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Fujifilm Press Release
Fujifilm offers a premium line of memory cards: Now in two categories, new appearances: RS-MMC and miniSD card
With the breakthrough of digital cameras onto the mass market there has also been a steep increase in demand for memory cards. The market volume in Germany is currently at approximately 9 million pieces per annum and has risen by more than 50% in comparison to last year. The digital memory cards are not, however, only used in digital cameras. They also store images, text or sound in PDAs, laptop computers, MP3 players and mobile phones.
Fujifilm is constantly expanding the range of memory cards and will offer two different categories in the future. In addition to the present range, currently sold under the name of High Quality Card, there will also be a series of High Performance Cards. Both card types use the tried and tested SLC (Single Level Cell) technology, which stands principally for speed, durability, compatibility and efficient energy consumption.
High Performance Card: higher speed for professional use
The High Performance Cards represent a premium range and offer the user more: they are perfectly suited to the needs of the professional user, economic in energy consumption and especially fast. The SD cards in the High Performance line store at a speed of up to 10 megabytes per second and 66x speed, the CF cards at up to 12 MB per second and 80x speed. This means that these cards are particularly suitable for professional use and wherever large quantities of data are processed: professional photographers and ambitious amateurs will appreciate the higher storage speeds, for example in the processing of Raw data, when taking series of pictures of when storing video data. The Fujifilm High Performance cards are available as CompactFlash, SD and miniSD card.
RS-MMC and miniSD Cards
RS-MMC and miniSD cards, often used in mobile phones with cameras, are now available under the brand of Fujifilm. These Fujifilm cards are always supplied with an adaptor. This makes a normal MMC card out of a RS-MMC and this can then be used as required in digital cameras, PDAs, PCs, laptops or photo order terminals. The adaptor that is included also converts the miniSD into a standard SD card. With this addition Fujifilm now all common memory card types in its full range and thus covers over 90% of the market demand. All card types are available immediately from retail outlets. A table of all the card types on offer can be found at
www.finepix.de and
www.fujifilm.de
Casio have announced their 5 megapixel Exilim Pro EX-P505 which has a 5x Optical Zoom lens, 2.0 TFT colour rotating LCD, MPEG-4 format and VGA 30 frames per second stereo audio video shooting.
Get the Latest Price on the Casio Exilim Pro EX-P505
Steve's Digicams reviews the Casio Exilim Pro EX-P505 and writes - 'The EX-P505 is a robust performer - power up to first image captured measured only 1.8 seconds, confirming Casio's claims of "ultra-fast startup." The all important shutter lag (the time from depressing the shutter release to actually capturing the image) measured less than 1/10 of a second when pre-focused and just 3/10 of a second including autofocus. The shot-to-shot time averaged 2.1 seconds without the flash and 3.1 seconds using the flash. Unfortunately it doesn't offer a continuous shooting mode. The camera is very robust when reviewing images too. By holding down either the Left or Right buttons on the 4-way selector, you can zip through your images at lightning speed. Our tests were done using a Lexar 1GB SD card, Large/Fine quality, preview off, flash off, and all other settings at default unless otherwise noted. Times may vary depending on lighting conditions, media, camera settings, etc.'
CNET Reviews the Casio Exilim Pro EX-P505 and writes - 'In addition to being a compact and lightweight 5-megapixel camera with a 5X optical zoom, the EX-P505 takes passable 640x480 MPEG-4 video at 30fps. The video side has full use of the camera's zoom, captures its audio through a built-in stereo microphone, and can even record the action 5 seconds before you press the shutter release. So are we at the point where one device can serve for both high-quality photos and decent video? Not quite. This model doesn't perform well in low light, and its zoom mechanism is loud enough to be audible on some video shots. If you can live with its limitations, the small size and the 5X zoom could make this a convenient all-purpose camera.'
Trusted Reviews has a review of the Casio EX-P505 and writes - 'A little on the expensive side for a 5MP camera, but the impressive stills performance, easily accessible creative features and some outstanding and unique movie modes – including stereo sound - make the Exilim EX-P505 a unique and appealing model for the more advanced user. It manages to fit in more features than most cameras twice its size'
Megapixel reviews the Casio Exilim EX-P505 and writes - 'So, on one hand the Casio EX-P505's small but odd-shaped body may not be ideal for everyone. However, on the other hand, the P505 offers a number of valuable features: a 5-megapixel resolution, a 5X optical zoom, an excellent movie mode limited only by the card capacity and is able to capture stereophonic sound while leaving the optical zoom functional, an excellent autonomy thanks to its lithium battery, an array of shooting modes, and even a built-in neutral density filter. All of which means that interested parties may be well-advised to not only see the camera in a store, but touch and handle it.'
Digital Camera Info has a review of the Casio Exilim EX-P505 Digital Camera and write - 'The Casio Exilim EX-P505 is the Swiss Army knife of digital cameras; it tries to impress every segment of the market there is. It can impress point-and-shoot users with its automatic and extremely comprehensive list of best shot scene modes. The P505 also has manual functionality for those more advanced photographers. For those camcorder enthusiasts, there are four movie modes that shoot at full VGA resolution at 30 frames per second. The EX-P505 attracts kids with its extensive sound menu and toy-like size and feel. This Exilim aims to be a hybrid model with its camcorder-style LCD screen that rotates and its 5 megapixels of still imaging resolution. '
Buy the “Casio Exilim EXP505 5MP Digital Camera with 5x Optical Zoom”
High quality photos and movies from 5.0 megapixels, 5x optical zoom, and MPEG-4 capability.
January 31st, 2005, LONDON, UK – CASIO ELECTRONICS CO., LTD. has released the newest model in its popular EXILIM digital camera range. The new CASIO EXILIM PRO EX-P505 is a stylish digital camera equipped with a 5.0 megapixel imaging element and a 5x optical zoom. It not only takes superbly detailed digital photos, it is also capable of shooting extended video at high quality. The CASIO EXILIM PRO EX-P505 is the ideal camera for the amateur photography enthusiast and keen movie-maker.
The new CASIO EXILIM PRO EX-P505 is a high-performance digital still camera with a superior quality video capability. It features a 5x optical zoom, an imaging CCD with 5.0 million effective pixels, and the EXILIM Engine, along with a large 2-inch TFT colour rotating screen that makes taking angled shots a breeze. Additionally, the EX-P505 offers high quality video capability, of 30 frames per second at VGA size, thanks to the incorporation of MPEG-4 technology. MPEG-4 is a video compression standard that offers significantly greater compression than its predecessors which means you can shoot DVD-quality video on the camera. This makes the EX-P505 an ideal digital camera for consumers who are equally keen on creating their own movies.
The EX-P505 is the third camera in the award winning EXILIM PRO range. It incorporates CASIO’s unique ‘EXILIM Engine’, an extremely compact image processing module, that delivers high quality images and high-speed operation, all within extremely compact dimensions. The module’s low power consumption, when used in combination with CASIO’s SUPER LIFE battery, means with the EX-P505, you can just keep on shooting!
Authentic manual operation puts the user in control
With a CCD producing 5.0 effective megapixels, remarkably detailed images can be taken with clarity. The 5x optical zoom lens has macro capability down to 1cm; aperture priority or shutter priority modes, along with manual exposure mode, to allow for complete manual control. Settings can be quickly accessed via the ‘EX button’.
High quality video shooting
The adoption of MPEG-4 technology enables full-scale high quality video shooting in VGA size (640 x 480 pixels) at a smooth 30 frames per second. ‘Movie BEST SHOT’ allows the user to select from 5 sample scenes for a range of shooting styles. ‘Past Movie’ mode even lets users film movies before they press the shutter, while other shooting and editing functions such as ‘MOTION PRINT’ can be used to obtain a still image from a movie. So, if you forgot to take any photos at your friend’s wedding, you can just choose a frame from the movie you shot.
The EXILIM PRO Series
The very first EXILIM PRO model, the multiple award winning EX-P600, was equipped with 6.0 megapixels and 4x optical zoom, along with user preset aperture, shutter speed and other effects. Manual operation is so easy that beginners can enjoy taking great pictures right away. The EX-P700, continued the tradition of the EXILIM PRO series, and remains popular with photographers of all levels. The EX-P505 continues the tradition of creativity, ease of use, with manual control.
The EXILIM PRO EX-P505 will be available from the beginning of March 2005, from all good photographic stores. Its recommended retail price will be £399.99.
FULL MANUAL CONTROL OF STILL IMAGES
• CCD with 5.0 effective megapixels and the EXILIM Engine assure detailed images
• 5x optical zoom lens, with macro mode allowing shooting down to as close as 1 cm.
• SUPER LIFE battery gives approx. 220 pictures per battery charge. (CIPA standards)
• High-speed startup enables shooting only 0.8 seconds after the power is turned on.*1
• Release time lag of only 0.01 sec. means images are recorded approximately 0.01 seconds after the shutter is released.*2
• High-speed picture playback of approx. 0.1 sec. interval
• Automatic power ON/OFF when the LCD panel is opened and closed
• BESTSHOT function with 22 different predefined scenarios as well as capacity for user defined scenarios
• Flash automatically pops up when needed. (Auto pop-up flash)
• Aperture priority, shutter speed priority and manual exposure modes can be selected
• “EX Finder” shows image information in easy-to-understand graphical layout
• EX-button allows various manual settings to be quickly accessed and set from a single screen.
• Manual Assist function displays sample images to show manual adjustments will change the final image
HIGH QUALITY MOVIE MODE
• MPEG-4 format used to enable long-playing video shooting.
• VGA size (640 × 480 pixels), 30 frames/sec., stereo audio high-quality video possible.
• 5x optical zoom lens, with macro mode allowing shooting down to as close as 1 cm.
• Movie BEST SHOT: select a scene*3 from among the predefined scenarios to achieve the best results
• Approx. 2 hours of movie shooting on a single battery charge (continuous recording).
• Past Movie function enables video recording to begin from five seconds before the shutter is pressed.
• Short Movie function enables up to eight seconds of movie to be taken during a single shutter.
• MOTION PRINT function enables either 9 or 1 frames to be converted to a still photo.
• Movie Playback Zoom function enables zoom display during video playback.
• Three types of Movie Editing operation (before, during or after) can be used to eliminate unwanted scenes.
OTHER FEATURES
• New body form has a suggest a high-performance yet stylish camera.
• Large 2.0“ TFT colour rotating LCD panel enables angle shooting.
• High-speed USB 2.0 compatible for high-speed image transfer.
• Both still images and video images can be viewed on a television or monitor.
• Photo Loader PC software included to enable automatic transfer of images to the user’s personal computer.
• Windows Media Player 9 video playback software and Ulead Video Studio video editing software included.
• Menu display can be set in 10 languages, including Chinese (simplified and traditional), English, French, German, Italian, Japanese, Korean, Portuguese, Spanish
• Compatible with PictBridge specifications for direct connection to a printer.
• ExifPrint (Exif 2.2) and PRINT Image Matching III compatibility.
*1: with internal flash off, using internal memory
*2: with internal flash off
*3: 5 different scenes: Portrait, Scenery, Night Scene, Fireworks, Silent
Buy the Casio Exilim Pro EX-P505
'Lets Go Digital has just posted a review of the Fujifilm FinePix S3 Pro Digital Camera and writes:'A lot has improved compared to the Fujifilm FinePix S2 Pro. Which already shows on the outside; the FinePix S3 Pro looks better. And finally the Fujifilm FinePix S3 Pro has a release button for vertical photography. The monitor on the back of the camera is also larger than the one on the FinePix S2 Pro. The second screen has been changed slightly and so have the buttons. Although the latter ones are still more or less on the same position. The S2 Pro user doesn't have to search for them. Whereas the Fujifilm FinePix S2 Pro used 2 kinds of batteries, the Fujifilm FinePix S3 Pro only uses (rechargeable) AA batteries, four of them. The camera is standard delivered with a set of 4x 2300mAh and a quick battery charger. The SmartMedia slot has been replaced by an xD slot which means the FinePix S3 Pro supports the CompactFlash as well as xD. Another improvement is the flash system, Fujifilm now also uses Nikon's D-TTL metering. So a so-called DX flash unit is required.'
Imaging Resource reviews the Canon EOS-1D Mark II and writes - 'The EOS-1D was an impressive digital SLR at its debut, arguably the most rugged, configurable, and fastest then available on the market. The new EOS-1D Mark II raises the bar while maintaining all that made the 1D such a successful and formidable SLR, offering the same great exposure control, but with a much higher resolution, 8.2-megapixel CMOS sensor. Its amazingly rapid shutter sound will make you enjoy each click that much more, to the point that you'll be tempted to put it in high continuous mode and squeeze a few off every once in awhile just to hear the music of the Mark II's shutter. Its heft and excellent control layout make it clear that the Mark II means business, and its image quality is second to none.'
Read more about the Canon EOS-1D Mark II
CNET reviews the Nikon Coolpix 8800 and writes -
'Vibration reduction headlines the feature set for this 8-megapixel Coolpix 8700 replacement, which also includes a longer zoom lens (10X vs. 8X), support for Nikon's i-TTL SB600 and SB800 external flash units, improved design, and a higher-quality JPEG mode (at a 1:2 compression ratio). Throw in the Nikon Coolpix 8800's extended flash range, faster USB 2.0 camera-to-computer transfer, a beefier battery, a handful of new scene modes, and an included infrared remote control, and you'll see why it's attracting the attention of photo enthusiasts. There are trade-offs, however. Nikon reduced the top sensitivity setting from ISO 800 to ISO 400, its shutter speeds now top out at 1/3,000 second instead of 1/4,000 second, and its picture quality could be better. Overall, however, this Coolpix improves upon its predecessor, and remains a decent 8-megapixel option.'Read more about the Nikon Coolpix 8800
A Digital Eye reviews the Konica-Minolta A200 Digital Camera and writes:
'Aimed at advanced amateurs and photographic enthusiasts, Konica-Minolta DiMAGE A200 offers an attractive combination of features at an attractive price. Incorporating Anti-Shake mechanism, a 7x optical manual zoom lens, full manual controls, and a flexible LCD screen, A200 is an extremely versatile camera that delivers extremely high image quality. It has some regrets here and there but overall it’s a package hard to beat.'
Read more about the Konica Minolta A200 Digital Camera
Whilst Sanyo and Sony are downgrading their projected earnings Canon seems to be going from strength to stregth reporting a record year for the fifth year in a row.
'Canon Inc. posted a 17 percent rise in quarterly operating profit on Friday due to strong sales of colour copiers, laser printers and digital cameras and forecast record earnings for a fifth straight year.
Earnings at Canon have been driven by a business switch from monochrome to more profitable colour copiers, and strong sales of laser printer engines to U.S.-based Hewlett-Packard Co.
Canon, the world's top producer of laser printers when its HP-badged output is included, said it expected group operating profit to rise 5.4 percent to 573 billion yen ($5.57 billion) in 2005 on a 4.7 percent gain in sales to 3.63 trillion yen.
The profit forecast, while representing a deceleration in growth, was above the consensus figure of 548 billion yen in a poll of 17 analysts by Reuters Estimates taken before the announcement.'
Read more at Reuters | Canon Q4 profit up 17pct, sees record for 5th year
FocusU is a new online photo sharing service that is currently offering free membership to their first 200 customers.
Some of their features include:
Learn more about FocusU - The easy way to store your photos online!
Digital Camera Info reviews the Kodak EasyShare Z700 and writes - 'With its 5x optical zoom and 4 megapixels, the Kodak EasyShare Z700 has some great features for its $399 price tag. The camera is compatible with both PictBridge and ImageLink printing systems, and its trademark Share button further streamlines the process. 17 scene modes allow point-and-shoot users to quickly and easily set the Z700 for any lighting situation, and 16 MB of internal memory comes in handy. This camera approaches the shape of an SLR, but is not as big. It does have a strange shape with its 3.8 x 2.85 x 2.2-inch measurements. The drawbacks to the Z700 are its tiny optical viewfinder, tiny 1.6-inch LCD screen, and its limited white balance options. However, sacrificing a little white balance for a little more optical zoom just might be a worthy trade-off for the right user.'
Read more about the Kodak Easyshare Z700 Digital Camera
Get the Latest Price on the Kodak EasyShare Z700
Digital Camera Resource Page has a good review of the Olympus Stylus 500 otherwise known as the Olympus mju Digital 500 and writes - 'The Olympus Stylus 500 is as compact point-and-shoot camera that looks good, resists water, is super-fast, and has some neat features. Unfortunately photo quality isn't as good as it should be. But first, the good news. This latest Stylus is compact (but not too much so), metal, and weatherproof. It can get a little wet, but that doesn't mean it can go snorkeling with you -- for that you'll need the optional underwater case. The Stylus has a large and sharp 2.5“ LCD display that is viewable in both bright and dim lighting. Camera performance is very good for the most part, especially the startup speed -- wow. The camera doesn't have any manual controls, but you'll find plenty of scene modes to make up for it. Other nice features include in-camera cropping, special effects, and albums.'
Read more about the Olympus Stylus 500Olympus mju Digital 500
CNET reviews has a good review of the Kodak DCS Pro SLR/n and writes - 'The Kodak DCS Pro SLR/n is an improved version of the earlier DCS Pro 14n, the company's Nikon F-mount digital SLR with a 13.5-megapixel CMOS sensor that's the size of the 35mm film format (24x36mm). The SLR/n uses a redesigned version of that sensor, which achieves higher ISO sensitivities and produces less image noise than its predecessor. But the SLR/n, like the 14n before it, is a sluggish performer that's best suited to relatively static applications such as commercial, portrait, or architectural photography.'
Read more about the Kodak DCS Pro SLR/n
Reuters reports that Sony have lowered their estimated earnings for this business year:
'Sony Corp. lowered its forecast on Thursday for digital camera sales in the business year to March 31 to 14 million units, compared with its previous estimate of 15 million.'
Read more at Sony cuts digital camera sales target for 04/05
Similarly Forbes is reporting that Sanyo is expected to lower its projections for the production of digital cameras in the months ahead:
'Japan's Sanyo Electric Co. is set to lose its position as the world's top digital camera maker, with its fiscal 2004 output seen falling short of the current target figure by two million units, Jiji Press learned Wednesday.
Sanyo is expected to lower its digital camera production projection for the year to March to 12 million units from the current estimate of 14 million units, a downward-revised target set in October, informed sources said.
The company is now likely to fall behind Sony Corp. and Canon Inc. on the global output ranking.'
Read more at Sanyo Set to Lose Position As No. 1 Digital Cameral Maker
SanDisk today Announced that they have posted record 4Q Operating Income and revenues ($549 million). Unit sales are also up 45% and Megabytes are up 110%. Gross Margin increases to 32% and Operating Margin is at 23%. They put the increases down to strong interest by the market in Digital Cameras, Mobile Handsets, Digital Audio Playeras and Flash Drives.
Total revenue for fiscal 2004 was $1.8 billion, up 65% from $1.1 billion in 2003. Product revenues were $1.6 billion, up 63% from $1.0 billion in 2003. License and royalty revenues were $174 million, up 79% from $97 million in 2003. Net income was $267 million, up 58% from net income of $169 million in 2003. The provision for income tax was 37% for 2004 compared to 30% in 2003. Fully diluted earnings per share for fiscal 2004 were $1.44, compared to $1.02 in 2003.
“SanDisk experienced outstanding results in our fourth quarter due to strong demand for our products in digital cameras, USB flash drives, mobile handsets and our new line of flash digital audio players,” said SanDisk CEO Eli Harari. “In the fourth quarter we sold 110% more megabytes than in the prior quarter by successfully shifting consumer preference to our higher capacity cards. Higher yields on our 90-nanometer NAND/MLC, and higher unit volumes allowed us to aggressively reduce our costs and improve operating margins by almost 3% in the quarter despite a 34% sequential decline in the average price per megabyte.”
“In 2005 we will continue our focus on three areas. First, driving growth in our target consumer and handset markets, including the new storage opportunities in handsets, flash digital audio players, video games, second generation intelligent flash drives, and crypto-secure cards. Second, building our brand and expanding our global sales channels beyond 100,000 storefronts. Third, executing the transition of our captive volume production from 90-nanometer to 70-nanometer NAND/MLC, as well as ramping the new 300-millimeter flash fab, both currently scheduled to commence in the second half of 2005. I am optimistic about the rapidly expanding and pervasive use of our storage technology and products in numerous emerging markets and applications over the next several years.”
Financial Results and Highlights
• Revenue was a record $549 million in the fourth quarter, up 35% sequentially and 41% year-over-year.
• Megabytes sold in the fourth quarter increased a record 110% sequentially and increased 228% year-over-year. Total megabytes sold in 2004 were approximately 167% higher than in 2003.
• Units sold in the fourth quarter increased 45% sequentially and increased 55% year-over-year. Units sold in 2004 were 53% higher than in 2003.
• Average density per card sold in retail increased to 356Megabytes (MB) in the fourth quarter from 254MB in the third quarter. Average density per card doubled from the fourth quarter of 2003 to the fourth quarter of 2004.
• Average price per megabyte sold in the fourth quarter declined 34% sequentially and 56% from the corresponding quarter in 2003. Total average price per megabyte sold in 2004 declined 38% from 2003.
• Product gross margin in the fourth quarter was 32%, compared to 29% in the third quarter of 2004 and 36% in the fourth quarter of 2003.
• Operating income was a record $126 million, or 23% of revenues, compared to $84 million, or 21% of revenue, in the prior quarter, and $109 million, or 28% of revenues, in the fourth quarter of 2003. Operating income for 2004 was $419 million, up 63% from operating income of $257 million in 2003, and operating margin was consistent in both years at 24%.
• Digital Audio Players were successfully launched during the holiday season.
• Greg Rhine joined SanDisk as Senior Vice President, Worldwide Sales.
• Storefronts grew to more than 100,000 from 60,000 at the beginning of the year.
• SanDisk's revenue share for the US Memory Card Market grew to 46% in the fourth quarter of 2004 from 38% in the fourth quarter of 2003 and USB flash drive share increased to 38% from 22% for the same periods according to data from NPD Techworld, a division of the NPD Group.
• SanDisk acquired MDRM to accelerate development of end-to-end solutions for distributing secure content through flash memory devices.
• Flash Partners, a Toshiba and SanDisk venture, secured lease financing agreements for manufacturing equipment to be installed in the new Fab 3.
PC Mag reviews the Konica Minolta Maxxum 7D and writes - 'Although the 6-megapixel Maxxum 7D is pricey relative to the competition, its excellent construction, outstanding ergonomics and handling characteristics, and built-in image stabilization will have most users agreeing that it was well worth the wait and money. We wish its built-in flash performed more consistently and that Konica Minolta offered a more appropriate standard zoom lens, but apart from this there is a lot to like about this new D-SLR.'
Read more reviews of the Konica Minolta Maxxum 7D
Buy the Konica Minolta 7D
Graphics.com has a good photoshop tips tutorial on Using Photoshop to Create a 3D Look:
'The following tutorial can be completed by anyone who is familiar with Photoshop. You don't have to be an artist and only Photoshop's basic tools have been used. No tablet or digital pen is required. The image you'll create was inspired by a Softimage XSI render by Baruch Zevolun, so the design credit goes to him. The aim of this tutorial is to show you a different use for Photoshop, other than image editing, so this is a tribute to the original artist's work. In addition, I wanted to break a tradition. Most of the 3D work of animators takes inspiration from 2D work, such as sketches, paintings or photos. However, this 2D work was inspired from a 3D render. So, hats off to Baruch Zevolun!'
Graphics.com has a photoshop tips tutorial on Repairing and Colorizing Old Photographs:
'In this tutorial I'll show you how to repair and add color to old photographs. While I use Photoshop CS, you should be able to reproduce these techniques in most digital imaging applications. The image I'm working with is one I began correcting in Old Sepia Photo Restoration Techniques. Old photos often have an existing tint that you can use to restore their original tonal integrity. Here I'm going to provide some simple but effective techniques that will help you smooth out areas, while also colorizing them. Begin by creating a new blank layer, by clicking on the new layer icon and choosing Color (or Hue) as the blending mode.'
The Sony Cybershot DSC-W5 is a 5 megapixel digital camera with a 3x Optical Zoom - perhaps an update of the DSC-W1 with a few minor changes. It is priced at $350.
Buy the “SONY DSC-W5 5.1 Megapixel Cyber-shot(R) Digital Camera”
CNET reviews the Sony Cyber Shot DSC-W5 and writes - 'A junior version of the 7-megapixel DSC-W7, the 5-megapixel Sony Cyber Shot DSC-W5 boasts the same no-nonsense, compact, metal-alloy body; gorgeous 2.5-inch LCD (which is coupled with a modest optical viewfinder for use in bright ambient light); 3X Carl Zeiss zoom lens; and basic array of automatic and manual controls. Decent image quality, a versatile burst mode, and convenient AA battery power make this Sony suitable for photo fans who want a pocketable camera with a useful set of mostly automatic features. Minimovie buffs will like the ability to edit 640x480, 16fps clips right in the camera.'
A classic design meets modern technology in the Cyber-shot W5 digital camera from Sony. It combines a traditional rangefinder camera layout with high-end features such as a huge 2.5inch LCD screen1, 5.1 Megapixel image capture, and high speed performance thanks to the Real Imaging Processor™ chip.
The W5’s Carl Zeiss® Vario-Tessar® lens provides crisp, clear visuals and a 3X optical zoom without compromising the camera’s amazingly compact design. Image quality is further enhanced with such features 5 area multi-point auto focus, auto focus illuminator and multi-pattern measuring.
The W5 includes 32 Megabytes of built-in flash memory2, so you’ll have room for additional photographs if you are ever without a Memory Stick® media. With a classic build, easy control, and numerous advanced features, the Cyber-shot® W5 has something for everyone.
• 1/1.8“ 5.1 Megapixel Super HAD™ CCD
Super HAD (Hole Accumulation Diode) CCDs provide excellent image quality by allowing more light to pass to each pixel, increasing sensitivity and reducing noise.
• 3X Optical/2X Digital/6X Total Zoom
Optical zoom helps you fill the frame with your subject for better pictures. And Sony’s Precision Digital Zoom helps bring your subject closer with an extra 2X magnification.
• 0 – 12.0X Smart Zoom™ Feature (at VGA Resolution)
The Smart Zoom™ feature intelligently uses the full CCD to let you zoom into the portion of interest by cropping the image size – thus avoiding the image degradation of Digital Zooms.
• Carl Zeiss® Vario-Tessar® Lens
The Vario-Tessar® lens is specially produced for very compact cameras. This specialized design allows quick auto-focus, appealing zoom range while still maintaining a compact design.
• Real Imaging Processor™ LSI
The innovative Real Imaging Processor™ LSI in the DSC-W5 not only improves picture quality and clarity but also improves camera response time, decreases shutter lag and improves battery stamina.
• 2.5” LCD Monitor1
The extra-large high-resolution 115K LCD Monitor makes framing shots and reviewing pictures easy.
• Live Histogram Display
Available in capture and playback the Live Histogram Displays the concentration of pixels at each luminosity value making it easy to evaluate correct exposure.
• 14-Bit DXP A/D Conversion
Sony’s 14-bit Digital EXtended Processor captures the range between highlight and shadow with up to 16,384 values, for extended dynamic contrast and detail.
• 5 Area Multi-Point Auto Focus
By evaluating 5 separate focus areas of the frame, Sony’s Multi-Point AF system can intelligently focus on the subject and avoid mistakenly focusing on the background.
• Manual Exposure Mode
Manual Exposure Mode provides extended control with 46-step adjustable Shutter speed (30 – 1/1000 sec.), and 2-step Aperture control.
• AF (Auto Focus) Illuminator
Briefly illuminating the subject, in low–or no–light conditions, the AF Illuminator helps establish a positive focus lock.
• Selectable Focus Mode
Monitoring AF (Auto Focus) helps you anticipate the action by focusing even before you press the shutter release.
• Multi-Pattern Measuring
Independently light-metering 49 points of the frame, Multi-Pattern Measuring establishes the optimum exposure, even when highlight and shadow isn’t centered in the frame.
• Scene Selection Mode
With 6 Scene Modes, parameters can be matched to the shooting conditions. Choose from one of the following: Twilight, Twilight Portrait, Landscape, Soft Snap, Candle, or Beach.
• Pre-Flash Metering
With a momentary pre-flash, the camera illuminates the subject and sets exposure through the lens for accurate flash metering. Adjustable flash level and red-eye reduction ensure great flash shots.
• Slow Shutter Noise Reduction
During long exposures, Slow Shutter NR captures the scene, and then the CCD noise pattern with a dark frame exposure. By subtracting the two, even long exposures can be clear.
• 32MB Built-in Flash Memory2
Forget to bring your Memory Stick® media, or run out of space on it? No problem! With 32 Megabytes of flash memory built-in to the DSC-W5, you’ll have the extra space for additional photographs.
• Memory Stick® Media and Memory Stick PRO™ Media3
Digital. Powerful. Transportable.™ Memory Stick® media is compact, portable and rugged – connecting a variety of hardware and software applications.
• 9 Shot Burst Mode
Capture up to 9 shots (fine) or 16 shots (standard) at 1.6 frame/sec. even at 5 MP resolution. Perfect for high speed subjects or fast moving action such as sports.
• Multi-Burst Mode
Captures 16 320 x 240 frames as part of a single 1280 x 960 image which plays back sequentially in the camera. Selectable 1/7.5, 1/15, 1/30 second.
• MPEG Movie VX Standard/Fine Mode with Audio
Captures VGA (640 x 480) high frame rate (up to 30 frames per second) audio/video clips with length limited only by the capacity of the media. Video mail mode captures smaller file sizes suitable for email.
• Conversion Lens Compatible
With VAD-WA adaptor, you can add tele- or wide- conversion lenses for greater magnification or wider field of view, as well as protective and special effect filters.
• PictBridge™ Compatibility
Connect to any PictBridge™ compatible printer with the supplied USB cable and print directly from the camera. Images can be viewed and selected for printing right on the camera’s LCD, with menus for print quantity, date and index print.
• Rechargeable AA NiMH Batteries
The high capacity 2100 mAh AA NiMH batteries provide reliable, long-lasting power for continuous shooting. The supplied BC-CS2 charger provides a convenient way to charge the batteries.
Specifications
• Imaging Device: 1/1.8“ 5.1 Megapixel Super HAD™ CCD
• Recording Media: Memory Stick® Media, Memory Stick PRO™ Media
• Lens Construction: 7 Elements in 5 Groups, 3 Aspheric Elements
• Zoom: 3X Optical
• Smart Zoom™ Feature: 0 – 4.0X (at VGA Resolution), 12X Total
• Digital Zoom: Precision, 0 – 2.0X Range, 6X Total
• Filter Diameter: 30mm, by required VAD-WA adaptor
• Focal Length: 7.9 – 23.7mm
• 35mm Equivalent: 38 – 114mm
• Aperture Range: f2.8 – f5.6 (W); f5.2 – f10 (T)
• Auto Focus: 5 Area Multi-Point AF, Center AF, 5-Step Manual
• Minimum Focus Distance: 19.7” (50cm)
• Macro Focus Distance: 3.9“ (10cm)
• Shutter Speed: 1/8 – 1/1000 sec. (auto); 2 – 1/1000 sec. (twilight); 30 – 1/1000 sec. (manual)
• Exposure Compensation: +/- 2.0 EV, 1/3 EV Steps
• Color LCD: 2.5” 115K Pixel LCD Screen1
• Flash Modes: Auto/Forced On/Forced Off/Slow Synchro
• Red-Eye Reduction: On/Off
• Flash Effective Range: 1.6 – 12.5 ft. (0.5 – 3.8m)
• White Balance: Auto, Daylight, Cloudy, Fluorescent, Incandescent
• Burst Mode: 9 Shot (JPEG fine), 16 Shot (JPEG std.), 1.6fps
• Picture Effects: Sepia, Black & White
• ISO: Auto, 100, 200, 400
• Scene Modes: Twilight, Twilight Portrait, Landscape, Soft Snap, Candle, Beach
• Self-Timer: Yes, 10 Seconds
• Audio/Video Output: Yes, NTSC/PAL Selectable
• Still Image Modes: Normal (JPEG Fine/Standard), Burst, Multi-Burst
• MPEG Movie Modes: MPEG VX Fine with Audio (640 x 480 at 30fps), (MPEG VX Fine requires Memory Stick PRO media) MPEG VX Standard with Audio (640 x 480 at 16fps), Video Mail (160 x 112 at 8fps) with Audio
• Microphone/Speaker: Yes/Yes
• USB Terminal: Yes, Supports USB 2.02
• Built-in Flash Memory: Yes, 32MB3
• Memory Stick PRO™ Media Compatibility: Tested to support up to 1GB media capacity4; does not support Access Control security function
• Compatible Battery: “AA” NiMH, Alkaline
• Supplied Software: Picture Package™ for Sony v1.6 (Windows), Pixela™ ImageMixer VCD2 (Macintosh), SPVD-012.1 USB Driver, Cyber-shot Life tutorial (Windows)
• OS Compatibility: Microsoft® Windows® 98/98SE/Me/ 2000/XP Home/XP Pro Macintosh® OS 9.1/9.2/X (10.0, 10.1, 10.2, 10.3)
• Supplied Accessories: NH-AA-DA Rechargeable AA Batteries, BC-CS2 Battery Charger, A/V and USB Cables, Wrist Strap, Softwa
Buy the "Sony Cybershot DSC-W5 5.1 Megapixel Digital Camera"
The Rollei dr5 is a 5 megapixel digital camera that Rollei are promoting as a 'go everywhere' digital camera. It comes with a 4.8x Optical Zoom lens (equivalent to a 28-135mm), reasonably fast shutter lag (0.10 second), macro focusing (to 1cm) and 1.8 inch LCD.
Rollei Press Release: Powerful and Stylish - Rollei add an ultra-flat model with 5 megapixels to their line of digital cameras
The Rollei dr5 redefines the concept of the “go-everywhere camera”. With 25 mm, it is not only ultra-flat and will therefore fit any shirt pocket without a bulge, but its neat metal body also makes it a pleasure to look at. However, the digital camera has more to offer than a mere good look: Instant readiness and minimal shutter lag makes it an ideal candid camera. The camera with its wealth of practical features and sophisticated technology is available from March 2005 for Euro 299.
While the Rollei dr5 is thrifty when it comes to size, its technical features are impressive: It comes with a high-performance D-VarioApogon HFT zoom lens with focal lengths from 4.6 to 22.2 mm (equivalent to 28-135mm in 35mm photography). The Rollei dr5 has a powerful 5-megapixel CCD. Its 4.8x optical and 3.6x digital zoom will capture even far-away subjects in impressive size. An optical viewfinder allows rapid framing. Alternatively, a brilliant 1.8“ LCD monitor may be used for both framing and displaying subjects.
The camera is very flexible above all in the close-up range, allowing photographers to take fascinating close-ups from as near as 1 cm to 13 cm from the lens. Focusing may be either manual or automatic, with the additional option of varying the focus zone.
But close-ups are only one of the strong points of the Rollei dr5. Thanks to its instant readiness, the camera is ideal for spontaneous candid shooting and capturing elusive subjects: It is ready to shoot in a mere 0.8 second. And its shutter lag is no more than 0.10 second. In addition to single frames, it also allows continuous shooting to capture complex motion sequences. A self-timer mode with either 2s or 10s delay gives additional creative freedom.
As for manual control options, the Rollei dr5 leaves nothing to be desired. Exposure can be controlled either by programmed AE or compensated manually over +/- 2.0 EV in 1/3 increments. The camera offers evaluative 256-zone metering plus center-weighted average and spot metering. In addition to automatic white balance, there are manual presets for sunlight, cloudy, tungsten and fluorescent. The built-in flash will automatically compensate output at close range and has red-eye-reduction auto and fill-flash modes as well as slow sync, leaving photographers ample choice when the light is low.
But the Rollei dr5 will also record brief video clips, complete with sound. Video clips in QuickTime Motion format can be recorded with two different quality levels: with 480 pixels or 320 x 240 pixels. Video and photos are stored either in the internal 12MB memory or on an SD or MultiMedia card. Since the camera also supports PictBridge, pictures can be directly printed on a suitable printer. And if you just wish to view your pictures or edit them at a later date, simply connect the camera via its USB or video port (NTSC, PAL) to a computer or TV set.
The power supply of the Rollei dr5 also is very flexible. The camera will operate on either two NiMH or nicad batteries (size AA, 1.2V), two alkaline batteries (size AA, 1.5V) or a lithium-ion block (3.7V/1,800 Ah).
Rollei dr5 Specifications
• Sensor: 1/2.5“ CCD, 5 megapixels
• Image resolution: 2560 x 1920, 2048 x 1536, 1280 x 960, 640 x 480 pixels (dr5)
• Video clips: QuickTime Motion, JPG; 640 x 480 pixels, 320 x 240 pixels (30 fps)
• Storage media: SD or MM cards
• Internal memory: 12 MB
• Recording formats: JPEG (EXIF 2.2), TIFF, DPOF, AVI
• Loudspeaker and microphone built in
• Lens: D-VarioApogon 4.6-22mm f/3.3-4.8 HFT(equivalent to approx. 28 – 135 mm in 35mm photography)
• Zoom ranges: 4.8x optical, 3.6x digital
• Focusing: Autofocus or manually
• Focusing range: Autofocus, 30 cm to infinity
• Macrofocusing: 1 cm to 13 cm
• Shutter: Controlled mechanically and electronically;
• 8 s to 1/2000 s, auto
• 1/30 s to 1/2000 s (video)
• ISO sensitivity: Automatic or manual control; equivalent to ISO 64, 100, 200, 400, 800
• Exposure metering: Evaluative, center-weighted average and spot metering
• Exposure control: Programmed AE
• Exposure compensation: Manual; max. +/- 2.0 EV in 1/3 increments
• Shooting modes: Single frames and continuous
• White balance: Auto, manual; sun, cloudy, tungsten, fluoresecent
• Flash: Auto, off, red-eye-reduction autoflash, red-eye-reduction fill flash, slow sync
• Flash range: 0.20 m – 2.70 m (W), 0.13 m – 2.10 m (T)
• Viewfinders: Optical viewfinder and LCD monitor
• LC monitor: 1.8” TFT LCD monitor (110,000 pixels)
• Self-timer: 2s or 10s delay
• Interfaces: USB, video (NTSC, PAL), audio, AC
• PictBridge compatible
• Power supply: 2x size AA alkaline batteries (1.5V), 2x size AA NiMH or nicad batteries (1.2V), 1x lithium-ion battery, AC adapter (optional)
• Tripod socket: 1/4“
• Dimensions (mm/wxhxd) 100 x 55 x 25
• Weight: approx. 150 g (without batteries and SD card)
• Camera kit: Rollei dr5, USB and video cables, standard batteries, wrist strap, driver CD, operating instructions, brief instructions
System requirements
PC: Windows 98/98SE/2000/ME/XP, USB interface, CD-ROM drive
Apple Macintosh: OS 9.0 or higher, USB interface, CD-ROM drive
Digital Camera Info has a first impression review of the Sony Cyber-shot DSC-T33 and writes - 'The slim 5.1-megapixel Sony T33 will hit shelves March 2005 for $450 (USD). Its 1/2.4-inch CCD and Sony Real Imaging Processor are identical to its missing twin, the Sony T3, which never made its scheduled debut in the United States. These two digital cameras have the same large 2.5-inch LCDs and 3x optical zoom lenses, but differ in size and weight. The new T33 weighs 5.3 ounces, while the T3 is a heavier 6 ounces. The T33 is also thicker by a tenth of an inch. There aren’t many differences, so it’s good to see Sony coming out with a replacement for the missing T3. The Cyber-shot DSC-T33 is a strong point-and-shoot camera, offering ease of use to beginners as well as appealing to the crowd of users looking for style and portability.'
Read more about the Sony Cybershot DSC-T33
CNET reviews the Sony Cyber Shot DSC-P150 digital camera and writes - 'If this camera were a DVD, we'd rate it an enjoyable flick but skimpy on the special features. Sony crams 7 megapixels into a compact package that delivers good photo quality, great performance, and outstanding battery life but includes none of the extras found in other, similarly priced 7-megapixel models. Snapshooters who want a small camera for big prints and just the basics in manual controls should be happy with this camera's photo quality, robust performance, and shoot-all-day battery. More-serious photographers looking for a heftier feature set will want to check out the competition.'
Read more reviews of the Sony Cybershot DSC-P150
Megapixel reviews the Olympus D-590Z/C-470Z digital camera and writes - 'A comparatively reasonably priced model from one of the leaders in the development of digital photography, the Olympus D-590Z offers a large image size and some of the features, such as a rechargeable lithium-ion battery, found on more expensive models. While it may not offer every single feature one could hope for, the D-590Z delivers acceptable results with standard subjects photographed under bright and even light, which may make it a suitable introductory camera....
Offering a 4 megapixel resolution and a 3X optical zoom, the D-590Z is clearly intended as a more economical alternative to other Olympus cameras with generally similar capabilities. Moreover, with few external controls, the Olympus D-590 Zoom is simple to operate and can be mastered by anyone in a short time, clearly placing it within the realm of entry-level cameras.'
Read more reviews of the Olympus C-470z/D-590z
Photo Review also have a wonderful article examining the question of whether one should buy a 6 megapixel DSLR or an 8 Megapixel Digital Camera? Which is best?
'On the basis of new cameras announced in the past couple of months we can state with confidence that by the middle of this year there will be at least five 6-megapixel DSLRs and five 8-megapixel, non-interchangeable compact-type digicams on the Australian market. This creates a quandary for photographers who plan to invest in a new digital camera: which type to buy? Going on the pixel count alone, the 8-megapixel digicams seem to have a significant advantage. But high pixel counts aren’t everything: you need to check ‘beneath the bonnet’ to understand the pros and cons associated with both camera types before you can make a well-thought-out decision. The best place to start is with the sensor.'
They go on to examine the pros and cons of each option taking a look at sensor parameters, output parameters, lens multipliers, video and view finders. Its an excellent article for anyone researching their next medium to higher end digital camera purchase.
Read more of 6-megapixel DSLR or 8-megapixel Digicam – Which Should You Buy?
Margaret Brown over at the Australian Photo Review Magazine has an excellent article explaining Colour Fringing.
'Expect to hear a lot more about colour fringing in digital photos as the pixel counts for compact digicams continue to rise, while sensors become smaller. At the same time, expect to see the true reasons for colour fringing misattributed more often than not. To ‘put you in the picture’ (so to speak), if you see coloured fringes along edges in a photograph it can be attributed to one of two effects: chromatic aberration or blooming. The problem is deciding which one is the cause.
If the picture was captured on film, deciding what caused the coloured fringing is easy: only chromatic aberration can be blamed. It’s more difficult if the shot was taken with a digital camera because both blooming and chromatic aberration can create coloured fringes. Teasing out which one is relatively easy once you understand how the fringes are produced....'
Read more of Colour Fringing explained
Photographic.com has a good article on how to stay motivated with your photography - especially for those of you experiencing winter in the northern hemisphere.
'Taking pictures during the summer is a wonderful experience. You’re wandering around in a tee shirt while the sun illuminates your images. The warm weather draws other similar-minded folks and this camaraderie motivates and inspires you. In the fall, the changing colors and crispness of the autumn air are heady—you can’t wait to get outside again with a camera. Your weekends are spent framing shots, exploring color, and developing pictures. Now this is lovin’ photography!
And then the winter hits. The holidays take up your time and energy. The weather may turn cold, muggy and dim. Getting up for a sunrise is unthinkable when compared to staying in your warm bed. Standing outside shivering is no fun, and it’s hard to press the shutter release while wearing mittens. You’re overwhelmed by too much work, too little exercise, and too little inspiration.
Your enthusiasm for making photographs doesn’t have to depend on the season. But a lot of folks do hit a lull at the beginning of the year. So much is happening that seems to tire you out, or there may be little to inspire you photographically. So how do you rekindle that “lovin’ feeling?”'
Read more at Photographic: How to Stay Motivated in Photography
Also check out Digital Photography School for more free Digital Camera Tips on All Topics.
ConsumerReports.org has an excellent summary of some of the trends in digital cameras that we'll see in 2005 which they observed at the recent CES show in Las Vegas. Their main predictions are:
More Camera for Less Money
New Ways to Connect and Print
Multifunction Hardware
Read and expansion of each of these points at ConsumerReports.org - Digital camera preview: What you’ll see in the year ahead 1/05
There is a good article today in the New York Times about Kodak's business model in a changing photographic market:
'For decades, Eastman Kodak thrived on a classic business model: sell lots of cameras at low prices to chalk up outsize profits on the inks, chemicals and papers used for making prints. That strategy collapsed as the digital revolution and foreign competitors pretty much destroyed Kodak's longstanding control of the photography business.
But now, with the success of its easy-to-use digital cameras, Kodak is showing signs of making the old model work again.
“In a sense, Kodak has recreated the old relationship between cameras and film,” said Ulysses Yannas, an analyst with Buckman, Buckman & Reid, who rates Kodak stock a buy. “They no longer get profits from capturing images, but the plan is still to sell supplies and services.”
That is still a contrarian position. Kodak shares, which hovered around $60 at the decade's start, have moved fitfully up and down - but mainly down - in the years since. On Tuesday, the shares closed at $31.55, down 17 cents, but up 58 percent from the low of about $20 set in September, 2003.'
Read more at The New York Times > Business > Kodak Bets Old Strategy Can Go Digital
PRESS RELEASE: Enhancements to KODAK PROSHOTS System Provides Broader Print-Ordering and Creative Options for Pro Photographers and Labs
Greater Product Range, Overall Ease-of-Use Contribute to Improved Workflow
ROCHESTER, January 25, 2005 ¾ Eastman Kodak Company today introduced new versions of KODAK PROSHOTS Studio Software Suite v6.3, KODAK PROSHOTS Basics Software v2.0 and KODAK PROSHOTS Online Services v7.0 that, via labs, will provide photographers with a broader range of templates for their print ordering process. Photographers will also have improved tools for previewing and selling their images to customers in-person or over the Internet.
The KODAK PROSHOTS System, a powerful set of image-management, design and ordering tools, serves professional wedding, social and portrait photographers whether they work with film or digital cameras. PROSHOTS System Participating Labs use hybrid and complete digital lab workflows to offer a broad range of products and services to photographers through the PROSHOTS System. The KODAK PROSHOTS System is the industry’s most-used service of its kind, with more than 40 labs, 11 album and frame companies and two studio management software companies integrating it seamlessly with existing lab products.
“We’re providing photographers and labs with tools that give them more control of their images and products, as well as greater online sales options with their customers,” said Guy Smith, KODAK PROSHOTS System manager, Professional Output. “The KODAK PROSHOTS System has always offered great features that save photographers time and that help them increase sales. With the latest releases in the PROSHOTS system, we continue to improve the options for photographers, whether they are looking for a feature-rich or a simple, streamlined solution.”
PROSHOTS Studio Software Suite v6.3
Available as a free download to photographers with a current version of PROSHOTS Studio Software Suite ¾ or for US$249 for new users ¾ version 6.3 includes enhanced proof book options with a variety of selectable background colors and definable cover pages. Additional improvements include enriched digital product ordering and presentation features:
Lab templates now can be organized into categories, e.g., “Weddings,” “Sports,” etc., for easier navigation.
More sophisticated lab products, e.g., templates with images displayed on an angle or customizable text, can now be displayed and cropped as “what you see is what you get” for better previewing and ordering.
Enhanced slide-show options to play music through a PC, and a slide show that can now easily be saved to be burned later to CD or DVD.
The album and frame interface definitions are streamlined, further enhancing Kodak’s full-featured software product for both photographers and labs.
PROSHOTS Basics Software v2
Already a catalyst for improved workflows for photographers and labs, PROSHOTS Basics Software now includes additional features to simplify the image-ordering process. As with the PROSHOTS Studio Software Suite, PROSHOTS Basics Software now allows the organization of lab templates into categories, and enhanced proof book options are now available. The features are all available in the intuitive, easy-to-use interface for which PROSHOTS Basics Software is known.
In addition, key selling features have been added to PROSHOTS Basics Software. With version 2, users can for the first time:
Preview and order a broad range of lab digital products in a “what you see is what you get” manner.
Access the capabilities of PROSHOTS Online Services to create product and price lists, post images and take orders over the Internet.
Use a new built-in slide show capability for reviewing images with customers.
“With the latest round of enhancements, PROSHOTS Basics Software is not only a great image management and lab print ordering tool, but also an additional way for photographers to benefit from posting their clients’ images online,” said Smith.
For PROSHOTS System Participating Labs, PROSHOTS Basics Software expands the potential printing volume by providing a solution for the estimated one-third of professional photographers who are MACINTOSH OS users.
PROSHOTS Basics software is free, runs on both MACINTOSH OS X and WINDOWS 2000 or XP platforms, and is available as a download at www.kodak.com/proshots/basicsinfo.
KODAK PROSHOTS Online Services v7
The award-winning PROSHOTS Online Services have been redesigned to enhance the image viewing and ordering experience for the increasing number of consumers using the Internet. Redesign features include:
A modern, sophisticated look and feel with a cleaner shopping cart and checkout process.
Improved slide show with faster refresh and improved navigation and speed controls.
Increased image-zoom capability to better view image details.
Access to PROSHOTS Online Services is integrated within PROSHOTS Studio and PROSHOTS Basics Software so photographers only need one piece of software for lab print ordering, in-studio presentations and online selling. A new rewards program provides benefits to photographers the more they make use of PROSHOTS Online Services.
The latest enrichments to the PROSHOTS System continue Kodak’s long-standing commitment to the professional lab and photographer markets and represent an extension of its investments in developing a comprehensive, modular pro lab output system. The PROSHOTS system serves as a gateway for photographers to reach a broader set of customers through the Internet and to access the broad range of products and services that pro labs can offer through the open-architecture, highly productive KODAK PROFESSIONAL Digital Print Production (DP2) software digital and hybrid lab production system.
The PROSHOTS System software updates will be available in March. For more information on the KODAK PROSHOTS System and membership benefits for photographers ¾ including Web site and other training resources ¾ please visit www.kodak.com/proshots/membershipinfo.
Lets Go Digital reviews the Nikon Coolpix 8800 and writes - 'That brings us to the final conclusion that the owner of a Nikon Coolpix 8800 digital camera can call himself lucky to be in possession of a high quality versatile digital camera. A camera that makes it possible to shoot images just like you had them in mind. The user's skills will finally determine the level of the Coolpix 8800. The starter and advanced user have a perfect tool at their disposal at which features like the VR (Vibration Reduction), the high quality zoom lens and the vary-angle monitor are at the base of it. There are no marginal notes to mention of a camera with so many possibilities. The Coolpix 8800 is a true power monster and in that respect also a competitor for cameras like the Nikon D70, Nikon's entry-level digital reflex camera. In short, a high resolution digital camera which is worth every penny, a real winner!'
Read more reviews of the Nikon Coolpix 8800
The Tech Zone reviews the Canon Powershot S1 IS digital camera and writes - 'The S1 offers enough manual controls for the more experience photographers but it's also a good point and shoot camera. In full auto mode the S1 had some trouble in low light conditions - it tends turns the ISO up too much - but for the most part, the S1 performed great no matter what the situation. One of my favorite feature not found in cameras of this price range is the flash exposure control. This is perfect for close-up product shot when I need to use a flash. Most of the time the flash will just wash out the image. The S1 allows you to adjust the intensity of the flash to get just enough light.
The Canon PowerShot S1 IS will please both the beginner and the advanced photographer with its great photo quality and feature list. If you're looking for a light weight, stylish, moderately priced camera that can get you close to that sports action or booth babe, the Canon PowerShot S1 IS is the digital camera for you.'
Read our Full Review of the Canon Powershot S1 IS.
EE Times writes - 'A Taiwanese technology consortium is putting the finishing touches on a new memory card format that it says is compatible with the popular Secure Digital and MultiMediaCard formats already in the market but offers speeds twice that of USB 2.0 at a cheaper price.
The Taiwanese card format is dubbed M¼-Card, which stands for micro ¼ card, and it is backed by a handful of local card makers, system designers and IC design houses. Also backing the effort is a quasi-government research group, the Industrial Technology Research Institute (ITRI), which coordinated the effort.
The group has formed a M¼-Card Alliance to promote the card, and to coordinate further technical development of the format. Its membership is currently limited to the original members who conducted research related to the technology, but it is preparing to open the group to at least 40 other local companies that have expressed interest in the format.'
Pentax today have announced the released of their PocketJet 3 Series of Mobile printers . The PocketJet 3 Plus (pictured) has 300dpi printing and weighs less than a pound. It will retail for around $450.
Read more about the Pentax PocketJet 3 Printers at Printer News Blog
Photoexels reviews the Olympus Camedia C-7000 Zoom and writes - 'The Olympus Camedia C-7000 Zoom is a full-featured digital camera with very good image quality, very low noise and f-a-s-t operation with no practical shutter lag -- all in a compact and very light body.
The Olympus C-7000 has a large and high resolution 2 in. LCD monitor with a fast refresh rate giving a clear and smooth display. Other professional features are a live histogram (with a unique “direct” feature), AF Area selection anywhere on the screen, and the possibility to record in RAW file format.
The Olympus C-7000 will please serious amateur photographers looking for a compact and full-featured digital camera. Most of these features are accessed through a redesigned and clearer Menu structure.'
Read more about the Olympus Camedia C-7000 Digital Camera
DCRP reviews the Konica Minolta Maxxum 7D and writes - 'There's a lot to like about the Konica Minolta Maxxum 7D, and I'm not quite sure where to begin, so I'll start with its design. The 7D is extremely well-built and offers plenty of dials and switches, as well as a large 2.5“ LCD display. At first all those knobs seem a little intimidating, but I like how easy it is to change things in this way. At the same time, I wish some of them had locks, as I screwed up the metering on more than one occasion. The 7D is sturdy and easy to hold, thanks to a large, rubberized right hand grip. The camera enjoys full compatibility with all Maxxum AF lenses. But the real bonus here is the Anti-shake system: almost any lens you attach to the camera will have image stabilization, since it's the CCD that's stabilized and not the lens. And this system will help reduce the effects of camera shake when you're taking pictures indoors without the flash, or outdoors with a telephoto lens (though I didn't get the chance to test the latter).'
Read more reviews of the Konica Minolta Maxxum 7D Digital Camera
Buy the Konica Minolta 7D
Pocket Lint reviews the Konica Minolta DiMAGE Xg and writes - 'If you want a small, easily pocketed, yet stylish digicam the Konica Minolta DiMAGE Xg might be the one for you. Opening the box and hefting this little beauty for the first time makes a real impact. The wife has the original ‘X’ version of this. The Xg is the latest update and at 20mm thin and weighing in at only 120g, it’s remarkably small and stylish. It betters the original for sheer exuberance in its red livery....
Overall, given the camera’s sheer must-have design, its nice build and generally good image quality, the Xg is shoe-in for anyone wanting a small, stylish digicam with enough resolution for reasonably sized prints.
It’s fairly basic in terms of manual controls, but given its target point-and-shoot market, this is not a major problem. The DiMAGE Xg is surely one of the nicest point’n’shooters on the market (it comes in silver, red and blue liveries) and should be near the top of your list if you’re in the game to buy just such a digital camera.'
Read more reviews of the Konica Minolta DiMage XG
I just had an email from a reader email the following question asking for help in getting the sky exposed right in his digital images.
I've notice that whenever I take scenery shots or taking shots on days when its sunny with blue skies or when its cloudy and the sky seems very pearl white, the pictures I took tend to be very dark and grainy. I read the manual and they suggested adjusting the white balance and change the settings, which I did but the results are the same. Sometimes the pictures are brilliant but most of the time its either very grainy or both grainy and dark. The manual said that the (digital) camera will have trouble adjusting when the subject is predominantly of one or two colours, which explains the predominant of blue in sky or ocean shots.
I am very frustrated as I have missed many opportunities to take beautify scenes involving blue skies. I end up taking a few hundred shots and hope that may be one or two will turn out the way I see it. I wonder if you know of any other ways around this?
This is a problem that many users of compact digital cameras have. My personal suggestion was to keep the sun at your back when shooting and to keep experimenting with white balance settings. Check out the two photos below that I took of of the same monument in Lisbon taken within minutes of one another (on my little Canon Powershot A70 to see the difference of shooting into the sun (and composition) can make to the color of the sky in your shots.
In addition to being aware of the sun there are a few other tips worth checking out below in some of the following tutorials and tips from around the web on getting your sky exposed right so that it comes out nice and blue instead of those terrible whites:
- Sky as a part of Photograph - Some good advice on photographing the sky including on the dreaded 'white sky' problem. Tips include recomposing the picture, using a polarizing filter, using a flash and using other filters.
- B+W Polarization Filters - Good tips on how Polarization filters help in a variety of situation.
- Digital Camera Settings and Controls - Some good general tips on exposure and settings that includes some tips on white balance control for different conditions.
- White Sky Solution - A forum discussion on why sky problems with digital cameras with a couple of solutions including the old 'hold your polarized sunglasses in front of the lens' trick - it works!
- Problem with Over Exposure - Another forum on the topic with some good tips including - keep your back to the sun and use metering techniques.
Of course you can always add blue to your sky after taking the photo using a variety of techniques like the one outlined in Luminous Landscape's White Sky Blues.
Feel free to add your own personal tips or suggestions of sites with good tutorials on the topic.
I'm really happy to announce a great new offer for Digital Photography Blog readers from foto burst. Where they will give you one month's free use of their Group Photo Albums.
The difference of this service to others that I've seen is that you are able to invite friends and family to become contributors to an album - but that it is so easy to use that they won't be overwhelmed by the admin of having to know how to add photos - all they have to do is email them for submission.
When