1-point, and spot focus. This makes the auto focusing even easier but very accurate.

* Not including the time for AF.
** The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card and built-in memory size, battery life, picture size and compression.

3. 2.0 Inch Large LCD Monitor – Easy to View Even Outdoors

The large 2.0 inch size makes the display extremely easy to view when taking photos or playing back them. In addition, a TRM(Transmissive with Micro Reflective) LCD has been employed to prevent wash-out even outdoors on a bright sunny day. This means that you are able to view crystal-clear images on the LCD monitor regardless of the circumstance.

4. Long Battery Life Powerfully Supported by Our New OXYRIDE AA Batteries

The DMC-LS1 runs on 2 AA batteries, which can be purchased anywhere. Our new OXYRIDE AA batteries offer more than 1.3 times* increased number of shots compared with the current Alkaline AA batteries. The OXYRIDE batteries are included in LS1, allowing you to take up to a maximum of 215 photos (CIPA).

* Comparison between Panasonic Alkaline battery and OXYRIDE battery.

5. Other Features Expanding the Usability

The improvements go beyond just the main functions; a number of convenient features have either been added or upgraded. With 14 megabytes of built-in memory, you can take photos without missing a chance that may suddenly arise even when you do not have an SD Memory Card. You can also store your favorite photos like an album that you can enjoy viewing or showing at any time. Additionally, you can easily copy photos from the built-in memory to the SD Memory Card and vice versa.

It also offers easy shooting even to the entry-level users by providing the Simple Mode, in which most settings are made automatically. You just aim at the subject, zoom in or out, and press the shutter button.

8 scene modes that meet most any shooting situation can be appropriately selected thanks to the newly installed Scene Mode Help screen. This shows the description of each mode on the LCD monitor, makes it easier to select the mode that best fits the shooting conditions.

Another new feature, Auto angle detection, records whether an image was taken horizontally or vertically. This ensures that when playing back on the LCD monitor and displaying images on your TV by connecting your LUMIX with a video cable, vertical images are automatically displayed vertically and horizontal images are automatically displayed horizontally.

Feb 8: Fujifilm FinePix F10 Zoom

The FinePix F10 Zoom is a 6.1 megapixel (CCD) digital camera with a 3x Optical Zoom lens, 2.5 inch LCD, 500 shot battery life and super quick response and start up times.

Read our review of the Fujifilm Finepix F10

Buy the “Fujifilm Finepix F10 6.3MP Digital Camera with 3x Optical Zoom”

FujiFilm FinePix F10 News Release

: FinePix F10 Zoom: Fujifilm’s stamina camera

500-shot battery life, ISO 1600 and rapid responses make this a true 24-hour camera

Fujifilm today announced the launch of the FinePix F10 Zoom. With a battery life of 500 shots per single charge, this compact camera will outlast even the most devoted of photography addicts. Furthermore, the 24-hour photographer will appreciate the 1600 ISO and ultra-fast responses provided by Fujifilm’s new ‘Real Photo Processor’ technology.

The FinePix F10 Zoom is characterised by incredibly clean images, due to its refined Super CCD sensor and ‘Real Photo Processor’. These two components are the outcome of thousands of hours of research by Fujifilm’s imaging technicians, and reflect the company’s desire to set, rather than chase, image quality benchmarks. The newly-designed 6.3 megapixel Super CCD sensor features Fujifilm's trademark octagonal photodiodes, which act as more efficient light receptors than traditional CCD structures.

The new Real Photo Processor provides an unprecedented sensitivity range from ISO 80 to ISO 1600, all achievable at full resolution. This means that immaculately pure images are captured, even in low light situations, such as social events, whilst minimising camera shake and subject movement. Furthermore, the Real Photo Processor enables users to photograph without flash, thereby ensuring more natural-looking results, and extending the already considerable battery life.

The camera’s ability is further underlined by some impressive speed statistics. Improving on the quickfire FinePix F810 Zoom, the F10 Zoom doubles the screen refresh rate to an amazing 60 frames per second, whilst still having time to achieve continual autofocus. And with a shutter time lag of just 0.01 seconds, 1.1 seconds between frames for consecutive shots and just 1.3 seconds needed for start-up, this is a camera with truly rapid reactions.

The FinePix F10 Zoom accommodates a generous 2.5-inch high definition LCD monitor, which features an automatic brightness adjustment function, allowing users to amend the brightness of the monitor for enhanced visibility in low light. This feature can also be adjusted manually, while a quick view window allows the user to check three previous shots on the LCD screen in addition to the live image.

FinePix F10 Zoom features at a glance:

• Super CCD sensor delivering 6.1 million effective pixels
• High resolution 2.5-inch LCD monitor for optimum clarity and detail
• 3x optical zoom lens (F2.8 - F 5.0), 36-108mm equivalent
• 500-shot battery life
• Class-leading sensitivity setting of ISO 1600 for photography in low light conditions with low noise
• Low sensitivity of ISO 80 for ultra-high quality photography
• 3:2 image format option
• Quick response times (0.01 second shutter lag* and 1.3 second start-up)
• VGA movie capture of 30 frames per second with sound
• xD-Picture Card™ providing large storage capacity, lower power consumption and fast write speeds (16MB to 512MB capacities currently available)
• PictBridge™ compatible for direct printing without a PC

Adrian Clarke, Director of Photo Products, Fujifilm, said, “The FinePix F10 Zoom brings two major milestones in camera performance. The impressive 500-shot battery life will keep even the most intensive user going for a week without needing to recharge the camera. Meanwhile, the ISO 1600 performance really redefines low light photography. Users can now capture images accurately in low light that will not come out riddled with noise, or overtly bright due to use of a flash.

”It’s refreshing to see that six megapixels is now an accepted high-end resolution standard, and that camera designers can now be let loose on more important matters of performance.“

Availability & pricing
The FinePix F10 Zoom will be available from UK retailers in April 2005. Pricing will be announced nearer to the date of retail launch.

*Time between AE/AF lock and exposure.

Fujifilm FinePix F10 Zoom Specifications and features

Effective pixels

6.1 million effective pixels

CCD sensor

1/1.7 inch Super CCD HR
Number of total pixels: 6.63 million

Number of recorded pixels

Still image:
2,848 x 2,136 (6.1 million) / 3,024 x 2,016 (3:2 format) / 2,048 x 1, 536 / 1,600 x 1,200 / 640 x 480 pixels
Movie:
640 x 480 / 320 x 240 pixels, 30 frames per second with sound

Storage media

xD-Picture Card™

File format

Still image: JPEG (Exif Ver 2.2)
Movie: AVI (Motion JPEG), WAV
(Design Rule for Camera File System compliant / DPOF compatible)

Lens

Fujinon 3x zoom lens, F2.8 - F5.0

Lens focal length

8 - 24mm. Equivalent to 36 - 108mm on a 35mm camera

Focus

Auto focus (Centre, Multi, Continuous)
AF assist illuminator.

Focus distance

Normal: approx. 60cm to infinity
Macro: approx. 7.5 to 80cm

Shutter speed

3 sec. to 1/2,000 sec. depending on shooting mode
Long exposure mode available (up to 15 sec)

Aperture

F2.8 - F8 (1/3 EV steps) at wide-angle
F5.0 - F8 (1/3 EV steps) at telephoto

Sensitivity

Auto / equivalent to ISO 80 / 100 / 200 / 400 / 800 / 1600

Exposure control

Auto / 5 pre-programmed scene types (SP) Natural Light, Sports, Night Scene, Portrait, Landscape

Light metering

64 multi point TTL, multi, average, spot

White balance
Automatic

Manual (Fine, Shade, Fluorescent Light (Daylight), Fluorescent Light (Warm White) Fluorescent Light (Cool White), Incandescent Light, Custom

LCD monitor

2.5” low temperature polysilicon TFT (approx. 115,000 pixels). Approx. 100% coverage

Flash

Auto flash using flash control sensor
Effective range:
Wide angle approx. 0.3m – 6.5m
Telephoto approx. 0.3m – 4.0m
Flash Mode: Auto, Red-eye Reduction, Forced Flash, Suppressed Flash, Slow Synchro., Red-eye Reduction + Slow Synchro.

Self-timer

Approx 2 / 10 sec.

Video output

NTSC / PAL selectable

Terminal

Multiple connector (for USB, AV output, power input socket)

Power source

NP-120 battery (1950mAh, included) or AC power adaptor (included)

Dimensions

92.0 (W) x 58.2 (H) x 27.3 (D) mm

Weight

Approx. 155g (excluding batteries and media)

Digital zoom ratio (shooting / playback mode)
6.2x / 4.5x (2,848 x 2,136 pixels)

LCD brightness

Auto brightness-up function plus with low light view button

AF assist illuminator

Up to approx. 4m (wide angle) depending on subject

Shooting modes

Normal: Auto, Scene Position (Natural Light, Portrait, Landscape, Sports, Night Scene)
Continuous:
Top 3: Max. 2.2 frames / sec. up to 3 frames

Final 3: Max. 2.2 frames / sec. up to 3 frames

Long period: Max. up to 40 frames. 1.3 sec. intervals at 6M(N) depending on quality level.

Colour modes

B&W / Chrome / Standard

Voice memo

Up to 30 sec. WAV format

Playback

Single frame (4.5x max. playback zoom, 9 multi-frame, displayed by date, image rotation, post-shot assist window (3 frames), slide show, trimming

Auto playback

Single image, multiple images, fade-in, with time

Digital interface

USB 2.0 (High Speed)

PictBridge

Compatible

Accessories included

• 16MB xD-Picture Card™
• Li-ion battery: NP-120
• AC power adaptor: AC-5VW
• Terminal adaptor
• Hand strap
• USB cable (Mini-B type)
• AV cable
• Owner's manual
• CD-ROM containing:
• USB driver
• FinePix Viewer
• ImageMixer VCD2 LE for FinePix

Fujifilm Finepix F10 Reviews

Forbes.com checks out and reviews the Fujifilm Finepix F10 Zoom. They write - 'I also noticed the time lag between pictures was shorter than on other cameras I've tried over the years. My current camera is a Fuji A310, and the lag between shots can run as long as five seconds. With the F10, I shot a series of pictures by constantly hitting the shutter while looking at my watch. I found I was usually getting a shot about every two or three seconds. Best of all, this was with the camera turned up to its maximum resolution. Considering this is a high-resolution, 6.3-megapixel camera, that's not bad at all. '

Digital Camera Info has posted a review of the Fujifilm FinePix F10. Their buying advice is - 'The F10 has good solid guts — a 1/1.7-inch Super CCD with 6.3 effective megapixels and a Real Photo imaging processor — in a fairly lightweight 3.6 x 2.3 x 1.1-inch camera body. The Fujifilm F10 produced the highest percentage of resolution from a compact camera we’ve tested to date, recording 5.47 of its advertised 6.3 megapixels (90%). It also produced an overall manual ISO noise score to rival that of high-end, thousand-dollar DSLRs (obviously, without the dynamic range). This compact camera has several SLR elements to it, including the high quality images and fast startup. However, there are drawbacks. If it seemed too good to be true, it may be. The catch is somewhat substandard construction that is materializes in wretched noises when focusing and using the shutter mechanism. The misspelled headings and settings is inexcusable. Fujifilm has expressed plans to limit the defective releases and ensure that further shipments do not include these oversights, as well as contemplating an update to correct the flaw. '

DP Review has reviewed the Fujifilm FinePix F10 Zoom and writes - 'It may not look it, but the FinePix F10 is something of a revolution, and is probably the first time a compact camera has really shown the potential offered by Super CCD for high resolution, high sensitivity and low noise. I cannot emphasize enough the value of usable high ISO settings in a compact camera - from reducing camera shake to more natural low light portraits (without flash) to extended flash range and all the other advantages DSLR users take for granted and most compact users - stuck to ISO 200 (or 400 at a push) can only dream of.'

CNET Reviews has a review of the Fujifilm FinePix F10 and writes - 'Usable high-ISO sensitivities, good photo quality, and a brawny battery highlight the appeal of the 6-megapixel Fujifilm FinePix F10. It's a compact point-and-shoot package that includes a 3X optical zoom and a 2.5-inch LCD that's usable under a variety of difficult lighting conditions. Photo enthusiasts might be disappointed by the lack of manual controls for exposure and focus and by the image quality, which is long on latitude but suffers from fringing that pulls it up short. Snapshooters who like lots of scene modes will find only five to choose from, but fans of this camera's special features will find its shortcomings merely minor annoyances.'

Lets Go Digital reviews the FujiFilm FinePix F10 digital camera and writes - 'The Fujifilm FinePix is a digital camera with the emphasis on fully automatic photographing. Besides that the camera contains features like high speed mode and the excellent Super CCD HR technology in combination with the Real Photo Technology, which make this model interesting for everybody who wants to shoot digitally in a simple yet high quality way. The settings are easily accessible and there are only useful functionalities on board.'

Cameras.co.uk review the Fujifilm Finepix F10 and write - 'The Fuji Finepix F10 is a handy camera with little to dislike about it. The wide range of ISO settings are a bonus and will help you to take photos in poor light. Other than that it is a relatively straightforward point and shoot camera with a good build quality. The fact that it has six megapixels gives it something different and I would also say that it is fairly priced.'

Imaging Resource reviews the Fuji FinePix F10 Digital Camera and gives it a glowing recommendation writing - 'When I reviewed the Fujifilm FinePix E550 in September of 2004, I called it one of their best digital cameras to date. With the release of the FinePix F10 though, Fujifilm has clearly outdone all their earlier efforts, the E550 included. Much of the improvement in the F10 has to do with how it handles light: It's much more sensitive and has much lower image noise than previous FinePix models, has good color and white balance performance, and focuses amazingly quickly, particularly in its optional “High Speed Shooting” mode. The F10's autofocus system also works well under dim lighting, something earlier Fujifilm cameras tended to struggle with.'

Pocket lint reviews the Fuji FinePix F10 and writes - 'Image quality can be summed up quite succinctly as excellent. The level of detail outstrips many of the 7-megapixel digicams on the market. This fact is largely due to the very nice, sharp, F2.8 to F5, 3x optical zoom lens that gives a focal range from 36mm to 108mm (35mm equiv.), it has to be said however, that it’s still a fairly standard lens range for today’s digital compacts.

Colour and exposure is consistent and spot on, focusing is similarly reliable and noise, or lack thereof, is superbly controlled. Even at the camera’s top ISO 1600 sensitivity setting, you get a noise level normally arrived at ISO 400 on other digital cameras. Only very slight pixel fringing on contrast boundaries are image demerits of note.'

Photoxels reviews the Fujifilm FinePix F10 and writes - 'The Fujifilm FinePix F10 Zoom has set new standards in the evolution of digital cameras. Fujifilm's new 5th Generation SuperCCD HR image sensor, Real Photo Technology processing and Fujinon lens work together in the Fujifilm F10 to produce excellent picture quality with exceptional low noise at high ISOs.

Being able to take pictures at ISO 400 in a P&S consumer digital camera without noise being much of a problem is unheard of -- until now. The Fujifilm F10 goes one step further to provide a high ISO 1600 -- available mostly in high-end dSLR cameras -- with acceptable noise in 4x6 in. prints and 800x600 pixels screen display. For many amateur photographers, the possibility to at last use a digital camera in sunny and low-light conditions alike makes the Fujifilm F10 a very attractive digital camera.'

Design Technica reviews the FujiFilm FinePix F10 and writes - 'The new 6.3-megapixel FujiFilm FinePix F10 ($399 MSRP) is a rather unassuming digital camera with a silvery metal finish and plain vanilla styling. Yet looks are very deceiving; this is one of the best performing cameras on the market. The camera has superb low-light shooting capability, film camera-like response, easy-to-operate controls and menus. And, of course, great photo quality. In effect, this is everything a point-and-shoot digicam should be in 2005. For slightly more than 300 bucks, this camera should be high on the list for those who want effortless picture taking. That said, the FinePix F10 is not God’s Gift to Photography; there are some annoying flaws we’re happy to point out in the hope that Fuji engineers will take the comments as constructive criticism.'

Byte Sector reviews the FujiFilm Finepix F10 and writes - 'The Finepix F10 6.3 MP camera is one of the better digital point-and-shoots I've reviewed. The interface is incredibly easy to navigate and the photos typically come out looking pretty good. This camera seems to shine in brightly lit situations where you need a quick shot or if you want to take action shots. Unfortunately, because of how heavily the image quality suffers on indoor shooting without the flash, this may not be for everyone.

With an MSRP of $530 CAD or $325 USD, this camera is a bit pricy considering there are better performing 7.1 megapixel cameras with similar features available for just a little bit more. However, if you do a lot of sports photography, this camera might be your best bet. Despite the image noise it creates, the camera is also quite useful for use in low light situations where flash is not an option, such as a museum setting.'

Trusted Reviews has a review of the Fujifilm FinePix F10 Review - Trusted Reviews and write - 'Slick performance, good build quality and excellent handling, but the biggest bonus is the remarkable high-ISO performance, which produces virtually noise-free pictures in all lighting conditions. It is a real breakthrough, and makes the FinePix F10 a unique camera. Although it is not without its faults, there isn’t another camera on the market that can match its low-light performance.'

The Age reviews the award winning Fujifilm Finepix F10 and gives it a rating of 4.5 stars. They write - 'The beautifully detailed,accurately coloured and smooth images would be applauded coming from a digital single lens reflex.To get this output from a go-anywhere,pointand- shoot little camera makes you reach for superlatives.We like that the aspect ratio can be varied from 4:3 to 3:2 - the correct proportions for standard prints.'

FujiFinepixF10.com is a site dedicated to the Fujifilm Finepix F10. They have a good review of the Fujifilm Finepix F10 here.

Buy the Fujifilm Finepix F10

Feb 8: Fujifilm FinePix Z1 Zoom

The Fujifilm FinePix Z1 Zoom is a 5.1 megapixel digital camera with 3x Optical Zoom lens, 2.5 inch LCD all packed into a compact aluminum body.

Get the latest price on the Fujifilm Finepix Z1 5.12MP with 3x Optical Zoom (Black)
Get the latest price on the Fujifilm Finepix Z1 5.12MP with 3x Optical Zoom (Silver)

FujiFilm FinePix Z1 Reviews

Lets Go Digital reviews the FujiFilm FinePix Z1 digital camera and writes - 'At this moment we have come to the conclusion that the Fujifilm FinePix Z1 is recommendable. Unless the final production model differs a lot from the pre-production model we've got here, but that seems not very likely to me. The Fujifilm Z1, with the built-in 5th generation Super CCD HR technique and the application of the Real Photo technology distinguishes this new Fujifilm sibling from the other competitors. The trend of designer cameras didn't escape Fujifilm's attention, and introducing the Fujifilm FinePix Z1 made it obvious that Fujifilm understands how lifestyle products should distinguish themselves from traditional digital camera models, and I would like to add, Fujifilm didn't miss the actual fact of what a digital camera is about: photography and quality.'

PC Magazine reviews the Fujifilm FinePix Z1 and writes - 'Roughly the size of a deck of cards, the Fujifilm FinePix Z1 is small enough to slip into your shirt pocket with room to spare. The 5.1-megapixel ultracompact features a bright, clear, 2.5-inch LCD, a nonprotruding 3X optical zoom, and Fuji's Real Photo Technology for improved low-light shooting. Although there were a few issues with the z1's picture quality in certain instances, the camera is a very good point-and-shoot ultracompact, providing novices and experienced shooters with a variety of easy-to-use features.'

Pocket-lint reviews the Fuji FinePix Z1 and writes - 'While the lack of manual controls may put some off, the Z1 offers an ideal combination of point and shootability with bags of style – despite the handling compromises. And like the F10 before it, Fuji’s Super CCD HR sensor with which the Z1 is equipped works well; the Z1 is capable of producing stunning images and I can recommend it heartily.'

Cameras.co.uk has a review of the Fuji Finepix Z1 and writes - 'The Fuji Finepix Z1 is certainly up there amongst the best ultra compact digital cameras that I have tested. The picture quality is very pleasing and I am a big fan of the design. It is slightly more expensive than its rivals, but I would be prepared to pay the extra few pounds. One area I would like to see improved is the menu system. '

Megapixel reviews the Fujifilm Finepix Z1 and writes - 'While we could have wished the FinePix Z1’s monitor to have a even higher resolution and an even better image, the Z1 is nevertheless an attractive camera: its finishing is flawless and its few external controls clearly designed for efficiency and ease of use. The Z1 starts up quickly — it is ready to shoot in under a second — and reacts instantly to its controls, including the shutter release.'

Steves Digicams reviews the Fujifilm FinePix Z1 and recommends - 'Is the FinePix Z1 a fashion accessory that can take photographs, or a camera that doubles as a fashion accessory? Fuji has done a good job of combining form and function, balancing those often contradictory design goals. The Z1 produces good image quality and performs well while allowing you to make a fashion statement. If you're concerned equally with form and function, and can live with the limited flash range and keep your finger off the lens, the Fujifilm Z1 may be the right camera for you.'

Imaging Resource reviews the Fuji FinePix Z1 Digital Camera and writes - 'The compact, oh-so-stylish Fujifilm FinePix Z1 follows in the footsteps of their excellent medium-sized F10 model, although it doesn't quite match that model's exceptional low-light performance. It does well in that regard though when compared against the other compact and subcompact digital cameras with which it competes. Photo quality is generally good, but it does tend to oversaturate reds, and other colors come out a bit less saturated than they do with many competing cameras. Like most compact digital cameras, the Z1's battery life is also on the short side. Arguably, the Z1's greatest strength is its great responsiveness, with very short startup and shutdown times, and shutter response that would be the envy of many full-sized cameras.'

Fujifilm FinePix Z1 News Release:

Fujifilm FinePix Z1 Zoom:Five megapixel power in a pocketable, ultra-cool body

Fujifilm today announced the launch of its new FinePix Z1 Zoom, a super-slim compact digital camera that boasts 5.1 megapixels, 3x optical zoom and a mammoth 2.5 inch LCD monitor, inside an aluminium body barely bigger than a credit card.

The FinePix Z1 Zoom showcases a variety of Fujifilm’s inventive construction techniques that help the camera achieve its sleek, seamless casing and miniature dimensions. The zoom lens has a special refractive, non-extending design that delivers 3x optical reach without any visible movement on the Z1 Zoom’s flat exterior.

The pocket-sized FinePix Z1 Zoom houses a fifth generation version of Fujifilm’s Super CCD HR sensor, delivering superb images even in low light conditions, making it the ideal pocket companion for concerts or nights out. Its five megapixel processing power and low noise ISO 64-800 sensitivity range also means that large reprints can be developed without loss of image clarity or detail.

With its ergonomic, single-shell casing available in several colours, the FinePix Z1 Zoom promises to appeal to those with an eye for beautiful design. Simply slide back the front panel, and the camera lights up with Fujifilm’s logo in crisp, white light. More importantly, the camera is powered up and ready for action in a super-fast 0.6 seconds.

Despite its diminutive build, the FinePix Z1 Zoom sports a huge 2.5 inch LCD screen that is the largest in the Fujifilm range, making it ideal for viewing and editing images while out and about. Importantly for this type of ‘take-everywhere’ camera, the glass screen is also specially toughened, which makes it more than a match for the harsh environment of the pocket or handbag.

Remarkably for a camera of these dimensions, the FinePix Z1 Zoom also includes a TV-quality movie function, capable of capturing 30 frames per second, VGA video with sound. Furthermore, the large LCD screen makes it easy to view movies and share the action without needing to use a TV screen.

FinePix 7900 Zoom features at a glance:

• Super CCD HR sensor delivering 5.1 million effective pixels
• New non-extending refractive optical zoom lens with 3x optical zoom
• Unique aluminium shell design body with sliding power-on function
• 2.5 inch LCD screen with reinforced, scratch-resistant glass
• Sensitivity range of ISO 64-800 for low-noise photography in all conditions
• TV-quality VGA movie recording of 30 frames per second with sound
• PictBridge™ compatible for direct printing without a PC

Adrian Clarke, Fujifilm’s Director of Photo Products, said, “The FinePix 7900 Zoom is a design rarity that will satisfy those with a penchant for style. Yet it’s also equipped with enough photographic versatility and quality to satisfy off-duty enthusiast photographers. This is the supermodel of digital cameras!”

Availability & pricing

The FinePix 7900 Zoom will be available from retailers in June 2005. Pricing will be announced nearer to the date of retail launch.

Fujifilm FinePix Z1 Zoom - Specifications and features

Effective pixels

5.1 million effective pixels

CCD sensor

1/2.5 inch Super CCD HR
Number of total pixels: 5.22 million pixels

Number of recorded pixels

Still image:
4:3 ratio: 2,592 x 1,944 (5.04 million) / 2,048 x 1, 536 / 1,600 x 1,200 / 640 x 480 pixels
3:2 ratio: 2,736 x 1,824
Movie:
640 x 480 / 320 x 240 pixels, 30 frames per second with sound

Storage media

xD-Picture Card™

File format

Still image: JPEG (Exif Ver 2.2)
Movie: AVI (Motion JPEG)
(Design Rule for Camera File System compliant / DPOF compatible)

Lens
3.0x refractive optical compact non-extending zoom lens, F3.5 – F4.2

Lens focal length

Equivalent to 36 - 108mm on a 35mm camera

Focus

Auto focus

Focus distance

Normal: approx. 60cm to infinity
Macro: approx. 8cm (W) / approx. 45cm (T)

Shutter speed

3 to 1/1,000 sec. depending on shooting mode (to be confirmed nearer to product launch date)

Aperture

F3.5 - F4.2

Sensitivity

Auto: Auto /equivalent to ISO 64 / 100 / 200 / 400 / 800
SP: equivalent to ISO 64 / 100 / 200 / 400 / 800

Exposure control - 64-zone TTL metering

Exposure modes - Programmed AE, 5 pre-programmed scene types (SP) Natural Light, Sports, Night Scene, Portrait, Landscape

White Balance - Automatic

Manual (Fine, Shade, Fluorescent Light (Daylight), Fluorescent Light (Warm White) Fluorescent Light (Cool White), Incandescent Light

LCD - 2.5“ TFT with reinforced glass (approx. 115,000 pixels) approx. 100% coverage

Flash

Auto
Effective range:
Wide angle approx. 0.3m – 3.0m
Telephoto approx. 0.6m – 2.3m
Flash Mode: Auto, Red-eye Reduction, Forced Flash, Suppressed Flash, Slow Synchro., Red-eye Reduction + Slow Synchro.

Self-timer - Approx 2 / 10 sec.

Video output - NTSC / PAL selectable

Digital interface - USB 2.0 (High Speed)

Camera terminals - USB 1.1 and 2.0 (High Speed) compatible interface, 5 volt power-input socket, video out (NTSC / PAL)

Power source - NP-40 Li-on rechargeable battery, NP-40 charger/cradle (included) or AC-5V power adaptor (included)

Dimensions - 90.0 (W) x 55 (H) x 18.6 (D) mm

Weight - 130g (excluding batteries and media)

Digital zoom - 5.7x

LCD brightness - Auto brightness-up function with low light viewfinder button

Shooting modes - Auto, Programmed Scene Position (SP), Manual, Macro, Movie (Portrait, Landscape, Sports, Night Scene, Natural Light)

Colour modes - B&W / Chrome / Standard

Voice memo - Up to 30 sec. WAV format

Playback - Single frame, 9 multi-frame (with max. 4.5 playback zoom)

PictBridge - Compatible

Accessories included

• 16MB xD-Picture Card™
• PictureCradle CP-FX7900
• Li-ion battery: NP-40
• AC power adaptor: AC-5VW
• Hand strap
• USB cable (Mini-B type)
• AV cable for the FinePix 7900
• Owner's manual
• CD-ROM containing:
• FinePixViewer
• ImageMixer VCD2 LE for FinePix

Feb 8: FujiFilm FinePix A350 Zoom

The FujiFilm FinePix A350 Zoom is a 5.2 megapixel digital camera with a 3x Optical Zoom lens, PictPridge printing, 1.7inch LCD monitor and 15fps movie mode. It is a camera that is sure to be popular with the medium capacity digital imaging market.

Buy the Fujifilm Finepix A350 5.2MP Digital Camera with 3x Optical Zoom

Fujifilm Finepix A350 Reviews

Digital Camera Info reviews the Fujifilm FinePix A350 and writes - 'The Fujifilm FinePix A350 is the new flagship model of the A series and certainly looks impressive compared to its counterparts. After all, it has more megapixels and a redesigned camera body. There are 5.2 effective megapixels on the camera's 1/2.5-inch CCD. This imaging package is housed in a plastic body with an extending 3x optical zoom lens. The model's predecessor, the FinePix A340, had a lens door that slid to power the camera on and off. The A350 removes the door and instead installs a guillotine-like snapping cover to protect the lens and increase the camera's durability. Fujifilm did this to reduce the amount of parts the user has to move; it found through its marketing research that consumers were afraid of breaking such things. The A350 added an extra 0.2 inches to its LCD screen for a total of 1.7 inches; however, the size does not make up for the inaccuracy of the screen. The LCD is only 90 percent accurate. Unfortunately, the viewfinder is much worse with only 75 percent accuracy, so users are not really given any good framing options. There is no telling what the picture will really look like until it is uploaded onto a computer or printed. This is inexcusable, even for a point-and-shoot model. For $299, the A350 is a good deal that I would normally recommend for the automatically oriented point-and-shoot crowd. However, the positive part of that phrase is tainted by the inaccuracies of the framing options. Sure, I understand that when a camera doesn't include manual controls, it is aimed for true point-and-shooters, but when the camera doesn't include any good options for framing, what audience segment of the digital camera market will want it?'

CNET Reviews has reviewed the Fujifilm FinePix A350 and gives it an average rating. They write - 'Call it a love-hate relationship: there are things we really like about the Fujifilm FinePix A350 and things we really dislike about it. Whether it's a good pick may depend on whether you're willing to live with--or adapt to--its quirks. The FinePix A350 is the flagship model for Fujifilm's A series of inexpensive point-and-shoot cameras. Its 5.2-megapixel resolution marks an increase over the 4 megapixels of its predecessor, the A340, and this camera slightly bumps up the LCD size from 1.5 inches to 1.7 inches. It also eliminates the need for a lens cap by incorporating a self-closing cover for its retractable lens. Other A350 features include a 3X optical zoom, a macro mode, and a continuous-shooting mode. Fujifilm often goes its own way in the physical design, menu structure, and image characteristics of its cameras. As a result, you may find the FinePix A350 an unusual bargain or harder than usual to master.'

DigiCam Review has reviewed the Fujifilm FinePix A345 and A350 and writes - 'Image quality is average, the images have good colour, saturation, and contrast - however detail is low, and all images tend to come out looking soft - image quality seemed better from the A345. Purple fringing was low. The camera did a good job focusing the majority of the time, only struggling in low light. Noise was slightly high, mainly on indoor photos. I didn't notice any vignetting in the corners. There is a good range of image sizes and a although a limited choice of compression options. The macro mode is good. Auto white balance and metering seemed to be good. Red-eye was on the high side. The movie mode is very average, at 320x240 / 15fps with sound, it's getting dated especially when compared to other new cameras.'

Steves Digicams reviews the Fujifilm FinePix A350 and writes - 'I found the overall image quality was good when using the 5M Fine mode. Most of our sample images were sharp with good color balance. The exposure system also did well and I especially liked how it captured sky detail. Noise levels were moderate in high/low contrast areas, but we didn't see much purple fringing (aka Chromatic Aberration) around highlights. However, I was very disappointed with its autofocus system. It failed more often then not in dim lighting and every time the camera tries to lock focus, the LCD freezes up, making it useless if following a moving subject. But thanks to its optical viewfinder, you should have no problems capturing images of the kids running through the house or yard. When a still picture won't capture the moment, you can opt to use its movie mode. Sound is recorded and the movie frames are captured at a relatively low 10fps in 320x240 (QVGA) resolution. Our sample movies were average with noticeable amounts of compression noise.'

Megapixel reviews the Fujifilm Finepix A350 and writes - 'The FinePix A350 benefits from Fujifilm's excellent and very reliable multi-segment metering, though sometimes the photos may not appear to be bright and well exposed on the monitor.

But, when the images are transferred to a computer and seen on a monitor, or even when they are printed directly, the quality of the exposure is usually revealed to be quite good.'

Imaging Resource reviews the Fujifilm FinePix A350 Digital Camera which they are quite impressed with. They write - 'With a 5.2-megapixel CCD and 3x optical zoom lens, the FinePix A350 continues that tradition in an attractive new design, although image resolution isn't really on par with the best 5-megapixel models out there. Like the most recent A Series models, it offers four preset scene modes and a long maximum exposure time. Its color is very bright and highly saturated, likely to be appealing to many consumers, even though it's not technically "accurate" color. Overall, it's a decent entry-level digital camera, offering adequate resolution for 8x10 inch prints and an optical zoom lens at a very low price. A workmanlike entry-level model, particularly for daytime shooting, but a little limited after dark.'

FujiFilm Finepix A350 News Release:

Five megapixel digital camera that is high on performance and low incomplexity

Fujifilm today announced the A350 Zoom: a simple-to-operate five megapixel resolution camera, with a neat, compact design, high quality 1.7 inch LCD screen and 3x optical zoom lens.

Following in the footsteps of their predecessors – the hugely popular FinePix A330 and A340 Zoom – these models offer exceptional power and value in a new and improved design. Whilst the entry-level category can often mean that corners are cut on build quality and feel, anyone who handles these cameras will be pleasantly surprised by their compact solidity.

Although simple in conception, the FinePix A350 Zoom still boast bags of photo power – with one-touch, fully-automatic operation that includes easy navigation for beginners and enough megapixels to allow images to be printed as enlargements without loss of quality.

This competitively-priced new cameras are sturdy but stylish, with smooth metallic casing and a high-quality finish. What’s more, their low power consumption (operating on standard AA batteries) and compatibility with xD-Picture Card™ format, makes them a great choice for anyone concerned about having a system that will work well into the future. Furthermore, PictBridge™ compatibility allows the user to print directly without the need for a PC or Mac.

FinePix A350 Zoom features at a glance:
• 5.2 effective megapixels
• High quality 1.7-inch LCD monitor for clarity and detail
• 3x optical zoom lens
• One-touch, fully automatic operation, with easy navigation for beginners
• Highly efficient energy consumption: uses 2 x AA-type alkaline batteries (or rechargeable batteries)
• Movie capture of 15 frames per second with monaural sound
• xD-Picture Card™ providing large storage capacity, lower power consumption and fast write speeds (currently available in 16MB to 512MB capacities)
• PictBridge™ compatible for direct printing without a PC

Adrian Clarke, Director of Photo Products, Fujifilm, said, “More often than not, entry-level digital cameras lack the ability for photography newcomers to get the most out of them. By building on a successful formula of simplicity, optical precision and great image quality, Fujifilm has created the FinePix A350 - a desirable and affordable camera capable of producing exceptional images, whatever your ability.”

Availability & pricing
The FinePix A350 Zoom will be available from retailers in March 2005. Pricing will be announced nearer to the date of retail launch.

'Fujifilm FinePix A350 Zoom - Specifications and features

Number of effective pixels
5.2 million pixels

CCD sensor
1 / 2.5 inch pixel CCD

Number of recorded pixels
Still image: 2,592 x 1,944 / 2,592 x 1,728 / 2,048 x 1,536 / 1,600 x 1,200 / 1,280 x 960 / 640 x 480 pixels
Movie: 320 x 240 pixels. 15 frames/sec. with monaural sound
160 x 120 pixels. 15 frames/sec. with monaural sound

File formats
Still image: JPEG (Exif Ver 2.2)
Movie: AVI (Motion JPEG)
(Design Rule for Camera File System compliant / DPOF-compatible)

Storage media
xD-Picture Card™ (capacities currently up to 512 MB)

Number of images / recording time
Please refer to below chart

Lens
Fujinon 3x optical zoom lens

Lens focal length
Equivalent to 35 - 105mm on a 35mm camera

Focus
Auto focus (TTL centre point fixed) – contrast type

Focus distance%

Feb 8: Fujifilm FinePix A345 Zoom

The FujiFilm FinePix A345 is a 4.1 megapixel digital camera with a 3x Optical Zoom lens, 1.7inch LCD and one touch fully automatic operation. It has 15fps movie capture and Pict Bridge printing.

Buy the “Fujifilm Finepix A345 4.1MP Digital Camera with 3x Optical Zoom”

Fujifilm FinePix A345 Reviews

Digital Camera Review has reviewed the Fujifilm FinePix A345 and recommends - 'When the first generation of digital cameras arrived in the market many years ago they were heavy and chunky. The A345 shows how far we've come with a slim design and a weight almost as light as a helium balloon. It's a camera for novice photographers. In many cases it will be the owner's first digital camera. The $199 price point will intrigue a great many consumers. I personally found the image quality too soft for my taste. I would encourage anyone looking at this camera, but desiring the sharpest of images to look at other cameras, compare, and decide for yourself. If you can deal with a camera that possesses a slightly more complex control set, it might be worthwhile to compare the A345 to a previous year's Sony or Canon model.'

Steves Digicams reviews the Fujifilm FinePix A345 and writes - 'Unlike past “A” series models, our indoor results were pleasing. The flash has a good range of about 11.5 ft. (@ wide angle) and when combined with its 38 - 114mm (equivalent) focal range, it's sufficient for portraits of individuals or small groups. In fact, portrait photography is the one area in which the A345 excelled. You'll be able to include yourself in group portraits thanks to the tripod socket and self-timer. I was disappointed with its low-light abilities, it often failed to lock the focus in dimly lit rooms; we feel the autofocus system would benefit greatly from a focus-assist lamp. Although the LCD's brightness can be adjusted, it produced poor results in these conditions as well. On a better note, the A345 did a good job of squelching its flash during macro-photography. When using the Macro focus mode, the optical zoom is disabled and only digital zoom can be used, which we recommend not using as it degrades image quality.'

CNET Reviews has a review of the Fujifilm FinePix A345 and writes - 'When a manufacturer refreshes a product line, the flagship model usually gets most of the attention. Yet that isn't always the best model to buy, especially when it comes to budget-oriented lines such as Fujifilm's FinePix A series. Unless getting the highest resolution available is a priority for you, that's the case with the Fujifilm FinePix A345. It's identical to the higher-priced A350, except that it has a 4.1-megapixel sensor rather than 5.2 megapixels. The common features include a 3X optical zoom, a 1.7-inch LCD screen, a macro mode, and a continuous-shooting mode. Like the A350, the A345 is an average camera with both admirable and disappointing qualities. It's worth a look if you're in the market for an inexpensive point-and-shoot model.'

DigiCam Review has reviewed the Fujifilm FinePix A345 and A350 and writes - 'Image quality is average, the images have good colour, saturation, and contrast - however detail is low, and all images tend to come out looking soft - image quality seemed better from the A345. Purple fringing was low. The camera did a good job focusing the majority of the time, only struggling in low light. Noise was slightly high, mainly on indoor photos. I didn't notice any vignetting in the corners. There is a good range of image sizes and a although a limited choice of compression options. The macro mode is good. Auto white balance and metering seemed to be good. Red-eye was on the high side. The movie mode is very average, at 320x240 / 15fps with sound, it's getting dated especially when compared to other new cameras.'

Imaging Resource reviews the Fujifilm FinePix A345 and writes - 'Fujifilm's FinePix digital cameras have always been associated with good image quality and color, with solid performance even at the lower-end of the line. With a 4.1-megapixel CCD and 3x optical zoom lens, the FinePix A345 continues that tradition in an attractive new design, although I didn't feel that its color rendition was up to the level I've come to expect from Fujifilm cameras. Like other recent A Series models, it offers four preset scene modes and a long maximum exposure time. Overall, it's a decent entry-level digital camera, offering adequate resolution for 8x10 inch prints and an optical zoom lens at a very low price. A workmanlike entry-level model, particularly for daytime shooting, but a little limited after dark. (A good, inexpensive camera for the kids in a family? With online prices as low as $125 as of this writing in October, 2005, it's very inexpensive for a capable little digital camera.)'

FujiFilm FinePix A345 News Release:

Four megapixel digital camera that is high on performance and low incomplexity

Fujifilm today announced the FinePix A345 Zoom a simple-to-operate four megapixel resolution camera, with a neat, compact design, high quality 1.7 inch LCD screen and 3x optical zoom lens.

Following in the footsteps of their predecessors – the hugely popular FinePix A330 and A340 Zoom – this model offer exceptional power and value in a new and improved design. Whilst the entry-level category can often mean that corners are cut on build quality and feel, anyone who handles these cameras will be pleasantly surprised by their compact solidity.

Although simple in conception, the FinePix A345 still boast bags of photo power – with one-touch, fully-automatic operation that includes easy navigation for beginners and enough megapixels to allow images to be printed as enlargements without loss of quality.

This competitively-priced new camera is sturdy but stylish, with smooth metallic casing and a high-quality finish. What’s more, its low power consumption (operating on standard AA batteries) and compatibility with xD-Picture Card™ format, makes them a great choice for anyone concerned about having a system that will work well into the future. Furthermore, PictBridge™ compatibility allows the user to print directly without the need for a PC or Mac.

FinePix A345 Zoom features at a glance:
• 4.1 effective megapixels
• High quality 1.7-inch LCD monitor for clarity and detail
• 3x optical zoom lens
• One-touch, fully automatic operation, with easy navigation for beginners
• Highly efficient energy consumption: uses 2 x AA-type alkaline batteries (or rechargeable batteries)
• Movie capture of 15 frames per second with monaural sound
• xD-Picture Card™ providing large storage capacity, lower power consumption and fast write speeds (currently available in 16MB to 512MB capacities)
• PictBridge™ compatible for direct printing without a PC

Adrian Clarke, Director of Photo Products, Fujifilm, said, “More often than not, entry-level digital cameras lack the ability for photography newcomers to get the most out of them. By building on a successful formula of simplicity, optical precision and great image quality, Fujifilm has created the FinePix A345 Zoom - a desirable and affordable camera capable of producing exceptional images, whatever your ability.”

Availability & pricing
The FinePix A345 Zoom will be available in from retailers in March 2005. Pricing will be announced nearer to the date of retail launch.

Fujifilm FinePix A345 Zoom Specifications and features

Number of effective pixels - 4.1 million pixels

CCD sensor - 1 / 2.5 inch pixel CCD

Number of recorded pixels
Still image: 2,304 x 1,728 / 2,303 x 1,536 / 1,600 x 1,200 / 1,280 x 960 / 640 x 480 pixels

Movie: 320 x 240 pixels. 15 frames/sec. with monaural sound
160 x 120 pixels. 15 frames/sec. with monaural sound

File formats

Still image: JPEG (Exif Ver 2.2)
Movie: AVI (Motion JPEG)
(Design Rule for Camera File System compliant / DPOF-compatible)

Storage media

xD-Picture Card™ (capacities currently up to 512 MB)

Lens

Fujinon 3x optical zoom lens

Lens focal length

Equivalent to 35 - 105mm on a 35mm camera

Focus

Auto focus (TTL centre point fixed) – contrast type

Focus distance

Normal:Approx. 60cm to infinity
Macro: Approx. 6 - 80cm

Shutter speed

2 to 1/2,000 sec.

Aperture

F2.8 to F4.7 (automatically selected)

Sensitivity

Auto – equivalent to ISO 64 - 400 (depending on conditions)

Exposure control

Program AE

Exposure compensation

-2.1 EV to +1.5 EV in 0.3 EV-step increments (in manual mode)

Exposure modes

Portrait/Landscape/Sports/Night modes

White balance

Automatic
Manual (Fine, Shade, Fluorescent light (Daylight), Fluorescent light
(Warm White), Fluorescent light (Cool White), Incandescent light)

Viewfinder

Real-image optical viewfinder, approx. 75% coverage

LCD monitor

1.7“ Amorphous silicon TFT (approx. 115,000 pixels), approx. 90% coverage

Flash

Auto flash
Effective range:
Wide-angle (approx. 0.6m - 3.5m)
Telephoto (approx. 0.6m - 3.0m)
Flash mode: Auto, Red-eye Reduction, Forced Flash, Suppressed Flash, (Slow Synchro, Red-eye Reduction + Slow Synchro: in manual mode)

Start-up time

Less than 3 seconds

Self-timer

Approx. 2 / 10 sec.

Video out

NTSC / PAL selectable

Printing

PictBridge, DPOF and Exif Print 2.2 compatible

Terminals

USB 2.0 compatible interface, 3 volt power-input socket, video out (NTSC/PAL)

Power source

2 x AA-type alkaline batteries (supplied) / Ni-MH rechargeable batteries or AC power adapter (sold separately)

Dimensions

90.0 (W) x 60.0 (H) x 30.3 (D) mm

Weight

132g (excluding batteries and media)

Digital zoom

3.6x

Shooting modes

Auto, pre-programmed scene position, manual, macro, movie with monaural sound

Movie recording

320 x 240 pixels: 15 frames/sec., up to 65 sec. on 16MB xD-Picture Card™
AVI format (Motion JPEG) with sound

Playback

Single frame (3.6x playback zoom), 9 multi-frame (playback can be activated without powering the camera lens)

Accessories included

• 16MB xD-Picture Card™
• 2 x AA-type alkaline batteries
• Wrist strap
• USB cable
• Owner’s manual
• CD-ROM
• USB driver
• FinePix Viewer v. 4.3

Buy the Fujifilm FinePix A345

Feb 8: Sony Cyber-shot DSC-L1 Review - Digital Photography Review

DP Review has a good reviews the Sony Cyber-shot DSC-L1 and writes - 'Another month, another cute, easy to use and reliable Sony point-and-shoot camera. The DSC-L1 offers little in the way of innovation, instead you get a simple, fast, very small, very nicely designed and well put together little camera you really can carry anywhere. Picture quality is fine, though of course any camera/lens this compact is going to present some kind of compromise, and the L1 compares well with competitors such as the Canon SD300 and Olympus Stylus Verve Digita (both of which sell for slightly more).'

Read more about the Sony Cybershot DSC-L1 Digital Camera

Get the Latest Price on the Sony Cyber Shot DSC-L1

Feb 8: FujiFilm FinePix E550 Review - Lets Go Digital

Lets Go Digital reviews the FujiFilm FinePix E550 Zoom Digital Camera and writes -'The Fujifilm FinePix E550 digital camera was introduced in July 2004. This new model looks a lot like the FinePix 810 digital camera but is presented like a 'no-nonsense' camera, or in other words, it's a digital camera from the 'E' series FinePix digital cameras. The Fujifilm FinePix E550 digital camera is equipped with a Super CCD HR sensor which delivers a resolution of 6.3 megapixels. This sensor should ensure lower sensitivity and a more precise signal/noise ratio.'

Read more about the FujiFilm FinePix E550

Feb 8: Olympus Mju Mini Review - PhotographyBLOG

PhotographyBLOG reviews the Olympus Mju Mini and writes - 'The Olympus Mju Mini Digital seems to be less an attempt at making a great camera and more one at making a great style icon. Unfortunately Olympus haven't paid attention to those all-important small details, and for all the great things about this camera, there seems to be something else that is poorly designed or made. Underneath all that styling is a basic digicam that performs well enough in terms of image quality and ease-of use. The Mju Mini Digital will undoubtedly meet your needs if all you want is a point and shoot camera that produces good images, but beyond that it starts to struggle against the competition in terms of value for money.'

Read more about the Olympus Mju Mini

Feb 8: Pentax Optio SV Review - Trusted Reviews

Trusted Reviews has a good review of the Pentax Optio SV and writes - 'Pentax has created an excellent camera in the form of the Optio SV and although it’s not completely perfect, it’s pretty close. The maximum four second shutter priority could be better and the detail resolution isn’t quite on a par with the Ixus 500, but the long zoom, live histogram and excellent user interface make the Optio SV a winner.'

Read more about the Pentax Optio SV Digital Camera

Feb 8: Panasonic Lumix DMC-FZ4

The Panasonic Lumix DMC-FZ4 is a 4.0 megapixel digital camera with a 12x optical zoom lens with optical image stabilizer built in. It is a significant upgrade to their previously released DMC-FZ3. Learn more about the Panasonic Lumix DMC-FZ4 from the following Panasonic Press release announcing the Lumix DMC-FZ4 and its sibling the FZ5.

Buy the “Panasonic Lumix DMC-FZ4 4MP Digital Camera with 12x Image Stabilized Optical Zoom”

Panasonic Lumix DMC-FZ4 Reviews

CNET Reviews has posted a good review of the Panasonic Lumix DMC-FZ4 in which they rate the digital camera as 'good'. They write -'A 12X image-stabilized optical zoom (35mm to 420mm), speedy performance, and above-average image quality are the high points of Panasonic's Lumix DMC-FZ4, the 4-megapixel version of the slightly more advanced DMC-FZ5. A flexible feature set--including full manual exposure, a pared-down Simple mode, and 10 scene selections--addresses the basic needs of enthusiasts and beginners alike. While its sibling, the FZ5, offers a few extras for only $50 more, its performance isn't quite as robust.'

Imaging Resource reviews the Panasonic Lumix DMC-FZ4 and writes - 'After reviewing its five-megapixel "big brother" the Panasonic FZ5, the Panasonic FZ4 was a bit of a disappointment. It was a competent enough camera, but missed the mark slightly in a number of areas, particularly when compared with the solid performance of the FZ5. Image noise was higher than I'd like, resolution was a bit on the low side relative to other four-megapixel digital cameras we've tested, and I didn't feel that its color rendition was quite as good as that of the FZ5. Those issues aside though, I was very surprised and pleased with how fast the FZ4 was: It has some of the fastest full-autofocus shutter lag numbers I've yet seen in a consumer digicam (quite a bit better than the already impressive figures from the FZ5), and the shot to shot cycle times were flat-out amazing. (Only just over a half second from shot to shot in large/fine single-shot mode.) Bottom line, for the $50 or so difference in "street" prices, I think the Panasonic FZ5 is a much better deal than the FZ4. That said though, if you want a really fast digital camera for shooting sports or other distant action, you just can't do better than the FZ4: It combines a very long zoom lens with optical image stabilization, and some of the fastest shutter response and shot to shot times of any (non-SLR) camera I've tested.'

Panasonic Lumix DMC-FZ4 News Release

Combine 12x Optical Zoom with MEGA O.I.S. in Compact Body

Panasonic is introducing the incoming LUMIX model 5.0-megapixel DMC-FZ5 and 4.0-megapixel DMC-FZ4 with MEGA O.I.S., Optical Image Stabilizer that compensates the handshake, incorporating a newly developed 12x optical zoom (equivalent to 36mm to 432mm(FZ5) / 35mm to 420mm(FZ4) on a 35mm film camera) lens. The DMC-FZ5/FZ4 is the heir to the 3.1-megapixel DMC-FZ3, but enhanced its excellence not only with the total number of pixels but also with other innovative technical improvements such as faster AF and various design development on the grip or the position of shutter button, to encourage higher-level shooting with comfortable operation. Panasonic has already introduced the DMC-FZ20, 5-megapixel 12x optical zoom model in 2004 for high-end prosumers. DMC-FZ5, however, makes clear distinction in the point of body size and usability, by which nonexclusive users can enjoy the deeper world of photography.

The remarkable 12x optical zoom combined with 4x digital zoom magnifies images by as much as 48x and can capture large frames of photo subjects even a long distance away. Furthermore, Panasonic’s MEGA O.I.S. assures stability of the magnified image and resolves the problem of blurring when the zoom photography is operated by hand without the assistance of a tripod. Same as the FZ20, the camera is equipped with a LEICA DC VARIO-ELMARIT lens for high resolution imaging with very little distortion. Moreover, the combination of 3 aspherical lenses preserves an astonishingly compact body size even for a 12x optical zoom digital still camera.

The engine, or the brain, driving high picture quality and quick response of the camera is once again the leading-edge image processing LSI Venus Engine II, which boasts excellent resolution in the horizontal and the vertical, in addition to the diagonal. An industry-leading release time lag of 0.008(FZ5)/0.006(FZ4) sec minimum and shutter interval of approx. 0.4(FZ5)/0.3(FZ4)* sec minimum, allowing you to precisely capture your target subject. What’s more, consecutive shooting performance boasts the capability of sequential shots at a rate of 3(FZ5) / 4(FZ4) frames per sec at full resolution. An unlimited** consecutive shooting function allows you to take photos in succession until the memory card or built-in memory is full.

The LUMIX DMC-FZ5/FZ4 are the higher-resolution model out of FZ3, retaining the advantages of compactness and ease, but still satisfying 12x powerful zoom and MEGA O.I.S., to use for every level of users in need of a digital still camera a cut above ordinary ones for shootings of the subject at a distance like child’s sports activities.

* Not including the time for AF.
** The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card size, battery life, picture size, and compression.

1. A Remarkable 12x Optical Zoom in a Compact Body

The LUMIX DMC-FZ5/FZ4 digital camera is equipped with 5.0(FZ5)/4.0(FZ4) megapixel CCD and newly developed LEICA DC VARIO-ELMARIT lens offering 12x optical zoom (equivalent to 36mm to 432mm(FZ5) / 35mm to 420mm(FZ4) on a 35mm film camera) with aperture of F2.8 to F3.3. The combination of 3 aspherical lenses, the crystallization of Panasonic’s optics technology, generates high optical performance while preserving the compactness of the unit. The zoom range can be totally extended to 48x when combined with 4x digital zoom.

2. MEGA O.I.S. – The Essential Feature for Digital Cameras

MEGA O.I.S., which we strongly believe indispensable for a high-magnification model, is subsumed with 2 selectable modes. In “Mode 1”, the O.I.S. lens continuously compensates the vibration, and in all Panasonic’s own “Mode 2”, the O.I.S. lens suppresses hand-shake only at the moment the shutter button is pressed. In this mode, the lens can move in all directions at the moment to maximize its effect, and higher-resolution image can be taken by capturing the image as close as to the center of the lens. Venus Engine II also encourages this advantageous performance in the point of enhancing the accuracy of hand-shake detection, consequently, even without using a tripod, it allows you to reduce the shutter speed more than 3 steps compared to the conventional cameras without O.I.S., while assuring clear images. It is difficult to capture crisp and clear images in shootings with high-powered zoom or with macro mode without using a tripod. The shutter speed tends to slow when shootings in low-lit indoor or of nighttime scenery. However, MEGA O.I.S. enables you to easily take clear, beautiful pictures in such situations.

3. The Venus Engine ll Leads the Industry for its Quick Response

The engine, the brain of digital camera, driving high picture quality and quick response of the camera is once again the leading-edge image processing LSI Venus Engine II. Panasonic has achieved great improvements in both resolution and response compared with the performance of previous Venus Engine. In the previous Venus Engine, the luminance signal was extracted from all RGB pixels to improve the diagonal resolution by 50%. In addition to that, the Venus Engine II gains new imaging process which adds the luminance signal extracted only from the G pixels upon detecting the horizontal / vertical lines in the image. This results in the improvement of the horizontal and vertical resolution by more than 10% compared with the former Venus Engine, while maintaining the 50% improvement in the diagonal resolution.

The multi-task image processing LSI realizes outstanding response of industry-leading release time lag of 0.008(FZ5)/0.006(FZ4) sec minimum and a shutter interval of approx. 0.4(FZ5)/0.3(FZ4)* sec for achieving more stress-free operation. It also boasts high consecutive shooting performance, providing shooting at 3(FZ5)/4(FZ4) frames per sec at full resolution. The Unlimited** Consecutive Shooting function allows limit-free consecutive shooting up to the capacity of the memory card or built-in memory.

* Not including the time for AF.
**The speed of the consecutive shooting varies depending on the memory card or built-in memory.

The number of recordable picture depends on the memory card size, battery life, picture size, and compression.

4. The Industry-leading Short AF Time for a High Zoom Model

An AF method can be selected according to the shooting situation: 9-point, 3-point high-speed, 1 point high-speed, 1-point normal-speed and Spot. In the newly incorporated 1 point high-speed AF, the shutter time lag (including AF speed i.e. the time from “shutter full pressing” to “capturing picture”) has dramatically been reduced to one-third the level* of the previous DMC-FZ3 model, and has resulted in achievement of industry-leading short shutter time lag for a high zoom model.

Although screen-freeze in high-speed AF is now minimized, if you take the picture of subject with fast movement, you can select 1 point normal-speed AF which does not have any screen-freeze while focusing. In addition, AF assist lamp is equipped for expanding the AF ability even at night or under the low-light conditions.

* Panasonic in-house comparison with DMC-FZ3 at the tele-end.

5. Variety of Settings with Mode Dial and Scene Modes

9 scene modes that meet most any shooting situation can be appropriately selected thanks to the newly installed Scene Mode Help screen. This shows the description of each mode on the LCD monitor, makes it easier to select the mode that best fits the shooting conditions.

Manual functions such as aperture-priority AE, shutter-priority AE or manual exposure, are selectable directly by the mode dial and offers smooth control. On the other hand, it also offers easy shooting even to the entry-level users by providing the Simple Mode, in which most settings are made automatically. You just aim at the subject, zoom in or out, and press the shutter button.

6. High-End Usability Satisfies a Wide Range of Photographers

LCD monitor has become 1.8-inch* in size for an improvement in visual image confirmation. And a battery life of 300 images (CIPA) gives the FZ5/FZ4 more staying power than the FZ3.

Auto angle detection, another new feature, records whether an image was taken horizontally or vertically. This ensures that when playing back on the LCD monitor and displaying images on your TV by connecting your LUMIX with an AV cable**, vertical images are automatically displayed vertically and horizontal images are automatically displayed horizontally.

* 1.5-inch for FZ4
** Video Cable for FZ4

Feb 7: Sigma 55-200mm F4-5.6 DC Lens

Sigma Press Release

Compact and lightweight, high-performance telephoto Zoom Lens
This compact telephoto zoom lens was exclusively designed for use with digital SLR cameras. The image circle was designed to match the size of the image sensors of digital SLR cameras that also allows compact body and lightweight. Characteristics of digital cameras were taken into consideration when designing the lens power layout, making high-quality images reality through the entire zoom range.

Corresponding AF Mounts: SIGMA SA mount, NIKON mount, CANON mount, PENTAX mount.

Lightweight, high-performance, compact telephoto zoom lens
The image circle was designed to match the size of the image sensors of digital SLR cameras that also allows compact body and lightweight a maximum diameter of 71.5 mm (2.8in.), and overall length of 87.1mm (3.4in.), and weight of only 310g/10.9 ounces. It has a filter size of 55mm.

Exclusively designed to suit the characteristics of digital SLR cameras.
We took digital characteristics into consideration when designing the lens power layout and created the most suitable lens that makes high quality images a reality throughout the entire zoom range. We used the most appropriate coating for digital products to cut down flare and ghost caused by digital SLR cameras and to produce the best color balance. It can be used with the supplied lens hood to block out extraneous light.

High performance zoom lens is ideally suited to a wide range of subjects.
This lens has a minimum focusing distance of 110cm (43.3in.) and maximum magnification of 1:4.5.High performance 3.6x telephoto zoom lens suited a wide range of shooting conditions, such as portrait, sports, nature. The focus and zoom rings provide easy operation in manual mode. A distance scale on the focus ring is an easy to use and convenient addition.
* These lenses are designed specifically for use with the majority of digital SLR cameras featuring the smaller image sensors. Digital SLRs containing an image sensor larger than APS-C format and 35mm or APS SLR film cameras should not be used or image cut-off or vignetting will occur.

Specifications

• Lens Construction 12 Elements in 9 Groups
• Angle of View 25.5 - 7.1 degrees
• Number of Diaphragm Blades 8 Blades
• Minimum Aperture F22
• Minimum Focusing Distance 110cm
• Maximum Magnification 1:4.5
• Filter Size Diameter 55mm
• Dimensions Diameter 71.5mm X Length 87.1mm
• Weight 310g
• Corresponding AF Mounts SIGMA,
• CANON,
• NIKON (D),
• KONICA MINOLTA,
• PENTAX,
• Four Thirds

Feb 7: Sigma 18-50mm F3.5-5.6 DC Lens

Sigma Press Release

Zoom lens that designed to suit the characteristics of digital cameras.
Exclusively designed to suit the characteristics of digital SLR cameras. The image circle was designed to match the size of the image sensors of most digital SLR cameras and this has resulted in a compact lightweight lens. The use of aspherical lenses provides correction for various aberrations and makes high quality images a reality throughout the entire zoom range. Corresponding AF Mounts: SIGMA SA mount, NIKON mount, CANON mount, PENTAX mount.

Compact-Lightweight zoom lens
Compact-Lightweight zoom lens has a maximum diameter of 62mm (2.4in.), overall length of 67.5mm (2.6in.) and weight of only 250gr (8.7 ounces) and filter size of 58mm. Compact dimensions offers superb handling and mobility. The use of aspherical lenses provides correction for various aberrations throughout the entire zoom range and produce high level of optical performance.

Exclusively designed to suit the characteristics of digital SLR cameras.
We took digital characteristics into consideration when designing the lens power layout and created the most suitable lens that makes high quality images a reality throughout the entire zoom range. We used the most appropriate coating for digital products to cut down flare and ghost caused by digital SLR cameras and to produce the best color balance. It can be used with the supplied lens hood to block out extraneous light.

Very convenient lens design
18-50mm F3.5-5.6 DC zoom lens has a minimum focusing distance of 25cm (9.8in.) at all focal lengths and is capable of macro photography with a maximum magnification ratio of 1:3.5. The focus ring provides easy operation in manual mode. A distance scale on the focus ring is an easy to use and convenient addition.

Specifications

• Lens Construction 8 Elements in 8 Groups
• Angle of View 69.3 - 27.9 degrees
• Number of Diaphragm Blades 7 Blades
• Minimum Aperture F22
• Minimum Focusing Distance 25cm
• Maximum Magnification 1:3.5
• Filter Size Diameter 58mm
• Dimensions Diameter 67.5mm X Length 62mm
• Weight 250g
• Corresponding AF Mounts SIGMA,
• CANON,
• NIKON (D),
• KONICA MINOLTA,
• PENTAX,
• Four Thirds

Feb 4: A new breed of cameras

CNET has an interesting article on the latest developments in digital camera chips.

'Digital photography could become one of the next big opportunities for the chip industry, at least according to companies that want to bring PC-style economics to the camera industry. Their goal: Become the Intel, or at least the Advanced Micro Devices, of photography.

“We're fighting the processor wars all over again,” said Gary Baum, senior vice president of NuCore Technology, which makes the CleanCapture image processors for video and still cameras from JVC, Kyocera and others. “Remember the mid-'80s? PCs cost $5,000, and everybody made their own chipsets. Then the price wars hit.”

The push into photography derives in part from its booming growth. Shipments of digital still cameras grew from 46.4 million in 2003 to 62 million in 2004--a 33.6 percent increase, according to industry researcher iSuppli. And phone makers will include multi-megapixel cameras and video features in the bulk of their models over the next two years.'

Read more at A new breed of cameras

Feb 4: Konica Minolta DiMAGE A200 Review - PhotographyBLOG

PhotographyBLOG reviews the Konica Minolta DiMAGE A200 and writes - 'The Konica Minolta DiMAGE A200 is a good camera at a great price. £450 for a digicam with this much functionality and cutting edge technology is amazing value. The wealth of configurable options on offer, the anti-shake feature, that great mechanical zoom ring, full aperture and shutter speed modes, a great twistable LCD screen and even a supplied wireless remote all add up to make the Konica Minolta DiMAGE A200 an attractive proposition. Not forgetting the 8 megapixel sensor that delivers great image quality, with hardly any sign of the purple-fringing problems that plagued early 8 megapixel models.'

Read more about the Konica Minolta DiMAGE A200

Feb 4: Olympus C-7070 Wide Zoom Review - Digital Camera Info

Digital Camera Info review the Olympus C-7070 and writes - 'With a 7.1MP CCD, 27-110mm (equivalent) all-glass Wide Zoom lens and TruePic TURBO processor, the C-7070 contains strong internal elements that are sure to appeal to a wide spectrum of users. The host of included features and additional accessory options creates a unique package in the C-7070; however, the $699 (USD) estimated street price may offset the camera’s appeal. Seemingly priced too high for point-and-shooters, the cost begins to extend into the lower SLR ranks, and will likely prove detrimental if SLR prices continue to decline. All-in-all, I would say the camera has a significant amount to offer any level user, however, the features and price land the camera in an obscure gray area and at times runs into contradiction.'

Read more about the Olympus C-7070

Get the Latest Price on the Olympus Camedia C-7070

Feb 3: Kodak overtakes Sony in U.S. digital camera shipments

'Eastman Kodak Co. overtook Sony Corp. in digital camera shipments in the United States in 2004, research firm International Digital Corp. said Wednesday.

Kodak boosted digital camera shipments 66.0 percent from the previous year to 4.88 million units, expanding its U.S. market share 4.0 percentage points to 21.9 percent, IDC said.

Sony, which had long remained the front runner, also increased shipments 21.5 percent to 4.33 million units, but its market share fell 2.3 points to 19.4 percent, it said.'

Read more at Kodak overtakes Sony in U.S. digital camera shipments

Feb 3: Fujifilm Q1 Digital 4.0 Ir

Lets Go Digital writes that Fujifilm Japan have announced a new digital camera, the Fujifilm Q1 Digital 4.0 Ir - a 4 megapixel camera with infrared capabilities that can talk with other devices (like printers) without the need for wires. It has a 4x digital Zoom, 1.5 inch LCD, 16MB internal memory and is pwered by AAA batteries.

Read more about it at Lets Go Digital: Fujifilm Q1 Digital 4.0 Ir. or at Fujifilm Japan

Feb 3: Digital Camera Shipments to Rise by 20.8% in 2005

Tokyo's Camera and Imaging Products Assoc forcasts that global digital camera shipments will increase by 20.8% (not 20.7% or 20.9%...) in 2005.

'According to the CIPA report, digital camera shipments in 2005 are expected to grow 20.8% from the previous year to 72.2 million units. Digicam shipments are expected to continue to increase, but the growth rate is projected to drop by about 17 points, compared to 2004. Global shipments of digital cameras in 2004 rose 37.7% to 59.77 million units.

CIPA also released figures for digital camera shipments in December 2004. The value of global shipments dropped 2.2% year-over-year to US$1.13 billion, while the volume of global shipments grew year-over-year at 4.5 million unit levels. The CIPA stats show that the value of monthly digicam shipments declined for the first time since January 2001, when CIPA started to calculate year-over-year comparisons.'

Read more at Japanese camera makers predict 20.8% rise in digital camera shipments

Feb 3: China's digital camera market hardly affected by zero tariffs

'China's digital camera (DC) market,dominated by low and medium-end home-made products, has felt little impact after the country removed all tariffs on imported DCs and DC parts a month ago, Thursday's China Daily reported.

　　“The zero tariff rate, on the whole, has not affected our pricing,” said a distributor who declined to be named in Zhongguancun Hailong Building, well-known for selling digital products in Beijing.

Honoring its commitment to the World Trade Organization (WTO), China further cut tariffs on thousands of categories of imported products to an average 10.1 percent as of January 1, most notably making imported DC and DC parts tariff free.'

Read more at China's digital camera market hardly affected by zero tariffs

Feb 3: Creative DiVi CAM 316 Mini Digital Camcorder

Creative has introduced their new all in one Divi Cam 316 - a convergence device that brings together a camcorder, still digital camera (3.1MP - interpolated to 6.6MP), MP3 Player and Voice Recorder.

Creative Press Release: Records everything and incorporates multi-functionalities - Digital Video Recorder, Digital Camera, WebCam, MP3 Player, and Voice Recorder

Creative Technology Ltd., a worldwide leader in digital entertainment solutions for PC users, today introduced the Creative DiVi CAM 316, an affordable digital MPEG-4 video recorder that doubles up with all-in-one functionalities such as digital camera, webcam, MP3 player and voice recorder.

The Creative DiVi CAM 316 is equipped with an effective 3.1-Megapixels CMOS sensor capable of recording video with audio at up to 640 x 480 resolutions in MPEG-4 format - a storage-efficient format that enables users to record longer durations using the same memory capacity. With the provided video and audio cables, users can also playback video or still images on TV to share with their family and friends.

In addition, the Creative DiVi CAM 316 can capture still images of up to 6.6 Megapixels in resolution by interpolation. With images at 2976 x 2232 pixels in size, users can capture the finer details that were not previously possible, while the 4x digital zoom allows users to capture objects that are far away in sight. Both video and still images recorded can be stored onto the integrated 16MB memory or add-on SD card (expandable up to 512MB).

The Creative DiVi CAM 316 is constructed in an ultra compact body that measures only 70 (W) x 37 (D) x 90 (H) mm, and weighs only 136grams (without battery and SD card). Its unique design allows its 1.6“ swivel LCD display to be rotated 270°, which enables shooting candid photos, capturing video at odd angles and taking self-portraits.

”The Creative DiVi CAM 316 is a perfect choice for customers who are looking for an affordable digital video recorder to record good quality digital video without having to pay a hefty price for digital Mini DV camcorders. It also fits first-time electronic gadget buyers who want to have all-in-one functions in a single device so as to save the cost of buying separate gadgets,“ said Joseph Liow, vice president and general manager of Creative Labs Asia.

Multi-Functionalities Increases Usefulness of Creative DiVi CAM 316
WebCam : Works perfectly as a webcam, producing impressive video quality at 640 x 480 resolution. Fully compatible with most instant-messaging programs (not included), and enables users to enhance their online communications with both video and audio.

MP3 Player : With a 512MB SD card, users can store over 100 songs and enjoy their favourite MP3 music wherever they go. Adjustable bass and treble levels are also available.

Voice Recording : The Creative DiVi CAM 316 comes with a built-in voice recording function that records voice clips in WAV format. Whether it is a business meeting, lecture class or even a workshop seminar, users can be assured of high quality recording with excellent audio clarity.

Mass Storage Device : Users can enjoy the convenience of plugging the USB cable immediately to the PC to download or upload photos and videos. Installation of drivers is not required as the PC will automatically detect the camera as a removable disk drive.
The Creative DiVi CAM 316 comes with a SD expansion slot where users can boost their memory capacity up to 512MB to capture more images and longer video. For instance, with a 512MB SD card, users can record video clips of up to 1.5hrs and 2.5hrs at 640 x 480 and 320 x 240 resolutions respectively. Being PictBridge-compatible, users can also connect the Creative DiVi CAM 316 directly to a PictBridge-compatible printer via the bundled USB cable, all without a computer or any photo editing software and users can select the images that they want and print them instantly.

To enable users to make full use of their capture videos and images, the Creative DiVi CAM 316 comes with two bundled software - Presto! Mr Photo Platinum Edition and Presto! VideoWorks 6. Presto! Mr. Photo Platinum Edition is an ideal program for creating, sharing, and managing digital images and videos. In this new edition, users can add sound to their files for useful real-life effects. The straightforward, powerful photo enhancement functions make pictures come alive. Users can also adjust the photo quality and convert the file format for other applications.

Presto! VideoWorks 6 presents the solution for users who own a video camera and require a real editing solution but do not have the time to learn a complicated package. With this software, users can turn their computer into a multimedia production center with powerful editing features and do more than just copying their content onto another tape.

The specifications of Creative DiVi CAM 316 include :

• Sensor Type : Effective 3.1 Megapixels CMOS sensor
• Image Resolution : 2976 x 2232 (6.6MP, interpolated), 2048 x 1536 (3.1MP), 1600 x 1200 (2MP), 640 x 480
• Image File Format : JPEG (DPOF, EXIF)
• Video Resolution : 640 x 480, 320 x 240 with ambient sound (Continuous recording depending on memory size)
• Video Format : MPEG-4
• Focus Range : Normal: 1.2m to infinity; Macro: 15 - 20cm
• LCD : 1.6 Inch Color TFT display (swivel type)
• Digital Zoom : 4X
• Aperture : F3.0
• Shutter Speed : 1/4 to 1/2000 sec
• Flash Modes : Auto / Off
• Flash Range : up to 1.5m
• Exposure Compensation : -2EV to +2EV in 1/3 steps
• ISO : 100
• White Balance : Auto, Sunny, Tungsten, Fluorescent, Cloudy
• Color Effects : Normal, Sepia, Black & White, Negative, Red, Pink, Purple, Blue, Green, Yellow
• Languages : English, Italian, French, German, Spanish, Japanese, Traditional Chinese, and Simplified Chinese
• Memory Type : SD expansion slot (SD card up to 512MB*)
• File Storage :
• Image Capture
• Resolution 2976 x 2232 2048 x 1536 1600 x 1200 640 x 480
• Fine 10 17 27 85
• Normal 11 28 43 120
• Basic 24 38 63 160
• Movie Resolution 640 x 480 320 x 240
• Fine 74 sec 155 sec
• Normal 140 sec 202 sec
• Basic 174 sec 277 sec

Above figures are based on the built-in 16MB memory.
Actual value may vary as the numbers stated above serve only as a guide.

• Microphone : Built-in
• Speaker : Built-in
• Video to TV out : PAL or NTSC selectable
• Battery Type : 4 x AAA
• Battery Life : Battery Life Without Flash 281 pics
• With Flash 123 pics
• MP3 Play 150 mins
• Voice Record 160 mins
• Movie Record 120 mins
• Actual battery life may vary depending on brand used and individual usage pattern.
• Dimensions : 70 (W) x 37 (D) x 90 (H) mm
• Weight : 136grams (without battery & SD card)
• USB Compliance : USB 1.1
• Direct Printing : PictBridge Compliant

* Available separately

Pricing and Availability
The Creative DiVi CAM 316 all-in-one digital camcorder is now available at a suggested retail price of US$149.00 and includes a one-year limited hardware warranty. For more information, visit http://www.asia.creative.com.

Feb 3: Konica Minolta DiMAGE A200 Review - Digital Photography Review

DP Review has a good review of the Konica Minolta DiMAGE A200 and writes - 'The DiMAGE A200 takes much of what is appealing about the A2 and repackages it in a more affordable, friendlier and slightly more compact format. There's much to like here - the useful 28-200mm zoom range, the superb mechanical zoom, the wealth of photographic feature, the effective Anti-Shake system and the excellent handling, all at a much more attractive price point than the A2. The obvious conclusion to be drawn from the launch of this camera is that a major upgrade to the A2 must be waiting in the wings - I think this will be the last time we see this lens (originally used around four years ago in the DiMAGE 7) used on a high-end Konica Minolta camera; it simply can't cut the mustard with today's high resolution sensors and high consumer expectations.'

Read more reviews of the Konica Minolta DiMAGE A200 Digital Camera

Feb 3: Pentax *ist DS Review - Megapixel

Megapixel reviews the Pentax *ist DS and wrties -

'The *ist DS is a very enjoyable camera to use. Its compact size and light weight make it as practical as many of the larger compacts, but its excellent pentaprism viewfinder and instantaneous response to the shutter release underline the advantage the SLR design offers without the bulk.

In our opinion, Pentax's *ist DS is a clear alternative to either the Canon Rebel/EOS 300, or the Nikon D70 for those looking to purchase an amateur digital SLR, and that choice may well be based on comfort and ease of use, more than image quality.'

Read more about the Pentax *ist DS

Get the Latest Price on the Pentax *ist DS 6.1MP Digital SLR Camera (Body Only)

Get the Latest Price on the Pentax *ist DS 6.1MP Digital SLR Camera with 18-55mm Lens

Feb 3: Konica Minolta Dynax Maxxum 7D Review - Imaging Resource

Imaging Resource reviews the Konica Minolta Dynax Maxxum 7D Digital Camera and writes - 'the Konica Minolta Maxxum 7D is easily one of the most eagerly-awaited digital cameras in the last year or so. Many thousands (millions?) of Minolta film SLR owners have been waiting and hoping for a digital SLR to use with their extensive collections of (typically excellent) Minolta optics. Now that the Maxxum 7D has arrived, their wait is over, and the obvious quality and features of the new model appear to justify the long wait. While it has the usual “Green zone” full-auto mode for pure “point & shoot” photography, the 7D has an absolute wealth of controls and modes, that could make for a longer learning curve before you become familiar with all its capabilities. That said though, once you do learn its ins and outs, the 7D's user interface is one of the most powerful and fluid we've seen to date. The 7D's “bristling” (Shawn's word, and a good one) collection of controls makes for very easy, intuitive operation once you learn where they all are and what they all do.'

Read more about the Konica Minolta Dynax Maxxum 7D

Buy the Konica Minolta 7D

Feb 3: KODAK Consumer Digital Photography Products Soar

Company Leads in U.S. Digital Camera, Snapshot Printer, Photo Kiosk, and Online Picture Sharing Markets

-- Accomplishments Buoyed by Global Attention Surrounding Forthcoming KODAK EASYSHARE-ONE Digital Camera

Continuing to demonstrate strong results against its digital strategy, Eastman Kodak Company now has the market lead in four major United States consumer digital photography segments: digital cameras, snapshot photo printers, retail photo kiosks, and online picture sharing sites.

-- Market research firm IDC, in its full-year 2004 digital still camera study* issued today, reports that Kodak's digital camera shipments give the company an industry leading 21.9-percent U.S. market share -- the first time that Kodak has held this top position. Kodak was also the fastest growing brand among market leaders, with a 66-percent year-over-year increase.

-- According to the NPD Group, KODAK EASYSHARE printer docks were the best-selling line of snapshot photo printers in the U.S. in 2004**. Kodak has shipped more than 2 million printer docks since their introduction in mid-2003.

-- Approximately 30,000 KODAK Picture Maker kiosks are installed at retail locations across the U.S., making them the most widely used photo kiosks in the country. Of these, nearly 50-percent include new wireless capabilities for effortless picture printing from mobile phones.

-- Kodak's online picture sharing and printing service -- Ofoto (to be renamed the KODAK EASYSHARE Gallery come March) -- continues to add members at a record pace, with more than 20 million subscribers.

Kodak also continues to excel internationally, ending 2004 with number one digital camera market share in Australia, Argentina, Peru, and Chile; and top three share positions in Germany, the United Kingdom, Mexico, and Brazil. The company holds the top snapshot printer share in the U.K. and Australia. Kodak has an additional 30,000 photo kiosks deployed outside the U.S., solidifying its worldwide leadership in this segment.

“These successes complement the significant digital accomplishments being made by our Health Imaging and Graphic Communications Group business units,” said Bernard Masson, president, Digital and Film Imaging Systems; and senior vice president, Eastman Kodak Company. “We're delivering on our digitally-oriented growth strategy, and more determined than ever to succeed with our digital transformation.”

Kodak's sales accomplishments have been furthered buoyed by global attention surrounding its new EASYSHARE-ONE zoom digital camera, introduced last month at the International Consumer Electronics Show. With the ability to wirelessly e-mail pictures from the camera, as well as the capacity to store and display up to 1,500 pictures on its 3-inch touch screen, the KODAK EASYSHARE-ONE camera is turning heads among major retailers, customers, and media around the world. It will be available beginning this summer.

Feb 2: Canon Named 'America's Choice' For Digital Cameras in 2004

According to Leading Industry Data Source; Canon’s PowerShot and EOS Digital Cameras Capture the Overall #1 Brand Ranking from The NPD Group

America has spoken, and it has chosen Canon as the leading brand for digital cameras in 2004, according to recently released retail sales data from The NPD Group, one of the leading providers of retail market information.

The NPD Group reports that the Canon brand captured the number one position in Total Digital Camera Sales in 2004, with a market share of 20.4 percent, based on unit sales of both compact cameras and digital SLR cameras combined*. In addition, Canon was the number one brand in both NPD’s Digital Point-and-Shoot and Digital SLR categories, with market shares of 18.6 percent and 62.8 percent, respectively.

“The NPD data, which we believe is a true, accurate indicator of real market activity, shows that when it comes to meeting their digital imaging needs, customers are choosing Canon over any other brand on the market,” said Yukiaki Hashimoto, senior vice president and general manager of the consumer imaging group, Canon U.S.A., Inc. “From the first-time, entry-level user to the most sophisticated shutterbug, Canon delivers the superior imaging technology, innovative features and stylish designs that fit America’s diverse lifestyles.”

More and more customers have come to recognize the high quality and reliability that has been designed into Canon’s entire line of digital cameras, from its highly-acclaimed PowerShot(R) cameras to its award-winning Digital Rebel(R). In fact, more consumers purchased the Canon PowerShot A75 digital camera in 2004 than any other single digital camera on the market, while the EOS Digital Rebel was 2004’s top seller in the digital SLR category, according to NPD data.

The digital camera category is clearly one of the best selling hardware segments in the photographic industry, and it is also one of the most competitive. In the U.S. market, more than 13 million compact digital cameras (non-SLRs) and nearly 600,000 digital SLRs were sold in 2004, according to NPD. In the digital camera category, Canon has consistently turned in strong performances, thus enabling the company to expand its market share.

A Brief History of Canon’s Progress in the Digital Camera Market
Canon’s success in the digital camera market was not built overnight. The company’s first internally developed model, the PowerShot 600, was announced in 1996 and originally marketed as a computer peripheral through a subsidiary company. When it became apparent that the future of digital cameras was going to be in the consumer market, Canon reorganized itself from the top down and assigned responsibility for design, development, manufacturing and marketing to the Camera Division, which had a long history of success in traditional 35mm cameras. When the PowerShot S100 Digital ELPH and EOS D30 Digital SLR models appeared in 2000, their unique and innovative features catapulted Canon into the spotlight of media publicity and popularity with consumers. At that point, it was clear that Canon was on its way to the kind of success it had come to expect after nearly 25 years of market leadership in the traditional camera industry.

Advertising taglines such as “Are You Digital Yet?” sparked popular interest in the Canon brand. Each year, Canon gained market share and became more popular with consumers. As the digital camera market grew, so did the success of Canon’s revolutionary products and technologies.

To support its success, Canon designs, develops and manufactures its own lenses, image sensors, image processors and color rendering software. With consistently high annual investments in research and development, Canon continues to stay ahead of the market with its innovative imaging technologies, such as UA (Ultra High Refractive Index Aspherical) Lens Technology, the DIGIC(R) (Digital Imaging Integrated Circuit) and DIGIC(R) II image processors, as well as Canon CMOS image sensors for the company’s EOS Digital SLR cameras.

Canon, which is also one of the top holders of technology patents in the U.S., has created a unique synergy between its research and development team and its product groups that allows it to consistently introduce high quality and reliable imaging products for every level of user. In fact, the editors of PC Magazine recently honored Canon’s digital cameras with the highest rankings in quality, reliability and support in their annual reader satisfaction survey.

In addition to its recognition by PC Magazine readers, Canon digital cameras have been honored by PC World, American Photo, C/NET, Macworld, Mobile PC Magazine, Best Magazine, Popular Science, Outside Magazine and PTN Magazine, among others, in 2004.

For more information on the history of Canon cameras, please visit http://www.canon.com/camera-museum/.

Feb 1: Canon PowerShot A520

Canon have just announced their new Canon Powershot A520, a 4 megapixel digital camera with a 4x Optical Zoom lens. It is a replacement model for their popular Powershot A85. Get the full details of this camera from the following news release from Canon.

Buy the “Canon Powershot A520 4MP Digital Camera with 4x Optical Zoom”

Canon Powershot A520 Reviews

Steve's Digicams reviews the Canon Powershot A520 and writes - 'There's a lot to like about the Canon PowerShot A520. With automatic and scene modes for the beginner, and manual, shutter-priority and aperture-priority modes for the advanced user, it has appealing features for every member of your family. It is small and light enough that you'll want to have it with you all the time, never missing a photo op. The A520's image quality is very good, with sufficient resolution for 8x10-inch prints even after a moderate amount of cropping. Fill out your kit with a 512MB SD memory card and two pair of AA NiMH batteries and you'll be good to go for shooting an all day family event. With an MSRP of $300, the A520 will make many families happy while making only a small dent in their bank account.'

DCRP also reviews the Canon Powershot A510 and writes - 'First, the good news. Despite being smaller than their predecessors, the A510 and A520 offer a bigger zoom lens. Where most cameras have 3X zoom lenses, the A-series models offer a 4X zoom. Not satisfied with that? The cameras support wide-angle, telephoto, and close-up conversion lenses. A new optional feature on these models is an external slave flash, which attaches to the side of the camera. For people who take a lot of flash shots, this may be worth the $100 price. While the A-series cameras offer a new �zoom flash� feature, that doesn't necessarily translate into better flash range. It does, however, focus the light on the subject while you're shooting at the telephoto end of the lens.'

Imaging Resource Page reviews the Canon PowerShot A520 Digital Camera and writes - 'Featuring a 4.0-megapixel CCD, automatic, partial, or fully manual exposure control, and a wide range of preset shooting modes, the PowerShot A520 is another fine addition to Canon's A-series of digital cameras. Built on the same long-tested design as many A-series predecessors, the Canon A520 offers a lot in its compact package. Its combination of automatic and manual features make it very approachable for novices, but interesting for experienced users, the net result being a camera that will satisfy a broad range of interests and provide a good path for novice users to expand their photographic horizons as their experience grows. I'd like to see it equipped with a more accurate optical viewfinder, and its image noise at ISO 400 was on the high side, but the bottom line is that this is a camera that will meet the needs of the average consumer very well.'

DP Reviews has a review of the Canon PowerShot A520 and writes - 'It would be hard to find a more suitable first digital camera for the novice digital photographer than the PowerShot A520. No matter what the situation, the A520 turns out perfectly exposed and focused results shot after shot. And the fact that as well as idiot-proof 'point and shoot' modes and scene modes you get a full array of manual options means it's a camera that you can grow with as your skills develop.'

Pocket Lint reviews the Canon PowerShot A520 and writes - 'The Canon PowerShot A520 might look a style icon compared with some of its brethren, but it is probably the ideal model for anyone buying a digital camera for the first time. It�s simple to use, has resolution enough for prints of up to, say, 8x10-inches and it takes cracking photos too. It also has a good range of auto and manual controls, so that as you become more confident, you can grow with your photography without quickly outgrowing the camera. And it�s a cracking price too.'

Digital Camera Review has just posted a review of the Canon Powershot A520 and writes - 'Canon's "A" series digital cameras have always provided consumers with impressive ease of use, exceptional performance, excellent image quality, and "best in class" bang for the buck, the A520 doesn't deviate from this family tradition. The A520 is a super choice for advanced amateur photographers just making the jump to digital, but it will also do a great job for casual shooters and as a primary family camera. The A520 is an excellent imaging option for travelers who want a digital camera that will allow them to record their adventures and student photographers who want a digital camera that they can "grow into" as their photographic capabilities evolve.'

DigiCamReview has a review of the Canon Powershot A520 and writes - 'The Canon Powershot A520 is an excellent all round camera, with a decent 4x optical zoom lens, and features to suit every need, from basic point and shoot operation, to full manual controls. The camera takes AA batteries so can travel with you anywhere without any need to worry about running out of battery power or supplies. The camera is also expandable with optional lenses, and flash accessories, so will grow with you if you expand your requirements without the need to buy a replacement camera. Image quality is very good, the camera is capable of some excellent results - the only areas where this camera are let down is in the outdated movie modes, the slightly sluggish performance, and the slightly high price compared to some of the competition.'

Phototexls.com review the Canon PowerShot A520 and write - "The Canon PowerShot A520 is an attractive, compact and affordable digital camera perfect for an aspiring photographer. It improves upon the hugely popular PowerShot A85 with 4 megapixel resolution and 4x optical zoom. It has the image quality Canon is famous for, its 4.0 megapixels resolution allows 11x14 in. prints, and, more importantly, it provides the features and exposure flexibility that allow a beginner amateur photographer to start with point-and-shoot simplicity and then switch to the other exposure control modes to experiment, learn and grow in digital photography."

CNet review the Canon PowerShot A520 and write - "Canon's functional and practical A-series digital cameras have always made great complements to its sleek Digital Elph line. This compact 4-megapixel replacement for the PowerShot A85 isn't as light and pocketable as its Elph counterpart, the PowerShot SD300, but it offers the full range of manual controls that photo enthusiasts require, outdoes its stablemate in number of scene modes and zoom range, and costs less to boot."

Lets Go Digital reviews the Canon PowerShot A520 digital camera and writes - 'The Canon Powershot A520 is absolutely a recommendable digital camera. It offers value for its money, has a few minor points that need improving, but in general it delivers an excellent result. The compact size offers many possibilities, turning itself into a versatile camera, and actually exceeding its own class. The possibilities that the A520 offers ensure keeping the camera in sight and in use. The Canon A520 is a worthy successor to the old Canon A-series digital cameras!'

Get the Latest Price on the Canon Powershot A520

Canon Press Release

Canon's New 4.0 Megapixel PowerShot A520 Digital Camera Offers Consumers Lightweight Design with Heavyweight Results

Canon PowerShot A520 - The Newest PowerShot in the A series, with four megapixel resolution and a 4x optical zoom. Available in March for an estimated price of $299.99.

New PowerShot A520 Digital Camera Features 4x Optical Zoom, SD/MMC Media And More Compact Than Previous Models

Canon's new PowerShot(R) A520 compact digital camera combines the sought after simplicity of a family-focused camera, a phenomenally faithful four megapixel image sensor and a powerful 4x optical zoom to produce pictures that all can be proud of with the image quality Canon is renowned for. The camera will be in stores this March for an estimated street price of $299.99*.

Named for their use of AA batteries, Canon's A-series digital cameras offer comfortably placed controls and feature high image quality in order for consumers to capture, save and share images of meaningful memories, personal milestones and family functions.

“We created the A520 model to give consumers an enhanced level of image quality and resolution without sacrificing the flexibility, freedom and fun that digital photography can be,” explained Yukiaki Hashimoto, senior vice president and general manager of the consumer imaging group at Canon U.S.A., Inc, a subsidiary of Canon, Inc.. “The PowerShot A520 digital camera continues Canon's long-standing tradition of providing consumers with imaging excellence in an affordable and uncomplicated package.”

PowerShot A520 Digital Camera
Like its little brother, the PowerShot A510 digital camera, the new PowerShot A520 model also is 13 percent smaller and 10 percent lighter than previous models, and is also equipped with a longer 4.0x 35-140mm (35mm format equivalent) optical zoom lens with Canon optics for sharp images. The new lens features all-glass construction and two aspherical elements in a seven-element formula.

In order to make the camera smaller, Canon engineered the new PowerShot A520 model to accept SD and MMC media. Even with its small size, the camera sports a large 1.8-inch LCD screen for easy preview and review. It also includes Canon's exclusive DIGIC image processor for fast processing speed, excellent image quality, and crisp, vibrant colors.

The PowerShot A520 digital camera requires only two AA batteries, while providing the same number of shots (300 with LCD screen on) as previous models that used four batteries, thanks to reductions in power consumption made possible by improvements in key components and circuit design.

The PowerShot A520 digital camera is equipped with a nine-point AiAF “Smart” autofocus system and 13 shooting modes. The standard shooting modes are Full Auto, Program, Manual, Shutter-priority, and Aperture-priority with additional modes including Portrait, Landscape, Night Scene, Fast Shutter, Slow Shutter, Special Scene, Stitch Assist and Movie. The Special Scene modes, which helps make it easy for beginners to achieve optimum results in many popular photo opportunities, has been enhanced with the addition of two new settings called Night Snapshot and Kids & Pets. The PowerShot A520 digital camera is also capable of recording movies with sound for up to three minutes per clip, making it perfect for capturing memories in motion.

The new camera's grip is ergonomically improved, and the control layout is even easier to use than before. Other camera functions including self-timer and review have also been enhanced for greater creative flexibility from previous models

The DIGIC(R) Difference
Image quality is enhanced and improved as a result of Canon's proprietary DIGIC (Digital Imaging Integrated Circuit) image processor. DIGIC combines the roles of image processing and camera function control into one chip, resulting in faster display and write times for each image and lower power consumption, which extends battery life. Moreover, because DIGIC technology was designed specifically for use in digital cameras it is also capable of handling JPEG compression and expansion; memory card control; LCD/Video control and processing gain control (control of CCD signal amplification); Auto Exposure; Auto Focus; Auto White Balance control and most other functions.

Print/Share Button
Located on the backside of the PowerShot A520 digital camera is the Print/Share button. This button simplifies and accelerates direct printing to compatible Canon and PictBridge-enabled printers and one-touch image transfer to computers*** for use with image processing programs, uploading to the Internet, or as email attachments. When the camera is connected to a compatible printer or computer via the supplied USB cable, the Print/Share button illuminates to let the user know to press the Print/Share button to begin the printing or downloading process.

The PowerShot A520 digital camera kit includes a USB cable, audio and video cable, wrist strap, 16MB MultiMediaCard and two AA-size Alkaline batteries as well as the Canon Digital Camera Solution Disc Version 22, featuring the latest versions of Canon's powerful software and ArcSoft PhotoStudio.

Optional Accessories
In addition to its rich feature set, the PowerShot A520 digital camera is compatible with a wide variety of optional accessories including supplementary wide-angle (WC-DC52), telephoto (TC-DC52A) and close-up lenses (52mm Close-up Lens 250D). These accessories enhance the new camera's versatility and make it easier to use in specialized applications such as real estate and insurance photography. An underwater housing, WP-DC60, is also available and can be used at depths up to 130 feet. The combination of the A520 digital camera with the WP-DC60 housing unit is great for family vacations at the beach, while skiing, or simply to help protect the camera from the elements.

New High Power Flash HF-DC1
Canon was able to improve the performance of the A520 digital camera's built-in flash relative to its predecessor - the PowerShot A85 digital camera, with a maximum distance range of approximately 11 feet at ISO 100. To further enhance the built-in flash of the A520 digital camera, Canon has developed a new optional accessory called the High Power Flash HF-DC1. The flash is a supplementary unit that operates wirelessly and increases the effective flash range up to approximately 30 feet. The HF-DC1 flash is supplied with a mounting bracket so it can be attached to the camera, but it can also be hand-held or mounted on a tripod or accessory light stand to adjust the lighting angle for pro-like quality results. Multiple HF-DC1 units can be synchronized with a single camera for even greater lighting flexibility. This smart high powered slave flash unit is compact and compatible with almost every PowerShot digital camera**.

About Canon U.S.A., Inc.
Canon U.S.A., Inc. delivers consumer, business-to-business, and industrial imaging solutions. The Company is listed as one of Fortune's Most Admired Companies in America and is rated #35 on the BusinessWeek list of “Top 100 Brands.” Its parent company Canon Inc. (NYSE:CAJ) is a top patent holder of technology, ranking third overall in the U.S. in 2004, with global revenues of $33.3 billion. For more information, visit www.usa.canon.com.

All referenced product names, and other marks, are trademarks of their respective owners.

Specifications are subject to change with notice.

*All prices are set by the individual dealer and may vary.

**Except for early models including the PowerShot 600, 350, and Pro70.

***One touch image transfer is available for Windows XP, ME, 2000 and 98.

Get the Latest Price on the Canon Powershot A520

Feb 1: Canon EOS-1Ds Mark II Pro SLR Review - Steves Digicams

Steve's Digicams review the Canon EOS-1Ds Mark II Pro SLR and writes - 'They say you get what you pay for, and in the case of the 1Ds Mark II you both get pay a lot. We've become accustomed to a trend of new digicams replacing their predecessors with a combination of more/better features and lower price. Make no mistake - the 1Ds Mark II is the new “ultimate digital SLR” in both features and image quality, but Canon has priced it at the same $8000 that was asked for the 1Ds when it was announced over 2 years ago. The Mark II is a good value for the pro who needs its increased resolution and improved performance, and to the extent that the Mark II enables them to earn more income, they will buy it. But to the rest of us mere mortals, justifying an $8000 camera plus the necessary upgrades in computer and memory resources is a big stretch, one not many enthusiasts and semi-pro's will make. We'll simply have to be satisfied with our 20D's, and enjoy the 1Ds Mark II's images in newspapers, magazines and advertising.'

Read more about the Canon EOS-1Ds mark II Pro SLR

Feb 1: Casio Exilim EX-Z55 'Black Panther' and 'Deep Blue'

Casio have just announced two new editions of the 5 megapixel, 3x Optical zoom lens Casio Exilim EX-Z55. They are the 'Black Panther' and the 'Deep Blue'.

Casio Press Release

Scene style in twin-pack: The EXILIM Zoom EX-Z55 comes with two Special Editions

EX-Z55 “Black Panther” EX-Z55 “Deep Blue”

Norderstedt, January 2005 - EXILIM is well-known for innovative technology coupled with stylish design. Now the EX-Z55 is surprising with two Special Editions in trendy colour variations. The “Black Panther” in deep black and the “Deep Blue” in classic royal blue with 5 megapixels and 3x optical zoom stand for high-resolution photos and are real eye-catchers. All pictures can be admired immediately on the extra-large 2.5-inch TFT colour display. The slim, flat measurements of the “Black Panther” and the “Deep Blue” are also impressive: due to the integration of the optical viewfinder into the display with the aid of FIL technology, the little gems fit into any pocket, no matter how small.

Excursions with friends through the scene locations sometimes last longer than planned - it’s a good thing that the SUPER LIFE battery is so reliable. After charging the powerful lithium-ion storage battery, the EXILIM “Black Panther” and EXILIM “Deep Blue” each take up to approx. 400 pictures1). The cameras are impressively fast: they are ready to use in approx. 1.6 seconds2) and captivate with a shutter-release time lag3) of only approx. 0.01 seconds. This makes snapshots effortless. The change between close-ups and photos of motifs in the distance succeeds with the Auto Macro function. It switches independently from the Autofocus into the Macro Mode and back again as required. If the bar is only dimly lit, the Flash Assist function automatically mostly brightens up pictures that have turned out too dark. With the BESTSHOT function, the only thing both beginners as well as experts will find difficult is choosing between the 23 pre-set motif programs. Varied photo scenarios in different situations provide uncomplicated photography here.

Wonderful experiences with your friends definitely have to be recorded on film so they remain vivid memories. In the Movie function, the “Black Panther” and “Deep Blue” record films with sound with no time limit4). With all the functional diversity, the Icon Help function always shows the scene photographer in which mode he is currently operating.

In order to transfer picture data to the hard disk of the computer, the USB docking station produces the connection to the PC. The camera also comes complete with a SUPER LIFE battery, USB cable, detailed software on CD-ROM as well as a carrying strap. The matching underwater casing EWC-55, the mobile charger BC-30L and diverse camera bags are optionally available.

The cameras are available from February 2005.

1) Acc. to CIPA standard
2) Turned-off LCD and flash
3) After focusing
4) Depending on the size of the memory card'

Feb 1: Sony Cyber Shot DSC-P73 Review - CNET Reviews

CNET reviews the Sony Cyber Shot DSC-P73 and writes:

'Our test photos were generally good but not extraordinary for this camera's class. Although some of our outdoor test shots were on the cool side, as whites were tinged with a slight bluish cast, the camera generally produced accurate and well-saturated colors. We saw slight image noise in some shadow areas, not surprising in a snapshot camera. While purple fringing was minimal, several of our photos showed a faint yellowish-green halo along high-contrast edges; however, it was usually so faint that it was hardly noticeable. Dynamic range was often broad enough to capture decent shadow and highlight detail, although whites lost all detail in some brightly lit scenes.'

Read more reviews of the Sony Cyber Shot DSC-P73 Digital Camera

Feb 1: Canon PowerShot G6 review

Pocket Link reviews the Canon PowerShot G6 and writes - 'Although the G6 is not the most compact of digital compacts it is fairly pricey for the resolution and it has more noise at higher ISOs than I’d like to see, it still packs in a huge amount of kit and has excellent handling and ergonomics. The superb lens helps record plenty of detail while the camera is particularly flexible thanks to the vari-angle LCD and versatile shooting tools.'

Read more reviews of the Canon Powershot G6 Digital Camera

Feb 1: HP Photosmart R707 Review - PhotographyBLOG

PhotographyBLOG reviews the HP Photosmart R707 and writes - '£150 for a 5 megapixel digital camera sounds like a bargain, and on the whole the HP Photosmart R707 fits the bill very well. With a stylish and extremely well-built exterior, the HP Photosmart R707 impresses from the moment that you take it out of the box. From a usability point of view, this camera is a winner - HP's designers have obviously put a lot of thought into its design, both inside and out, with both the external controls and the menu system being very easy to use. Together with the unique built-in help system, this makes the HP Photosmart R707 one of the easiest to use digicams on the market and therefore perfect for anyone who is looking to buy their first camera.'

Read more about the HP Photosmart R707 Digital Camera

Pocket Lint also reviews the HP Photosmart R707 today and writes - 'The camera offered fast start up, fast zoom and fast save times to the internal memory. The two complaints we have are firstly the save time to the SD card as it wasn’t very fast. Take three or four shots in succession and you’ll have a camera that is out of action for some time as the buffer works away to clear itself. Secondly, the flash can occasionally overcompensate.'

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